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  • HU Berlin  (3)
  • GB Hoppegarten
  • Jüdisches Museum
  • Film  (3)
  • 1
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045402903
    Format: x, 198 Seiten
    ISBN: 9781138564404
    Series Statement: The cultural politics of media and popular culture
    Content: Contested terms, the European Union contribution and a financial crisis / Betty Kaklamanidou and Ana Corbalán -- National, transnational and intermedial perspectives in post-2008 European cinema / Thomas Elsaesser -- France after the crisis : work, home and flexible solidarity in Les neiges du Kilimandjaro (2011) and Ma part du gateau (2011) / Michael Gott -- Spanish science fiction film in times of emergency : crisis and entrapment in Nacho Vigalondo's Extraterrestrial and David and Álex Pastor's The last days / Antonio Cordoba -- Narratives of migration and the sense of crisis in post-2008 European cinema / György Kalmár -- Undocumented migration in European borderlands : re-locating the crisis in contemporary documentaries / Jan Kühnemund -- Post-2008 European comedies of crisis : La vida inesperada and Casse-tête chinois / Debra J. Ochoa -- Depression as aesthetic answer to the socioeconomic crisis in two days, one night / Tobias Dietrich -- French and Italian co-production redux : the Fondo initiative / claudia Romanelli -- The contemporary Serbian film industry : issues of production and distribution (2008-2017) / Sandra Nikolic and Biljana Mitrovic -- La jeunesse désaffectée in contemporary Serbian cinema / Nevena Daković and Maša Seničić -- The Greek new wave : representing work and unemployment in crisis / Ursula-Helen Kassaveti and Afroditi Nikolaidou -- Contemporary Greek and Polish "best foreign language films" in an age of austerity / Anne Ciecko
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-12242-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781351347075
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781351347068
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781351347051
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Film ; Wirtschaftskrise ; Flucht ; Geschichte 2008-2018 ; Aufsatzsammlung
    Author information: Corbalán Vélez, Ana
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV042701402
    Format: 1 Videokassette (160 Min.) , farbig
    Original writing title: 喜びも悲しみも幾歳月
    Original writing person/organisation: 木下, 惠介
    Original writing publisher: [東京] : 松竹
    Series Statement: SHV best selection
    Note: Original: Japan 1957 , Text Japanisch
    Later: Gefolgt von Kinoshita, Keisuke Shin Yorokobi mo kanashimi mo ikutoshitsuki
    Language: Japanese
    Subjects: General works
    RVK:
    Keywords: Film
    Author information: Kinoshita, Keisuke 1912-1998
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Athens, Ga. [u.a.] : Univ. of Georgia Press
    UID:
    b3kat_BV012266998
    Format: X, 220 S. , Ill.
    ISBN: 0820320013
    Content: The glow of 1945 persists as a kind of beacon for American society, symbolic of an era when good and evil were easily defined. This image is at the center of Philip D. Beidler's entertaining look at the way World War II reshaped American popular culture. Beidler captures the aura of the times as he chronicles the production histories of more than a dozen projects with wartime themes, examining how books and plays evolved into films, how stars were considered and selected, technical problems and personality conflicts during production, and the public's reactions. From the upbeat tempo of the musical South Pacific to the weary disillusionment of The Best Years of Our Lives, from the patriotic nostalgia of Life's Picture History of World War II to the moral ambiguity of From Here to Eternity, a powerful mythology of the war developed. As a consequence, the line between fact and fiction has blurred for the war generation and its inheritors, and Hollywood's version of the Good War has become enshrined as historical fact in the nation's collective memory.
    Language: English
    Subjects: History , Ethnology
    RVK:
    RVK:
    Keywords: USA ; Film ; Zweiter Weltkrieg ; USA ; Zweiter Weltkrieg ; USA ; Psychologie ; Zweiter Weltkrieg ; USA ; Künste ; Zweiter Weltkrieg ; Fiktionale Darstellung
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