Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Online Resource  (5)
  • Filmuniversität Babelsberg  (5)
  • GB Blankenfelde-Mahlow
  • SB Oranienburg
  • SB Königs Wusterhausen
  • Akad. der Künste
  • SB Wriezen
Type of Medium
Language
Region
Years
Subjects(RVK)
Access
  • 1
    UID:
    almahu_9949386573902882
    Format: 1 online resource (xi, 366 pages) : , illustrations
    ISBN: 9781003052272 , 1003052274 , 9781000169171 , 1000169170 , 9781000169072 , 1000169073 , 9781000169126 , 100016912X
    Content: "This interdisciplinary, international collection examines how sophisticated digital practices and technologies exploit and capitalize on emotions, with particular focus on how social media are used to exacerbate social conflicts surrounding racism, misogyny and nationalism. Radically expanding the study of media and political communications, this book bridges humanities and social sciences to explore affective information economies: how emotions are being weaponized within mediatized political landscapes. The chapters cover a wide range of topics: how clickbait, "fake news," and right-wing actors deploy and weaponize emotion; new theoretical directions for understanding affect, algorithms, and public spheres; and how the wedding of big data and behavioral science enable new frontiers of propaganda, as seen in the Cambridge Analytica and Facebook scandal. The collection includes original interviews with luminary media scholars and journalists. The book features contributions from established and emerging scholars of communications, media studies, affect theory, journalism, policy studies, gender studies, and critical race studies, to address questions of concern to scholars, journalists, and students in these fields and beyond"--
    Note: Introduction : propaganda by other means / Megan Boler and Elizabeth Davis -- Theorizing media and affect. Affect, media, movement : interview with Susanna Paasonen and Zizi Papachrissi / Megan Boler and Elizabeth Davis -- Reverberation, affect, and digital politics of responsibility / Adi Kuntsman -- "Fuck your feelings" : the affective weaponization of facts and reason / Sun-ha Hong -- Blockchain, affect, and digital technologies / Olivier Jutel -- Becoming kind : a political affect for post-truth times / Ed Cohen -- Beyond behaviorism and black boxes : the future of media theory interview with Wendy Hui Kyong Chun, Warren Sack, and Sarah Sharma / Megan Boler and Elizabeth Davis -- Affective media, social media, and journalism : new relationships. Pioneering countercultural conservatism : Limbaugh, Drudge, and Breitbart / Anthony Nadler -- Breitbart's attacks on mainstream media : victories, victimhood, and vilification / Jason Roberts and Karin-Wahl Jorgensen -- Algorithmic enclaves : affective politics and algorithms in the neoliberal social media landscape / Merlyna Lim -- Hashtagging the Quèbec mosque shooting : Twitter discourses of resistance, mourning, and Islamophobia / Yasmin Jiwani and Ahmed Al-Rawi -- Hindu nationalism, news channels, and "post-truth" Twitter : a case study of "love jihad" / Zeinab Farokhi -- Computational propaganda and the news : journalists' perceptions of the effects of digital manipulation on reporting / Kerry Ann Carter Persen and Samuel C. Woolley -- Exploitation of emotions in digital media : propaganda and profit. Empathic media, emotional AI, and the optimization of disinformation / Vian Bakir and Andrew McStay -- The heart's content : the emotional turn at Upworthy / Robert Hunt -- Empires of feeling : social media and emotive politics / Luke Stark -- Nudging interventions in regulating the digital gangsters in an era of friction-free surveillance capitalism / Leslie Regan Shade -- Digital propaganda and emotional micro-targeting : interview with Jonathan Albright, Carole Cadwalladr, Paolo Gerbaudo, and Tamsin Shaw / Megan Boler and Elizabeth Davis.
    Additional Edition: Print version: Affective politics of digital media. New York, NY : Routledge, 2021 ISBN 9780367510640
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Electronic books. ; Electronic books.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    New Delhi ; London ; Oxford ; New York ; Sydney :Bloomsbury India,
    UID:
    almahu_BV047276369
    Format: 1 Online-Ressource (xxv, 309 Seiten).
    ISBN: 978-9-38981-244-2 , 9789389812435 , 9789389812428
    Content: "Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike."
