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  • Filmuniversität Babelsberg  (5)
  • SB Guben
  • HPol Brandenburg
  • Akad. der Künste
  • 2020-2024  (5)
  • Film  (5)
  • 1
    Online Resource
    Online Resource
    New Delhi ; London ; Oxford ; New York ; Sydney :Bloomsbury India,
    UID:
    almahu_BV047276369
    Format: 1 Online-Ressource (xxv, 309 Seiten).
    ISBN: 978-9-38981-244-2 , 9789389812435 , 9789389812428
    Content: "Locating World Cinema argues for the importance of understanding the local context of a film's creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the 'global art film' that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike."
    Note: Includes bibliographical references (pages 283-290) and index , Introduction: Between Meaning and Significance -- 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film -- 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan -- 3. World and Text: Interpreting Jacques Rivette -- 4. Unattainable Women: Sexual Anxiety and Location- Scorsese, Rohmer and Kiarostami -- 5. Beyond Religion: The Spiritual Cinema of Robert Bresson -- 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan -- 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910-2010) -- 8. History as Polyphony: Understanding Aleksei German -- 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist -- Bibliography -- Film Index -- Index -- About the Author
    Additional Edition: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 9789389714203
    Additional Edition: Erscheint auch als Druck-Ausgabe, Broschur ISBN 9780567696830
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-21-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-93-89714-20-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Globalisierung ; Entstehung ; Soziokultureller Faktor
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV046987990
    Format: vii, 102 Seiten : , Illustrationen.
    ISBN: 978-0-367-89469-6 , 978-0-367-55789-8
    Series Statement: Routledge focus on gender, sexuality, and comics
    Content: This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters' feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women's and gender studies
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003-01932-9
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9781000169775
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 9781000169799
    Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 9781000169782
    Language: English
    Subjects: Ethnology , General works
    RVK:
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    Keywords: Comic ; Film ; Fiktive Gestalt Wonder Woman ; Fiktive Gestalt Captain Marvel ; Geschlechterrolle ; Feminismus
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  • 3
    UID:
    b3kat_BV047418973
    Format: 1 Blu-Ray (89 min) , farbig , 1 Beiheft (20 Seiten) , 12 cm
    Series Statement: The Criterion collection 1075
    Note: Original: USA 1982 , director-approved Blu-Ray special edition features: new, restored 4K digital transfer, supervised by director Amy Heckerling, with 5.1 surround DTS-HD Master Audio soundtrack ; audio commentary from 1999 featuring Heckerling and screenwriter Cameron Crowe ; television version of the film from the eighties, featuring deleted and alternate scenes ; new conversation with Heckerling and Crowe, moderated by filmmaker Olivia Wilde ; "Reliving our 'Fast times at Ridgemont High'," a 1999 documentary featuring interviews with cast and crew ; audio discussion from 1982 with Heckerling at the American Film Institute ; English subtitles for the deaf and hard of hearing ; plus: new introduction by Crowe and an essay by film critic Dana Stevens , Bildformat 1.85:1 , Englisch - Untertitel: Englisch für Hörgeschädigte
    Language: English
    Keywords: Film ; Blu-Ray-Disc
    Author information: Penn, Sean 1960-
    Author information: Crowe, Cameron 1957-
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  • 4
    UID:
    b3kat_BV047376590
    Format: 1 Blu-Ray (86 min) , farbig , 1 Beilage , 12 cm
    Series Statement: The Criterion collection 1083
    Content: "The path to living as one’s authentic self is paved with trials and tribulations in this revelatory, assured feature debut by Dee Rees—the all-too-rare coming-of-age tale to honestly represent the experiences of queer Black women. Grounded in the fine-grained specificity and deft characterizations of Rees’s script and built around a beautifully layered performance from Adepero Oduye, Pariah follows Brooklyn teenager Alike, who is navigating the emotional minefields of first love and heartache and the disapproval of her family as she expresses her gender and sexual identities within a system that does not make space for them. Achieving an aching intimacy with its subject through the expressive cinematography of Bradford Young, this deeply felt portrait finds strength in vulnerability and liberation in letting go." [criterion.com]
    Note: Original: USA 2011 , director-approved Blu-Ray special edition features: 2K digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack ; new conversation between director Dee Rees and filmmaker and professor Michelle Parkerson ; new cast reunion featuring Rees and actors Adepero Oduye, Pernell Walker, Kim Wayans, Charles Parnell, and Aasha Davis, moderated by film scholar Jacqueline Stewart ; new program on the making of the film, featuring Rees, cinematographer Bradford Young, production designer Inbal Weinberg, producer Nekisa Cooper, and editor Mako Kamitsuna, moderated by Stewart ; new interview with film scholar Kara Keeling, author of "Queer times, black futures" ; English subtitles for the deaf and hard of hearing ; plus: an essay by critic Cassie da Costa , Bildformat 1.85:1 , Englisch - Untertitel: Englisch für Hörgeschädigte
    Language: English
    Keywords: Film ; Blu-Ray-Disc
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  • 5
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV047197131
    Format: 1 Online-Ressource (viii, 252 Seiten) , Illustrationen
    ISBN: 9780231551397
    Content: The art houses and cinema clubs of his youth are gone, but the films that D. A. Miller discovered there in the 1960s and '70s are now at his fingertips. With DVDs and streaming media, technology has turned the old cinematheque's theatrical offerings into private viewings that anyone can repeat, pause, slow, and otherwise manipulate at will.In Second Time Around, Miller seizes this opportunity; across thirteen essays, he watches digitally restored films by directors from Mizoguchi to Pasolini and from Hitchcock to Honda, looking to find not only what he first saw in them but also what he was then kept from seeing by quick camerawork, normal projection speed, missing frames, or simple censorship. At last he has an unobstructed view of the gay leather scene in Cruising, the expurgated special effects in The H-Man, and the alternative ending to Vertigo. Now he can pursue the finer details of Chabrol's debt to Hitchcock, Visconti's mystificatory Marxism, or the unemotive emotion in Godard.Yet this recaptured past is strangely disturbing; the films and the author have changed in too many ways for their reunion to be like old times. The closeness of Miller's attention clarifies the painful contradictions of youth and decline, damaged prints and flawless restorations
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19558-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19559-1
    Language: English
    Keywords: Film ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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