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  • Image  (192)
  • Stabi Berlin  (192)
  • Inst. Menschenrechte
  • 2015-2019  (192)
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  • 1
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    New York : Museum of Modern Art | Distributed in the United States and Canada by Artbook/D.A.P.
    UID:
    b3kat_BV045004608
    Format: 276 Seiten , Illustrationen
    ISBN: 9781633450332
    Content: "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them"
    Note: Impressum: "Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018" , Adrian Piper: reading the work , Adventures in reasonland , Propositions to politics: Adrian Piper's conceptual paradigms , Contrapositional becomings: Adrian Piper performs questions of identity , Plates -- , Xenophobia, stereotypes, and empirical acculturation: Neo-Kantianism in Adrian Piper's performance-based conceptual art , Body and soul , Adrian Piper and the rhetoric of conceptual art
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Piper, Adrian 1948- ; Ausstellungskatalog ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog
    Author information: Piper, Adrian 1948-
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  • 2
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    London : Tate Publishing
    UID:
    b3kat_BV044274526
    Format: 192 Seiten , Illustrationen
    ISBN: 1849764522 , 9781849764520
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
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    Keywords: Großbritannien ; Kunst ; Homosexualität ; Geschichte 1861-1967 ; Ausstellungskatalog ; Ausstellungskatalog
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  • 3
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    Boston : Institute of Contemporary Art | New Haven ; London : Yale University Press
    UID:
    b3kat_BV043171943
    Format: 399 Seiten , 33 cm
    ISBN: 9780300211917
    Content: In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making the arts central to learning. Though it operated for only twenty-four years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Karen Karnes, Willem de Kooning, and M.C. Richards, and students included Ruth Asawa, John Chamberlain, Ray Johnson, Robert Rauschenberg, and Cy Twombly. Leap Before You Look is a singular exploration of this legendary school and the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the college--spanning everything from the college's farm program to the influence of the Bauhaus--and about the people and ideas that gave it such a lasting impact. Catalogue entries highlight selected works, including writings, musical compositions, visual arts, pottery, and weaving. The book's fresh approach and rich illustrations convey the atmosphere of creativity and experimentation unique to Black Mountain College that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in art, radical pedagogy, and the enduring legacy of the college. -- Front jacket flap
    Note: Kolophon: "Published on the occasion of the exhibition 'Leap before you look : Black Mountain College, 1933-1957' organized by the Institute of Contemporary Art/Boston, October 10, 2015 - January 24, 2016. Hammer Museum, University of California, Los Angeles, February 21 - May 14, 2016. Wexner Center for the Arts, The Ohio State University, Columbus, September 17, 2016 - January 1, 2017."
    Language: English
    Subjects: Art History
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    Keywords: Black Mountain College ; Kunst ; Geschichte 1933-1957 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Molesworth, Helen 1966-
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  • 4
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    London, UK : Black Dog Publishing
    UID:
    b3kat_BV043866186
    Format: 191 Seiten , Illustrationen , 28 cm
    ISBN: 9781910433942
    Content: It is now almost 25 years since the fall of the Berlin Wall, the fragmentation of the Soviet Union into a series of republics and the rejection of communist politics in much of the former Eastern Bloc. Seen by many as a victory for the capitalist West over the communist East, the geopolitics of this period was far more complicated than this. Across a series of essays and artist contributions, Red Africa explores the crosscurrents of international solidarity and friendship. The aesthetic experience of the works and the exhibition is also an invitation for the visitor to explore what Leila Ghandi and others have described as a politics of affective community. Red Africa is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International, discontinued during Stalin's reign, then brought back during Khruschev's thaw. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting liberation struggles or which, post-independence, were part of the Non-Aligned Movement which held its first Summit conference in Belgrade in 1961. Red Africa is beautifully illustrated with film stills, artworks and archival images drawing on the extensive research of the contributing artists, researchers and curators. Contributors include Onejoon Che, Radovan Cukic and Ivan Manojlovic, Ros Gray, Ana Balona de Oliveira, Burt Cesar, Filipa Cesar, Angela Ferreira, Yevgenyi Fiks, Kiluanji Kia Henda, Isaac Julien, Alexander Markov, Jo Ratcliffe, Polly Savage, Nadine Siegert, Manuela Ribeiro Sanches, The Travelling Communique Group, Milica Tomic, Tonel and Vanessa Vasic-Janekovic
    Note: Includes bibliographical references
    Language: English
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    Keywords: Afrika ; Sowjetunion ; Ostblock ; Ost-West-Konflikt ; Geschichte 1945-2002 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
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  • 5
    UID:
    gbv_885660633
    Format: 18 Seiten, 62 ungezählte Seiten , Illustrationen , 24 cm
    ISBN: 9783956792595 , 3956792599
    Note: Foreword: "The joint exhibition "The Rough Law of Gardens", which was shown concurrently in 2015 at the Kunstmuseum in Bochum, Germany and at the Mishkan Museum of Art, Ein Harod ..."
