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  • HU Berlin  (13)
  • SB Rathenow
  • SB Hennigsdorf
  • SB Eisenhüttenstadt
  • Kunst  (13)
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  • 1
    UID:
    b3kat_BV008234862
    Format: XXVII, 325 S. , Ill.
    ISBN: 0195077008
    Content: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Content: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Content: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Ästhetik ; Motherwell, Robert 1915-1991 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Motherwell, Robert 1915-1991
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  • 2
    Book
    Book
    London ; New York, New York : Thames & Hudson
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
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    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    Author information: Bird, Michael 1958-
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  • 3
    Book
    Book
    New York [u.a.] : Routledge
    UID:
    b3kat_BV014699314
    Format: XVI, 310 S., [8] Bl. , Ill. : 24 cm
    ISBN: 0415900980 , 0415900999
    Content: Fascinating and terrifying, the Medusa story has long been a powerful signifier in culture with poets, feminists, anthropologists, psychoanalysts, political theorists, artists, writers, and others. Bringing together the essential passages and commentary about Medusa, The Medusa Reader traces her through the ages, from classical times through the Renaissance to the pop culture, art, and fashion of today. This collection, with a critical introduction and striking illustrations, is the first major anthology of primary material and critical commentary on this most provocative and enigmatic of figures.
    Note: Includes bibliographical references (p. [279]-301)
    Language: English
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    Keywords: Medusa ; Anthologie ; Medusa ; Kunst ; Aufsatzsammlung ; Anthologie
    Author information: Garber, Marjorie B. 1944-
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  • 4
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    b3kat_BV047170909
    Format: 1 Online-Ressource (xiii, 345 Seiten) , Illustrationen
    ISBN: 9781350158337 , 9781350158351 , 9781350158344
    Content: "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"
    Content: Antarctica, that icy wasteland and extreme environment at the ends of the earth, was – at the beginning of the 20th century – the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank – and white – canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-7883-1169-4
    Language: English
    Subjects: Ethnology
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    Keywords: Wilson, Edward Adrian 1872-1912 ; Antarktisforschung ; Expedition ; Kunst ; Geschichte 1900-2020 ; Gould, Polly
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    UID:
    b3kat_BV023770258
    Format: X, 246 S. , Ill.
    Edition: Reprint
    ISBN: 0520081064
    Uniform Title: The life and times of the New York school
    Note: Originally publ. under title: The life and times of the New York school
    Language: English
    Subjects: Art History
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    Keywords: New York school ; Geschichte ; USA ; Kunst ; Geschichte 1900-1960 ; USA ; Kunstsoziologie ; Malerei ; Geschichte 1900-2000 ; USA ; Regionalkunst ; Geschichte 1900-2000 ; New York, NY ; Kunst ; Geschichte 1900-2000
    Author information: Ashton, Dore 1928-2017
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  • 6
    UID:
    b3kat_BV043686603
    Format: 204 Seiten, 50 ungezählte Seiten , Illustrationen
    Edition: 1st edition
    ISBN: 9783736992856
    Note: Dissertation Humboldt-Universität zu Berlin
    Language: English
    Subjects: Political Science , General works
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    Keywords: Kunst ; Elfter September ; Katastrophe ; Psychisches Trauma ; Hochschulschrift
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  • 7
    UID:
    b3kat_BV047555955
    Format: 247 Seiten , Illustrationen
    ISBN: 1858946964 , 9781858946962
    Content: Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as B'klyn gallery of horror Gruesome museum show, and Butchered animals, a dung-smeared Mary and giant genitalia; The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance
    Language: English
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    Keywords: New York, NY ; Ausstellung ; Exhibition "Sensation: Young British Artists from the Saatchi Collection" London 1997 ; Rezeption ; Kontroverse ; Ofili, Chris 1968- ; Hirst, Damien 1965- The Physical Impossibility of Death in the Mind of Someone Living ; Harvey, Marcus 1963- ; Emin, Tracey 1963- ; Ausstellung ; Geschichte 1997-1999 ; Kunstkritik ; Saatchi, Charles Nathan 1943- ; Kunst ; Sammlung
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  • 8
    Book
    Book
    New York : The Metropolitan Museum of Art | New Haven ; London : Yale University Press
    UID:
    b3kat_BV046433411
    Format: 303 Seiten , Illustrationen, Karten , 28 cm
    ISBN: 9781588396877
    Uniform Title: Sahel (Ausstellungskatalog)
    Content: This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the Sahel ("shore" in Arabic), a vast area on the southern edge of the Sahara Desert that includes present-day Senegal, Mauritania, Mali, Niger, Nigeria, and Chad. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre-Islamic period through the 19th century. It features some of the earliest extant art from Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring creativity of the different peoples who lived, traded, and traveled through this crossroads of the world.
