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  • HU Berlin  (3)
  • SB Rathenow
  • HS Musik Hanns Eisler
  • SB Eisenhüttenstadt
  • Gates, Henry Louis Jr.  (3)
  • 1
    Book
    Book
    New York : Basic Civitas
    UID:
    b3kat_BV040261767
    Format: XII, 644 S.
    ISBN: 9780465028313 , 9780465029242
    Note: Includes bibliographical references and index , Pt.I Genealogies : Family matters (The New Yorker) -- My Yiddishe mama (The Wall Street Journal) -- Native sons of liberty (The New York Times Week in Review) -- In the kitchen (Colored People) -- Walk the last mile (Colored People) -- The last mill picnic (Colored People) -- In our lifetime (The Root) -- Pt.II Excavation : Introduction, Our nig; or, sketches from the life of a free black by Harriet E. Wilson -- Introduction, The bondswoman's narrative : a novel by Hannah Crafts -- In her own write, series introduction, The Schomburg Library of Nineteenth-Century Black Women Writers -- Introduction, African American lives, with Evelyn Brooks Higginbotham -- Introduction to the first edition, Africana : the encyclopedia of the African and African American experience, second edition, with Kwame Anthony Appiah -- Prefatory notes on the African slave trade, In search of our roots -- , Pt.III Canons : The master's pieces : on canon formation and the African-American tradition, Loose canons -- Introduction, "Tell me, sir,...What is 'black' literature?," Loose canons -- Preface to the second edition, The Norton anthology of African American literature, with Nellie Y. McKay -- Canon confidential : a Sam Slade caper (The New York Times Book Review) -- Pt.IV "Race," writing, and reading : Being, the will, and the semantics of death : Wole Soyinka's Death and the king's horseman -- Introduction, Writing "race" and the difference it makes (Critical Inquiry) -- Preface, The image of the black in Western art, with David Bindman -- The signifying monkey and the language of signifyin(g): rhetorical difference and the orders of meaning (The signifying monkey) -- Reading "Race," writing, and difference (PMLA) -- Jean Toomer's conflicted racial identity, with Rudolph P. Byrd (The Chronicle of Higher Eduation) -- , Pt.V Reading people : Both sides now : W.E.B. Du Bois (The New York Times) -- The prince who refused the kingdom : John Hope Franklin (Du Bois Review) -- King of cats : Albert Murray (The New Yorker) -- White like me : Anatole Broyard (The New Yorker) -- Bliss Broyard (In search of our roots) -- Elizabeth Alexander (Faces of America) -- Oprah Winfrey (In search of our roots) -- Pt.VI Reading places : Africa, to me (Wonders of the African world) -- Black London (The New Yorker) -- Harlem on our minds (Critical Inquiry) -- Introduction (Black in Latin America) -- Brazil : "May Exú give me the power of speech" (Black in Latin America) -- Pt.VII Culture and politics : 2 Live Crew, decoded (The New York Times) -- "Authenticity," or the lesson of Little Tree (The New York Times Book Review) -- The chitlin circuit (The New Yorker) -- Changing places (The New York Times) -- Forty acres and a gap in wealth (The New York Times) -- Ending the slavery blame-game (The New York Times) -- , Is he a racist? : James Watson's errant, perilous theories (The Washington Post) -- Pt.VIII Interviews : An interview with Josephine Baker and James Baldwin (The Southern Review) -- The future of Africa : an interview with Wole Soyinka (The Root) -- A conversation with Condoleezza Rice : on leadership (Du Bois Review) -- A conversation with William Julius Wilson on the election of Barack Obama (Du Bois Review) -- A conversation with Isabel Wilkeson : on America's great migration (Du Bois Review)
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Schwarze ; Literatur ; Geschichte
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  • 2
    UID:
    b3kat_BV008207551
    Format: XIII, 448 S.
