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  • HU Berlin  (25)
  • SB Rathenow
  • SB Eisenhüttenstadt
  • GB Schulzendorf
  • Kunst  (13)
  • Schwarze  (13)
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  • 1
    Book
    Book
    New York : New York University Press
    UID:
    b3kat_BV045563700
    Format: xv, 273 Seiten , 23 cm
    ISBN: 9780814748336 , 9780814748329
    Series Statement: Sexual cultures
    Content: "Keeling's "Queer Times, Black Futures" explores the issues of gender and race"--
    Note: Another litany for survival -- Black futures and the queer times of life : finance, flesh, and the imagination -- Interregnum : the unaccountable Bartleby -- "It's after the end of the world (don't you know that yet?)" : Afrofuturism and transindividuation -- Yet still : queer temporality, black political possibilities, and poetry from the future (of speculative pasts) -- Interlude : the sonic Bartleby : the digital regime of the image and musical speech -- Black cinema and questions concerning film/media/technology -- "Corporate cannibal" : risk, errantry, and imagination in the age of catastrophe -- Intercession : the de-American Bartleby: archipelagoes, refusal, and the cosmic -- "World galaxy."
    Language: English
    Subjects: Sociology
    RVK:
    Keywords: USA ; Schwarze ; Queer-Theorie ; Minderheit ; Massenmedien ; Queer-Theorie ; Amerika ; Schwarze
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  • 2
    UID:
    b3kat_BV008234862
    Format: XXVII, 325 S. , Ill.
    ISBN: 0195077008
    Content: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Content: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Content: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Ästhetik ; Motherwell, Robert 1915-1991 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Motherwell, Robert 1915-1991
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  • 3
    Book
    Book
    New York, NY : Delacorte Press
    UID:
    b3kat_BV010003773
    Format: XIV, 303 S.
    ISBN: 0385311176
    Content: The riots in Crown Heights, New York. The fiery speeches of Khalid Muhammad. The controversial politics of Farrakhanism. The relationship between American Jews and African-Americans has made front-page headlines in the 1990s and has become one of the country's most provocative issues. The recent explosive events have provoked a new assessment of the many years of discord between these sometime allies, sometime enemies - and a return to the simple yet perplexing question: What is the fight really about? From Paul Berman, renowned writer and critically acclaimed editor of Debating PC, comes a stunning collection of nineteen essays by some of the foremost thinkers of our time - a groundbreaking volume that offers a spectrum of distinguished writing on the subject, exploding myths and finding moral absolutes, baring souls and distilling ideas with logic, passion, and candor. Several of the essays chosen for this collection are original works that appear here for the first time
    Content: And several are well-established classics, including the famous New York Times op-ed article by Henry Louis Gates, Jr., James Baldwin's "Negroes Are Anti-Semitic Because They're Anti-White," Norman Podhoretz's "My Negro Problem - and Ours," and Cynthia Ozick's "Literary Blacks and Jews." Both Podhoretz and Ozick have written, especially for this volume, new retrospective commentaries on their own classic essays. Bold meditations on the history of black-Jewish relations are offered by Andrew Hacker and Cornel West, as well as by Paul Berman in his essay "The Other and the Almost the Same," which was widely discussed when it came out in The New Yorker. There are passionate analyses by Shelby Steele, Leon Wieseltier, Richard Goldstein, Jim Sleeper, Joe Wood, bell hooks, and several others
    Content: The Civil Rights Movement, the rise of Black Power, Third World alliances, Israel and Zionism, affirmative action, neoconservatism, American slavery, racial segregation, anti-Semitism, the Holocaust - all these topics are woven into a brilliant and eloquent discussion of an issue that is shaping our time. In Blacks and Jews we can hear responsible voices, liberal and conservative alike, speaking from the intellect and from the heart about bigotry and prejudice in today's America, and about the hope for tolerance and democracy in the American future
    Language: English
    Subjects: History
    RVK:
    Keywords: USA ; Schwarze ; Juden
    Author information: Berman, Paul 1949-
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  • 4
    Book
    Book
    London ; New York, New York : Thames & Hudson
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    Author information: Bird, Michael 1958-
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  • 5
    Book
    Book
    New York : Liveright Publishing Corporation, a division of W.W. Norton & Company
    UID:
    b3kat_BV045565693
    Format: xxii, 408 Seiten , Porträt
    Edition: First edition
    ISBN: 9781631495342
    Content: "This long-overdue biography reestablishes William Monroe Trotter's essential place next to Douglass, Du Bois, and King in the pantheon of American civil rights heroes. William Monroe Trotter (1872- 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Greenidge renders the drama of turn- of- the- century America and reclaims Trotter as a seminal figure, whose prophetic, yet ultimately tragic, life offers a link between the vision of Frederick Douglass and black radicalism in the modern era"--
    Language: English
    Subjects: History
    RVK:
    Keywords: Trotter, William Monroe 1872-1934 ; Geschichte ; Boston, Mass. ; Bürgerrechtler ; Journalist ; Radikaler ; Schwarze ; Ethnische Beziehungen ; Biografie ; Biografie
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  • 6
    Book
    Book
    New York : Random House
    UID:
    b3kat_BV003245231
    Format: 281 S.
