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  • Stabi Berlin  (135)
  • Bibliothek im Kontor
  • SB Perleberg
  • Jüdisches Museum
  • 2015-2019  (135)
  • Kunstgeschichte  (135)
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  • 1
    Bild
    Bild
    London :Tate Publishing,
    UID:
    almahu_BV044274526
    Umfang: 192 Seiten : , Illustrationen.
    ISBN: 1-84976-452-2 , 978-1-84976-452-0
    Inhalt: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Anmerkung: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): Kunst ; Homosexualität ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Berlin ; Bern ; Bruxelles :Peter Lang, | Berlin :Centrum Badań Historycznych PAN w Berlinie.
    UID:
    almahu_BV046676736
    Umfang: 290 Seiten : , Illustrationen.
    ISBN: 978-3-631-78053-4
    Inhalt: This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin's art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-631-81415-4
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-631-81416-1
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-3-631-81417-8
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): Avantgarde ; Kunst ; Künstlerin ; Künstler ; Konferenzschrift ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Cambridge :Cambridge University Press,
    UID:
    almafu_BV045221122
    Umfang: xix, 428 Seiten : , Illustrationen, Karten.
    ISBN: 978-1-107-17226-5 , 978-1-316-62353-4
    Serie: Cambridge companions to culture
    Inhalt: "During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age"...
    Inhalt: "Even today few people are unaffected by the term 'Dutch Golden Age'. So commonly has the phrase been applied to the Dutch seventeenth century in, for instance, museums, (art) history books, and tourist guides that it seldom fails to conjure up a range of iconic associations. For many, it will evoke pictures by Rembrandt, Vermeer, Hals, or one of the many other only slightly less famous painters. Others associate it primarily with Dutch economic prosperity and the Republic's trade empire, and might envision the rich merchant houses along the Amsterdam canals, Delftware, or the great East Indiamen of the VOC. Some will think of one or two of the many wars fought by the Dutch Republic, most likely the revolt against Habsburg Spain, the three naval wars against England, or the battles against Louis XIV's France. Grotius, Huygens, Spinoza and the great intellectual achievements of the seventeenth-century Dutch Republic might be less prominent in the minds of most people, as would be the rest of its immense textual heritage, but still one can expect one or two mentions from that field as well. And that is only scratching the surface: evidently, the Dutch Golden Age connotes a great many, very disparate things that are nevertheless distinctive enough to be called Dutch."...
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Geschichte , Kunstgeschichte
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    Schlagwort(e): Kultur ; Geschichte ; Landesentwicklung ; Wasserstraße ; Migration ; Militär ; Politik ; Wirtschaft ; Kunstmarkt ; Protestantismus ; Genremalerei ; Literatur ; Wissenschaft ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    almafu_BV046113948
    Umfang: 424 ungezählte Seiten : , Illustrationen , 31 Fotobeilagen
    ISBN: 978-94-6208512-1
    Inhalt: Headdresses and coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, gender, ethnicity, religion, profession and sub-culture. As part of a cultural identity, they can be used to distinguish or divide people, but may also serve as a constructive instrument that allows us to recognise mutual differences as a common value. Cultural identity is continuously evolving. Photos and texts provide a vehicle to question prevailing dynamics of identity and identification, visual stereotypes and cultural representation. Daniela Dossi's long-term residency at the open and collective studio Manoeuvre, a multidisciplinary artist-run space in Ghent's Rabot neighbourhood, resulted in an open design method, a textile research project based on a visual and textual archive of headdresses from around the world, and a preliminary collection of hybrid headdresses. The super-diversity of the studio provided the ideal context for this research. Together with Dossi, participants from diverse backgrounds and origins made 800 textile samples by hand using different techniques. Based on this open system, new hybrid headdresses and narratives can be designed by remixing images, texts and textiles: what might the headdress of the first Mexican, female President of the United States look like, for example? 'Hybrid Heads' is a project by Daniela Dossi and Manoeuvre. It is also an exhibition, an interactive installation, a web platform and a design-educational programme.
