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  • Akad. der Künste  (5)
  • Stiftung FVV  (3)
  • SRB Frankfurt/Oder
  • Kreismedienzentrum Teltow-Fläming
  • HFS Ernst Busch
  • SB Schwedt
  • GB Hohenleipisch
  • Fotografie  (8)
Type of Medium
Language
Region
Virtual Catalogues
Subjects(RVK)
  • 1
    UID:
    b3kat_BV049528302
    Format: 143 Seiten , Beiheft Faksimile des spiralgebundenen Notizbuchs (27 gezählte Seiten, 34 ungezählte Seiten, 1 loses Blatt) , 31.5 cm x 23.5 cm
    ISBN: 9783037787069 , 3037787066
    Uniform Title: Album Punjab Simla
    Content: This reprint of the notebook "Album Punjab Simla. Chandigarh, Mars 1951" kept by Le Corbusier (1887–1965) during his two-week visit to the Indian state of Punjab in anticipation of the planning and construction of Chandigarh, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. The Album Punjab constitutes a primary source for reconstructing the topics addressed by the small team of architects and governmental officials who in only a few days developed the outlines of the Chandigarh plan. The spiralbound notebook facsimile is accompanied by a paperback volume featuring previously unpublished photographs taken by Le Corbusier’s cousin Pierre Jeanneret (1896–1967) during this early expedition. The detailed commentary by architectural historian Maristella Casciato reflects upon the variety of topics assembled in the notebook and retraces the story of these days in which the new capital city was planned. By transcribing Le Corbusier’s famously illegible handwriting in French and English, this book allows its readers complete access to the architect’s mind
    Note: Text englisch und französisch
    Additional Information: Album Punjab / Simla. Chandigarh / mars 1951
    Language: English
    Keywords: Le Corbusier 1887-1965 ; Pandschab ; Notizbuch ; Skizzenbuch ; Geschichte 1951 ; Jeanneret, Pierre 1896-1967 ; Fotografie ; Chandigarh ; Stadtplanung ; Geschichte 1947-1951
    Author information: Le Corbusier 1887-1965
    Author information: Casciato, Maristella 1950-
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  • 2
    Image
    Image
    [London] : Mack
    UID:
    b3kat_BV044231432
    Format: 576 ungezählte Seiten
    Edition: First edition
    ISBN: 9781910164778
    Content: The major humanitarian and political issue of our time is migration and with his latest video work, Irish artist Richard Mosse has created a searing, haunting and unique artwork. Projected across three 8 meter wide screens, the film is accompanied by a loud dissonant soundtrack to create an overwhelming, immersive experience. Moving from footage of a live battle inside Syria, in which a US aircraft strafes Daesh positions on the ground, to a scene showing pathologists extracting DNA from the bones of unidentified corpses of refugees drowned off the Aegean island of Leros, the film opens a testimonial space of historical document - bearing witness to significant chapters in recent events - mediated through an advanced weapons-grade camera technology. Narratives of the journeys made by refugees and migrants across the Middle East, North Africa, and Europe, are captured using an extremely powerful thermal camera not generally available to the public. This super-telephoto military camera can perceive the human body beyond 50km day or night, reading the biological trace of human life. The camera translates the world into a heat signature of apparent temperature difference, producing a dazzling monochrome halo-image which alludes literally and metaphorically to hypothermia, climate change, weapons targeting, border surveillance, xenophobia, and the "bare life" of stateless people
    Language: French
    Subjects: General works
    RVK:
    Keywords: Mosse, Richard 1980- ; Video-Installation ; Dokumentarfotografie ; Thermografie ; Syrien ; Bürgerkrieg ; Flucht ; Migration ; Fotografie ; Bildband
    Author information: Agamben, Giorgio 1942-
    Author information: Mosse, Richard 1980-
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  • 3
    UID:
    b3kat_BV046890521
    Format: vii, 212 Seiten , Illustrationen, Karten
    ISBN: 9781350015968
    Series Statement: War, culture and society
    Content: "Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence"--
    Note: Introduction : Picturing Genocide -- Evidencing 'Unprecedented Acts of Savagery' : Atrocity Photographs in Occupied Yugoslavia -- 'Gather Photographs!' : The Birth of the Post-War Visual Memory of Ustasha Violence -- Why Look at Fascism? Visual Propaganda and Revolutionary Justice in Post War Yugoslavia -- Ustasha Violence through the Prism of 'brotherhood and unity' : The dilemmas of visual memory in socialist Yugoslavia -- 'The dead open the eyes of the living' : Atrocity images after Tito -- Mobilising images Visual memory of the Second World War and the Yugoslav Conflict of the 1990s
    Additional Edition: Online version Byford, Jovan Picturing genocide in the independent state of Croatia New York : Bloomsbury Academic, 2020 ISBN 9781350015982
    Language: English
    Keywords: Kroatien ; Ustaša ; Konzentrationslager Jasenovac ; Fotografie ; Geschichte 1941-1945 ; Jugoslawien ; Nachfolgestaaten ; Kollektives Gedächtnis ; Propaganda ; Fotografie ; Völkermord ; Geschichte 1945-1999
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  • 4
    UID:
    b3kat_BV036685877
    Format: 159 S. , zahlr. Ill., graph. Darst. , 23 x 26 cm
    ISBN: 9783777429717 , 9783777432618
    Note: Text dt. und engl. , Ausg. mit engl.-spr. Cover u.d.T.: Do or die
    Later: Spätere Ausg. u.d.T. C'est la vie - Das ganze Leben
    Language: German
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Teutloff, Lutz 1938- ; Sammlung ; Mensch ; Malerei ; Fotografie ; Ausstellungskatalog ; Konferenzschrift
    Author information: Blühm, Andreas 1959-
    Author information: Teutloff, Lutz 1938-
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  • 5
    UID:
    b3kat_BV014232309
    Format: 143 S. , überw. Ill. : 26 x 30 cm
    ISBN: 3775791159
    Note: Text dt. und engl.
    Language: German
    Subjects: General works
    RVK:
    Keywords: Laib, Wolfgang 1950- ; Fotografie ; Geheimnisvolle Stätte ; Ausstellungskatalog ; Konferenzschrift
    Author information: Gaines, Jeremy ca. 20. Jh.
    Author information: Laib, Wolfgang 1950-
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  • 6
    UID:
    b3kat_BV042736992
    Format: 175 S. , Ill. , 21 cm
    Edition: Rev. ed.
    ISBN: 9788493923143 , 8493923141
    Series Statement: Columns of smoke 1
    Note: First published in Spanish in Humaredas. Arquitecturea, ornamentación, medios impreseos , Includes bibliographical references and index
    Language: English
    Keywords: Architektur ; Fotografie
    Author information: Lahuerta, Juan José 1954-
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  • 7
    Image
    Image
    London : Mack
    UID:
    b3kat_BV047082409
    Format: 120 ungezählte Seiten , 1 Beilage (Poster)
    ISBN: 9781912339754 , 1912339757
    Content: 45 describes a sequence of image fragments that emphasise and contrast human presence in their physical surroundings. Upon closer examination, the viewer becomes aware that all images are taken through a train window. The photographer?s journey, which takes him from Ukraine to Oslo through present-day Europe, is inspired by train journeys taken by relatives in 1945 and 1978, leading them to death or freedom. At this point in all three journeys, each family member turned 45. The book?s narrative challenges the issue of forced immigration within the boundaries of Europe?s past and present. Eight months after the author?s return in 2013, a new conflict erupted in the Donetsk region, leading to an ongoing war.0Winner of the 2020 MACK First Book Award
    Note: Haupttitel vom Buchrücken , Text deutsch und englisch
    Language: English
    Subjects: General works
    RVK:
    Keywords: Heinisch, Damian Michael 1968- ; Fotografie ; Reise ; Europa ; Bildband
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  • 8
    UID:
    b3kat_BV040419932
    Format: XII, 280 S. , Ill.
    ISBN: 9780823245406
    Note: Includes bibliographical references and index , "Holocaust artworks intuitively must fulfill at least two criteria: artistic (lest they be merely historical documents) and historical (lest they distort the Holocaust or become merely artworks). The Sense of Semblance locates this problematic within philosophical aesthetics, as a version of the conflict between aesthetic autonomy and heteronomy, and argues that Adorno's dialectic of aesthetic semblance describes the normative demand that artworks maintain a dynamic tension between the two. The Sense of Semblance aims to move beyond familiar debates surrounding postmodernism by demonstrating the usefulness of contemporary theories of meaning and understanding, including those from the analytic tradition. Pickford shows how the causal theory of names, the philosophy of tacit knowledge, the analytic philosophy of quotation, Sartre's theory of the imaginary, the epistemology of testimony, and Walter Benjamin's dialectical image can help explicate how individual artworks fulfill artistic and historical desiderata. In close readings of Celan's poetry, Holocaust memorials in Berlin, the quotational artist Heimrad Backer, Claude Lanzmann's film Shoah, and Art Spiegelman's graphic novel Maus, Pickford offers interpretations that, in their precision, specificity, and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art. The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust"-- Provided by publisher. -- "Drawing on work in contemporary analytic philosophy and Adorno's normative aesthetic theory, this book aims to show how selected Holocaust artworks in a variety of media (lyric poetry by Paul Celan, Holocaust memorials, quotational texts by Heimrad Bc̃ker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic no
    Language: English
    Keywords: Kunst ; Judenvernichtung ; Philosophie ; Judenvernichtung ; Kunst ; Fotografie ; Denkmal ; Kollektives Gedächtnis ; Geschichte 1945-2000
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