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  • TU Berlin  (3)
  • SB Guben
  • SB Luckenwalde
  • Bibliothek im Kontor
  • Zuse-Institut Berlin
  • BLDAM-Archäologie
  • KEB Elbe-Elster
  • Fotografie
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  • 1
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV046890521
    Umfang: vii, 212 Seiten , Illustrationen, Karten
    ISBN: 9781350015968
    Serie: War, culture and society
    Inhalt: "Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence"--
    Anmerkung: Introduction : Picturing Genocide -- Evidencing 'Unprecedented Acts of Savagery' : Atrocity Photographs in Occupied Yugoslavia -- 'Gather Photographs!' : The Birth of the Post-War Visual Memory of Ustasha Violence -- Why Look at Fascism? Visual Propaganda and Revolutionary Justice in Post War Yugoslavia -- Ustasha Violence through the Prism of 'brotherhood and unity' : The dilemmas of visual memory in socialist Yugoslavia -- 'The dead open the eyes of the living' : Atrocity images after Tito -- Mobilising images Visual memory of the Second World War and the Yugoslav Conflict of the 1990s
    Weitere Ausg.: Online version Byford, Jovan Picturing genocide in the independent state of Croatia New York : Bloomsbury Academic, 2020 ISBN 9781350015982
    Sprache: Englisch
    Schlagwort(e): Kroatien ; Ustaša ; Konzentrationslager Jasenovac ; Fotografie ; Geschichte 1941-1945 ; Jugoslawien ; Nachfolgestaaten ; Kollektives Gedächtnis ; Propaganda ; Fotografie ; Völkermord ; Geschichte 1945-1999
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV046942870
    Umfang: xxviii, 181 Seiten : , Illustrationen.
    ISBN: 978-1-5013-4706-1
    Serie: Visual cultures and German contexts
    Inhalt: Photography + fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, will focus on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-a-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. In sum, I will demonstrate precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic- results.
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-4708-5
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-5013-4707-8
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-5013-4709-2
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Fotografie ; Film ; Nationalsozialismus ; Faschismus ; Propaganda ; Museumskunde ; Ausstellung ; Nationalsozialismus ; Faschismus ; Propaganda ; Filmografie ; Filmografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    New Haven ; London : Yale University Press
    UID:
    b3kat_BV047344829
    Umfang: 1 Online-Ressource (ix, 286 Seiten) , Illustrationen
    ISBN: 9780300259896
    Inhalt: A leading critic's inside story of "the photo boom" during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography's "boom years," chronicling the medium's increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography's embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s.   Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers-many of whom he knew personally-including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography's relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period's leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-0-300-23410-7
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    RVK:
    Schlagwort(e): Fotografie ; Kunst ; Geschichte 1960-1990 ; Fotografie ; Kunstkritik ; Ästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
    Mehr zum Autor: Grundberg, Andy 1947-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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