    Edition: [Nachdr.]
    ISBN: 0394429869
    Content: From the Publisher: A phenomenal #1 bestseller that has appeared on the New York Times bestseller list for nearly three years, this memoir traces Maya Angelou's childhood in a small, rural community during the 1930s. Filled with images and recollections that point to the dignity and courage of black men and women, Angelou paints a sometimes disquieting, but always affecting picture of the people-and the times-that touched her life.
    Language: English
    Subjects: American Studies
    RVK:
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    Keywords: USA Südstaaten ; Rassismus ; Geschichte 1931-1945 ; USA ; Schwarze ; Rassismus ; Biografie
    Author information: Angelou, Maya 1928-2014
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  • 7
    Book
    Book
    New York : Ballantine Books
    UID:
    b3kat_BV046047459
    Format: ix, 289 Seiten
    Edition: Ballantine Books mass market edition
    ISBN: 9780345514400 , 0345514408
    Content: From the Publisher: A phenomenal #1 bestseller that has appeared on the New York Times bestseller list for nearly three years, this memoir traces Maya Angelou's childhood in a small, rural community during the 1930s. Filled with images and recollections that point to the dignity and courage of black men and women, Angelou paints a sometimes disquieting, but always affecting picture of the people-and the times-that touched her life.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5883-6925-3
    Language: English
    Subjects: American Studies
    RVK:
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    Keywords: USA Südstaaten ; Rassismus ; Geschichte 1931-1945 ; USA ; Schwarze ; Rassismus ; Biografie
    Author information: Angelou, Maya 1928-2014
    Author information: Winfrey, Oprah 1954-
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  • 8
    Book
    Book
    New York [u.a.] : Routledge
    UID:
    b3kat_BV014699314
    Format: XVI, 310 S., [8] Bl. , Ill. : 24 cm
    ISBN: 0415900980 , 0415900999
    Content: Fascinating and terrifying, the Medusa story has long been a powerful signifier in culture with poets, feminists, anthropologists, psychoanalysts, political theorists, artists, writers, and others. Bringing together the essential passages and commentary about Medusa, The Medusa Reader traces her through the ages, from classical times through the Renaissance to the pop culture, art, and fashion of today. This collection, with a critical introduction and striking illustrations, is the first major anthology of primary material and critical commentary on this most provocative and enigmatic of figures.
    Note: Includes bibliographical references (p. [279]-301)
    Language: English
    RVK:
    Keywords: Medusa ; Anthologie ; Medusa ; Kunst ; Aufsatzsammlung ; Anthologie
    Author information: Garber, Marjorie B. 1944-
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  • 9
    Book
    Book
    New York : Basic Civitas
    UID:
    b3kat_BV040261767
    Format: XII, 644 S.
