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  • HU Berlin  (11)
  • SB Eisenhüttenstadt
  • 2020-2024  (11)
  • Art History  (11)
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  • 1
    UID:
    almahu_BV047619032
    Format: XXI, 312 Seiten, 8 Seiten Tafeln : , Illustrationen.
    Edition: First edition
    ISBN: 978-0-374-19008-8
    Content: "A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: 1919-2011 Schloss, Edith ; Malerei ; Autobiografie
    Author information: Schloss, Edith 1919-2011
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  • 2
    Book
    Book
    London ; New York, New York :Thames & Hudson,
    UID:
    almahu_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen.
    ISBN: 978-0-500-02443-0
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Künstler
    Author information: Bird, Michael, 1958-,
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  • 3
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV046659859
    Format: 1 Online-Ressource (xxxiv, 328 Seiten, 32 ungezählte Seiten Tafeln) : , Illustrationen.
    ISBN: 978-1-5013-3617-1 , 978-1-5013-3616-4 , 978-1-5013-3615-7
    Content: "Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius."
    Note: Includes bibliographical references and index , Dissertation University of Sydney 2015 , "We put all our hope in him" : Lilien and His Oeuvre -- "No longer art speaking but culture" : Lilien, Zionism, and Male Aesthetics -- Boundaries and Borderlines : The "New Woman" and the New Jewish Woman -- The Dangerous "Other" : Lilien's Femmes Fatales, Other Male Avant-garde Behavior, and Elsa Lasker-Schüler's Transgendered Vision -- Biblical Heroines, Biblical Illustrations, and the Search for Meaning -- Ost und West, Zionism, and the Construction of German Jewish Orientalism -- The Exotic "Other" : Lilien's Oriental Beauties and a Jewish Oriental Voice. - Mode of access: World Wide Web
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-3614-0
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1874-1925 Lilien, Ephraim Mose ; Frau ; Frauenbild ; Geschlechterrolle ; Orientalismus ; Judentum ; Hochschulschrift ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore :Cambridge University Press,
    UID:
    almafu_BV046856441
    Format: 1 Online-Ressource (XIII, 386 Seiten) : , Illustrationen.
    ISBN: 978-1-108-84993-7
    Content: By the sixteenth century, Florence was famous across Europe for its achievements in the arts, letters, and humanist learning. Its intellectual life flourished anew at midcentury with Duke Cosimo and the Accademia Fiorentina. In this study, Ann Moyer provides an overview of Florentine intellectual life and community in the late Renaissance. She shows how studies of language helped Florentines develop their own story as a people distinct from ancient Greece or Rome, trace the rise of the city's medieval government, and explore how the city evolved into a hospitable environment for letters and the arts. Studies of Florentine art gave rise to art history, while those devoted to Florentine traditions and customs inspired broader questions about how to think about cultural change. Demonstrating how the intellectual activity around language, history, and art related and supported each other, Moyer's book documents the origins of the modern narrative of the Renaissance itself
    Note: Florence and Cosimo -- The city -- Who were the Florentines? Etruscan roots -- Received traditions -- Gelli and Giambullari on Florentine origins -- Supporters and detractors -- Florentine histories -- Past witnesses -- Diaries and private records -- Histories of recent times -- Medieval histories -- History, politics, customs -- Language and its study -- From Dante to Bembo and beyond : the century's first decades -- The Florentine language and its study : the Aramei -- Modern language practice -- Philological approaches -- Girolamo Mei on verse and prose -- Bendetto Varchi on language -- Vincenzio Borghini -- Writing about the arts -- Vasari and the Lives, 1550 -- The Accademia del Disegno -- Vasari's Lives, second or Giuntia edition, 1568 -- Florentine customs and practices -- The wedding of Francesco and Giovanna -- The dispute : the early history of Florence -- The Discorsi : city and diocese -- Urban culture : money and elites -- Conclusions -- Transitions -- Florentine studies
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-49547-9
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Humanismus ; Kultur ; Künste ; Geistesleben
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Image
    Image
    New York :The Metropolitan Museum of Art, | New Haven ; London :Yale University Press.
    UID:
    almahu_BV047555444
    Format: 200 Seiten.
    ISBN: 1-58839-739-4 , 978-1-58839-739-3
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Druckgrafik ; Maschine ; Technik ; Krieg ; Alltagskultur ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Aufsatzsammlung
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  • 6
    Image
    Image
    New York :Gagosian, | New York, NY :Rizzoli International Publications.
    UID:
    almahu_BV049356153
    Format: 64 Seiten, 8 ungezählte Seiten ; , 33 cm.
    ISBN: 978-0-8478-7380-7 , 0-8478-7380-3
    Content: Helen Frankenthaler: Drawing within Nature documents an exhibition of Frankenthaler s sumptuous paintings from the early to mid-1990s, many shown in New York for the first time. This catalog documents an exhibition that focuses on Helen Frankenthaler s paintings on canvas of the early 1990s, along with three large-scale paintings on paper from 1995. In this period, Frankenthaler experimented with new mediums and techniques, resulting in thickly impastoed surfaces that recalibrate our understanding of her practice. A new essay by Thomas Crow examines these paintings in the context of the varied environments in which Frankenthaler lived and worked, from the warm-toned terrain of Santa Fe, New Mexico, to her seaside home and studio in Stamford, Connecticut. Helen Frankenthaler (1928-2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of postwar American abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, while at times referencing figuration and landscape in highly personal ways. Exhibition: Gagosian Gallery, New York, USA (09.03. - 22.04.2023)
    Note: Impressum: Published on the occasion of the exhibition "Helene Frankenthaler. Drawing within Nature: Paintings from the 1990s", March 9-April 15, 2023, Gagosian, New York
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1928-2011 Frankenthaler, Helen ; Acrylmalerei ; Ausstellungskatalog ; Exhibition catalogs ; Bildband ; Ausstellungskatalog
    Author information: Crow, Thomas E., 1948-
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  • 7
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV049587384
    Format: xvi, 213 Seiten : , Illustrationen.
