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  • E-Resource  (81)
  • HU Berlin  (81)
  • SeeCampus-Bibliothek
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  • Bibliothek des Konservatismus
  • SB Templin
  • 1
    E-Resource
    E-Resource
    Leiden; : BRILL,
    UID:
    almahu_9949701315402882
    Format: 1 online resource.
    ISBN: 9789004485228 , 9789042016347
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 6
    Content: Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another - metaphrasis - is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James's fiction. It is opera's unique capability to present the intense emotional and psychological situations central to James's fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James's work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.
    Note: Introduction: Prima la musica e poi le parole - Wort oder Ton ? -- PART ONE: OPERATIC ADAPTATION -- 1. The Novel and Operatic Adaptation -- 2. Operatic and Fictional Discourse -- 3. James, Opera and Melodrama -- 4. James - Structure - 'Scene' and 'Picture' -- PART TWO: THE OPERAS -- 5. "The Turn of the Screw" -- 6. The Wings of the Dove -- 7. "Owen Wingrave" -- 8. "The Last of the Valerii" -- 9. Washington Square -- 10. "The Aspern Papers" -- Conclusion -- Appendix -- Bibliography.
    Additional Edition: Print version: Opera and the Novel : The Case of Henry James. Leiden ; Boston : BRILL, 2005 ISBN 9789042016347
    Language: English
    URL: DOI:
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  • 2
    E-Resource
    E-Resource
    Paderborn :Wilhelm Fink Verlag,
    UID:
    almahu_9949703024702882
    Format: 1 online resource.
    ISBN: 9783846765005 , 9783770565009
    Series Statement: Periplous, Münchener Studien zur Literaturwissenschaft
    Content: Die Musen gelten als antike Möglichkeitsbedingung des Erzählens. Dass sie in den Romanen Balzacs, Henry James' und Fontanes ein Nachleben führen, zeigt ihre poetologische Bedeutung für die Moderne. Annalisa Fischer untersucht Romane, die dem modernen Erzählparadigma realistischer Mimesis verpflichtet sind und doch eine Musenfigur ins Zentrum der Diegese stellen. Die Studie legt die Transformationsprozesse, die die antiken Göttinnen der Künste auf dem langen Weg in die Moderne durchlaufen, offen und arbeitet die poetologische Bedeutung der Musenfiguren sowohl für den jeweiligen Roman als auch für das realistische Erzählprogramm im 19. Jahrhundert heraus. Die Arbeit zeigt, wie die Muse ihr poietisches Potential in den modernen Text einträgt und sich so als Kristallisationspunkt der Romanpoetik erweist.
    Additional Edition: Print version: Das Nachleben der Muse: Balzac, Henry James, Fontane, Paderborn : Wilhelm Fink Verlag, 2020
    Language: English
    URL: DOI:
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  • 3
    E-Resource
    E-Resource
    Leiden; : BRILL,
    UID:
    almahu_9949703229202882
    Format: 1 online resource.
    ISBN: 9789004486966 , 9789042015814
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 126
    Content: In this compact but highly concentrated study, the author unites clinical and literary critical skills in an attempt to go beyond familiar psychological commentary on Henry James and conduct a detailed and rigorous psychoanalytic investigation into recurring and psychologically significant patterns in his major and minor fiction. Drawing freely on material from notebooks, letters, and other biographical sources, the volume centres on James's unconscious fantasies concerning the human body, mostly the damaged or incomplete human body. These core fantasies are firmly placed at the root of James's creativeness. While one of these fantasies of physical mutilation finds expression in the famous "obscure hurt" of James's late teens, the author develops a hypothesis concerning their much earlier history and their place in the larger psychological constellation of the James family. Accordingly, Henry James Senior, his wife Mary, together with William and Alice James, all figure largely in the intricate and perilous family context of Henry's creative activity. This book also includes original factual research, casting sidelights on matters such as the relation between James's early work and that of Dr Silas Weir Mitchell, and on the early history of psychoanalysis in the United States, including William James's meeting with Freud and his view of early psychoanalytic thinking, and Henry's contact as a patient with early psychoanalytic practitioners at the beginning of the twentieth century.