    Anmerkung: Colophon: A project by Daniela Dossi and Manoeuvre, developed in the context of an art residency at Maneouvre (Ghent, BE) in 2014-15 and further developed in 2016-19. Published in conjunction with the exhibition 'Hybrid Heads', Design Museum Gent, 05.04.19-10.06.19
    Sprache: Englisch
    Fachgebiete: Ethnologie , Kunstgeschichte
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    Schlagwort(e): Dossi, Daniela ; Installation ; Kopfbedeckung ; Kopfbedeckung ; Kulturelle Identität ; Bedeutung ; Textilforschung ; Projekt ; Dossi, Daniela ; Kopfbedeckung ; Design ; Methode ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Bild
    Bild
    New York, NY :Rizzoli Electa,
    UID:
    almahu_BV044854138
    Umfang: 319 Seiten : , Illustrationen.
    ISBN: 978-0-8478-6055-5 , 0-8478-6055-8
    Inhalt: An icon of performance art and the indie-music world, this is the first book on the artist's full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an "experimental marvel" by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist's own words.--Amazon
    Anmerkung: Out on the ice -- This mist be the place - Talking statues - Made of light - This is your captain - Speak my language - From the air - Time to go
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): 1947- Anderson, Laurie ; Performance ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 6
    UID:
    gbv_1684659590
    Umfang: 1 Online-Ressource (XIX, 423 Seiten)
    ISBN: 9783110607772 , 9783110607529
    Serie: Forschungsberichte / Interdisziplinäre Arbeitsgruppen Band 42
    Inhalt: Frontmatter -- INHALTSVERZEICHNIS -- DANK -- MITGLIEDER DER INTERDISZIPLINÄREN ARBEITSGRUPPE »HISTORISCHE GÄRTEN IM KLIMAWANDEL« -- EINFÜHRUNG / Hüttl, Reinhard F. / David, Karen / Schneider, Bernd Uwe -- INTRODUCTION / Hüttl, Reinhard F. / David, Karen / Schneider, Bernd Uwe -- KUNSTGESCHICHTE UND GARTENDENKMALPFLEGE -- EINLEITUNG / David, Karen / Salge, Christiane -- DER KULTURELLE WERT HISTORISCHER GÄRTEN ALS GESCHICHTSDOKUMENT UND KUNSTWERK / Buttlar, Adrian von -- HISTORISCHE GÄRTEN ALS KULTURAUFGABE / Rohde, Michael -- HISTORISCHE GÄRTEN ALS ORTE NATURWISSENSCHAFTLICHEN UND TECHNISCHEN WISSENS / Ash, Mitchell G. -- ON THE SOCIAL HISTORY OF STEAM-POWERED GARDENS IN BERLIN AND POTSDAM / Wise, M. Norton -- »DER EINFLUSS DES HIMMELS« / Abe, Florian -- »KLIMA, BODEN, STANDORT UND TAUSEND ANDERE DINGE MÜSSEN IN BETRACHT GEZOGEN WERDEN« / Salge, Christiane -- GELÄNDEMODELLIERUNG ALS KÜNSTLERISCHER AKT UND DIE REPRÄSENTATION IM BILD / David, Karen -- GÄRTNERN MIT DEM STROM / Köhler, Marcus / Pfriem, Jenny -- ANSÄTZE VON NACHHALTIGKEIT IM UMGANG MIT HISTORISCHEN GÄRTEN / Butenschön, Sylvia -- NATURRÄUMLICHE AUSSTATTUNG -- EINLEITUNG / Schneider, Bernd Uwe / Hüttl, Reinhard F. -- DER DERZEITIGE UND DER ZUKÜNFTIGE KLIMAWANDEL IN DEN HISTORISCHEN PARKS BERLIN-BRANDENBURGS / Russo, Emmanuele / Cubasch, Ulrich / Pittke, Gregor -- WIE WIRKT SICH DER TIERGARTEN BERLIN AUF DAS WOHLBEFINDEN DER MENSCHEN AUS? / Zhang, Huiwen / Chi, Xiaoli / Müller, Felix / Langer, Ines / Sodoudi, Sahar -- DIE STANDÖRTLICHE VARIABILITÄT VON BÖDEN UND WASSERHAUSHALT IN HISTORISCHEN GÄRTEN UND KULTURLANDSCHAFTEN UND IHRE BEDEUTUNG FÜR DIE ANPASSUNG AN DEN KLIMAWANDEL / Schneider, Bernd Uwe / Frede, Hans-Georg / Kaiser, Knut / Hüttl, Reinhard F. -- HERKUNFT UND DIVERSITÄT DER GEHÖLZE IN LANDSCHAFTLICHEN GÄRTEN AM BEISPIEL DER PARKS DER STIFTUNG PREUSSISCHE SCHLÖSSER