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  • HU Berlin  (21)
  • SB Rathenow
  • SB Calau
  • SB Eisenhüttenstadt
  • SB Uebigau
  • Art History  (21)
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  • 1
    Book
    Book
    New York : Fromm Internat.
    UID:
    b3kat_BV011501741
    Format: XII, 371 S.
    Edition: 1. ed.
    ISBN: 0880641754
    Content: The Bauhaus is the most celebrated artistic institution of our time. In the fourteen years of its existence in Weimar Germany, the Bauhaus became a center where the ideas that would dominate art in the twentieth century clashed and became defined. The ideas forged within the school literally transformed our landscape. Almost nothing we read, wear, or live in is devoid of its influence
    Content: Yet there has been a history of the Bauhaus. For the first time, Elaine S. Hochman sets the school in the context of the turbulent times to which it was born following the collapse of Imperial Germany in 1919. The Bauhaus emerged just as radical social and political upheavals swept through Europe in the wake of World War I, a product of the convulsions of an age when the contest between ideologies was fought with the fervor of a religious war. Left was pitted against right of the streets, and these battles penetrated the walls of the Bauhaus as well. They shaped the destiny of the fledgling school and those who taught there, including some of the most illustrious names in the world of modern art - Walter Gropius, Mies van der Rohe, Lyonel Feininger, Paul Klee, and Wassily Kandinsky
    Content: Hochman's access to the school's archives, previously off limits to Western scholars, provides an intimate day-to-day perspective of the school which reveals a different Bauhaus than the one projected by its latter-day champions in the U.S. This is the Bauhaus of its contemporaries, for whom the political and cultural implications were often more important than aesthetics
    Language: English
    Subjects: Art History
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    Keywords: Bauhaus ; Geschichte
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  • 2
    UID:
    b3kat_BV011631573
    Format: VII, 167 S. , Ill.
    ISBN: 0442020317
    Language: English
    Subjects: Art History
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    Keywords: Japan ; Baukonstruktion ; Geschichte 300-1900 ; Japan ; Architektur ; Geschichte 300-1900
    Author information: Frampton, Kenneth 1930-
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  • 3
    UID:
    b3kat_BV047619032
    Format: XXI, 312 Seiten, 8 Seiten Tafeln , Illustrationen
    Edition: First edition
    ISBN: 9780374190088
    Content: "A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--
    Language: English
    Subjects: Art History
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    Keywords: Schloss, Edith 1919-2011 ; New York school ; USA ; Malerei ; Geschichte 1942-2011 ; Autobiografie
    Author information: Schloss, Edith 1919-2011
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  • 4
    UID:
    b3kat_BV008234862
    Format: XXVII, 325 S. , Ill.
    ISBN: 0195077008
    Content: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Content: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Content: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Ästhetik ; Motherwell, Robert 1915-1991 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Motherwell, Robert 1915-1991
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  • 5
    Book
    Book
    London ; New York, New York : Thames & Hudson
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
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    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    Author information: Bird, Michael 1958-
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  • 6
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    b3kat_BV046659859
    Format: 1 Online-Ressource (xxxiv, 328 Seiten, 32 ungezählte Seiten Tafeln) , Illustrationen
    ISBN: 9781501336171 , 9781501336164 , 9781501336157
    Content: "Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius."
    Note: Includes bibliographical references and index , Dissertation University of Sydney 2015 , "We put all our hope in him" : Lilien and His Oeuvre -- "No longer art speaking but culture" : Lilien, Zionism, and Male Aesthetics -- Boundaries and Borderlines : The "New Woman" and the New Jewish Woman -- The Dangerous "Other" : Lilien's Femmes Fatales, Other Male Avant-garde Behavior, and Elsa Lasker-Schüler's Transgendered Vision -- Biblical Heroines, Biblical Illustrations, and the Search for Meaning -- Ost und West, Zionism, and the Construction of German Jewish Orientalism -- The Exotic "Other" : Lilien's Oriental Beauties and a Jewish Oriental Voice. - Mode of access: World Wide Web
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-3614-0
    Language: English
    Subjects: Art History
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    Keywords: Lilien, Ephraim Mose 1874-1925 ; Frau ; Frauenbild ; Geschlechterrolle ; Orientalismus ; Judentum ; Hochschulschrift ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    b3kat_BV025533402
    Format: XIII, 260 S. , überw. Ill.