    Note: 1 Introduction -- 2 Preliminary Investigation "Theodolinde" -- 3 Case History "A Most Extraordinary Case" -- "The Jolly Corner" -- 4 Autopsy The Turn of the Screw -- 5 The Jameses and Psychoanalysis -- Appendix "The Case of George Dedlow" -- Bibliography -- Index.
    Additional Edition: Print version: The Fantastic Anatomist : A Psychoanalytic Study of Henry James. Leiden ; Boston : BRILL, 2000 ISBN 9789042015814
    Language: English
    URL: DOI:
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  • 4
    UID:
    almahu_9949703063902882
    Format: 1 online resource.
    ISBN: 9783846764695 , 9783770564699
    Series Statement: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2021, ISBN: 9783657100255
    Content: Wie antwortet der Roman, die Leitgattung der modernen Literatur, auf die Krisen politischer Ordnungen und ökonomischer Systeme zwischen Französischer Revolution und Erstem Weltkrieg? Gegenstand der Interpretation sind französische und englische Romane zwischen dem Realismus und der Moderne. Die Fragestellung zielt auf die fiktionale Verarbeitung des kritischen Verhältnisses ethischer Orientierungen, politischer Instabilität und ökonomischer Transformation vor dem Hintergrund der neuen Formen gesellschaftlicher Differenzierung. Die vier ausgewählten Autoren (Honoré de Balzac, Gustave Flaubert, Joseph Conrad, Henry James) reagieren auf spezifische epochale Problemlagen. Sie stehen über die Grenzen der jeweiligen nationalliterarischen Traditionen hinaus in intensiven Wirkungs- und Rezeptionsverhältnissen, in denen sich die dynamische Evolution der Gattung Roman abbildet.
    Note: Front Matter -- , Preliminary Material / , Copyright page / , Epigraph / , Prolog. Schwarze Moderne / , Kapitel 1 Ces horribles crises commerciales. Alte und neue Ökonomie: Balzacs Diptychon / , Kapitel 2 La politique est morte. Flauberts Zeitroman L'Education sentimentale / , Kapitel 3 The Cruel Futility of Things. Die Revolution und das Kapital in Joseph Conrads Nostromo / , Kapitel 4 Vertiginous moments. Ökonomien der Person in Henry James' The Golden Bowl / , Epilog. Die Schlacken des Romans / , Back Matter -- , Bibliographische Nachweise /
    Additional Edition: Print version: Das zerbrechliche Band der Gesellschaft : Diagnosen der Moderne zwischen Honoré de Balzac und Henry James. Paderborn : Brill | Fink, 2021 ISBN 9783770564699
    Language: English
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  • 5
    E-Resource
    E-Resource
    Leiden; : BRILL,
    UID:
    almahu_9949701355802882
    Format: 1 online resource.
    ISBN: 9789004485105 , 9789062039029
    Series Statement: Costerus New Series ; 19
    Additional Edition: Print version: Henry James and Germany. Leiden ; Boston : BRILL, 1979 ISBN 9789062039029
    Language: English
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  • 6
    E-Resource
    E-Resource
    Leiden; : BRILL,
    UID:
    almahu_9949703593802882
    Format: 1 online resource.
    ISBN: 9789004485594 , 9789042012806
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 10
    Content: Henry James and the "Aliens" intervenes substantially in current debates in James studies, most notably in the key areas of cultural studies, ethnic studies and queer studies. Focusing throughout on questions of identity, and most prominently on how the latter is given shape in the very form of the late style, the book finds that James's response to the ethnic other can be grasped neither as an attempt to police, supervise and master the other, nor as a politics of non-identical surrender to that other. Instead, there is a continuum of identity-akin to the "criminal continuity" that James registers throughout the American scene-in which self and other, native and alien, subject and object adopt alternate roles of control and submission. Both are at times in possession of the American scene and possessed by that scene. Jamesian sexual identity, too, proves to be constantly reconstituted in transitive processes of signification that make it impossible to fix the "I" or the "other" within a fixed framework-be that framework a heterosexual or a homosexual one. The eroticism that strikingly informs the late James can therefore only be captured, if at all, under the rubric of the "queer.".