    ISBN: 9780465028313 , 9780465029242
    Note: Includes bibliographical references and index , Pt.I Genealogies : Family matters (The New Yorker) -- My Yiddishe mama (The Wall Street Journal) -- Native sons of liberty (The New York Times Week in Review) -- In the kitchen (Colored People) -- Walk the last mile (Colored People) -- The last mill picnic (Colored People) -- In our lifetime (The Root) -- Pt.II Excavation : Introduction, Our nig; or, sketches from the life of a free black by Harriet E. Wilson -- Introduction, The bondswoman's narrative : a novel by Hannah Crafts -- In her own write, series introduction, The Schomburg Library of Nineteenth-Century Black Women Writers -- Introduction, African American lives, with Evelyn Brooks Higginbotham -- Introduction to the first edition, Africana : the encyclopedia of the African and African American experience, second edition, with Kwame Anthony Appiah -- Prefatory notes on the African slave trade, In search of our roots -- , Pt.III Canons : The master's pieces : on canon formation and the African-American tradition, Loose canons -- Introduction, "Tell me, sir,...What is 'black' literature?," Loose canons -- Preface to the second edition, The Norton anthology of African American literature, with Nellie Y. McKay -- Canon confidential : a Sam Slade caper (The New York Times Book Review) -- Pt.IV "Race," writing, and reading : Being, the will, and the semantics of death : Wole Soyinka's Death and the king's horseman -- Introduction, Writing "race" and the difference it makes (Critical Inquiry) -- Preface, The image of the black in Western art, with David Bindman -- The signifying monkey and the language of signifyin(g): rhetorical difference and the orders of meaning (The signifying monkey) -- Reading "Race," writing, and difference (PMLA) -- Jean Toomer's conflicted racial identity, with Rudolph P. Byrd (The Chronicle of Higher Eduation) -- , Pt.V Reading people : Both sides now : W.E.B. Du Bois (The New York Times) -- The prince who refused the kingdom : John Hope Franklin (Du Bois Review) -- King of cats : Albert Murray (The New Yorker) -- White like me : Anatole Broyard (The New Yorker) -- Bliss Broyard (In search of our roots) -- Elizabeth Alexander (Faces of America) -- Oprah Winfrey (In search of our roots) -- Pt.VI Reading places : Africa, to me (Wonders of the African world) -- Black London (The New Yorker) -- Harlem on our minds (Critical Inquiry) -- Introduction (Black in Latin America) -- Brazil : "May Exú give me the power of speech" (Black in Latin America) -- Pt.VII Culture and politics : 2 Live Crew, decoded (The New York Times) -- "Authenticity," or the lesson of Little Tree (The New York Times Book Review) -- The chitlin circuit (The New Yorker) -- Changing places (The New York Times) -- Forty acres and a gap in wealth (The New York Times) -- Ending the slavery blame-game (The New York Times) -- , Is he a racist? : James Watson's errant, perilous theories (The Washington Post) -- Pt.VIII Interviews : An interview with Josephine Baker and James Baldwin (The Southern Review) -- The future of Africa : an interview with Wole Soyinka (The Root) -- A conversation with Condoleezza Rice : on leadership (Du Bois Review) -- A conversation with William Julius Wilson on the election of Barack Obama (Du Bois Review) -- A conversation with Isabel Wilkeson : on America's great migration (Du Bois Review)
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Schwarze ; Literatur ; Geschichte
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  • 10
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    b3kat_BV047170909
    Format: 1 Online-Ressource (xiii, 345 Seiten) , Illustrationen
    ISBN: 9781350158337 , 9781350158351 , 9781350158344
    Content: "An illustrated analysis of the visual, material and anthropological formation of environmental art and histories, in particular a visual history of the Antarctic"
    Content: Antarctica, that icy wasteland and extreme environment at the ends of the earth, was – at the beginning of the 20th century – the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank – and white – canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-7883-1169-4
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Wilson, Edward Adrian 1872-1912 ; Antarktisforschung ; Expedition ; Kunst ; Geschichte 1900-2020 ; Gould, Polly
    URL: Volltext  (URL des Erstveröffentlichers)
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