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  • 1
    Book
    Book
    Salzburg : Inst. für Anglistik u. Amerikanistik, Univ. Salzburg
    UID:
    b3kat_BV000110554
    Format: III, 129 S.
    Series Statement: Salzburg studies in English literature / Poetic drama and poetic theory 51
    Language: German
    Subjects: English Studies
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    Keywords: Byron, George Gordon Byron Baron 1788-1824 ; Drama ; Philosophie ; Byron, George Gordon Byron Baron 1788-1824 ; Ideendrama ; Byron, George Gordon Byron Baron 1788-1824 ; Lyrik
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  • 2
    Book
    Book
    Cambridge, Mass. u.a. : MIT Press
    UID:
    b3kat_BV004589734
    Format: XXIV, 388 S.
    ISBN: 0262240327 , 0262740168
    Series Statement: Studies in contemporary German social thought
    Language: English
    Subjects: Philosophy , Sociology
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    Keywords: Adorno, Theodor W. 1903-1969 ; Ästhetik ; Englisch ; Drama ; Geschichte 1957-2011 ; Adorno, Theodor W. 1903-1969 ; Philosophie ; Beckett, Samuel 1906-1989 ; Rudkin, David 1936- ; Barker, Howard 1946- ; Bond, Edward Augustus 1815-1898 ; Kane, Sarah 1971-1999
    Author information: Zuidervaart, Lambert 1950-
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  • 3
    UID:
    gbv_1733952713
    Format: 1 Online-Ressource (XXII, 314 Seiten)
    Edition: 1. Auflage
    ISBN: 9783110668926 , 9783110668995
    Series Statement: Perspectives on Jewish texts and contexts 15
    Content: Frontmatter -- Open Access Transformation in Jewish Studies -- Contents -- Introduction: Levinas and Literature, a Marvellous Hypocrisy -- The Anarchy of Literature -- Part I: Eros -- Eros, Emmanuel Levinas’s Novel? -- Eros, Once Again: Danielle Cohen-Levinas in Conversation with Jean-Luc Nancy -- The Debacle or The Real Under Reduction: The “Scene of Alençon” -- From Eros to the Question of the Death of God -- Part II: Biblical Texts -- Languages of the Universal. Levinas’ (scandalous) Doctrine of Literature -- The Genesis of Totality and Infinity: The Secret Drama -- Literature as a Burning Bush -- Part III: Poetry -- Levinas and the Poetic Word: Writing with Baudelaire? -- “Lès-Poésie?”: Levinas Reads La folie du jour -- Poetic Language and Prophetic Language in Levinas’s Works -- The Poem, the Place, the Jew: Emmanuel Levinas on Paul Celan -- Part IV: Novel Writers -- The Literary Instant and the Condition of Being Hostage: Levinas, Proust, and the Corporeal Meaning of Time -- Ideology, Literature, and Philosophy: Levinas as a Reader of Léon Bloy -- Goodness without Witnesses: Vasily Grossman and Emmanuel Levinas -- Reading Fiction with Levinas: Ian McEwan’s novel Atonement -- Part V: Literary Theory -- Emmanuel Levinas: Metaphor without Metaphysics -- Apparition: Aesthetics of Disproportion in Levinas and Adorno
    Content: The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with authors such as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others
    Additional Edition: ISBN 9783110629668
    Additional Edition: ISBN 3110629666
    Additional Edition: Erscheint auch als Druck-Ausgabe Levinas and literature Berlin : De Gruyter, 2021 ISBN 9783110629668
    Additional Edition: ISBN 3110629666
    Language: English
    Keywords: Lévinas, Emmanuel 1906-1995 ; Literatur ; Philosophie ; Aufsatzsammlung ; Hochschulschrift ; Electronic books.
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    Author information: Fagenblat, Michael
    Author information: Cools, Arthur 1967-
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  • 4
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City : Cambridge University Press
    UID:
    b3kat_BV043929403
    Format: 1 Online-Ressource (xiii, 278 Seiten)
    ISBN: 9781139028257
    Content: Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions
    Note: Theoretical views about pity and fear as aesthetic emotions: Drama and the emotions : an Indo-European connection? ; Gorgias : a strange trio, the poetic emotions ; Plato : from reality to tragedy and back ; Aristotle : the first 'theorist' of the aesthetic emotions -- Pity and fear within tragedies: An introduction ; Aeschylus : Persians ; Prometheus bound ; Sophocles : Ajax ; Euripides : Orestes -- Appendix: Catharsis and the emotions in the definition of tragedy in the Poetics
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-521-76510-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-52658-7
    Language: English
    Subjects: Philosophy , Ancient Studies
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    Keywords: Griechisch ; Tragödie ; Mitleid ; Furcht ; Philosophie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Book
    Book
    Ann Arbor : Univ. of Michigan Press
    UID:
    b3kat_BV010011883
    Format: VIII, 165 S.