UND GÄRTEN BERLIN-BRANDENBURG (SPSG) / Kühn, Norbert -- BEREICHERUNG ODER BEDROHUNG? / Hof, Christian -- WILDTIERE IN HISTORISCHEN GÄRTEN / Herzog, Sven -- SATELLITENGESTÜTZTES UMWELTMONITORING / Schmäh, Lars / Tervooren, Steffen -- TECHNISCHE VERFAHREN ZUR SCHADENSANALYSE AN HISTORISCHEN BAUTEN UND DENKMÄLERN / Hillemeier, Bernd -- GESELLSCHAFTLICHE RAHMENBEDINGUNGEN UND SOZIALWISSENSCHAFTLICHE PERSPEKTIVEN -- EINLEITUNG / Hiß, Stefanie -- DIE GESELLSCHAFTLICHE EINBETTUNG HISTORISCHER GÄRTEN UND IHRE KLIMAWANDEL-RESILIENZ / Hiß, Stefanie / Teufel, Bernd -- DIE GESELLSCHAFTLICHE INWERTSETZUNG VON KULTURERBE / Plieninger, Tobias -- NARRATIVE LANDSCHAFTEN ALS LERNRAUM IM WANDEL / Robischon, Marcel -- PARKORDNUNGEN HISTORISCHER GÄRTEN AUS SPRACHWISSENSCHAFTLICHER SICHT / Tintemann, Ute -- WIE KOMMT DER KLIMAWANDEL ZU DEN HISTORISCHEN GÄRTEN? / Dorgerloh, Hartmut / Hiß, Stefanie -- INTERNATIONALE PERSPEKTIVEN -- EINLEITUNG / David, Karen -- DEALING WITH THE CONSEQUENCES OF CLIMATE CHANGE IN HISTORIC PARKS AND GARDENS IN THE UNITED KINGDOM / Woudstra, Jan -- THE RECONSTRUCTION OF HISTORIC PARKS AND GARDENS IN THE CONTEXT OF CLIMATE CHANGE / Dix, Brian -- KLIMAANPASSUNG / Fallani, Massimo de Vico -- THE WATER SYSTEM OF THE 18TH-CENTURY GARDEN IN BOGORODITSK IMPERIAL PROPERTY (TULA REGION) / Veselova, Alexandra -- AESTHETICS AND SUSTAINABILITY IN THE RUSSIAN WATER PARKS, FROM THE BAROQUE TO 21ST CENTURY / Sokolov, Boris -- RESÜMEE -- HISTORISCHE GÄRTEN IM KLIMAWANDEL / Hüttl, Reinhard F. / David, Karen / Schneider, Bernd Uwe -- HISTORIC GARDENS AND CLIMATE CHANGE / Hüttl, Reinhard F. / David, Karen / Schneider, Bernd Uwe -- AUTORINNEN UND AUTOREN -- FARBTAFELN
    Inhalt: Historische Gärten sind als denkmalgeschützte Kulturgüter wertvolle Zeugnisse unserer Zivilisation. Wie lassen sie sich unter veränderten klimatischen Bedingungen bewahren? Anhand von vier historischen Gartenanlagen wird der natürliche, kulturelle und soziale Rahmen analysiert, in den die "Bilder" des Gartens eingeschrieben sind. Welche Handlungsoptionen bestehen jedoch, wenn Pflanzen oder Bäume den standörtlichen Gegebenheiten nicht mehr angepasst sind? Vertreter aus den Natur-, Geistes- und Sozialwissenschaften sowie der Gartendenkmalpflege stellen erstmals gemeinsam Lösungsstrategien für die Bewahrung historischer Gärten als Gesamtkunstwerke unter dem Vorzeichen des Klimawandels vor
    Inhalt: Historical gardens listed as cultural monuments are valuable evidence of our civilization. How can they be preserved under changing climatic conditions? On the basis of four historical gardens, this project analyzes the natural, cultural and social framework in which the "images" of the garden are inscribed. Yet, what courses of action are possible if plants or trees are no longer adapted to the local conditions? Representatives from the natural and social sciences, the humanities, and historical garden conservation present their first joint solution strategies for the preservation of historical gardens as complete works of art facing climate change
    Anmerkung: Erscheint als Open Access bei De Gruyter , Beiträge teilweise deutsch, teilweise englisch
    Weitere Ausg.: ISBN 9783110607482
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Historische Gärten und Klimawandel Berlin : De Gruyter Akademie Forschung, 2019 ISBN 9783110607482
    Sprache: Englisch
    Fachgebiete: Technik , Kunstgeschichte
