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  • Brandenburg  (4)
  • Filmuniversität Babelsberg  (3)
  • Jüdische Gemeinde  (1)
  • SB Guben
  • Aufsatzsammlung  (4)
  • 1
    Book
    Book
    New York, NY ; Washington, DC ; Baltimore, Md. ; Bern ; Boston, Mass. ; Frankfurt : Lang
    UID:
    b3kat_BV013109326
    Format: XIV, 277 S. , graph. Darst.
    ISBN: 082044135X
    Series Statement: Politics, media & popular culture 2
    Content: "It's Show Time! Media, Politics, and Popular Culture is a collection of original essays introducing undergraduate students and interested readers to the important role that the media and popular culture have in shaping their lives and views on politics. Written by both political scientists and journalists, this book looks at the diverse ways television, movies, the internet, and even soap operas mold public opinion and define how we view political reality
    Content: However, as these essays will reveal, this socialization is not all benign. Instead, this book reveals a corporate media increasingly trapped by the demands to inform, entertain, and make a profit - often at times distorting reality by transforming criminals into heroes, assassination theories into fact, and participatory government into a spectator sport
    Content: Overall, It's Show Time! explores the limits and possibilities of the media and emerging information technologies as they shape political perceptions and politics into the twenty-first century."--BOOK JACKET
    Language: English
    Subjects: Political Science , General works
    RVK:
    RVK:
    Keywords: USA ; Massenkultur ; Massenmedien ; Aufsatzsammlung
    Author information: Schultz, David A. 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York [u.a.] : New York Univ. Press
    UID:
    b3kat_BV019986059
    Format: VIII, 343 S.
    Edition: 1. ed.
    ISBN: 0814797059 , 0814797067
    Note: Includes bibliographical references and index
    Language: English
    Subjects: History , Theology
    RVK:
    RVK:
    Keywords: Spanien ; Juden ; Geschichte ; Sephardim ; Geschichte ; Aufsatzsammlung
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  • 3
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV045402903
    Format: x, 198 Seiten
    ISBN: 9781138564404
    Series Statement: The cultural politics of media and popular culture
    Content: Contested terms, the European Union contribution and a financial crisis / Betty Kaklamanidou and Ana Corbalán -- National, transnational and intermedial perspectives in post-2008 European cinema / Thomas Elsaesser -- France after the crisis : work, home and flexible solidarity in Les neiges du Kilimandjaro (2011) and Ma part du gateau (2011) / Michael Gott -- Spanish science fiction film in times of emergency : crisis and entrapment in Nacho Vigalondo's Extraterrestrial and David and Álex Pastor's The last days / Antonio Cordoba -- Narratives of migration and the sense of crisis in post-2008 European cinema / György Kalmár -- Undocumented migration in European borderlands : re-locating the crisis in contemporary documentaries / Jan Kühnemund -- Post-2008 European comedies of crisis : La vida inesperada and Casse-tête chinois / Debra J. Ochoa -- Depression as aesthetic answer to the socioeconomic crisis in two days, one night / Tobias Dietrich -- French and Italian co-production redux : the Fondo initiative / claudia Romanelli -- The contemporary Serbian film industry : issues of production and distribution (2008-2017) / Sandra Nikolic and Biljana Mitrovic -- La jeunesse désaffectée in contemporary Serbian cinema / Nevena Daković and Maša Seničić -- The Greek new wave : representing work and unemployment in crisis / Ursula-Helen Kassaveti and Afroditi Nikolaidou -- Contemporary Greek and Polish "best foreign language films" in an age of austerity / Anne Ciecko
    Content: "This book offers a range of accounts of the state of 'European Cinema' in a specific sociopolitical era: that of the global economic crisis that began in 2008 and the more recent refugee and humanitarian crisis. With the recession having become a popular theme of economic, demographic and sociological research in recent years, this volume examines representations of the crisis and its attendant market instability and mistrust of neoliberal political systems in film. It thus sheds light on the mediation, reimagination and reformulation of recent history in the depiction of personal, cultural and political memories, and raises new questions about crisis narratives in European film, asking whether the theoretical notion of 'national' cinema is less or more powerful during moments of sociopolitical turbulence, and investigating the kinds of cultural representations and themes that characterize the narratives of European documentary and fictional films from both small and large national markets"--
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-12242-7
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781351347075
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781351347068
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781351347051
    Language: English
    Subjects: General works
    RVK:
    Keywords: Europa ; Film ; Wirtschaftskrise ; Flucht ; Geschichte 2008-2018 ; Aufsatzsammlung
    Author information: Corbalán Vélez, Ana
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  • 4
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV047197131
    Format: 1 Online-Ressource (viii, 252 Seiten) , Illustrationen
    ISBN: 9780231551397
    Content: The art houses and cinema clubs of his youth are gone, but the films that D. A. Miller discovered there in the 1960s and '70s are now at his fingertips. With DVDs and streaming media, technology has turned the old cinematheque's theatrical offerings into private viewings that anyone can repeat, pause, slow, and otherwise manipulate at will.In Second Time Around, Miller seizes this opportunity; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing by quick camerawork, normal projection speed, missing frames, or simple censorship. At last he has an unobstructed view of the gay leather scene in Cruising, the expurgated special effects in The H-Man, and the alternative ending to Vertigo. Now he can pursue the finer details of Chabrol's debt to Hitchcock, Visconti's mystificatory Marxism, or the unemotive emotion in Godard.Yet this recaptured past is strangely disturbing; the films and the author have changed in too many ways for their reunion to be like old times. The closeness of Miller's attention clarifies the painful contradictions of youth and decline, damaged prints and flawless restorations
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19558-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19559-1
    Language: English
    Keywords: Film ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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