    ISBN: 978-1-3503-0040-8 , 1-3503-0040-3 , 978-1-3503-0041-5 , 1-3503-0041-1
    Series Statement: Transnational surrealism
    Content: "While much of this work supports the existing narratives that have dominated Duchampian scholarship for decades, such as his role in the European Dada movement and the philosophical ideas that influenced him, the cutting-edge essays collected in this book push our understanding of Duchamp beyond the limits of existing criticism. Written in the specific context of the 21st century, Duchamp Accelerated: Contemporary Perspectives situates the artist firmly in a global context and highlights the numerous influences - from Marxist philosophy and the writings of Georges Bataille, to travels in Argentina - that shaped his ideas and art. The volume also includes chapters on the Dada collection in Israel and contemporary artwork by Jeff Wall. Actively challenging the dominant narratives that surround Duchamp, these novel approaches aim to 'accelerate' the histories, dialogues, aesthetics and materialisms that define his practice, whilst relating his art and ideas to a multitude of disciplinary and cultural perspectives. The 'accelerated' Duchamp that emerges from this analysis is one who not only speeds up notions of art in relation to cultural and political histories, but one whose practice is actively informing future developments in the worlds of art and material culture today"--
    Note: The lives and times of Marcel Duchamp-an Introduction / Julian Jason Haladyn -- Fifty cubic centimetres of infected air? Duchamp's Paris air and Dada's transmission / David Hopkins -- I.O.U's and a practice deferred : on Duchampian refusals of work / Nare Mokgotho -- What was and was not (an unhappy readymade) : Marcel Duchamp in Argentina / Dot Tuer -- Unchamp, a Cyclops : looking with one eye, close to, from the other side of the glass / Maxwell Hyett -- Casting a long shadow : Jean-François Lyotard, Marcel Duchamp, Michael Snow / Elizabeth Legge -- Duchamp and the play of distances / Yam Lau -- The subterranean modernism of Bataille and Duchamp / Jaime Tsai -- The fine art of bureaucracy : Duchamp and Broodthaers / Emily Dickson -- Capturing the Dada Spirit : curating the Israel museum's Dada and surrealist collection / Adina Kamien -- Idle speculation / André Alexis -- Visual cast : cinéma en relief and the nude figure in given / Penelope Haralambidou -- Going underground with Marcel Duchamp and Jeff Wall / Michael R. Taylor -- We will wait / Serkan Özkaya
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3503-0042-2
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3503-0043-9
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1887-1968 Duchamp, Marcel ; Rezeption ; Aufsatzsammlung
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  • 8
    Book
    Book
    New York :Abrams Press,
    UID:
    almahu_BV047561059
    Format: xii, 380 Seiten, 48 ungezählte Seiten Tafeln : , Illustrationen ; , 24 cm.
    ISBN: 978-1-4197-4953-7
    Content: From a distinguished art historian, a dramatic reappraisal of Renaissance master Hans Holbein, whose art shaped politics and immortalized the Tudors. Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion. In The King's Painter, biographer Franny Moyle traces and analyzes the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror. It is a work of serious scholarship written for a wide audience
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-64700-521-4
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: 1497-1543 Holbein, Hans ; Biografie ; Biographies
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  • 9
    Image
    Image
    London :Thames & Hudson,
    UID:
    almahu_BV047577512
    Format: 359 Seiten : , 218 Illustrationen (teilweise farbig) ; , 21 cm.
    Edition: Third edition
    ISBN: 978-0-500-20466-5
    Series Statement: World of art
    Uniform Title: Black art and culture in the 20th century 1997
    Content: "The African diaspora - a direct result of the transatlantic slave trade and Western colonialism - has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on "the souls of black folk" in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture. Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues"--Publisher's description
    Note: Previous edition: 2002. - First published in 1997 in the United Kingdom under the title 'Black Art and Culture in the 20th Century' by Thames & Hudson Ltd, London. - First published in 1997 in the United States of America under the title 'Black Art and Culture in the 20th Century' by Thames & Hudson Inc., New York , Introduction : the dark center -- Art, culture, and "the souls of Black folk" -- Enter and exit the "New Negro" -- The cult of the people -- Pride, assimilation, and dreams -- "Black is a color" -- Culture as currency -- Through a glass, diasporally -- Fin-de-siècle blues -- The price of blackness
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Schwarze ; Kunst ; Künste ; History
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  • 10
    Book
    Book
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV048653227
    Format: xiv, 184 Seiten : , Illustrationen.
    ISBN: 978-0-367-85988-6 , 978-1-032-41823-0
    Series Statement: Routledge research in art history
    Content: "This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sculpture has been on continuous view for over 500 years, during which time its cultural, theological, and artistic significance has shifted. Equally important is the fact that over its long life it has been relocated numerous times and has also been reproduced in images and objects produced both during Michelangelo's lifetime and long after, described here as artistic progeny: large-scale, unique sculpted variants, smaller-scale statuettes, plaster and bronze casts, and engraved prints. The book will be of interest to scholars working in art history, Renaissance studies, early modern studies, religion, Christianity, and theology"--
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003-01625-0
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Buonarroti 1475-1564 Pietà Michelangelo ; Rezeption ; Electronic books
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