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    Schlagwort(e): Gartendenkmal ; Klimafaktor ; Aufsatzsammlung ; Edited volumes ; Case studies
    URL: Cover
    URL: Cover
    URL: FULL
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  • 7
    UID:
    almahu_BV042832968
    Umfang: XVI, 384 Seiten : , Illustrationen.
    ISBN: 978-90-04-28755-6 , 978-90-04-30413-0
    Serie: Leonardo studies volume 1
    Anmerkung: Includes bibliographical references and index , Preface: "Poni il vero mezzo...", Constance Moffatt〈br〉 Preface: "Masso Miglio Ala Formica", Sara Taglialagamba〈br〉 Introduction: Constance Moffatt and Sara Taglialagamba Moffatt and Taglialagamba 〈br〉 Part 1 Books and Influence〈br〉Chapter 1 One for the Books: A Bibliographical "Gleaning" for CP Max Marmor - 2 The Codex Corazza and Zaccolini's Treatises in the Project of Cassiano dal Pozzo for the Spreading of Leonardo's Works Alfredo Buccaro - 3 A Copy of Sacrobosco's Sphaera in Mirror Script Attributed to Matteo Zaccolini Domenico Laurenza〈br〉Part 2 Dissemination of Knowledge〈br〉Chapter 4 A Short Note on Artisanal Epistemology in Leonardo's Treatise on Painting Claire Farago - 5 Leonardo's Cartonetti for Luca Pacioli's Platonic Bodies Pietro C. Marani〈br〉Part 3 Architecture〈br〉6 Giuliano da Sangallo and Leonardo da Vinci: Cross-Pollination or Parallels? Sabine Frommel - 7 Evidence of Leonardo's Systematic Design Process for Palaces and Canals in Romorantin Matthew Landrus - 8 Vitruvius in the Trattato dell'Architettura by Luca Pacioli Francesco P. Di TeodoroChapter 9 Notes on Leonardo and Vitruvius Richard Schofield〈br〉Part 4 Painting and Drawing〈br〉10 Why Did Leonardo Not Finish the Adoration of the Magi? Francesca Fiorani - 11 "Here's Looking at You": The Cartoon for the So-called Nude Mona Lisa Martin Kemp - 12 Leonardo da Vinci's Mona Lisa: A Portrait Without a Commissioner? Joanna Woods-Marsden - 13 Leonardo's Followers in Lombardy. Girolamo and Giovan Ambrogio Figino Annalisa Perissa Torrini〈br〉Part 5 Machines〈br〉14 A Machine to "Build" Artilleries Andrea Bernardoni - 15 Bombards and Noisy Bullets Pascal Brioist - 16 Leonardo and the artes mechanicae Romano Nanni , Part 6 Sculpture〈br〉17 "The Sculptor Says" Carlo Vecce - 18 Leonardo and the Trivulzio Monument: Some Questions and Evidence (1507-1518) Marino Viganò〈br〉Part 7 Science and Nature: The Body, the Body of the Earth〈br〉19 The Midpoint of the Human Body in Leonardo's Drawings and in the Codex Huygens Paola Salvi - 20 Drawing Bridges: Leonardo da Vinci on Mastering Nature Leslie Geddes - 21 Leonardo da Vinci's Hydraulic Systems and Fountains for His French Patrons Louis XII, Charles d'Amboise, and Francis I Sara Taglialagamba - 22 Pyramids, Rays, Points, and "Spiritual Powers": Leonardo's Research during the Last Decade of the Fifteenth Century Fabio Frosini - 23 A Hydraulic System Drawing by Leonardo: Some Evaluations Damiano Iacobone - 24 Leonardo's Maps Constance Moffatt - 25 Sightings, Mistakes, and Discoveries "al verso" Alessandro Vezzosi
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): da Vinci 1452-1519 Leonardo ; 1928-2018 Pedretti, Carlo ; Festschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Festschrift ; Festschrift ; Aufsatzsammlung
    Mehr zum Autor: Taglialagamba, Sara
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  • 8
    Buch
    Buch
    Oakland, California :University of California Press,
    UID:
    almafu_BV045516396
    Umfang: x, 310 Seiten : , Illustrationen.