    Language: English
    Keywords: Holzapfel, Olaf 1969- ; Ṭēvēt, Naḥûm 1946- ; Ausstellungskatalog
    Author information: Holzapfel, Olaf 1969-
    Author information: Ṭēvēt, Naḥûm 1946-
    Author information: Golinski, Hans Günter 1954-
    Author information: Bar-Or, Galia 1952-
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  • 6
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    New Haven ; London : Yale University Press
    UID:
    b3kat_BV044953162
    Format: 542 Seiten , Illustrationen , 27 cm
    ISBN: 9780300100723 , 0300100728
    Content: "Charlotte Salomon (1917-1943) is renowned for her monumental Life? or Theater?, which comprises 784 paintings the artist created in France between 1941 and 1942, before she was sent to Auschwitz where she was killed in 1943. In this in-depth monograph of the iconic work, Griselda Pollock offers a complex reading of Salomon's unique combination of image, text, and music. Without underestimating the tragic violence of her death in the Holocaust, Pollock seeks to reveal the artist's place within European modernism. In addition to discussing how Salomon's project resonates with the work of those who shared her situation of menaced exile, such as Walter Benjamin, Sigmund Freud, and Hannah Arendt, Pollock reveals how Life? or Theater? raises the issue of sexual abuse of women within the artist's family. Full of close visual analysis, this groundbreaking book offers new insight into Salomon's powerful work in its historical and cultural moment"--
    Note: Literaturverzeichnis Seite 528-535
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Salomon, Charlotte 1917-1943 ; Malerei ; Geschichte 1941-1942 ; Biografie
    Author information: Pollock, Griselda 1949-
    Author information: Salomon, Charlotte 1917-1943
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  • 7
    UID:
    b3kat_BV045087184
    Format: xxvii, 751 Seiten , Illustrationen, Karten, Pläne
    Edition: First edition
    ISBN: 9780199670697 , 0199670692
    Series Statement: Oxford handbooks
    Content: Real understanding of past societies is not possible without including children, and yet they have been strangely invisible in the archaeological record. Compelling explanation about past societies cannot be achieved without including and investigating children and childhood.00However marginal the traces of children's bodies and bricolage may seem compared to adults, archaeological evidence of children and childhood can be found in the most astonishing places and spaces. The archaeology of childhood is one of the most exciting and challenging areas for new discovery about past societies. Children are part of every human society, but childhood is a cultural construct. Each society develops its own idea about what a childhood should be, what children can or should do, and how they are trained to take their place in the world. Children also play a part in creating the archaeological record itself
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780191860782
    Language: English
    Subjects: History
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    Keywords: Archäologie ; Kind ; Aufsatzsammlung ; Aufsatzsammlung
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  • 8
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    London ; New York, NY : Phaidon Press
    UID:
    b3kat_BV043176656
    Format: 512 Seiten , Karte , 184 mm x 124 mm
    Edition: 1st published
    ISBN: 9780714869629 , 0714869627
    Content: Quirky, surprising and entertaining - with more than 400 houses, Jutaku is architecture at the speed of Japan. Frenetic. Pulsating. Disorienting. Japan's contemporary culture is constantly in flux. In stark contrast to the centuries old imperial architecture of Kyoto, recent Japanese architectural practices have ushered in an era of continuous experimentation. With 500 houses, one house per page, one image per house, 'Jutaku: Japanese houses' is a fast-paced, 'quick hit' shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japan's most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming and completely unknown young architects, 'Jutaku' is organized geographically taking readers on a bullet train journey across Japan's architectural landscape. Essential reading for architects, designers and fans of contemporary Japanese culture
    Content: "Featuring more than 400 houses - one per page, one image per house - Jutaku: Japanese Houses is a fast-paced, shock to the system that shines a Harajukubright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japans̕ most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming or as yet unknown young architects, Jutaku is organized geographically, speeding readers on a bullet train journey across Japans̕ architectural landscape."--
    Language: English
    Subjects: Engineering , Art History
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    Keywords: Japan ; Einfamilienhaus ; Stadthaus ; Geschichte 1998-2014 ; Bildband ; Bildband
    Author information: Pollock, Naomi 1971-
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  • 9
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    Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press
    UID:
    b3kat_BV044412932
    Format: xii, 316 Seiten , Illustrationen
    ISBN: 9780773549371