    Note: Acknowledgments -- Introduction: What Then Is the American Scene? -- One: Possessing the American Scene: Race and Vulgarity, Seduction and Judgment -- Two: Consuming, Performing and Judging the American Scene -- Three: Enjoying the American Scene: The Overpowering "Presence" of Sites, Buildings and "Aliens" -- Four: Queering the American Scene: James's Obliquely Possessive Plottings of Desire -- Index.
    Additional Edition: Print version: Henry James and the "Aliens" : In Possession of the American Scene. Leiden ; Boston : BRILL, 2002 ISBN 9789042012806
    Language: English
    URL: DOI:
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  • 7
    UID:
    almahu_9949703545302882
    Format: 1 online resource (543 pages)
    ISBN: 9789401206600
    Series Statement: Costerus ; new series, 178
    Content: Gothic to Multicultural: Idioms of Imagining in American Literary Fiction , twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper's The Spy , Antarctica as world-genesis in Poe's The Narrative of Arthur Gordon Pym , the link of "The Custom House" and main text in Hawthorne's The Scarlet Letter , reflexive codings in Melville's Moby-Dick and The Confidence-Man , Henry James' Hawthorne as self-mirroring biography, and Stephen Crane's working of his Civil War episode in The Red Badge of Courage . Two composite lineages address apocalypse in African American fiction and landscape in women's authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James' The Princess Casamassima , text-into-film in Edith Wharton's The Age of Innocence , modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noir in Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger's The Catcher in the Rye , and the novel of ideas in Robert Penn Warren's late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction.
    Note: Preliminary Material -- ACKNOWLEDGEMENTS -- PATHWAYS, BEARINGS -- A DARKNESS VISIBLE: GOTHIC AND THE CASE OF CHARLES BROCKDEN BROWN -- MAKING HISTORY, MAKING FICTION: COOPER'S THE SPY -- IMPUDENT AND INGENIOUS FICTION: POE'S THE NARRATIVE OF ARTHUR GORDON PYM OF NANTUCKET -- LIKE A DREAM BEHIND ME: HAWTHORNE'S "THE CUSTOM-HOUSE" AND THE SCARLET LETTER -- THE MIRRORS OF BIOGRAPHY, THE MIRRORS OF FICTION: HENRY JAMES' HAWTHORNE -- MOBY-DICK AS ANATOMY -- VOICES OFF, ON, AND BEYOND: VENTRILOQUY IN THE CONFIDENCE-MAN -- STEPHEN CRANE'S THE RED BADGE OF COURAGE: THE NOVELLA AS MOVING BOX -- HELL'S LOOSE: APOCALYPSE IN THE EARLY AND MODERN AFRICAN AMERICAN NOVEL -- WOMAN'S PLACE? THE LANDSCAPES OF JEWETT, CHOPIN, CATHER, HURSTON,WELTY, CHÁVEZ, YAMASHITA, SILKO -- ODD MAN OUT? HENRY JAMES, THE CANON AND THE PRINCESS CASAMASSIMA -- WATCHING MANNERS:MARTIN SCORSESE'S THE AGE OF INNOCENCE, EDITH WHARTON'S THE AGE OF INNOCENCE -- A QUALITY OF DISTORTION: IMAGINING THE GREAT GATSBY -- EVERYTHING COMPLETELY KNIT UP: SEEING FOR WHOM THE BELL TOLLS WHOLE -- MODERNIST FAULKNER: A YOKNAPATAWPHA TRILOGY -- THE VIEW FROM THE REAR WINDOW: THE FICTION OF CORNELL WOOLRICH -- RICHARD WRIGHT'S INSIDE NARRATIVES -- VIOLENCE BECOME A FORM: THE NOVELS OF CHESTER HIMES -- FLUNKING EVERYTHING ELSE EXCEPT ENGLISH ANYWAY: HOLDEN CAULFIELD, AUTHOR -- THE PLACE WE HAVE COME TO: THE LATE FICTION OF ROBERT PENN WARREN -- HARLEM ON MY MIND: FICTIONS OF A BLACK METROPOLIS -- DOWN HOME: MAPPING THE SOUTH IN CONTEMPORARY AFRICAN AMERICAN FICTION -- I AM YOUR WORST NIGHTMARE: I AM AN INDIAN WITH A PEN - FICTIONS OF THE INDIAN, NATIVE FICTIONS -- INDEX.