    ISBN: 1567430120 , 1567430252
    Series Statement: Amistad literary series
    Content: Toni Morrison has been described by the New York Times as "the closest thing the country has to a national writer." Her third novel, Song of Solomon, earned her the National Book Critics Circle and the American Academy and Institute of Arts and Letters awards, and was the first novel written by an African-American writer to be selected for the Book-of-the-Month club since Richard Wright's Native Son. With six published novels, two anthologies, a volume of literary criticism, plays, and other published works behind her, she is one of the most celebrated American writers of her time. Henry Louis Gates, Jr., writes in the preface of Toni Morrison: Critical Perspectives Past and Present, coedited with K. A
    Content: Appiah, that "Morrison's greatest capacities as a writer are her ability to create a densely lyrical narrative texture that is instantly recognizable as her own, and to make of the particularity of the African-American 'experience' the basis for a representation of humanity tout court." These critical perspectives are reviews from the popular press, essays - by such noted scholars and authors as Houston A. Baker, Jr., author of Workings of the Spirits, and Roberta Rubenstein, author of Boundaries of the Self - and interviews with Morrison that present her own perspective. This unique and revealing collection, which also includes a chronology of her life and career, offers insight and information useful to academic and lay readers alike. The critical essays explain how Morrison's work is influenced by writers such as Gabriel Garcia Marquez, William Faulkner, and James Baldwin; by Biblical scripture; and by Black music and speech rituals
    Content: They examine why Morrison's writing is "at once difficult and popular," says Gates. When Sara Blackburn reviewed Morrison's first novel, The Bluest Eye, for the New York Times, she wrote that the novelist "reaped the benefits of a growing middle-class women's movement that was just beginning to acknowledge the reality of its black and poor sisters. As a result, her novel probably attracted more attention than it otherwise might have in the publishing industry and reviewers." The factors of her success are debatable, but most agree that her place in the pantheon of the world's greatest literary figures is guaranteed
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Morrison, Toni 1931-2019 ; Morrison, Toni 1931-2019 ; Bibliografie ; Aufsatzsammlung
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  • 3
    UID:
    b3kat_BV008185015
    Format: XIII, 368 S.
    ISBN: 1567430139 , 1567430260
    Series Statement: Amistad literary series
    Content: Alice Walker has been honored with most of the major literary awards - including the Pulitzer Prize and the National Book Award for The Color Purple - clearly establishing her among the giants of American literature. She has achieved critical and commercial success not only through her five published novels, but for her short stories, poetry, essays, and other writings, and for a top-grossing feature film based on her first best-selling novel. She is among the few contemporary American literary figures who are studied in colleges and universities, and she has become a household name. Renowned scholars of African-American literature Henry Louis Gates, Jr., and K. A
    Content: Appiah have brought together reviews "drawn from newspapers and popular magazines to show Walker's accomplishments in the eyes of her literary contemporaries," writes Gates, along with a "range of scholarly response." A self-described womanist, Alice Walker has a following not only among women of color, to whom much of her work is addressed, but among women and men of all ethnicities in the academic and lay communities as well. This unique and revealing collection includes the points of view of writers such as Greil Marcus, author of Lipstick Traces; New York Times book critic Mel Watkins; Barbara Christian, author of Black Feminist Criticism; bell hooks, author of Black Looks; and others who represent the many and varied people who are influenced and affected by her work. In "To Try Men's Souls" Robert Coles writes, "Alice Walker is a fighter as well as a meditative poet and lyrical novelist
    Content: She has taken part in the struggles her people have waged, and also knows the struggles they must yet face in this greatest of the world's democracies. Mary Helen Washington, editor of Black-eyed Susans and Memory of Kin, expresses her belief that "the true empathy Alice Walker has for the oppressed woman comes through in all her writings - stories, essays, poems, novels." Though Walker is described as a "lavishly gifted writer," she is also subjected to respectful criticism. Alice Hall Petry, author of Understanding Anne Tyler, says, "As a short story writer, Alice Walker seems to alternate between presenting editorials as fiction, experimenting with the short story as a recognized literary form, and rather self-consciously writing 'conventional' short stories
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Walker, Alice 1944- ; Aufsatzsammlung
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