    Content: In the resistance to the violence of gender-based oppression, vibrant - but often ignored - worlds have emerged, full of nuance, humour, and beauty. Correcting a glaring omission of writing about contemporary feminist work by Canadian artists, Desire Change considers the resurgence of feminist art, thought, and practice in the past decade by examining artworks that respond to themes of diversity and desire. Essays by historians, artists, and curators present an overview of a range of artistic practices including performance, installation, video, textiles, and photography. Contributors address the desire for change through three central frames: how feminist art has significantly contributed to the complex understanding of gender as it intersects with sexuality and race; the necessary critique of patriarchy and institutions as they relate to colonization within the Canadian national-state; and the ways in which contemporary critiques are formed and expressed. The resulting collection addresses art through an activist lens to examine intersectional feminism, decolonization, and feminist institution building in a Canadian context. Heavily illustrated with representative works, Desire Change raises both the stakes and the concerns of contemporary feminist art, with an understanding that feminism is always and necessarily plural.--
    Note: Acknowledgments -- Foreword / Shawna Dempsey and Dana Kletke -- Introduction / Heather Davis. 1 A past as rich as our futures allow: a genealogy of feminist art in Canada / Kristina Huneault and Janice Anderson. Desire: intersections of sexuality, gender, race: proposition for twenty-first-century feminism 1: on sex, gender, and feminism : 2 "They aren't a boy or a girl, they are mysterious": finding possible futures in loving animals and aliens / Karin Copy -- Fashioning race, gender, and desire: Cheryl Sim's Fitting Room and Mary Sui Wong's Yellow Apparel / Alice Ming Wai Jim -- 4 Queering abjection: a lesbian, feminist, and Canadian perspective / Jayne Wark -- 5 The appearance of desire / Thérèse St-Gelais, translated by Sue Stewart. Desiring change: decolonization: proposition 2: on colonial patriarchy and matriarchal decolonization : 6 Resistance as resilience in the work of Rebecca Belmore / Ellyn Walker -- , 7 Desirous kinds of indigenous futurity: on the possibilities of memorialization / Tanya Lukin Linklater -- beyond nationhood: a collaborative text / Leah Decter, Ayumi Goto, and Peter Morin -- 8 "All that is Canadian": identity and belonging in the video and performance artwork of Camille Turner / Sheila Petty -- 9 Mother me / Jenny Western. Forms of desire: institutional critique and feminist praxis: proposition 3: on institutional critique : 10 Vancouver 1989: Kathleen Ritter in conversation with Lorna Brown, Allyson Clay, Marian Penner Bancroft, Kathy Slade, Jin-me Yoon, and Anne Ramsden -- 11 From mentorship to collaboration: art, feminism, and community in Winnepeg / Noni Bryn -- 12 How to review art as a feminist and other speculative intents / Amy Fung -- 13 how not to install indigenous art as a feminist / Cheyanne Turions -- , 14 A speculative manifesto for the feminist art fair international: an interview with Allyson Mitchell and Deirdre Logue of the Feminist Art Gallery / Amber Christensen, Lauren Fournier, and Daniella Sanader. Appendix: there is no feminist (a love letter), or, a working chronology of feminist art infrastructures in Canada / Gina Badger -- Illustrations -- Contributors -- Index
    Additional Edition: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-0-7735-5077-3
    Language: English
    Subjects: Art History
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    Keywords: Kanada ; Feminismus ; Kunst ; Geschichte 2000-2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Davis, Heather 1979-
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  • 10
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    New Haven : Yale University Press
    UID:
    gbv_1014557321
    Format: ix, 184 Seiten , Illustrationen
    ISBN: 9780300192278 , 0300192274
    Content: This volume presents an innovative look at the imagery of libations, the most commonly depicted ritual in ancient Greece, and how it engaged viewers in religious performance. In a libation, liquid-water, wine, milk, oil, or honey-was poured from a vessel such as a jug or a bowl onto the ground, an altar, or another surface. Libations were made on occasions like banquets, sacrifices, oath-taking, departures to war, and visitations to tombs, and their iconography provides essential insight into religious and social life in 5th-century BC Athens. Scenes depicting the ritual often involved beholders directly - a statue's gaze might establish the onlooker as a fellow participant, or painted vases could draw parallels between human practices and acts of gods or heroes. Illustrated with a broad range of examples, including the Caryatids at the Acropolis, the Parthenon Frieze, Attic red-figure pottery, and funerary sculpture, this important book demonstrates the power of Greek art to transcend the boundaries between visual representation and everyday experience
    Note: Literaturverzeichnis: Seite 171-179
    Language: English
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    Keywords: Griechenland ; Libation ; Keramik ; Griechenland ; Libation ; Keramik
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