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  • Filmuniversität Babelsberg  (6)
  • SRB Frankfurt/Oder
  • SB Bernau bei Berlin
  • Europa  (6)
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  • 1
    Online Resource
    Online Resource
    Contemporary European cinema : crisis narratives and narratives in crisis (2019)
    London ; New York : Routledge
    Details
    UID:
    b3kat_BV047010936
    Format: 1 Online-Ressource (x, 198 Seiten)
    ISBN: 9781315122427 , 9781351347075 , 9781351347068 , 9781351347051
    Series Statement: The cultural politics of media and popular culture
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-138-56440-4
    Language: English
    Subjects: General works
    RVK:
    AP 59406
    Keywords: Europa ; Film ; Wirtschaftskrise ; Flucht ; Geschichte 2008-2018 ; Electronic books
    DOI: 10.4324/9781315122427
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Corbalán Vélez, Ana
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    Stabi Berlin
    FU Berlin
    Filmuniversität Babelsberg
  • 2
    Book
    Book
    The legacy of World War II in European arthouse cinema (2021)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    UID:
    b3kat_BV047375082
    Format: viii, 229 Seiten , Illustrationen, Portraits (schwarz-weiß) , 26 cm
    ISBN: 9781476683522
    Content: "World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility--themes that continue to resonate throughout culture and global politics"--
    Note: Introduction: Memories that scar -- Collaboration and survival in Italian neo-realism -- Memory beyond consolation : French cinema in the '50s -- Out of the rubble : the emergence of new German cinema -- French cinema in the '60s and the myth of resistance -- Postwar perversion : Italian cinema in the '70s -- The punishment begins : the films of Rainer Werner Fassbinder -- Pasolini's Salò and Nazisploitation -- Innocent children and Kafkaesque doubles : Jewish identity in French cinema -- Apocalyptic visions : the Holocaust on screen in Poland -- The world gone mad : Czech and Slovak cinema -- Ordinary fascism World War II films behind the Iron Curtain -- Conclusion: The trauma of remembrance
    Additional Edition: Erscheint auch als Online-Ausgabe ebook ISBN 978-1-4766-4339-7
    Language: English
    Keywords: Europa ; Film ; Zweiter Weltkrieg ; Geschichte 1945-1985
    Library Location Call Number Volume/Issue/Year Availability
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    Book
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  • 3
    Book
    Book
    Spaghetti westerns - the good, the bad and the violent : a comprehensive, illustrated filmography of 558 Eurowesterns and their personnel, 1961 - 1977 (1992)
    Jefferson, NC u.a. : McFarland
    Details
    UID:
    b3kat_BV006627357
    Format: XIII, 502 S. , Ill.
    ISBN: 0899506887
    Content: "Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, and lists of the genre's best and worst--Back cover.
    Language: English
    Keywords: Europa ; Western ; Europa ; Western ; Filmschaffender ; Western ; Italien ; Italo-Western ; Katalog ; Verzeichnis
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  • 4
    Online Resource
    Online Resource
    Making worlds : affect and collectivity in contemporary European cinema (2020)
    New York : Columbia University Press
    Details
    UID:
    b3kat_BV046992844
    Format: 1 Online-Ressource (336 Seiten) , Illustrationen
    ISBN: 9780231550697
    Content: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19418-1
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19419-8
    Language: English
    Keywords: Europa ; Film ; Gesellschaft ; Politik
    DOI: 10.7312/breg19148
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    Author information: Breger, Claudia 1969-
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    Online Resource
    Online Access
    Open Access Request
    UB Potsdam
    Filmuniversität Babelsberg
  • 5
    Online Resource
    Online Resource
    European Cinema : Face to Face with Hollywood (2005)
    Amsterdam : Amsterdam University Press
    Details
    UID:
    b3kat_BV045920273
    Format: 1 online resource , 105 black and white illustrations
    ISBN: 9789048505173
    Series Statement: Film Culture in Transition
    Content: Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its migrating multitudes? Is there a division of representational labor, with Hollywood providing stars and spectacle, the Asian countries exotic color and choreographed action, and Europe a sense of history, place and memory? This collection of essays by an acclaimed film scholar examines how independent filmmaking in Europe has been reinventing itself since the 1990s, faced by renewed competition from Hollywood and the challenges posed to national cinemas by the fall of the Wall in 1989. Elsaesser reassesses the debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, and the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019) , In English
    Language: English
    Keywords: Europa ; Film ; USA
    DOI: 10.1515/9789048505173
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    Online Access
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    Filmuniversität Babelsberg
  • 6
    Online Resource
    Online Resource
    Film festivals : from European geopolitics to global cinephilia (2007)
    Amsterdam : Amsterdam University Press
    Details
    UID:
    b3kat_BV043111198
    Format: 1 Online-Ressource (276 pages)
    ISBN: 9048506727 , 9789048506729
    Series Statement: Film culture in transition
    Note: Includes bibliographical references (pages 249-260) and indexes , Introduction : film festivals as sites of passage -- - Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- - Cannes and the "alternative" cinema network : bridging the gap between cultural criteria and business demands -- - Venice and the value-adding process : the role of mediation, segregation and agenda setting -- - Rotterdam and the rise of thematic festivals : from cinephile initiatives to popular events -- - Conclusion : Successful or safe? : the strengths and weaknesses of the film festival network , The film festival has come a long way from its relatively humble origins in Venice in 1932--when nine nations presented twenty-five feature films screened in an open-air cinema where men had to adhere to standards of formal evening attire. Hugely popular events that attract diverse lovers of cinema worldwide, today's most famous film festivals--Cannes, Berlin, Venice, and Rotterdam--continue the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. Film Festivals shows how these festivals turned impediments into advantages and developed a successful global network that addresses issues as diverse as programming and prizes, national legitimation, city marketing, cinephilia, glamour, and audience. Discussing the festival as a media event and looking closer at various festival visitors, this volume also questions whether "successful" is in fact the appropriate term for understanding developments that could be considered dogmatic in their insistence on framing filmmakers as auteurs and films as belonging to "new waves."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 90-5356-192-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 90-5356-216-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-90-5356-192-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-90-5356-216-1
    Language: English
    Subjects: General works
    RVK:
    AP 42200
    Keywords: Europa ; Filmfestspiel ; Geschichte 1932-2005 ; Hochschulschrift
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Access
    Filmuniversität Babelsberg
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