Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Kinemathek  (2)
  • SB Ulrich Plenzdorf Seelow
  • Fachstelle Brandenburg
  • GB Neuhardenberg
  • Bibliothek Lübbenau - Vetschau
  • Art History  (1)
  • Law  (1)
Type of Medium
Language
Region
Library
Years
  • 1
    Book
    Book
    New Brunswick, NJ : Rutgers Univ. Press
    UID:
    b3kat_BV009947806
    Format: XIII, 384 S. , Ill.
    ISBN: 0813521033 , 0813521041
    Content: Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fear - as "Others" who somehow deserve to be isolated from the rest of society
    Content: In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quo - keeping people with disabilities dependent and "in their place."
    Content: Norden offers a dazzling array of physically disabled characters who embody or break out of the stereotypes that have both influenced and been symptomatic of society's fluctuating relationship with its physically disabled minority. He shows us "sweet innocents" like Tiny Tim, "obsessive avengers" like Quasimodo, variations on the disabled veteran, and many others
    Language: English
    Subjects: Law , General works
    RVK:
    RVK:
    Keywords: Film ; Körperbehinderung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    gbv_1689835397
    Format: 576 Seiten , 19 cm
    ISBN: 9780991558513 , 0991558510
    Content: "Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them"--Publisher's website
    Note: Includes bibliographical references (pages 572-575)
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Conrad, Tony 1940-2016 ; Ästhetik ; Kunstkritik ; Geschichte 1965-2012 ; Aufsatzsammlung
    Author information: Conrad, Tony 1940-2016
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages