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  • UB Potsdam  (4)
  • SeeCampus-Bibliothek
  • Ev. Landeskirche EKBO / Berl. Missionswerk
  • SB Eisenhüttenstadt
  • Musikwissenschaft
Medientyp
Sprache
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  • 1
    Buch
    Buch
    Oxford ; New York, NY [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV041570276
    Umfang: XI, 297, [14] S. : , Ill., Notenbeisp.
    ISBN: 978-0-19-973005-6
    Serie: The master musicians
    Inhalt: Nearly one hundred years after the death of its composer, the music of Claude Debussy has lost none of its breadth of appeal. With the rare ability to entice listeners on many levels, at its heart lies an engaging simplicity-one which defies traditional analysis and lends mystery to what ultimately is an extremely refined and highly personal approach to composition. Equally fascinating is Debussy's often contradictory personality-at times elusive, but always centered on his devotion to music and his ambition to create a name for himself unlike any other. Author Eric Frederick Jensen provides new insight to the man and the music in this authoritative biography. Although born into poverty, and a failure as a piano student at the Paris Conservatoire, Debussy became the most famous French composer of his day, known for his culture and refinement. His revolutionary music baffled critics but was embraced by audiences. Debussy's scandalous personal life stirred up as much controversy as his music, and his notoriety proved more harmful to his career than the unusual nature of his compositions. Jensen also explores Debussy's relationship to the arts and his career as a music critic. Debussy drew on all of the arts in his development as a composer, including poetry and painting, and his fascination with the arts has often led to his being classified as an Impressionist or Symbolist, two claims which Jensen debunks. One of the finest music critics of his time, Debussy's reviews reveal a great deal not only about his musical taste, but also about what he felt the role and function of music should be. Debussy brings together the most recent biographical research, including a revised catalogue of Debussy's compositions and the first complete edition of his correspondence. With separate, chronological sections on his life and music, Debussy is accessible to the general reader who wishes to focus on his life and personality, while p
    Anmerkung: Literaturverz. S. 279 - 289. - Werkverzeichnis Debussy Seite 260-272
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1862-1918 Debussy, Claude ; Biografie ; Werkverzeichnis ; Biografie ; Biografie ; Werkverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    almahu_9949385645602882
    Umfang: 1 online resource (xv, 498 pages) : , illustrations.
    ISBN: 1003081878 , 9781003081876 , 1000591514 , 1000591484 , 9781000591484 , 9781000591514
    Serie: Routledge music companions
    Inhalt: "The Routledge Companion of Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present"--
    Anmerkung: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr , Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell , Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past -- Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason , Part IV. Policy and Advocacy. Victims No More : How Women and Non-Binary Musicians are Collaborating for Gender Justice in Jazz / Beatriz Nunes and Leonor Arnaut ; Women in Jazz : A Failed Brand / Rebecca Zola ; Accessing Jazz's Gendered Places and Spaces / Sarah Caissie Provost ; Breaking Down Barriers : Female Jazz Musicians in Spain / Rebeca Muñoz-Garcia ; The Pale Image of the Jazz Female Instrumentalists in Southeastern Europe / Jasna Jovićević ; Addressing Gender Imbalance through Mentorship and Advocacy / Ellen Rowe ; Sheroes -- The Role of All-Women Groups / Monika Herzig.
    Weitere Ausg.: Print version: Routledge companion of jazz and gender New York : Routledge, 2022 ISBN 9780367534141
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc. ; History.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New York : Oxford University Press
    UID:
    b3kat_BV043707233
    Umfang: X, 540 Seiten , Illustrationen, Diagramme
    ISBN: 9780199841547
    Serie: Oxford handbooks
    Inhalt: The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts.
    Inhalt: The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. - Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Westliche Welt ; Musik ; Audiovisuelle Medien ; Mixed media ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    gbv_771014341
    Umfang: X, 735 S. , Ill., Notenbeisp.
    ISBN: 0199733864 , 9780199733866
    Anmerkung: Introduction , Michel Chion: The audio-logo-visual and the sound of languages in recent film ; Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property ; Anahid Kassabian: The end of diegesis as we know it? ; Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence ; Annette Davison: Title Sequences for contemporary television serials ; Carter Burwell: No country for old music ; Janet K. Halfyard: Cue the big theme? the sound of the superhero ; Michael Chanan: Video speech in Latin America ; Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack ; Randy Thom: Notes on sound design in contemporary animated films ; Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music ; Musical moments and transformations. Caryl Flinn: The mutating musical ; Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen ; John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud ; Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic ; Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic ; Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" ; Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand ; Mathias Bonde Korsgaard: Music video transformed ; Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video ; Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation ; Gaming. Rob Bridgett: Contextualizing game audio aesthetics ; Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? ; Mark Kerins: Multi-channel gaming aesthetics of interactive surround ; Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema ; Jeff Smith: The sound of intensified continuity ; K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack ; Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica ; Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks ; Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films ; Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance ; Joseph Lanza: foreground flatland ; Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use ; Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility ; Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens. , Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Online-Ausgabe The Oxford handbook of new audiovisual aesthetics New York, NY : Oxford University Press, 2013 ISBN 9780199984268
    Sprache: Englisch
    Fachgebiete: Allgemeines , Musikwissenschaft
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ästhetik ; Neue Medien ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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