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  • Albanisch  (4)
  • Berlin International  (4)
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  • 1
    UID:
    kobvindex_INT37249
    Umfang: 1 online resource (210 pages).
    Ausgabe: 1st edition
    ISBN: 9780692480410
    Inhalt: Workers Leaving the Studio. Looking Away from Socialist Realism. catalogs the exhibition "Workers leaving the studio. Looking away from socialist realism.," curated by Mihnea Mircan in the National Gallery of Arts in Tirana, Albania in 2015. According to Mircan, "The [...] exhibition reflects on another projection machine, whose history and consequences, unlike cinema, are circumscribed by national boundaries, specific histories, and ideological configurations. The regime of production and representation of socialist realism radicalizes the violence that the creation of a new image does to its subject: it intensifies the fraught relation between refashioned representation and that which is represented. Its insistence on a particular, projective notion of reality is commensurate with the coercion of daily - cultural, social, emotional - life into a grid whose perspective lines and vanishing points carry heavy ideological charges. It enforces what it represents onto that which it represents, so that representation would replace reality." Apart from a full documentation of the exhibition by photographer Marco Mazzi, the catalogue also features theoretical and art-historical contributions, both in English and in Albanian, on socialist realist art as developed in Albania under the communist regime, as well as texts highlighting contemporary attempts to display political realities through progressive artistic practices. Artists include: Santiago Sierra, Jonas Staal, Ciprian Mureşan, Irwin, Sarah Vanagt, and Armando Lulaj, with scholarly contributions by
    Anmerkung: Available through punctum books. , Mode of access: World Wide Web.
    Sprache: Albanisch
    URL: FULL
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    kobvindex_INT37202
    Umfang: 1 online resource (552 pages).
    Ausgabe: 1st edition
    ISBN: 9780615898711
    Inhalt: We live in an era where the university system is undergoing great changes owing to developments in financing policies and research priorities, as well as changes in the society in which this system is embedded. This change toward a more market-oriented university, which also has immediate effects in academic peripheries such as the Balkans, the Middle East, or South-East Asia, is of great influence for the pedagogical practice of "less profitable" academic areas such as the Humanities: philosophy, languages, sociology, anthropology, history. Because of the absence of a historically grounded establishment of the Humanities, academic peripheries, usually accompanied by a weak civil society infrastructure, seem to offer the most fertile ground for rethinking the Humanities, their pedagogical practice, and their politics, as well as the greatest threats, such as the ongoing capitalization of research, and profitability as the norm of educational achievement. The sprawling presence of for-profit universities and in academic peripheries such as Albania and Kosovo is indicative of this problematic, as are consistent underfunding of universities and the relentless budget cuts in American and English, and to a lesser extent European, universities. Motivations for this ongoing attack on the university are often driven by a political system or a politics with an aggressive stance to critical thought.
    Anmerkung: Available through punctum books. , Vincent W.J. van Gerven Oei · Opening Christopher Fynsk · A Pedagogy on the Verge of Disaster Oliver Feltham · Desocializing the School: Education and the Action-Zone Adam Staley Groves · Sandy Hook University: Poetic Violence, Scope, and Style of Imagination Julia Hölzl · A Call for Thinking (The Disaster) John Van Houdt · The Rhetoric of Disaster: Surviving the End of the Humanities Vincent W.J. van Gerven Oei · A Passion for Yes: Coming Out and Affirmation Edith Doron · Welcoming the Stranger: From Social Inclusion to Exilic Education Urok Shirhan · Occupy Baghdad: On the Occupation of Images Jonas Staal · Art After Democratism: The Pedagogy of the New World Summit Katharina Stadler · "Reading on Disaster" Intervention: Imaginaries in Participatory Artistic Practice Manifesto for Education in Albania Andreas Vrahimis · Philosophy and Humanistic Education: J.S. Mill's Catastrophic Pedagogy Matthew Charles · Walter Benjamin and the Inhumanities: Towards a Pedagogical Anti-Nietzscheanism Nico Jenkins · Philosophy beyond the Peras: Thinking with/in the Periphery Justin Joque · Cyber-Catastrophe: Towards a New Pedagogy of Entropy Tijana Stevanović · Faculty in Withdrawal: Not To Know and the Uncertainties of Self-Institutionalization Denisa Kera · On Prototypes: Should We Eat Mao's Pear, Sail Saint-Exupéry's Boat, Drink with Heidegger's Pitcher, or Use Nietzsche's Hammer to Respond to the Crisis? Sina Badiei · The Necessity of Education: Or How Can One Still Be an Althusserian in the Wake of Badiou? Nick Skiadopoulos · The University Must Be Transcended Judith Balso · Compter sur l'impossible inexistant / To Rely on the Inexistent Impossible Constitution of Happiness Jonida Gashi · Translator's Note , Mode of access: World Wide Web.
    Sprache: Albanisch
    URL: FULL
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Brooklyn, NY : punctum books
    UID:
    kobvindex_INT1a71ecd5-c868-44af-9b53-b45888fb241c
    Umfang: 1 online resource (284 pages)
    Ausgabe: 1st edition
    ISBN: 9780692350461
    Inhalt: In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945-1990) to commemorate the partisan victims, battles, and military units from the National Anti-Fascist Liberation War (which coincided with World War II), as well as historical figures from before the liberation and the accomplishments of socialism in Albania afterward. These lapidars, which can still be found, albeit in ever decreasing numbers, all over the country - in cities and villages, alongside roads, in forests and on mountain passes - are witness to an enormous expenditure of labor and resources to turn the landscape into a site of what was called "monumental propaganda." The Albanian Lapidar Survey aimed to capture these monuments as fact. The results of this project are collected into a three-volume, dual-language (English and Albanian) catalogue, under the title Lapidari. The first volume comprises a series of critical reflections on Albanian monumentality of the period 1945-1990 from a variety of perspectives, as well as historical documents and a full indexation of all inscriptions found on the documented monuments. Volume 2 and Volume 3 feature the photographic documentation of all 649 recorded monumental sites by photographer Marco Mazzi
    Anmerkung: Available through punctum books , Mode of access: World Wide Web
    Sprache: Albanisch
    URL: FULL
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    [Santa Barbara, CA, USA] :punctum books
    UID:
    kobvindex_INT37058
    Umfang: 1 online resource (112 pages).
    Ausgabe: 2nd edition
    ISBN: 9781685710743 , 9781685710750
    Inhalt: Mineral Policies provides a record of an art residency organized by ZETA Center for Contemporary Art in the mining region of Bulqiza in northeastern Albania, where four artists and activists from Albania, Blerta Hoçia, Diana Malaj, Pleurad Xhafa, and Ergin Zaloshnja, created a collective body of works in close proximity with the local miners, while still maintaining their own discrete sphere of action. This residency followed by a public exhibition, Each Strike Leads to the Next, featuring video works produced during the residency as well as a series of object, curated by Vincent W.J. van Gerven Oei, director of the Department of Eagles in Tirana. This publication includes documentation of the residency and the exhibition, as well the record of a public discussion between curator Van Gerven Oei, former Minister of Finance Arben Malaj, mining engineer Genc Myftiu, and mining worker Bardhul Alla, moderated by cultural journalist Elsa Demo and an interview of cultural theorist Jonida Gashi and Van Gerven Oei with the artists. Mineral Policies documents an important attempt of present-day Albanian artists to reflect on and align themselves with workers and labor activities within a political climate in which neoliberal extractivism and mafia-controlled local and national government have seriously compromised modes of solidarity and survival.
    Anmerkung: Available through punctum books. , Mode of access: World Wide Web.
    Sprache: Albanisch
    URL: FULL
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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