Kooperativer Bibliotheksverbund

UID:

Format: xi, 240 S. , Ill.

Edition: 1. publ.

ISBN: 9781571132055

Series Statement: Screen cultures

Note: Literaturverz. S. [205] - 226 , Includes bibliographical references (p. [205]-226) and index , Introduction : on fashion, women, and modernity -- The fashion journalist : flâneur or new woman? -- Fashion journalism at Ullstein House -- In the waiting room of literature : Hellen Grund and the practice of fashion and travel writing -- Weimar film as fashion show -- The mannequins -- Fashion and fiction : women's modernity in Irmgard Keun's novel Gilgi

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-57113-809-5

Language: English

Subjects: German Studies , Ethnology

Keywords: Deutschland ; Damenmode ; Geschichte 1918-1933 ; Deutschland ; Mode ; Journalismus ; Geschichte 1918-1933 ; Deutschland ; Frauenliteratur ; Neue Sachlichkeit ; Mode ; Deutschland ; Mode ; Kleidung ; Geschichte 1918-1933 ; Deutschland ; Mode ; Frau ; Moderne ; Geschichte 1918-1933 ; Deutschland ; Frau ; Modezeitschrift ; Geschichte 1918-1933 ; Deutschland ; Film ; Mode ; Geschichte 1918-1933 ; Deutschland ; Schriftstellerin ; Mode ; Geschichte 1918-1933

URL: Inhaltsverzeichnis

URL: http://www.h-net.org/reviews/showrev.php?id=25106

URL: Inhaltsverzeichnis

Author information: Ganeva, Mila ca. 20. Jh.

UID:

Format: XIII, 312 S. , Ill.

ISBN: 0826447414 , 0826447422

Series Statement: Women make cinema

Content: This volume is a study of women in French cinema from 1981 which includes material on stars, directors and producers. Each chapter includes an analysis of five or six films, and a concluding chapter examines the value and place of women in the French film industry.

Language: English

Subjects: General works

Keywords: Frankreich ; Film ; Frau ; Geschichte 1980-1999 ; Biografie

URL: Inhaltsverzeichnis

UID:

Format: xiii, 344 Seiten : , Illustration.

ISBN: 978-1-78205-373-6

Content: Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78205-375-0

Language: English

Subjects: General works

Keywords: Filmwirtschaft ; Frau ; Weibliche Filmschaffende ; Aufsatzsammlung ; Aufsatzsammlung

UID:

Format: xii, 203 Seiten , Illustrationen

ISBN: 9781789976816

Series Statement: Women, gender & sexuality in German literature & culture volume 23

Content: "This book is a study of women's involvement in occult practices in Weimar Germany. Women during the Weimar period experienced an unprecedented level of liberation. This included a greatly increased role in the work force as well as participation in other realms that were traditionally the province of men. They were also given the liberty to be more outwardly sexualized. Women engaging in occult practices during this period present an interesting case example of the liberated woman. The occult woman reversed all traditional gender roles by the pretense of possessing powers that threatened male dominance. The book investigates the significance of the occult in the Weimar period by drawing on popular, scientific, and legal writings of women's involvement in the occult. In addition to examining reports of women engaging in actual occult practices (expressive dance, mediumism, and witchcraft), this book also considers various fictional depictions of women as demonic or as possessing supernatural powers (ghosts, vampires, and monsters). The author contends that both actual practices, as well as fictional depictions, constructed an imaginary female identity as a dangerous and grotesque monster"--

Note: Includes bibliographical references and index

Additional Edition: ISBN 9781789976823

Additional Edition: ISBN 9781789976830

Additional Edition: ISBN 9781789976847

Additional Edition: Erscheint auch als Online-Ausgabe Hales, Barbara, 1962 - Black Magic Woman Oxford, United Kingdom : Peter Lang, 2021 ISBN 9781789976823

Additional Edition: ISBN 9781789976830

Additional Edition: ISBN 9781789976847

Language: English

Keywords: Deutsch ; Literatur ; Frau ; Okkultismus ; Geschichte 1918-1933

URL: Inhaltstext

URL: Unbekannt

URL: Inhaltsverzeichnis

Author information: Hales, Barbara 1962-

UID:

Format: xxiii, 340 Seiten , Diagramme

ISBN: 9783030390693

Content: Introduction -- The Gendered Landscape in International Film Production: Continuity and Change. Susan Liddy -- Europe -- The Austrian Film Gender Report 2012-2016. Eva Flicker and Lena Lisa Vogelmann -- Where are the Female Creatives? The Status Quo of the German Film Industry. Elizabeth Prommer and Skadi Loist -- With Eyes Wide Open: Gender Equality in the Polish Film Industry. Greta Gober -- The Road to 5050: Gender Equality and the Irish Film Industry. Susan Liddy -- Gender Equality in British Filmmaking: Research, Targets, Change. Shelley Cobb and Linda Ruth William -- Gendered Representation in Danish Film. Tess Sophie Skadegård Thorsen -- To Change or not to Change: Women and Gender Equality in the Finnish Film Industry. Tarja Savolainen -- From Edith to Carlmar to Iram Haq: Women in the Norwegian film industry. Anette Svane -- Experiencing Male Dominance in Swedish Film Production. Maria Jansson and Louise Wallenberg -- Out in the Cold? Women Filmmaker in Iceland. Gudrun Elsa Bragadottir -- Women in the Italian Film Industry: Against All Odds. Bernadette Luciano and Susanna Scarparo -- Gender Struggles in the Portuguese Film Industry (2008-2018). Carla Baptista and Ana Prata -- North America -- Hollywood and Gender Equity Debates in the #metoo Times Up Era. Courtney Brannon Donoghue -- Australia and New Zealand -- Gender Still Matters: Towards Sustainable Progress for Women in Australian Film and Television Industries. Lisa French -- Marian Evans Aotearoa New Zealand: A Tale of Two Nations -- Nigeria -- Women and Representation in Nollywood: Questions of Production and Direction. Agatha Ada Ukata.

Content: The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Language: English

Subjects: General works

Keywords: Filmwirtschaft ; Frau ; Diskriminierung ; Gleichberechtigung ; Aufsatzsammlung

UID:

Format: xiii, 344 Seiten

ISBN: 9781782053736

Content: Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion

Language: English

Subjects: General works

Keywords: Irland ; Filmwirtschaft ; Frau ; Aufsatzsammlung