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  • UdK Berlin  (8)
  • SB Werder
  • SB Königs Wusterhausen
  • SB Calau
  • SB Senftenberg
  • GB Prösen
  • USA  (8)
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Sprache
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Erscheinungszeitraum
Fachgebiete(RVK)
  • 1
    UID:
    b3kat_BV024098844
    Umfang: 1 DVD, PAL, 99 Min. , 42 Min. Bonus, s/w, mono , Beih. (11 S.) , 12 cm
    Inhalt: Portrait of Jason is the raw record of a confessional conversation with an African-American gay hustler recounting his life and times. A disturbing and fascinating document, it unflinchingly observes Jason Holliday - conversing, performing, confessing, dissolving. Shirley Clarke was a key figure in the American avant-garde and has been an influence on filmmakers and video artists over the last 40 years. Available for the first time ever on DVD, Portrait of Jason is a counter-culture classic and a landmark in American independent cinema. [second run dvd]
    Anmerkung: Bildformat 1.33:1 , Orig.: USA 1967 , Enth. new digital transfer of the fully-restored film print prepared by the Film Department of the Museum of Modern Art (MoMA), New York ; introduction to the film by artist Wendy Clarke, daughter of Shirley Clarke ; Wendy Clarke's acclaimed video project "Love tapes", including Shirley Clarke's personal "Love tape" ; booklet featuring a new essay on the film by Tony Rayns and an essay by Tom Sutpen , Engl.
    Sprache: Englisch
    Schlagwort(e): USA ; Schwarze ; Männliche Prostituierte ; Alltag ; DVD-Video ; DVD-Video
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY : Times Books
    UID:
    b3kat_BV000178398
    Umfang: 340 S. , Ill.
    ISBN: 0812910885
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): USA ; Architektur ; Geschichte 1974-1983 ; Architektur ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1914-1983 ; Architektur ; USA ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1900-2000 ; USA ; Design ; Geschichte 1900-2000 ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV043877379
    Umfang: xix, 252 Seiten
    ISBN: 9781474252737 , 9781474252744
    Serie: Radical aesthetics - radical art
    Inhalt: Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Veronica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-5275-1
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-5276-8
    Sprache: Englisch
    Schlagwort(e): USA ; Kuba ; Großbritannien ; Australien ; Kunst ; Flüchtling ; Migration ; Gesellschaft ; Politik ; Geschichte 1950-2015
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    UID:
    b3kat_BV045880978
    Umfang: 1 Online-Ressource (206 Seiten)
    ISBN: 9781479841998
    Serie: Sexual cultures
    Inhalt: "Keeling's "Queer Times, Black Futures" explores the issues of gender and race"--
    Anmerkung: Another litany for survival -- Black futures and the queer times of life : finance, flesh, and the imagination -- Interregnum : the unaccountable Bartleby -- "It's after the end of the world (don't you know that yet?)" : Afrofuturism and transindividuation -- Yet still : queer temporality, black political possibilities, and poetry from the future (of speculative pasts) -- Interlude : the sonic Bartleby : the digital regime of the image and musical speech -- Black cinema and questions concerning film/media/technology -- "Corporate cannibal" : risk, errantry, and imagination in the age of catastrophe -- Intercession : the de-American Bartleby: archipelagoes, refusal, and the cosmic -- "World galaxy."
    Sprache: Englisch
    Schlagwort(e): Queer-Theorie ; Amerika ; Schwarze ; USA ; Schwarze ; Queer-Theorie ; Minderheit ; Massenmedien
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  • 5
    UID:
    b3kat_BV048445231
    Umfang: xv, 192 Seiten , Illustrationen , 25 cm
    ISBN: 9780190061289
    Inhalt: "In 1982 I travelled to northern Italy to observe the preschools in the city of Reggio Emilia. I made more visits over the years, including my last visit in 2020. I wanted to understand the teaching methods that allowed typical children to make art that looked so much more advanced that that seen in American preschools. The first seeds of this book were planted as I observed the art that Reggio children were able to create"--
    Inhalt: "An Uneasy Guest in the Schoolhouse recounts how art education has been conceptualized, taught, and advocated for in the United States in the face of its persistent marginalization in the education system. Tracing various rationales offered from the 19th century onward, Winner argues that art education has failed to be justified as a good in and of itself--and this failure has affected both the status of visual art education in our schools and the quality of its teaching." --
    Anmerkung: Notes S. 169-171, References S. 173-186, Index S. 187-192 , A 1982 journey to Reggio Emilia -- A 1987 journey to China -- Art education in 19th-century America: Parallels to China -- Art for the "whole child": The progressivist revolt -- Two offshoots of progressivism: Arts in education and aesthetic education -- Making art education academic: Discipline-based art education -- Putting making at the center: The arts PROPEL alternative to discipline-based art education -- Standards and assessment: The struggle for authenticity and reliability -- Shameless utilitarianism: Arts for boosting academic performance -- Studio thinking: Teaching for habits of mind -- Reimagining art education for the 21st century
    Weitere Ausg.: Online version Winner, Ellen Uneasy guest in the schoolhouse New York : Oxford University Press, [2022] ISBN 9780190061319
    Sprache: Englisch
    RVK:
    Schlagwort(e): Reggio nell'Emilia ; Kunsterziehung ; Grundschule ; USA ; Kunsterziehung ; Geschichte 1800-2022
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  • 6
    UID:
    b3kat_BV044723130
    Umfang: 313 Seiten
    ISBN: 9780190457563
    Inhalt: "The Burlesque Hall of Fame reunion has been an annual tradition since 1955, when the League of Exotic Dancers (LED), one of America's earliest unions for women in exotic entertainment, held its first meeting. Today, situated in downtown Las Vegas, often called "Old Vegas" or "50s Vegas," The Burlesque Hall of Fame reunion now takes the form of a social club and support group, where these late life dancers perform their half-century-year-old routines from the golden age of burlesque to a rally of counter culture neo-burlesque fans"...
    Inhalt: Every year in downtown Las Vegas, often called "Old Vegas," The Burlesque Hall of Fame reunion brings together members of the League of Exotic Dancers, one of the earliest unions for women in exotic entertainment, to perform their half-century-old routines. In this annual tradition, performers from the golden age of Vegas burlesque rally counter-culture neo-burlesque fans who both keep the tradition alive and add new meaning to it. Over the past four years, documentarian Kaitlyn Regehr and photographer Matilda Temperley have embedded themselves within this community-a group, which like Old Vegas itself, continues to survive and thrive sixty years past its supposed prime. Here, in a smoky, off-strip casino, they found women, at times well into their 80s, subversively bumping and grinding away preconceptions about appropriate behavior for a pensioner. This collection of interviews and photographs is drawn from the backstage dressing rooms, homes, and lives of this aging burlesque community, as well as the young neo-burlesque community who adore them. The authors present an inter-generational sisterhood that is both unique and socially significant. Through a range of experiences-from discussing struggles for wage equality, to helping stabilize an 85 year old as she steps into a sequined g-string-the authors describe the complexity of the lives of these performers and the burlesque history from which they come. Regehr and Temperley present multidimensional portraits of this community and conclude that they are at their most vital when read with all the nuances, troubles, trials, and triumphs that they formerly and currently experience.
    Inhalt: Dr. Kaitlyn Regehr is a writer, documentarian and scholar of cultural studies. Her work has been published internationally across academic and popular print media. In addition to serving as a topic specialist for BBC World, she has created documentary content for iTunes and networks including Super Channel (CA), SWR (DE) and ARTE (FR). Regehr's work has explored intersections between gender, performance and politics in female driven communities. Matilda Temperley is an award-winning photographer. Her work regularly appears in international publications such as, The Guardian, The Telegraph, Harpers Bazaar and National Geographic. Matilda's work is inspired by marginalized societies. Her sell out book, Under The Surface-Somerset Floods won the Royal Photographic Society's Vic Odden Award in 2015. Her second book, Omo- Change In The Valley documents human rights abuses in Ethiopia.
    Anmerkung: Includes bibliographical references (pages 289-293) and index , Machine generated contents note: -- Introduction -- Section 1 -- Context -- Exotic World -- Burlesque Revived -- Burlesque Hall of Fame Weekender -- Section 2 -- Interviews -- Toni Elling -- Ellion Ness -- Dusty Summers -- Rubber Leggs -- Suzette Fontaine -- Tai Ping -- Kitten Natividad -- Gabriella Maze -- Holiday O'Hera -- Big Fannie Annie -- Isis Star -- Marinka -- Rita Alexander -- Penny Starr -- Liza Jordon -- April March -- Bic Carol -- Tempest Storm -- Conclusion
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-19-045758-7
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    RVK:
    Schlagwort(e): USA ; Striptease ; Burlesque ; Bildband ; Interview
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  • 7
    UID:
    b3kat_BV044448245
    Umfang: ungefähr 60 ungezählte Blätter , 31 x 39 cm
    Ausgabe: Fourth revised edition
    ISBN: 9781935202974 , 1935202979
    Anmerkung: Still: To Krig. - Originally published: 1st ed. New York : Times Books in association with the Museum of Fine Arts, Houston, ©1987
    Sprache: Englisch
    Schlagwort(e): USA ; Landschaft ; Stadt ; Fotografie ; Ausstellungskatalog ; Bildband
    Mehr zum Autor: Sternfeld, Joel 1944-
    Mehr zum Autor: Grundberg, Andy 1947-
    Mehr zum Autor: Brougher, Kerry 1952-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York : Random House
    UID:
    b3kat_BV048807516
    Umfang: xii, 300 Seiten , Porträt , 21 cm
    Ausgabe: Random House Trade Paperback edition
    ISBN: 9781984801203 , 1984801201
    Inhalt: "I was a devil in other countries, and I was a little devil in America, too." Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, Hanif Abdurraqib has written a profound reflection on how Black performance is inextricably woven into the fabric of American culture
    Inhalt: "A Little Devil in America is an urgent project that unravels all modes and methods of Black performance, in this moment when Black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how Black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of Black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how Black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critiques, and praises performance in music, sports, writing, comedy, grief, games, and love"--
    Anmerkung: Performing miracles , On times I have forced myself to dance , On marathons and tunnels , On going home as performance , An epilogue for Aretha -- , Suspending disbelief , On times I have forced myself to dance , This one goes out to all the magical Negroes , Sixteen ways of looking at blackface , On certain and uncertain movement of limbs , Nine considerations of Black people in space -- , On matters of country/provenance , On times I have forced myself to dance , The Josephine Baker monument can never be large enough , It is safe to say I have lost many games of spades , My favorite thing about Don Shirley , I would like to give Merry Clayton her roses , Beyoncé performs at the Super Bowl and I think about all the jobs I've hated -- , Anatomy of closeness//Chasing blood , On times I have forced myself to dance , The beef sometimes begins with a dance move , Fear: a crown , On the performance of softness , Board up the doors, tear down the walls -- , Callings to remember , On times I have forced myself not to dance
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 9781984801210
    Sprache: Englisch
    Schlagwort(e): Person of Color ; USA ; Tanz ; Musik ; Geschichte 1920-2010
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