    Note: Impressum: This catalogue is published in conjunction with "Sahel: Art and Empires on the Shores of the Sahara", on view at The Metropolitan Museum of Art, New York, from January 30 through May 10, 2020 , Local perceptions of early times : odes to Sahelian empires , On the shoreline of history : the state of archaeology in the Sahel , Pre-Islamic artistic patronage , Islam in the West African Sahel , Architecture in focus : four Sahelian landmarks , Sahelian diasporas : migrations from ancient Ghana and Mali , Collecting the Sahelian past : myth building and primary sources , From the rise of Songhay to the fall of Segu , Praying for life
    Language: English
    Subjects: History , Ethnology
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    Keywords: Sahel ; Reich ; Kunst ; Kultur ; Geschichte ; Sahel ; Geschichte ; Sahel ; Sachkultur ; Kunstwerk ; Ausstellungskatalog
    Author information: LaGamma, Alisa
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  • 9
    Online Resource
    Online Resource
    New York ; London : Routledge
    UID:
    b3kat_BV049519936
    Format: 1 Online-Ressource (xvi, 273 Seiten , Illustrationen
    Edition: Second edition
    ISBN: 9781315305073
    Note: Celebrating monkey business in art education and research -- Putting critical public: pedagogy into practice : reorienting the career path of the teacher-artist-scholar -- Art, agency, and inquiry: making connections between new materialism and contemporary pragmatism in arts-based research -- Wild imagination, radical imagination, politices, and the practice of arts-based education research (ABER) and scholartistry -- Being pregnant as an international PhD student : a poetic autoethography -- What is and artist-teacher when teaching second lannguages -- Ethnographic activist middle fiction: relfections on researching and writing dear mrs. naidu -- Misperformance ethnography -- Songwriting as ethnographic practice : how stories humanize -- The end run : art and the heart of the matter -- Expanding paradigms: art as performance and performance as ommunication politically turbulent times -- Happenings : allan kaprow's experimental, inquiey-based art educaiton -- Turning towards: materializing new possibilities through curating -- The abandoned school as an anomalous place of learning : a practice-led approach doctoral research -- Thinking incmics : an emerging process -- For art's sake, stop making art -- Finding the progress in work-progress : Liz Lerman's critical response process in arts-based research -- A researcher prepares : the art of acting for the qualitative researcher -- Learning to perceive :teaching scholaritistry -- Four guiding principles for arts-based research practice
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-138-23519-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-138-23517-5
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-30507-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-138-23517-5
    Language: English
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    Keywords: Kunsterziehung ; Künstlerische Forschung ; Kunst ; Pädagogik ; Pädagogik ; Forschung ; Aufsatzsammlung
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  • 10
    UID:
    b3kat_BV047657111
    Format: 441 Seiten , Illustrationen
    ISBN: 9781942130659
    Uniform Title: Saisis par la préhistoire
    Content: "We slip away from ourselves" : the discovery and internalization of the Earth's age (eighteenth to twentieth centuries) -- Reconstituting the antiquity of humankind and of art -- The artificiality of prehistory : a disjunctive genealogy of art -- The paradox of the Neolithic : rupture and permanence, order and disorder -- Prehistory in the Atomic Age
    Content: "Prehistory is an invention of the later nineteenth century. It was in this moment of technological progress and the acceleration of production and circulation, that three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to reckon the age of the Earth; second, to find a point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki's Transfixed by Prehistory considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if it was considered through these three, at once consecutive and interwoven, inventions of the longue durée? This book attempts to articulate such a history, which turns out to be more complex than that of an inevitable march of progress leading up to the "Anthropocene." Rather, it's a history of stupor, defamiliarization, regressive acceleration and incessant invention, since the "new" was also found in the deep sediments of the Earth. Composed as much of speed as of slowness, as much of change as of deep time, as much of confidence as of skepticism and doubt, modernity is a complex phenomenon that needs to be thought again. This book focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger) and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-942130-66-6
    Language: English
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    Keywords: Vor- und Frühgeschichte ; Rezeption ; Kunst ; Ästhetik ; Geschichte 1860-2018
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