    ISBN: 047210537X
    Series Statement: Theater
    Content: To Act, To Do, To Perform takes a line from Hamlet's gravedigger as a basis for a philosophical inquiry into how action is constituted by language, materiality, and performance. Drawing on contemporary theory from the fields of drama, aesthetics, literature, and cultural studies, Alice Rayner uses dramatic texts by Shakespeare, Chekhov, and Beckett to examine problems of action
    Content: When an agent or subject appears to have trouble negotiating between the name of an act and the practice of that act, a range of difficult issues in drama - such as the troubled relationships between object and process, text and performance, structure and play - become apparent
    Content: Each chapter of this book takes on those issues through examination of various dimensions of the phenomenon of action, and each examines a possible position for an agent or subject in relation to acts and action, as that position is revealed by a grammatical structure
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Drama ; Handlung ; Drama ; Handlung ; Philosophie
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  • 6
    UID:
    b3kat_BV008418306
    Format: XV, 182 S.
    ISBN: 0820416797
    Series Statement: New studies in aesthetics 10
    Content: This volume brings together a group of essays that examine the relationship between philosophy and literature - disciplines that have been opposed as often as they have been combined. While the focus is primarily on the plays of Shakespeare, there is a lengthy essay on the use of the style term maniera in art history, and a concluding survey and analysis of the relationship between philosophy and literature, from Plato to the present. The author applies the theory of meaning and logical analysis to contemporary problems in the arts and aesthetics.
    Language: English
    Subjects: Philosophy , English Studies
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    Keywords: Shakespeare, William 1564-1616 ; Drama ; Poetik ; Shakespeare, William 1564-1616 ; Philosophie ; Shakespeare, William 1564-1616 ; Weitz, Morris 1916-1981 ; Bibliografie ; Aufsatzsammlung
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  • 7
    UID:
    gbv_883279746
    Format: 1 Online-Ressource (xii, 205 pages) , digital, PDF file(s)
    ISBN: 9781571138040
    Content: 'What is not 'Life' that really is?' asked Coleridge, struggling, like many poets, philosophers, and scientists of Europe's Romantic age, to formulate a theory of life that explained the mysterious relation between dead material bodies and living, animate beings. Romantic intellectuals found a key to this mystery surprisingly close at hand: the process by which dead matter could come to life must be something like the process of reading. 'The Revivifying Word' examines the reanimating acts of reading that became a central focus of attention for Romantic writers. German theorists, building on the Apostle Paul's assertion that the dead letter can be revivified by the living spirit, proposed a permeable, legible boundary between the living and the dead. This inaugurated a revolution in European aesthetics, implanting the germ of an extraordinarily productive narrative idea that enriched Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats's Glaucus, Kleist's Elizabeth Kohlhaas, Shelley's Frankenstein (and the monster he creates), Maturin's Melmoth, Poe's Madeline Usher, and Gautier's Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theory of life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill
    Content: Introduction: "The dead man's life": romantic reading and revivification -- "The sound which echoes in our soul": the romantic aesthetics of matter and spirit -- "Spirit thanks only through the body": materialist spiritualism in romantic Europe -- "The heavenly revelation of her spirit": Goethe's The sorrows of young Werther -- "O read for pity's sake!": Keat's Endymion -- "Graecum est, non legitur": Hugo's Notre-Dame de Paris -- "Spiritual communication": Gautier's Spirite -- "Eat this scroll": Kleist's "Michael Kohlhaas" -- "I sickened as I read": Mary Shelley's Frankenstein -- "Those who, being dead, are yet alive": Maturin's Melmoth the wanderer -- "This hideous drama of revivification": Poe and the rhetoric of terror
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9781571133885
    Additional Edition: Print version ISBN 9781571133885
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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    Keywords: Romantik ; Literatur ; Philosophie ; Lesen
    URL: Volltext  (lizenzpflichtig)
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  • 8
    UID:
    gbv_1779973128
    Format: xi, 233 pages , 24 cm
    ISBN: 9781350169593 , 1350169595
    Series Statement: Drama and performance studies
    Content: Voice -- Vocal injustice -- The ethics of envoicing -- The gender voice -- Envoicing in sex, maternity, and childbirth -- Ethical spotlight : envoicing in voice pedagogy -- Ethical spotlight : envoicing in/and philosophy -- Conclusion : shifting vocal soundscapes in the age of Trump.