    Note: Includes bibliographical references (pages 283-290) and index , Introduction: Between Meaning and Significance -- 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film -- 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan -- 3. World and Text: Interpreting Jacques Rivette -- 4. Unattainable Women: Sexual Anxiety and Location- Scorsese, Rohmer and Kiarostami -- 5. Beyond Religion: The Spiritual Cinema of Robert Bresson -- 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan -- 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910-2010) -- 8. History as Polyphony: Understanding Aleksei German -- 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist -- Bibliography -- Film Index -- Index -- About the Author
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 9789389714203
    Additional Edition: Erscheint auch als Druck-Ausgabe, Broschur ISBN 9780567696830
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-21-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-20-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Globalisierung ; Entstehung ; Soziokultureller Faktor
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    b3kat_BV048727317
    Format: 1 online resource (302 pages)
    ISBN: 9781479891252
    Note: Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- Popular Culture and the Civic Imaginatio -- Foundations -- Part I. How Do We Imagine a Better World? -- 1. Rebel Yell: The Metapolitics of Equality and Diversity in Disney's Star Wars -- 2. The Hunger Games and the Dystopian Imagination -- 3. Spinning H. P. Lovecraft: A Villain or Hero of Our Times? -- 4. Family Sitcoms' Political Front -- 5. "To Hell with Dreams": Resisting Controlling Narratives through Oscar Season -- Part II. How Do We Imagine the Process of Change? -- 6. Imagining Intersectionality: Girl Empowerment and the Radical Monarchs -- 7. Code for What? -- 8. Tracking Ida: Unlocking Black Resistance and Civic Imagination through Alternate Reality Gameplay -- 9. Everyone Wants Peace? Contending Imaginaries in the Colombian Context of Peace Creation -- Part III. How Do We Imagine Ourselves as Civic Agents? -- 10. Learning to Imagine Better: A Letter to J. K. Rowling from Cho Chang -- 11. Black Girls Are fro , 19. Ms. Marvel Punches Bac -- Twenty-First-Century Superheroes and Alienated Citizenship -- 20. For the Horde: Violent "Trolling" as a Preemptive Strike via #GamerGate and the #AltRight -- 21. Communal Matters and Scientific Facts: Making Sense of Climate Change -- 22. Imagining Resistance to Trump through the Networked Branding of the National Park Service -- Part V. How Do We Imagine Our Social Connections with a Larger Community? -- 23. Moving to a Bollywood Beat, "Born in the USA" Goes My Indian Heart? Exploring Possibility and Imagination through Hindi Film Dance -- 24. "Our" Hamilton: Reimagining the Founders for a "Diverse America" -- 25. Participatory Action in Humans of New York -- 26. A Vision for Black Lives in the Black Radical Tradition -- Part VI. How Do We Bring an Imaginative Dimension to Our Real-World Spaces and Places? -- 27. "Without My City, Where Is My Past?" -- 28. Reimagining and Mediating a Progressive Christian South -- 29. Tzina: Symphony of Longing: Using
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    b3kat_BV048517450
    Format: 1 Online-Ressource (346 Seiten)
    ISBN: 9781800732421
    Content: Recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms tied to anecdotes spanning Grlić's life. "I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can't put it down and then I got to the last 20 pages slowing down to a snail's pace and reading so slowly so that it wouldn't be over so quickly."-Mike Downey, European Film Academy From his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry. From the introduction by Aida Vidan: The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlić's stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader's own "montage" of the book's universe.... Grlić adroitly captures the absurdities and paradoxes in one's life resulting from the sort of tectonic shifts with which East European history abounds
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) , In English
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV047197131
    Format: 1 Online-Ressource (viii, 252 Seiten) , Illustrationen
    ISBN: 9780231551397
    Content: The art houses and cinema clubs of his youth are gone, but the films that D. A. Miller discovered there in the 1960s and '70s are now at his fingertips. With DVDs and streaming media, technology has turned the old cinematheque's theatrical offerings into private viewings that anyone can repeat, pause, slow, and otherwise manipulate at will.In Second Time Around, Miller seizes this opportunity; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing by quick camerawork, normal projection speed, missing frames, or simple censorship. At last he has an unobstructed view of the gay leather scene in Cruising, the expurgated special effects in The H-Man, and the alternative ending to Vertigo. Now he can pursue the finer details of Chabrol's debt to Hitchcock, Visconti's mystificatory Marxism, or the unemotive emotion in Godard.Yet this recaptured past is strangely disturbing; the films and the author have changed in too many ways for their reunion to be like old times. The closeness of Miller's attention clarifies the painful contradictions of youth and decline, damaged prints and flawless restorations
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19558-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19559-1
    Language: English
    Keywords: Film ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean the new york tides?
Did you mean the new york temes?
Did you mean the new york tames?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages