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  • Kinemathek  (3)
  • SB Guben
  • SRB Cottbus
  • TH Brandenburg
  • Hertie School
  • SB Wittenberge
  • Film  (3)
  • 1
    Book
    Book
    Cinematic urbanism : a history of the modern from reel to real (2006)
    New York : Routledge
    Details
    UID:
    b3kat_BV021756993
    Format: xiii, 256 S. , Ill.
    ISBN: 0415700485 , 0415700493 , 9780415700481 , 9780415700498 , 9780203413036
    Content: Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city. Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the "rational" European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: General works , Sociology
    RVK:
    AP 50300
    RVK:
    AP 55400
    RVK:
    AP 55700
    RVK:
    MS 1750
    Keywords: Kino ; Film ; Architektur ; Städtebau ; Bibliografie
    URL: Table of contents only
    URL: Publisher description
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/enhancements/fy0659/2006007637-d.html
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  • 2
    Book
    Book
    Room to dream (2018)
    New York : Random House
    Details
    UID:
    b3kat_BV045093828
    Format: XII, 577 Seiten , Illustrationen, Portraits, 2 Portraits [der Verfasser]
    ISBN: 9780399589195
    Content: "The extraordinary, highly anticipated memoir from visionary filmmaker David Lynch In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced...sometimes successful, sometimes not...to bring his projects to fruition. Part-memoir, part-biography, Room to Dream interweaves Lynch's own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynch's friends, family members, actors, agents, musicians, and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art"...
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-399-58920-1
    Language: English
    Subjects: General works
    RVK:
    AP 51223
    Keywords: Lynch, David 1946- ; Film ; Biografie ; Biografie
    URL: Inhaltsverzeichnis
    Author information: McKenna, Kristine
    Author information: Lynch, David 1946-
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  • 3
    Book
    Book
    Anxious cinephilia : pleasure and peril at the movies (2020)
    New York : Columbia University Press
    Details
    UID:
    gbv_1686498136
    Format: viii, 320 Seiten
    ISBN: 9780231180870 , 9780231180863
    Series Statement: Film and culture
    Content: Ardor and anxiety : the history of cinephilia -- Enchanting images -- Cinephilia and technology : anxiety and obsolescence -- The exquisite apocalypse -- Conclusion : anxious times, anxious cinema.
    Content: "The digital revolution in contemporary movie-making has engendered a wave of cinephilia among those nostalgic for the culture of cinema and the medium of film. It has also spawned growing concerns about their future. The concept of cinephilia, Keller argues, is hardly new as technological revolutions have always brought out similar reactions in the face of change and a sense of passing (the advent of sound from silent films, color, etc.). In Anxious Cinephilia, Keller looks back at the history of cinephilia from avant-garde filmmakers in the beginning of the twentieth century to the French New Wave's love of Humphrey Bogart to contemporary critics celebrating their love of cinema. She also considers the ways in which cinephilia has embraced some of the democratic/utopic aspects of the digital revolution such as Youtube and the proliferation of GIFs. Tied to cinephilia has been the concept of cinephobia, which has centered on three interrelated areas: anxieties about being captured on film (surveillance, unattractive footage of oneself, cinema's soul-stealing dangers), anxieties about cinema's deleterious influence on audiences; and anxieties about the medium itself. Keller demonstrates that a recognition of the reciprocal relationship between cinephilia and anxiety allows an entry point into understanding the current digital revolution and the history of film. Keller examines the ways in which films have depicted or thematized anxious cinephilia as well as considering audience and critical reactions to cinema and changes in film technology and culture"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780231543309
    Additional Edition: Erscheint auch als Online-Ausgabe Keller, Sarah (Sarah K.) Anxious cinephilia New York : Columbia University Press, [2020]
    Language: English
    Keywords: Frankreich ; Cineastik ; Film ; Filmästhetik ; Wahrnehmung ; Weltuntergang ; Zuschauer ; Geschichte
    URL: Inhaltsverzeichnis
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