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  • Akad. der Künste  (22)
  • Alice Salomon HS  (12)
  • SB Rathenow  (3)
  • SRB Frankfurt/Oder
  • 1990-1994  (37)
Type of Medium
Language
Region
Library
Year
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  • 1
    Book
    Book
    Princeton, NJ :Princeton Univ. Press,
    UID:
    almafu_BV009713682
    Format: XIV, 542 S.
    ISBN: 0-691-03308-0 , 0-691-01941-X
    Series Statement: Princeton studies in international history and politics
    Content: Drawing on recently declassified documents and extensive interviews with Soviet and American policymakers, among them several important figures speaking for public record for the first time, Ned Lebow and Janice Stein cast new light on the effect of nuclear threats in two of the tensest moments of the Cold War: the Cuban Missile Crisis of 1962 and the several confrontations arising out of the Arab-Israeli war of 1973. In sharp contrast to the conventional wisdom, they conclude that the strategy of deterrence prolonged rather than ended the conflict between the superpowers. In the case of Cuba, deterrence was a principal cause of the crisis; eleven years later, it provided the umbrella under which both the United States and the Soviet Union pursued unilateral advantage, undermining the fragile foundations of their recent detente
    Content: In the 1980s, Soviet evidence suggests, the Reagan arms buildup delayed rather than hastened the accommodation Gorbachev desired for internal political reasons. Both nations, the authors argue, expended lives and resources out of all reasonable proportion to their legitimate security interests, with destabilizing consequences that persist today
    Content: . We All Lost the Cold War portrays the American-Soviet rivalry as a contest between insecure and domestically pressured leaders acting on divergent perceptions of national interest. While the danger of nuclear war is now much reduced with the collapse of the Soviet Union, the underlying dynamics of the Cold War continue to drive many of the conflicts that have emerged, or remain acute, in its aftermath. The lessons Lebow and Stein derive from the 1962 and 1973 cases are of abiding relevance in the post-Cold War era
    Note: War zeitweise Open Access bei De Gruyter 1.7.2022
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781400821082 10.1515/9781400821082
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: Kubakrise ; Ost-West-Konflikt ; Jom-Kippur-Krieg ; Ost-West-Konflikt ; Abschreckung ; Ost-West-Konflikt
    Author information: Lebow, Richard Ned 1942-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York ; London : New York University Press
    UID:
    b3kat_BV049578996
    Format: 1 Online-Ressource
    ISBN: 9780814723647
    Content: Not since William Goode's Women in Divorce in the 1950's have we had such a comprehensive study of adjustment to divorce. This longitudinal work views divorce as a transition process which may have positive or negative outcomes over time. In addition to statistical analysis, the book includes very interesting case studies to demonstrate the dynamic events occurring as individuals refashion their lives after the breakup of their marriages. Researchers on divorce and the interested public will find this book very valuable for years to come."-Colleen L. Johnson, Ph.D.ProfessorMedical Anthropology, University of California, San Francisco We are witnessing a steady increase in the overall number of older adults who are divorced, yet the majority of divorce research has concerned itself with persons in the younger adult years. This unique, groundbreaking book addresses the critical need for information on the impact of divorce on individuals in all age groups, and pays special attention to age as a factor in the effects of divorce on both men and women. Written by an interdisciplinary team of social and behavioral scientists, Divorce: Crisis, Challenge or Relief? provides the invaluable results gained from their life span study of divorced adults. Divorce is the product of hundreds of interviews containing a host of very specific questions conducted with divorced adults between the ages of 20 and 79, both just after their divorce and again several years later
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0-8147-1450-1
    Language: English
    Keywords: Kalifornien ; Ehescheidung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almafu_BV010150450
    Format: XVI, 256 S. : Notenbeisp.
    ISBN: 0-19-816224-3
    Series Statement: Studies in musical genesis and structure
    Content: This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. Her emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables Shreffler to shed light on Webern's musical language and his working methods
    Content: A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the 'classic' twelve-tone works
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: 1883-1945 Webern, Anton ; Vertonung ; 1887-1914 Trakl, Georg ; Lyrik
    Author information: Shreffler, Anne C. 1957-
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  • 4
    Book
    Book
    Ithaca, NY [u.a.] :Cornell Univ. Press,
    UID:
    almafu_(DE-604)BV009985752
    Format: XI, 183 S.
    Edition: 1. publ.
    ISBN: 0-8014-2926-9
    Content: "What is the meaning of a word?" In this thought-provoking book, G. L. Hagberg demonstrates how this question - which initiated Wittgenstein's later work in the philosophy of language - is significant for our understanding not only of linguistic meaning but of the meaning of works of art and literature as well. Adopting a Wittgensteinian method in close readings of the short fiction of Henry James, Hagberg reveals how literary interpretation itself may be practiced as a form of philosophical investigation. Hagberg first considers in detail Wittgenstein's views on meaning, particularly such notoriously difficult central concepts as the "language-game" and the "form of life." He uncovers in Wittgenstein's philosophy the interrelations between linguistic and artistic "microcosms," between verbal and stylistic coherence, between linguistic and artistic limits to what may be expressed, and between general meaning and aesthetic significance. Fundamentally, Hagberg examines Wittgenstein's account of the importance of particularized usage and of context in determining the meaning of word or work of art. In his interpretation of James's short fiction, Hagberg rethinks such problems as the widely assumed but misleading distinction between interpretive perception and description. In addition, he draws striking parallels between the complex processes of coming to understand a person and of coming to understand a work of art. Throughout, Hagberg demonstrates a heightened sensitivity to the powerful influence on aesthetic thinking of formulations of questions that are too often accepted as given.