    Additional Edition: Print version: Gothic to Multicultural: Idioms of Imagining in American Literary Fiction Leiden, Boston : Brill | Rodopi, 2009, ISBN 9789042024991
    Language: English
    Keywords: Criticism, interpretation, etc.
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  • 8
    UID:
    almahu_9949701266402882
    Format: 1 online resource.
    ISBN: 9789004484870 , 9789042012882
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 57
    Content: Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity as homo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all - in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter - in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how?.
    Note: Manfred PFISTER: Introduction: A History of English Laughter? -- Susanne KRIES: Laughter and Social Stability in Anglo-Saxon and Old Norse Literature -- Andrew James JOHNSTON: The Exegetics of Laughter: Religious Parody in Chaucer's Miller's Tale -- Indira GHOSE: Licence to Laugh: Festive Laughter in Twelfth Night -- Susanne RUPP: Milton's Laughing God -- Werner von KOPPENFELS: 'Nothing is ridiculous but what is deformed': Laughter as a Test of Truth in Enlightenment Satire -- Kay HIMBERG: 'Against the Spleen': Sterne and the Tradition of Remedial Laughter -- Ute BERNS: The Romantic Crisis of Expression: Laughter in Maturin's Melmoth the Wanderer and Beyond -- Merle TÖNNIES: Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions -- Tobias DÖRING: Freud about Laughter - Laughter about Freud -- Jeremy LANE: James Joyce's Book of Laughter and Forgetting -- Renate BROSCH: The Funny Side of James: Gendered Humour in and against Henry James -- Manfred PFISTER: Beckett, Barker, and Other Grim Laughers. -- Index.
    Additional Edition: Print version: A History of English Laughter : Laughter from Beowulf to Beckett and Beyond. Leiden ; Boston : BRILL, 2002 ISBN 9789042012882
    Language: English
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  • 9
    UID:
    almahu_9949701201002882
    Format: 1 online resource.
    ISBN: 9789004484573 , 9789042016132
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 3
    Content: History and Representation in Ford Madox Ford's Writings explores the idea of history across various genres: fiction, autobiography, books about places and cultures, criticism, and poetry. 'I wanted the Novelist in fact to appear in his really proud position as historian of his own time', wrote Ford. The twenty leading specialists assembled for this volume consider his writing about twentieth-century events, especially the First World War; and also his representations of the past, particularly in his fine trilogy about Henry VIII and Katharine Howard, The Fifth Queen . Ford's provocative dealings with the relationship between fiction and history is shown to anticipate postmodern thinking about historiography and narrative. The collection includes essays by two acclaimed novelists, Nicholas Delbanco and Alan Judd, assessing Ford's grasp of literary history, and his place in it.
    Note: Max SAUNDERS: General Editor's Preface -- Joseph WIESENFARTH: Introduction -- Patrick PARRINDER: 'All that is solid melts into air': Ford and the Spirit of Edwardian England -- Peter G. CHRISTENSEN: Contrasting 'Condition of the Country' Novels: Ford Madox Ford's Parade's End and Boris Pasternak's Doctor Zhivago -- Anne Marie FLANAGAN: Poised 'between anger and irony': Ford's Representation of Lady Mary -- Anthony P. MONTA: Parade's End in the Context of National Efficiency -- Vita FORTUNATI: The Impact of the First World War on Private Lives: A Comparison of European and American Writers (Ford, Hemingway, and Remarque) -- Paul SKINNER: The Painful Processes of Reconstruction: History in No Enemy and Last Post -- Jonathan BOULTER: 'After . . . Armageddon': Trauma and History in Ford Madox Ford's No Enemy -- Dominique LEMARCHAL: Ford's Paradoxical Development of the Personal Tone in the Writing of Propaganda -- Elena LAMBERTI: Writing History: Ford and the Debate on 'Objective Truth' in the Late 20th Century -- Jason HARDING: The Swan Song of Historical Romance: The Fifth Queen Trilogy -- Sara HASLAM: The Rash Act and Henry for Hugh: A Fordian History of Self-Construction (or: Where Is [M]other?) -- Alan JUDD: Using Ford in Fiction -- James M. SCANNELL: History or Quickie History: Elections in Anthony Trollope and Ford Madox Ford -- Robert E. McDONOUGH: Mister Bosphorus and the Muses: History and Representation in Ford's Modern Poem -- Angus WRENN: Henry, Hueffer, Holbein, History and Representation -- Max SAUNDERS: Critical Biography: Rhetoric, Tone and Autobiography in Ford's Critical Essays -- Harriet Y. COOPER: The Duality of Ford's Historical Imagination -- Andrzej GASIOREK: 'In the Mirror of the Arts': Ford's Modernism and the Reconstruction of Post-war Literary Culture -- Nicholas DELBANCO: An Old Man Mad about Writing -- The Contributors -- Abbreviations.
    Additional Edition: Print version: History and Representation in Ford Madox Ford's Writings. Leiden ; Boston : BRILL, 2004 ISBN 9789042016132
    Language: English
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  • 10
    UID:
    almahu_9949702114102882
    Format: 1 online resource.
    ISBN: 9789004471528 , 9789004471511
    Series Statement: Historical Materialism Book Series ; 232
    Content: Bryan D. Palmer reinterprets the history of labour and the left in the United States during the 1930s through a discussion of the emergence of Trotskyism in the most advanced capitalist country in the world. Focussing on James P. Cannon, the founder of American Trotskyism, Palmer builds on his previously published and award-winning book, James P. Cannon and the Origins of the American Revolutionary Left, 1890-1928 (2007), with a deeply-researched and elegantly-written study of Cannon and the Trotskyist movement in the United States from 1928-38. Situating this dissident communist movement within the history of class struggle, both national and international, Palmer examines how Cannon and others fought to revive a combative trade unionism, thwart fascism and the drift to war, refuse Stalinism's many degenerations, and build a new Party and a new International, both of which would be dedicating to reviving and realizing the possibilities of revolutionary socialism. The result is a study that provides a definitive account of the largest and most influential Trotskyist movement in the world in the 1930s, a mobilization whose history recasts understandings of the more extensively-studied experience of United States working-class militancy and the place of the Comintern-affiliated Communist Party within it.
