Kooperativer Bibliotheksverbund

UID:

Umfang: 319 Seiten : , Illustrationen.

ISBN: 978-0-8478-6055-5 , 0-8478-6055-8

Inhalt: An icon of performance art and the indie-music world, this is the first book on the artist's full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an "experimental marvel" by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist's own words.--Amazon

Anmerkung: Out on the ice -- This mist be the place - Talking statues - Made of light - This is your captain - Speak my language - From the air - Time to go

Sprache: Englisch

Fachgebiete: Kunstgeschichte

Schlagwort(e): 1947- Anderson, Laurie ; Performance ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030248957&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Mehr zum Autor: Anderson, Laurie, 1947-,

UID:

Umfang: XIV, 277 S. : , graph. Darst.

ISBN: 0-8204-4135-X

Serie: Politics, media & popular culture 2

Inhalt: "It's Show Time! Media, Politics, and Popular Culture is a collection of original essays introducing undergraduate students and interested readers to the important role that the media and popular culture have in shaping their lives and views on politics. Written by both political scientists and journalists, this book looks at the diverse ways television, movies, the internet, and even soap operas mold public opinion and define how we view political reality

Inhalt: However, as these essays will reveal, this socialization is not all benign. Instead, this book reveals a corporate media increasingly trapped by the demands to inform, entertain, and make a profit - often at times distorting reality by transforming criminals into heroes, assassination theories into fact, and participatory government into a spectator sport

Inhalt: Overall, It's Show Time! explores the limits and possibilities of the media and emerging information technologies as they shape political perceptions and politics into the twenty-first century."--BOOK JACKET

Sprache: Englisch

Fachgebiete: Politologie , Allgemeines

Schlagwort(e): Massenkultur ; Massenmedien ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008931435&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Mehr zum Autor: Schultz, David A. 1958-

UID:

Umfang: 1 Online-Ressource (xviii, 299 Seiten, 31 ungezählte Seiten Bildtafeln) : , Illustrationen.

ISBN: 978-1-3502-6510-3

Inhalt: "The world is in crisis, bringing activists and protestors onto the streets and into the public eye. More than ever, activism relies on spectacle and visibility in order to be noticed in the era of globalized capitalism and networked media. At the same time, a growing number of artists employ creative strategies to critique the establishment, act in resistance, and demand change. Visual activism of this kind is not new, but it is rapidly evolving. This anthology presents 22 case-studies of visual activism from across the globe, providing an up-to-date picture of the impact of contemporary visual and art activism, and combining a scholarly interrogation of visual activism with an examination of how it works in practice. The case studies address a wide range of issues including human rights abuses; state violence; gender and sexuality; racism; migration; and climate breakdown. They examine a range of approaches from playful carnivalesque parades to extreme practices such as 'gluing-on' and 'lip-sewing', and are drawn from a wide range of international contexts -- from Europe and the US to Israel, Palestine, Iran, India, Pakistan, Tunisia, and China. This diverse scope enables readers to consider examples comparatively -- noticing emerging trends and key differences to reveal how geopolitical and cultural factors play an important role in shaping activist practices. This rich and timely collection provides a fresh perspective on the possibilities, limitations and politics of visual activism, as activists, artists, and curators respond to the changing world around them in this most uncertain of times."

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-26507-3

Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3502-6508-0

Sprache: Englisch

Schlagwort(e): Politische Kunst ; Kunstsoziologie ; Aufsatzsammlung ; History ; Aufsatzsammlung

DOI: 10.5040/9781350265103

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Umfang: xviii, 829 Seiten : , Illustrationen, Diagramme, Notenbeispiele.

ISBN: 978-0-19-045474-6 , 0190454741

Anmerkung: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0

Sprache: Englisch

Fachgebiete: Musikwissenschaft

Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung

UID:

Umfang: 340 S. , Ill.

ISBN: 0812910885

Sprache: Englisch

Fachgebiete: Kunstgeschichte

Schlagwort(e): USA ; Architektur ; Geschichte 1974-1983 ; Architektur ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1914-1983 ; Architektur ; USA ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1900-2000 ; USA ; Design ; Geschichte 1900-2000 ; Aufsatzsammlung

UID:

Umfang: X, 540 Seiten , Illustrationen, Diagramme

ISBN: 9780199841547

Serie: Oxford handbooks

Inhalt: The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts.

Inhalt: The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. - Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.

Anmerkung: Includes bibliographical references and index

Sprache: Englisch

Fachgebiete: Musikwissenschaft

Schlagwort(e): Westliche Welt ; Musik ; Audiovisuelle Medien ; Mixed media ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Umfang: 336 Seiten , Illustrationen , 24 cm

Ausgabe: First edition

ISBN: 9781138915381 , 1138915386 , 9781138929784 , 1138929786

Inhalt: Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating

Anmerkung: Inside and outside the archive , Liveness and the entanglement with things , REMAKE. -- , Monument G as a call for reconstruction , Untitled (After violent incident) , Stuart Sherman's Hamlet: a careful misreading , Rosemary Butcher: after Kaprow--a visual journey , Six questions , The ghost time of transformation , RETURN. -- , Jog shuttler , Our 18 beginnings , Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) , Re-enacting the archive: untimely meditations on the use and abuse of repetition , Archive, repertoire and embodied histories in Nao Bustamente's performative practice , The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story , REVIEW. -- , The lesson of anatomy , Authority, authorship and authoring in The Theatre of Mistakes , Do the wild thing! Redux , Understanding negative dialectics , 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive , Resistance to representation and the fabrication of truth: performance as thought-apparatus , ARCHIVE. -- , Talker catalogue , Nothing goes to waste , The Singapore Art Archive Project , Playing with shadows and speaking in echoes , Performing with ghosts: a talk remembered , The future perfect of the archive: re-thinking performance in the age of third nature