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5017-2697-2 10.7591/9781501726972
    Language: English
    Subjects: American Studies , Philosophy
    RVK:
    RVK:
    Keywords: 1843-1916 James, Henry ; 1889-1951 Wittgenstein, Ludwig ; 1889-1951 Wittgenstein, Ludwig ; Romantheorie ; 1843-1916 James, Henry ; Kurzgeschichte ; 1889-1951 Wittgenstein, Ludwig ; Sprachphilosophie ; 1889-1951 Wittgenstein, Ludwig ; Bedeutung ; Sprachphilosophie ; Interpretation ; Literatur ; 1843-1916 James, Henry ; Kurzgeschichte ; Philosophie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Hagberg, Garry 1952-
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  • 5
    Book
    Book
    Ithaca ; London :Cornell University Press,
    UID:
    almafu_(DE-604)BV006611518
    Format: X, 260 Seiten.
    Edition: First published
    ISBN: 0-8014-2575-1 , 978-0-8014-2575-2
    Content: "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5017-2293-6 10.7591/9781501722936
    Language: English
    Subjects: Romance Studies , English Studies
    RVK:
    RVK:
    Keywords: 1904-1980 El siglo de las luces Carpentier, Alejo ; Literatur ; Englisch ; Literatur ; Literatur
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 6
    Book
    Book
    Ithaca ; London :Cornell University Press,
    UID:
    almafu_BV006611518
    Format: X, 260 Seiten.
    Edition: First published
    ISBN: 0-8014-2575-1 , 978-0-8014-2575-2
    Content: "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5017-2293-6 10.7591/9781501722936
    Language: English
    Subjects: Romance Studies , English Studies
    RVK:
    RVK:
    Keywords: 1904-1980 El siglo de las luces Carpentier, Alejo ; Literatur ; Englisch ; Literatur ; Literatur
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    UID:
    almafu_BV009865501
    Format: XX, 732, [32] S. : Ill.
    Edition: 1. ed.
    ISBN: 0-8021-1529-2
    Content: "The result of twenty-five years of research on three continents, Brecht and Company is a revolutionary portrait of one of the world's greatest theater artists - and the people upon whom he built his reputation. Bertolt Brecht is regarded by many as the most influential figure in twentieth-century theater; the director Peter Brook has argued that "all theater work today at some point starts with or returns to his achievement." In this first full biography of the Brecht circle, John Fuegi confirms Brecht's rank as a world-class theater director, but also shows why much of the writing can no longer be attributed to Brecht alone." "Brecht's first violent, homoerotic plays, though noisily provocative failures at the box office, brought him praise from adventurous critics. In Berlin in the 1920s, Brecht found someone who would change not only his life but world theater: Elisabeth Hauptmann, who wrote over 80 percent of The Threepenny Opera in exchange for time in Brecht's life and in his bed. Yet her name often disappeared from the printed text, as well as from other plays and poems. Disappointed and disaffected, Hauptmann was supplanted by the passionate, tubercular Margarete Steffin, who contributed crucially to such classics as Mother Courage and The Good Woman of Setzuan. With Steffin's death in 1941, Brecht's career as a playwright virtually ended, though other works, begun with her, were finished with the aid of the uninhibited and politically committed Danish director and author Ruth Berlau." "Fuegi traces the evolution of Brecht's parasitic relationships and aggressive ambition through close analysis of diaries, letters, and drafts of the literary works, revealing a man who was personally dazzling, a genius at assembling and
    Content: "The story of Brecht's artistic thefts is told against a backdrop of his equivocal politics through the turbulent times: from the 1932 New Year's party with members of Germany's virulent right wing, to his refusal to acknowledge Stalin's murderous purges, to his shocking break before the House Un-American Activities Committee, to his frequent anti-Semitism, to the privilege and ease he enjoyed in a repressive East Germany." "Brecht and Company will irrevocably change our understanding of one of the world's great writer-directors, even as it presents us with three new artists of enduring stature: Elisabeth Hauptmann, Margarete Steffin, and Ruth Berlau."--BOOK JACKET
    Note: Engl. Ausg. u.d.T.: Fuegi, John: The life and lies of Bertolt Brecht
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1898-1956 Brecht, Bertolt ; Freundeskreis ; Literaturproduktion ; Biografie ; Biografie ; Biografie ; Biografie ; Biographie ; Biografie
    Author information: Fuegi, John 1936-
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  • 8
    Book
    Book
    London :HarperCollins,
    UID:
    almafu_BV004726845
    Format: 180 S.
    Edition: 1. publ. in Great Britain
    ISBN: 0-00-223769-5
    Language: English
    Subjects: English Studies
    RVK:
    Author information: Weldon, Fay 1931-2023
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  • 9
    UID:
    b3kat_BV004679879
    Format: 229 S.
    Edition: 1. Aufl.
    ISBN: 3746600480
    Series Statement: Aufbau-Taschenbücher 45
    Uniform Title: News from nowhere or an epoch of rest
    Language: German
    Subjects: General works , Sociology , English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Fiktionale Darstellung
    Author information: Morris, William 1834-1896
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  • 10
    UID:
    almafu_BV008218086
    Format: 192 S.
    ISBN: 0-9606030-3-4
    Content: This book "is intended to be read by a mature adult who is suffering from a terminal illness and is considering the option of rational suicide if and when suffering becomes unbearable"--Back jacket.
    Language: English
    Subjects: Law
    RVK:
    Keywords: Suizid ; Ratgeber ; Ratgeber
    Author information: Humphry, Derek 1930-
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