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  • HU Berlin  (2)
  • GB Hoppegarten
  • Jüdisches Museum
  • Bibliografie
  • 1
    UID:
    almafu_BV010215555
    Format: XII, 266 S.
    Edition: 1. publ.
    ISBN: 0-521-47054-4
    Series Statement: Cambridge studies in American literature and culture 89
    Content: The Literature of Labor and the Labors of Literature juxtaposes representations of labor in fictional texts with representations of labor in nonfictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. This intersection is particularly evident in the debates about symbol and allegory, and the author contends that allegory during this period was critiqued on precisely the same grounds as mechanized labor. Despite the undeniable differences between literary characters and historical workers, the discursive possibilities for constructing the character of both fictional and nonfictional persons are strikingly similar. Both allegory and the new forms of labor produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism
    Content: Using this contextualized model of allegory, Weinstein goes on to argue that texts by Hawthorne, Melville, Twain, and Henry Adams are best understood as both allegories of labor (that is, the allegorical representations of the nature and cost of being a laboring being) and labors of allegory (that is, the visibility of the author's work of representation). In the course of completing a historical investigation, Weinstein revolutionizes thc notion of allegorical narrative, which is exposed as a literary medium of greater complexity and consequence than has previously been implied - a working authorial vehicle for engaged and at times socially turbulent thought
    Language: English
    Subjects: American Studies
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    Keywords: Roman ; Arbeit ; Roman ; Arbeit ; Prosa ; Arbeit ; Prosa ; Allegorie ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_BV044314502
    Format: XXXIII, 201 Seiten.
    ISBN: 978-90-04-34647-5
    Series Statement: Cross/Cultures volume 199
    Content: The White Spaces of Kenyan Settler Writing' provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period
    Note: Bibliography of white literature in Kenya in the 20th century: pages 133-183
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-90-04-34651-2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies
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    Keywords: Weiße ; Literatur ; Bibliografie ; Criticism, interpretation, etc ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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