Weitere Ausg.: Erscheint auch als E-Book

Sprache: Englisch

Schlagwort(e): Kunst ; Performance ; Tanz ; Archiv ; Archivierung ; Geschichte 2000-2018 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Umfang: xiv, 225 Seiten : , Illustrationen, Diagramme.

ISBN: 978-1-03-217373-3 , 978-0-367-85936-7

Inhalt: Some people have a gender which is neither male nor female and may identify as both male and female at one time, as different genders at different times, as no gender at all, or dispute the very idea of only two genders. The most often heard umbrella terms for such genders are 'non-binary' or 'genderqueer' genders. This book looks to bring together those currently exploring and researching this non-binary phenomenon. Gender identities outside of the binary of female and male are increasingly being recognized in social, legal, medical and psychological discourses together with the emerging presence and advocacy of people, who identify as non-binary or genderqueer. Population-based studies show a small percentage - but a sizable proportion in terms of numbers - of people who identify as non-binary. While such genders have always been in existence worldwide, they remain marginalized, and as such at risk of victimization and of minority stress as a result of social non-acceptance and discrimination. Non-binary and Genderqueer Genders explores these gender identities in relation to health, well-being, and/or other experiences in an effort to contribute to improving clinical standards and continued cultural change towards acceptance for this group of people.

Anmerkung: This book was originally published as a special issue of the 'International journal of transgenderism' (renamed International Journal of Transgender Health in 2020), volume 20, issue 2/3

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-00-005332-6

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-00-301588-8

Sprache: Englisch

Fachgebiete: Psychologie , Soziologie

Schlagwort(e): Transgender ; Geschlechtsidentität ; Nonkonformismus ; Aufsatzsammlung ; Aufsatzsammlung

Mehr zum Autor: Nieder, Timo O.

UID:

Umfang: XIV, 375 S. : , Ill.

Ausgabe: 1. publ.

ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2

Anmerkung: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson

Sprache: Englisch

Fachgebiete: Musikwissenschaft , Allgemeines

Schlagwort(e): Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026174934&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Umfang: 1 online resource (406 pages)

ISBN: 9780253056900

Inhalt: By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.

Anmerkung: Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Pop Docs: The Work of Popular Documentary in the Age of Alternate Facts / Christie Milliken and Steve F. Anderson -- Part I. Popular Documentary Today -- 2. Reclaiming the Popular for Public Interest Documentary / Ezra Winton -- 3. Public Television's Role in the US Documentary Ecology / Patricia Aufderheide -- Part II. Documentary Ecologies -- 4. On (Not) Falling from the Sky: Fly-Over Global Documentary as Capitalist Body Genre / Zoë Druick -- 5. Accelerating Deceleration: Slow Violence and Time-Lapse Cinematography / Devon Coutts -- 6. From Elegy to Kitsch: Spectacles of Epistephilia in Food, Inc. and Early Food Documentaries / Sabiha Ahmad Khan -- Part III. Short Forms and Web Practices -- 7. Errol Morris, the New York Times, Docmedia, and Op-Docs as Pop Docs / Anthony Kinik -- 8. Popular Music and Short-Form Nonfiction: Is the Web a Forum for Documentary Innovation? / Michael Brendan Baker -- 9. From the Essay Film to the Video Essay: Between the Critical and the Popular / Allison de Fren -- Part IV. Auteurs, Politics, and Popularity -- 10. Errol Morris and the Ends of Irony / Jonathan Kahana -- 11. Vérité: Lauren Greenfield and the Challenge of Feminist Documentary / Shilyh Warren -- 12. Citizenfour and the Antirepresentational Turn: Aesthetics of Failure in the Information Age / S. Topiary Landberg -- Part V. Documentary Genres -- 13. Of Kids and Sharks: Victims, Heroes, and the Politics of Melodrama in Popular Documentary / Christie Milliken -- 14. Strategies of the Popular Music Documentary's Recovery Mode / Landon Palmer -- 15. Assembling Nanking: Archival Filmmaking in the Popular Historical Documentary / Dylan Nelson -- Part VI. Engaging Audiences -- 16. Virality Is Virility: Viral Media, Popularity, and Violence / Alexandra Juhasz. , 17. Populism, Participation, and Perpetual Incompletion: Performing an Urban History Commons / Rick Prelinger -- 18. The Armchair Juror: Audience Engagement in True Crime Documentaries / George S. Larke-Walsh -- 19. New (Old) Ontologies of Documentary / Steve F. Anderson -- Index.

Weitere Ausg.: Print version: Milliken, Christie Reclaiming Popular Documentary Bloomington : Indiana University Press,c2021 ISBN 9780253056894

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Electronic books. ; Aufsatzsammlung

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