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  • Akad. der Künste  (6)
  • HS Musik Hanns Eisler  (3)
  • GB Blankenfelde-Mahlow
  • SB Königs Wusterhausen
  • Bauhaus-Archiv Berlin
  • SB Wriezen
  • Musikwissenschaft  (9)
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Region
Bibliothek
Erscheinungszeitraum
  • 1
    Buch
    Buch
    Rochester, New York :Camden House,
    UID:
    almahu_BV044997533
    Umfang: XIII, 238 Seiten : , Notenbeispiele.
    ISBN: 978-1-64014-000-4
    Serie: Studies in German literature, linguistics, and culture
    Inhalt: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Anmerkung: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1898-1962 Eisler, Hanns ; Lied ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Stuttgart :Reclam,
    UID:
    almafu_BV040613974
    Umfang: 477 S. : , Ill.
    ISBN: 978-3-15-010869-7 , 3-15-010869-1
    Originaltitel: Bob Dylan in America
    Anmerkung: Musik für den kleinen Mann: die Volksfront und Aaron Coplands Amerika -- Die Durchdringung des Äthers: die Beat Generation und Allen Ginsbergs Amerika -- Dunkelheit, die überm Mittag thront: das Konzert in der Philharmonic Hall, New York, 31. Oktober 1964 -- Der Sound von 3 Uhr morgens: die Arbeit an Blonde on Blonde, New York und Nashville, 5. Oktober 1965 - 10. (?) März 1966 -- Kinder des Olymp: die Rolling Thunder Revue, New Haven, Connecticut, 13. November 1975 -- Vieler Märtyrer Tod: "Blind Willie McTell", New York, 5. Mai 1983 -- Alle Freunde, die ich je gehabt habe, sind tot: "Delia", Malibu, Kalifornien, Mai 1993 -- Dylan und die Sacred Harp: "Lone Pilgrim", Malibu, Kalifornien, Mai 1993 -- Die Rückkehr des Modernen Minstrel: "Love and theft", 11. September 2001, und das Newport Folk Festival, Newport, Rhode Island, 3. August 2002 -- Bob Dylans Bürgerkriege: Masked and Anonymous, 23. Juli 2003, und Chronicles: Volume one, 5. Oktober 2004 -- Träume, Pläne, Sujets: Modern Times, 29. August 2006, Theme Time Radio hour with your host Bob Dylan, 3. Mai 2006 - 15. April 2009, The Bootleg series, Vol. 8: Tell tale signs: rare and unreleased, 1989-206, 7. Oktober 2008, und Together through life, 28. April 2009 -- Coda: Hörst du, was ich höre ?: Christmas in the heart, 13. Oktober 2009
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1941- Dylan, Bob ; Biografie
    Mehr zum Autor: Wilentz, Sean 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Stuttgart :Reclam,
    UID:
    almahu_BV040613974
    Umfang: 477 S. : , Ill.
    ISBN: 978-3-15-010869-7 , 3-15-010869-1
    Originaltitel: Bob Dylan in America
    Anmerkung: Musik für den kleinen Mann: die Volksfront und Aaron Coplands Amerika -- Die Durchdringung des Äthers: die Beat Generation und Allen Ginsbergs Amerika -- Dunkelheit, die überm Mittag thront: das Konzert in der Philharmonic Hall, New York, 31. Oktober 1964 -- Der Sound von 3 Uhr morgens: die Arbeit an Blonde on Blonde, New York und Nashville, 5. Oktober 1965 - 10. (?) März 1966 -- Kinder des Olymp: die Rolling Thunder Revue, New Haven, Connecticut, 13. November 1975 -- Vieler Märtyrer Tod: "Blind Willie McTell", New York, 5. Mai 1983 -- Alle Freunde, die ich je gehabt habe, sind tot: "Delia", Malibu, Kalifornien, Mai 1993 -- Dylan und die Sacred Harp: "Lone Pilgrim", Malibu, Kalifornien, Mai 1993 -- Die Rückkehr des Modernen Minstrel: "Love and theft", 11. September 2001, und das Newport Folk Festival, Newport, Rhode Island, 3. August 2002 -- Bob Dylans Bürgerkriege: Masked and Anonymous, 23. Juli 2003, und Chronicles: Volume one, 5. Oktober 2004 -- Träume, Pläne, Sujets: Modern Times, 29. August 2006, Theme Time Radio hour with your host Bob Dylan, 3. Mai 2006 - 15. April 2009, The Bootleg series, Vol. 8: Tell tale signs: rare and unreleased, 1989-206, 7. Oktober 2008, und Together through life, 28. April 2009 -- Coda: Hörst du, was ich höre ?: Christmas in the heart, 13. Oktober 2009
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1941- Dylan, Bob ; Biografie
    Mehr zum Autor: Wilentz, Sean 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Stuttgart :Reclam,
    UID:
    almafu_(DE-604)BV040613974
    Umfang: 477 S. : , Ill.
    ISBN: 978-3-15-010869-7 , 3-15-010869-1
    Originaltitel: Bob Dylan in America
    Anmerkung: Musik für den kleinen Mann: die Volksfront und Aaron Coplands Amerika -- Die Durchdringung des Äthers: die Beat Generation und Allen Ginsbergs Amerika -- Dunkelheit, die überm Mittag thront: das Konzert in der Philharmonic Hall, New York, 31. Oktober 1964 -- Der Sound von 3 Uhr morgens: die Arbeit an Blonde on Blonde, New York und Nashville, 5. Oktober 1965 - 10. (?) März 1966 -- Kinder des Olymp: die Rolling Thunder Revue, New Haven, Connecticut, 13. November 1975 -- Vieler Märtyrer Tod: "Blind Willie McTell", New York, 5. Mai 1983 -- Alle Freunde, die ich je gehabt habe, sind tot: "Delia", Malibu, Kalifornien, Mai 1993 -- Dylan und die Sacred Harp: "Lone Pilgrim", Malibu, Kalifornien, Mai 1993 -- Die Rückkehr des Modernen Minstrel: "Love and theft", 11. September 2001, und das Newport Folk Festival, Newport, Rhode Island, 3. August 2002 -- Bob Dylans Bürgerkriege: Masked and Anonymous, 23. Juli 2003, und Chronicles: Volume one, 5. Oktober 2004 -- Träume, Pläne, Sujets: Modern Times, 29. August 2006, Theme Time Radio hour with your host Bob Dylan, 3. Mai 2006 - 15. April 2009, The Bootleg series, Vol. 8: Tell tale signs: rare and unreleased, 1989-206, 7. Oktober 2008, und Together through life, 28. April 2009 -- Coda: Hörst du, was ich höre ?: Christmas in the heart, 13. Oktober 2009
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1941- Dylan, Bob ; Biografie
    Mehr zum Autor: Wilentz, Sean 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    New York, NY : Scribner
    UID:
    gbv_280238525
    Umfang: 444 S. , Ill.
    ISBN: 0684824582
    Serie: A Lisa Drew book
    Anmerkung: Includes bibliographical references (p. 417-421) and index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Chopin, Frédéric 1810-1849 ; Chopin, Frédéric 1810-1849 ; Paris ; Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    Lanham, Md. [u.a.] : Rowman & Littlefield
    UID:
    gbv_1615603131
    Umfang: XXXIII, 299 S. , Ill. , 24 cm
    ISBN: 9780810888500 , 9780810888494
    Inhalt: Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study.
    Anmerkung: Includes bibliographical references (pages 269-278) and index , Background : who, when, and howDecisions : topics, pieces, and performers -- The postmodernist : highbrow, lowbrow, and middlebrow joined -- The television pioneer : origins, competition, success -- The pacifist : the cold war intrudes -- The liberal : civil rights, feminism, and the counterculture -- The musical reactionary : atonality versus tonality or composer versus audience -- The advocate for American music : search for an American identity.
    Weitere Ausg.: ISBN 9780810888500
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Bernstein, Leonard 1918-1990 ; Jugendkonzert ; New York Philharmonic ; Konzertreihe ; Geschichte 1958-1972
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    New York ; London ; Toronto ; Sidney ; Auckland : Nan A. Talese/Doubleday
    UID:
    b3kat_BV042338233
    Umfang: 470 Seiten , Illustrationen , 25 cm
    Ausgabe: First edition
    ISBN: 9780385534918
    Inhalt: Among the most creative and outsized personalities of the Weimar Republic, that sizzling yet decadent epoch between the Great War and the Nazis' rise to power, were the renegade poet Bertolt Brecht and the rebellious avant-garde composer Kurt Weill. These two young geniuses and the three women vital to their workactresses Lotte Lenya and Helene Weigel and writer Elizabeth Hauptmannjoined talents to create the theatrical and musical masterworksThe Threepenny OperaandThe Rise and Fall of the City of Mahagonny, only to split in rancor as their culture cracked open and their aesthetic and temperamental differences became irreconcilable.The Partnershipis the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks. And it tells the thrilling and iconic story of artistic daring entwined with sexual freedom during the Weimar Republic's most fevered years, a time when art and politics and society were inextricably mixed. - PAMELA KATZ is a screenwriter and novelist whose most notable works are films made in collaboration with legendary director Margarethe von Trotta, including Rosenstrasse; The Other Woman; and most recently Hannah Arendt, which received international acclaim, and was selected as one of the New York Times’ Top Ten Films of 2013. Katz teaches screenwriting at NYU's Tisch Graduate Film Program and lives with her family in New York City and Berlin.
    Inhalt: "The first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women--[actresses Lotte Lenya and Helene Weigel and writer Elizabeth Hauptmann]--whose creative gifts contributed enormously to their masterworks. And it tells the thrilling and iconic story of artistic daring entwined with sexual freedom during the Weimar Republic's most fevered years, a time when art and politics and society were inextricably mixed"--Amazon.com
    Anmerkung: Includes filmography (page 450), bibliographical references (pages 447-450) and index
    Sprache: Englisch
    Fachgebiete: Germanistik , Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Weill, Kurt 1900-1950 ; Brecht, Bertolt 1898-1956 ; Lenya, Lotte 1898-1981 ; Weigel, Helene 1900-1971 ; Hauptmann, Elisabeth 1897-1973 ; Biografie
    Mehr zum Autor: Katz, Pamela 1958-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York : Arno Pr. & The New York Times
    UID:
    b3kat_BV005761866
    Umfang: XXII, 348 S. , Ill.
    Ausgabe: Nachdr. d. Ausg. New York 1929
    Serie: The literature of cinema.
    Sprache: Unbestimmte Sprache
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Sowjetunion ; Theater ; Geschichte 1917-1928
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Buch
    Buch
    Stuttgart : Reclam
    UID:
    b3kat_BV040613974
    Umfang: 477 S. , Ill.
    ISBN: 9783150108697 , 3150108691
    Originaltitel: Bob Dylan in America
    Anmerkung: Musik für den kleinen Mann: die Volksfront und Aaron Coplands Amerika -- Die Durchdringung des Äthers: die Beat Generation und Allen Ginsbergs Amerika -- Dunkelheit, die überm Mittag thront: das Konzert in der Philharmonic Hall, New York, 31. Oktober 1964 -- Der Sound von 3 Uhr morgens: die Arbeit an Blonde on Blonde, New York und Nashville, 5. Oktober 1965 - 10. (?) März 1966 -- Kinder des Olymp: die Rolling Thunder Revue, New Haven, Connecticut, 13. November 1975 -- Vieler Märtyrer Tod: "Blind Willie McTell", New York, 5. Mai 1983 -- Alle Freunde, die ich je gehabt habe, sind tot: "Delia", Malibu, Kalifornien, Mai 1993 -- Dylan und die Sacred Harp: "Lone Pilgrim", Malibu, Kalifornien, Mai 1993 -- Die Rückkehr des Modernen Minstrel: "Love and theft", 11. September 2001, und das Newport Folk Festival, Newport, Rhode Island, 3. August 2002 -- Bob Dylans Bürgerkriege: Masked and Anonymous, 23. Juli 2003, und Chronicles: Volume one, 5. Oktober 2004 -- Träume, Pläne, Sujets: Modern Times, 29. August 2006, Theme Time Radio hour with your host Bob Dylan, 3. Mai 2006 - 15. April 2009, The Bootleg series, Vol. 8: Tell tale signs: rare and unreleased, 1989-206, 7. Oktober 2008, und Together through life, 28. April 2009 -- Coda: Hörst du, was ich höre ?: Christmas in the heart, 13. Oktober 2009
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Dylan, Bob 1941- ; Biografie
    Mehr zum Autor: Wilentz, Sean 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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