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  • Kinemathek  (3)
  • SB Ulrich Plenzdorf Seelow
  • Fachstelle Brandenburg
  • GB Neuhardenberg
  • Bibliothek Lübbenau - Vetschau
  • GB Grünheide
  • American Studies  (3)
Type of Medium
Language
Region
Years
  • 1
    Book
    Book
    Cambridge, Mass. :Harvard Univ. Press,
    UID:
    almafu_BV005894889
    Format: X, 96 S. : , Ill.
    ISBN: 0-674-79586-5
    Series Statement: The William E. Massey S[enio]r Lectures in the History of American Civilization 1991
    Content: Gore Vidal saw his first talking picture in 1929 when he was four years old. At age ten, the film A Midsummer Night's Dream whetted his appetite for all of Shakespeare's plays, and Mickey Rooney's Puck inspired his early fantasy about becoming an actor. Yet it was movies about history, albeit history as brought to life on the silver screen, that he remembers most vividly from his youth. Movies such as Roman Scandals, The Prince and the Pauper, and Fire Over England, in his words, "opened for me that door to the past where I have spent so much of my life-long present." Author of Burr, Lincoln, and other best-selling novels chronicling our experience, Vidal shows how history and fiction blend in the private and public worlds of his generation. In Screening History, he intertwines fond recollections of films savored in the movie palaces of his Washington, D.C., boyhood with strands of autobiography and trenchant observations about American politics
    Content: Never before has Vidal--a scion of one of our oldest political families--revealed so much about his own life or written with such marvelous immediacy about the real and imagined forces that have shaped America in the twentieth century. We see Vidal witnessing history as his grandfather is sworn in for a fourth Senate term during the Depression; we see him making history as a young airman of ten flying a Hammond Y-1 under the watchful eye of his father, FDR's Director of Aviation; and we journey back with him to America in the 1930s and 1940s, to theaters with names like the Belasco and the Metropolitan where the history screened for the nation's moviegoers often turned reality into fantasy, or into downright propaganda. Screening History is rich with anecdotes about Vidal's eminent family and shrewd insights about prominent figures known and observed
    Content: It captures the hold that movies have had on the American imagination and the mark they left on the mind of a youngster who grew up to become one of our best-known and most controversial literary figures. At times poignant, often bitingly funny, this is Gore Vidal at his best, inscribing his views on the American political scene from FDR to George Bush and on issues from the writing of history to the inability of movies to set history straight. The rapier wit for which he is legend animates every page
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Historischer Film
    Author information: Vidal, Gore 1925-2012
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Bristol [u.a.] :Intellect Books,
    UID:
    almafu_BV023017755
    Format: 206 S.
    Edition: 1. publ.
    ISBN: 978-1-84150-173-4
    Note: Introduction. 'A librray of extreme metaphors' -- Chapter 1. Videodrome: 'not a love story - a film about pornography' -- Chapter 2. Dead Ringers: 'Schizophrenia cannot be understood without understanding despair' -- Chapter 3. Naked Lunch: 'Nothing is true: everything is permitted' -- Chapter 4. Crash: 'Not a film about pornography - a love story' -- Chapter 5. eXistenZ. 'Thou the player of the game art God' -- Chapter 6. 'The child in time': time and space in Cronenberg's Spider -- Conclusion
    Language: English
    Subjects: American Studies , General works
    RVK:
    RVK:
    Keywords: 1943- Cronenberg, David ; Film
    Author information: Cronenberg, David 1943-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Lexington : Univ. Press of Kentucky
    UID:
    gbv_32239077X
    Format: 386 S. , Ill.
    ISBN: 0813121914
    Note: Includes index , The story held us : The turn of the screw from Henry James to Jack Clayton / Anthony J. Mazzella -- Re-examining Bogdonavich's Daisy Miller / Peggy McCormack -- The tie of a common aversion : sexual tensions in Henry James's The other house / Priscilla L. Walton -- Mourning, nostalgia, and melacholia : unlocking the secrets of Truffaut's The green room / Matthew F. Jordan. -- Still me(n) : Superman meets the Bostonians / Leland S. Person -- Conscious observation : Jane Campion's Portrait of a lady / Nancy Bentley -- Prospects of entertainment : film adaptations of Washington Square / Julie H. Rivkin -- Her ancient faculty of silence : Catherine Sloper's ways of being in James's Washington Square and two film adaptations / Karen Michele Chandler -- Ambassadors from an imaginary "Elsewhere" : cinematic convention and the Jamesian sensibility / Alan Nadel -- Cultural capitalism and the "James formation" / Marc Bousquet -- Content or costume? : James as cultural capital / Dale M. Bauer -- Hallucinations of intimacy : the Henry James films / Dianne F. Sadoff -- A Henry James filmography / J. Sarah Koch -- Bibliography of critical work on James and film / Sarah Edgington and Steven Wexler
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: James, Henry 1843-1916 ; Roman ; Verfilmung ; Aufsatzsammlung
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