    ISBN: 9780231138246 , 9780231510905
    Language: English
    Subjects: General works , Art History
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  • 8
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore : Cambridge University Press
    UID:
    b3kat_BV046856441
    Format: 1 Online-Ressource (XIII, 386 Seiten) , Illustrationen
    ISBN: 9781108849937
    Content: By the sixteenth century, Florence was famous across Europe for its achievements in the arts, letters, and humanist learning. Its intellectual life flourished anew at midcentury with Duke Cosimo and the Accademia Fiorentina. In this study, Ann Moyer provides an overview of Florentine intellectual life and community in the late Renaissance. She shows how studies of language helped Florentines develop their own story as a people distinct from ancient Greece or Rome, trace the rise of the city's medieval government, and explore how the city evolved into a hospitable environment for letters and the arts. Studies of Florentine art gave rise to art history, while those devoted to Florentine traditions and customs inspired broader questions about how to think about cultural change. Demonstrating how the intellectual activity around language, history, and art related and supported each other, Moyer's book documents the origins of the modern narrative of the Renaissance itself
    Note: Florence and Cosimo -- The city -- Who were the Florentines? Etruscan roots -- Received traditions -- Gelli and Giambullari on Florentine origins -- Supporters and detractors -- Florentine histories -- Past witnesses -- Diaries and private records -- Histories of recent times -- Medieval histories -- History, politics, customs -- Language and its study -- From Dante to Bembo and beyond : the century's first decades -- The Florentine language and its study : the Aramei -- Modern language practice -- Philological approaches -- Girolamo Mei on verse and prose -- Bendetto Varchi on language -- Vincenzio Borghini -- Writing about the arts -- Vasari and the Lives, 1550 -- The Accademia del Disegno -- Vasari's Lives, second or Giuntia edition, 1568 -- Florentine customs and practices -- The wedding of Francesco and Giovanna -- The dispute : the early history of Florence -- The Discorsi : city and diocese -- Urban culture : money and elites -- Conclusions -- Transitions -- Florentine studies
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-49547-9
    Language: English
    Subjects: Art History
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    Keywords: Florenz ; Humanismus ; Kultur ; Künste ; Geistesleben ; Geschichte 1500-1600
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Book
    Book
    Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien : Peter Lang
    UID:
    b3kat_BV044701471
    Format: 412 Seiten , Illustrationen
    ISBN: 9783034319379
    Series Statement: Italian Modernities vol. 28
    Content: Bruno Munari was one of the most important and eclectic twentieth-century European artists. Dubbed the 'Leonardo and Peter Pan' of contemporary art, he pioneered what would later be labelled kinetic art, playing a key role in the constitution and definition of the aesthetic programmes of groups such as Movimento Arte Concreta and Programmed Art. He became an internationally recognized name in the field of industrial design, winning the prestigious 'Compasso d?Oro' prize four times, while also being a prominent figure in Italian graphic design, working for magazines such as Tempo and Domus, as well as renowned publishing companies such as Einaudi and Bompiani. He left an indelible mark as an art pedagogue and popularizer with his famous 1970s artistic laboratories for children and was the author of numerous books
    Additional Edition: Erscheint auch als ISBN 9781787079908
    Additional Edition: Erscheint auch als ISBN 9781787079915
    Additional Edition: Erscheint auch als ISBN 9781787079922
    Language: English
    Subjects: Art History
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    Keywords: Munari, Bruno 1907-1998 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Antonello, Pierpaolo 1965-
    Author information: Zanoletti, Margherita 19XX-
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  • 10
    UID:
    b3kat_BV041234384
    Format: 304 S. , zahlr. Ill.
    Edition: 1. publ.
    ISBN: 9781908970084
    Content: For two decades he was one of the most famous painters in the world. Millions of people in Britain, the United States, Canada, Australia, New Zealand and South Africa flocked to see and buy his exotic pictures. Celebrities queued up to be painted by him and to buy his works. Paintings such as Chinese Girl ? the ?Green Lady' ? quickly became iconic images, reproduced countless times and appearing everywhere from suburban living rooms to blockbuster films. Vladimir Tretchikoff was the first pop-star artist. He lived a life as colourful as his instantly recognizable paintings. Born to a deep
    Language: English
    Subjects: Art History
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    Keywords: Tretchikoff, Vladimir 1913-2006 ; Biografie ; Biografie
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