    ISBN: 978-0-520-29938-2
    Inhalt: "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher
    Anmerkung: Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97113-4
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): Integrität ; Politische Kunst ; Ästhetik ; Kunst ; Rechtssystem
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  • 9
    Buch
    Buch
    Oakland, California :University of California Press,
    UID:
    almafu_BV043002258
    Umfang: xiv, 242 Seiten : , Illustrationen.
    ISBN: 978-0-520-28670-2
    Inhalt: Artists against war and fascism -- Doom -- End your silence -- A network of artist/activists -- Not in our name
    Inhalt: "Beginning with responses to fascism in the 1930s and ending with protests against the Iraq wars, David McCarthy shows how American artists--including Philip Evergood, David Smith, H. C. Westermann, Ed Kienholz, Nancy Spero, Leon Golub, Chris Burden, Robert Arneson, Martha Rosler, and Coco Fusco--have borne witness, registered dissent, and asserted the ability of the imagination to uncover truths about individuals and nations. During what has been called the American Century, the United States engaged in frequent combat overseas while developing technologies of unprecedented lethality. Many artists, working individually or collectively, produced antiwar art to protest the use or threat of military violence in the service of an expansionist state. Creative work was a way to participate in democratic exchange by challenging and clarifying government and media perspectives on armed conflict."--Provided by publisher
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): Künstler ; Krieg ; Kunst ; Friedensbewegung ; Kunst ; Politik
    Mehr zum Autor: McCarthy, David 1960-
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  • 10
    UID:
    almafu_BV043814195
    Umfang: 280 Seiten ; , 28 cm.
    ISBN: 978-0-500-25220-8
    Inhalt: Accompanying a major exhibition at the National Maritime Museum, this book provides a fresh evaluation of Emma Hamilton's artistic undertakings, cultural achievements and legacy. Emma Hamilton (1765-1815) rose to national and international fame as a model, performer, trendsetter and interpreter of neoclassical fashion. Yet she is often presented as the muse to painters such as George Romney, or partially obscured by the reputation of her lover, Horatio Nelson, hero of naval battles in the Napoleonic Wars. The tragic trajectory of her life, from childhood prostitution to final destitution and neglect, has also been used to present her story as by turns sordid and ridiculous. This publication aims to recover Emma from myth and misrepresentation, and reveals her as an active and influential historical actor in her own right. The arc of this life is viewed through a new lens, one that places her in a wider context of female celebrity in a society that severely restricted women's opportunities and in which divorce was a far greater shame than infidelity or cruelty. Exhibition: National Maritime Museum, Greenwich, Great Britain (04.11.2016 - 17.04.2017)
    Anmerkung: Published to accompany the exhibition ... National Maritime Museum, Greenwich, London, 3 November 2016 - 17 April 2017
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
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    Schlagwort(e): 1765-1815 Hamilton, Emma ; Ausstellungskatalog ; Biografie ; Ausstellungskatalog ; Biografie ; Katalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog
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