    Note: Preface and Acknowledgments -- List of Figures -- Introduction: James P. Cannon and the "Prince's Favors" -- Hope and the Dog Days -- Historiography's House of Mirrors -- Mirror Image Refusals -- Analytic Alternative -- Cannon and the History of American Trotskyism -- 1 An American Left Opposition -- Exile Off Main Street -- Stalinism Consolidating -- Stalinist Slow Dancing: Guile -- Picking up the Pace: Gangsterism -- Recruiting the American Left Opposition: Three Phases -- Cannon: Caretaker of the Original Left Opposition Cadre -- Recruitment's Second Phase: Stalinism's Heavy Hand -- "An Army of a Million People": Hungarians, Italians, Finns, and Immigrant Birth Controllers -- A Publication Program -- The Founding of the Communist League of America (Opposition) -- 2 Dog Days -- Downturn: Economic Depression -- "Left Turn": Revolutionary Politics and the Third Period -- Dimensions of Cannon's Crisis: Material Being -- Dimensions of Cannon's Crisis: Reconstituted Families and Domestic Complications -- Dimensions of Cannon's Crisis: Rose Karsner's Break-Down -- Cannon's Collapsing World: The Personal Becomes Political -- The Weisbord Whirlwind -- Branch Bickerings: New York Cliquism and Youth Recruits -- Factional Waystation: June 1932, National Committee Plenum -- Factionalism Internationalized: The Turn to Europe -- International Intervention -- Dog Days Denouement: New Turns -- Internal Ironies -- 3 Daylight: Analysis and Action -- 1933-34: Past, Present, and Future -- Context: Revival/Reorientation -- The Long and Trying March Back to a Labor Party Perspective -- Black Oppression in America: National Self-Determination vs. The Revolutionary Struggle for Equality -- The Momentum of Mobilizations: Unemployed and Labor Defense Work -- Miner Militants: Cannon's "Bona Fide Proletarians" -- B.J. Field: A Napoleon among New York's French Chefs -- Dawn of a New Left Opposition Day -- 4 Minneapolis Militants -- General Strike -- Class Relations in Minneapolis -- Trotskyists among the Teamsters: Propagandistic Old Moles -- January Thaw; February Cold Snap: The Coal Yards on Strike -- Lessons of the Coal Yards Strike. , Strike Preparations: Unemployed Agitations and Industrial Unionism -- Overcoming "Bureaucratic Obstacles" -- The Ladies/Women's Auxiliary -- Rebel Outpost: 1900 Chicago Avenue -- The Tribune Alley Plot and the Battle of Deputies Run -- May 1934: Settlement Secured; Victory Postponed -- Stalinist Slurs -- Farmer-Labor Two Class Hybrid vs Class Struggle Perspective -- Interlude -- Toward the July Days -- A Strike Declared; A Plot Exposed -- Bloody Friday -- Labor's Martyr: Henry B. Ness -- Martial Law/Red Scare -- Olson: The Defective "Merits" of a Progressive Pragmatism -- Standing Fast: Satire and Solidarity -- Mediation's Meanderings -- Sudden and Unexpected Victory -- 5 Entryism -- 1934: Militancy and Marginalization's Movement -- The French Turn -- Cannon, Trotsky, and the Preparatory Ground of Entryism: Transcending the "Organic Unity" Imbroglio -- Fusion with the Musteites -- Building the Party amid Fusion's Fallouts -- Anticipating the French Turn -- Americanizing the French Turn: Factions and Combinations -- The Intensification of Oehlerite Sectarianism -- Ousting the Oehlerites -- Socialist Party Schisms and Workers Party Entry -- Prelude to Entry: Cannon in Harness and Muste's Conversions -- Entryism & Subordination -- A Farmer-Labor Detour and the Return of the Oehlerite Repressed -- Entry Proclaimed -- Cannon in California: The "Foot Loose Rebel" and the Agitational Road -- Entryist Estrangement -- The Return of the Prodigal Agitator -- Reaction from Above -- The End of Entry -- Assessing the French Turn in America -- 6 Trials, Tragedies, and Trade Unions -- 1937's Imperative: Assimilating Revolution's Recruits -- The Origins of the American Committee for the Defense of Leon Trotsky -- The Non-Partisan Origins of Trotsky's Defense -- Dancing with Dewey -- Trotsky's Testimony -- Carleton Beals and Stalinism at Work in the Preliminary Sub-Commission -- Delimitation by Default -- Social-Democratic Delimitation -- Brand Barcelona on Centrist Foreheads: Trotskyism and the Spanish Civil War -- Trotskyism Finds its "Sea Legs": Cannon and the Maritime Federation of the Pacific -- Frame-Up in Minneapolis: Who Killed Patrick J. Corcoran? -- Trotskyism on the Line: Footholds in Mass Production and the CIO -- Conclusion: Party/International -- References -- Index.
    Additional Edition: Print version: James P. Cannon and the Emergence of Trotskyism in the United States, 1928-38. Leiden ; Boston : BRILL, 2021 ISBN 9789004471511
    Language: English
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