Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Die angezeigten Daten werden derzeit aktualisiert.
Exportieren
Filter
  • HU Berlin  (1)
  • SB Guben
  • BTU Cottbus
  • SB Eberswalde
  • Kreisbibliothek des Landkreises Spree-Neiße
  • SB Templin
  • 1990-1994  (1)
  • Germanistik  (1)
Medientyp
Sprache
Region
Bibliothek
Erscheinungszeitraum
Jahr
Person/Organisation
  • 1
    Buch
    Buch
    New York :Grove Press,
    UID:
    almafu_BV009865501
    Umfang: XX, 732, [32] S. : Ill.
    Ausgabe: 1. ed.
    ISBN: 0-8021-1529-2
    Inhalt: "The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and
    Inhalt: "The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--BOOK JACKET
    Anmerkung: Engl. Ausg. u.d.T.: Fuegi, John: The life and lies of Bertolt Brecht
    Sprache: Englisch
    Fachgebiete: Germanistik
    RVK:
    Schlagwort(e): 1898-1956 Brecht, Bertolt ; Freundeskreis ; Literaturproduktion ; Biografie ; Biografie ; Biographie ; Biografie ; Biografie ; Biografie
    Mehr zum Autor: Fuegi, John 1936-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Meinten Sie the new york tides?
Meinten Sie the new york temes?
Meinten Sie the new york tames?
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie auf den KOBV Seiten zum Datenschutz