    Content: "A new, provocative study of the ethical, political, and social meanings of the everyday voice. Utilising the framework of feminist philosophy, authors Ann J. Cahill and Christine Hamel approach the phenomenon of voice as a lived, sonorous and embodied experience marked by the social structures that surround it, including systemic forms of injustice such as ableism, sexism, racism, and classism. By developing novel theoretical constructs such as "intervocality" and "respiratory responsibility," Cahill and Hamel cut through the static between theory and praxis and put forward exciting theories on how human vocal sound can perpetuate -- and challenge -- persistent inequalities. Sounding Bodies presents a powerful model of how the seemingly disparate disciplines of philosophy and voice/speech training can, in conversation with each other, generate illuminating insights about our vocal lives and identities"--
    Note: Includes bibliographical references (pages [201]-222) and index
    Language: English
    Keywords: Stimme ; Philosophie
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  • 9
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    UID:
    gbv_177052049X
    Format: 1 online resource (271 pages)
    ISBN: 9780226742588
    Content: Intro -- Contents -- 1. Scale Theory -- 2. Surfaces of Mediation: Cosmic View as Drama of Resolution -- 3. An Analog Universe: Mediating Scalar Temporality in the Eameses' Toy Films -- 4. Shaping Scale: Powers of Ten and the Politics of Trans-Scalar Constellation -- 5. Scale and Difference: Toward a New Ecology -- 6. A Digital Universe? Database, Scale, and Recursive Identity -- Coda: Dwelling in the Scalar Spectrum -- Acknowledgments -- Notes -- Bibliography -- Index.
    Content: "Many of us have encountered a version of what Zachary Horton calls the "cosmic zoom"--a visual journey through the many scales of the universe, from the microscopic to the cosmic. Most of our daily perception operates at a level of scale somewhere between that of quarks and galaxies, and it is this comfort with the immediately visible everyday world that the cosmic zoom unsettles. In Mediating Scale, Horton uses the history of the cosmic zoom to explore how that scale itself has been constructed over the past seventy years. How has cosmic zoom media influenced scientific and popular understanding of the unseen world and how it may be known, accessed, and exploited? Horton insists that scale is the key to understanding and addressing major contemporary issues including climate change and big data, but people working on issues of scale in various disciplines often talk past each other. Horton starts by sketching four common ways of thinking about scale derived from cartography, physics, engineering/biology, and mathematics. He then shows how these concepts operate in various disciplines, explains why they don't fit together, and puts forth a new, transdisciplinary theory and vocabulary of scale, one that links the natural sciences, humanities, and social sciences. In this ambitious work, scale becomes a foundation for rethinking the relationships between knowledge, mediation, and environment"--
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780226742304
    Additional Edition: ISBN 9780226742441
    Additional Edition: Erscheint auch als Druck-Ausgabe Horton, Zachary K. The cosmic zoom Chicago : The University of Chicago Press, 2021 ISBN 9780226742304
    Additional Edition: ISBN 9780226742441
    Additional Edition: ISBN 9780226742588
    Language: English
    Keywords: Maßstab ; Skala ; Kosmologie ; Philosophie
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  • 10
    UID:
    gbv_886537339
    Format: xix, 344 Seiten , Illustrationen , 24 cm
    Edition: First edition
    ISBN: 9781942954255
    Content: "Yeats, Philosophy, and the Occult is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats's poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, "The Phases of the Moon." The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats's response to his work. The third paper considers Yeats's debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats's understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work A Vision, and the sixth paper studies that work's theory of "contemporaneous periods" affecting each other across history in the light of Oswald Spengler's The Decline of the West. The seventh essay evaluates Yeats's reading of Berkeley and his critics' appreciation (or lack of it) of how he responds to Berkeley's idealism. The book as a whole explores how Yeats's mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them." --
    Content: "Yeats, Philosophy, and the Occult is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats's poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, "The Phases of the Moon." The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats's response to his work. The third paper considers Yeats's debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats's understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work A Vision, and the sixth paper studies that work's theory of "contemporaneous periods" affecting each other across history in the light of Oswald Spengler's The Decline of the West. The seventh essay evaluates Yeats's reading of Berkeley and his critics' appreciation (or lack of it) of how he responds to Berkeley's idealism. The book as a whole explores how Yeats's mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them." --
    Note: "Something intended, complete" : major work on Yeats past, present, and yet to come , Ghost, medium, criminal, genius : Lombrosian types in Yeats's art and philosophy , "Born anew" : W.B. Yeats's "eastern" turn in the 1930s , W.B. Yeats, dream, vision, and the dead , Yeats, the Great Year, and Pierre Duhem , The morphological interaction of The four faculties in the historical system of W.B. Years's A vision , Yeats and abstraction : from Berkeley to Zen
    Additional Edition: ISBN 9781942954262
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Yeats, William Butler 1865-1939 ; Philosophie ; Aufsatzsammlung
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