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  • Portuguese  (15)
Type of Material
Type of Publication
Consortium
Language
  • 1
    Image
    Image
    Grafite : labirintos do olhar (2017)
    São Paulo : BEI Communicação
    Details
    UID:
    (DE-602)gbv_1677672609
    Format: 164 Seiten, ca. 50 ungezählte Seiten , 20 x 28 cm
    ISBN: 9788578501440 , 8578501446
    Uniform Title: Photographs Selections
    Content: Graffiti: laberynth of the eyes. Introduction = Introdução -- Explanatry note = Nota explicativa -- São Paulo -- Nova York -- Berlim -- Dos sons do laberinto.
    Content: Photographer Edward Longman (born 1952, São Paulo), and journalist Gabriela Longman (born 1983, São Paulo) created a book that is the result of their work since 2014 on the streets of São Paulo, New York and Berlin. The editorial project was conceived from the conversations between father and daughter about how they could work together. With a chapter devoted to each of these cities, "This book seeks to situate the graffiti not in Heaven nor in hell, but seeks to exalt its qualities, especially the ideal of freedom, experimentation and risk involved [...]. It's not just a book of photography - although the images extrapolate, similar to a documentary record- this is not a travelogue, or an artistic catalog and is not a newspaper article- even if these categories are mixed here and along with the graffiti mingle many times in posters, walls and roofs," writes Gabriella in the introduction
    Note: Includes bibliographical references , In Portuguese and English
    Language: English , Portuguese
    Keywords: Bildband
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  • 2
    Image
    Image
    Grafite : labirintos do olhar (2017)
    São Paulo : BEI Communicação
    Details
    UID:
    (DE-627)1677672609
    Format: 164 Seiten, ca. 50 ungezählte Seiten , 20 x 28 cm
    ISBN: 9788578501440 , 8578501446
    Uniform Title: Photographs Selections
    Content: Graffiti: laberynth of the eyes. Introduction = Introdução -- Explanatry note = Nota explicativa -- São Paulo -- Nova York -- Berlim -- Dos sons do laberinto.
    Content: Photographer Edward Longman (born 1952, São Paulo), and journalist Gabriela Longman (born 1983, São Paulo) created a book that is the result of their work since 2014 on the streets of São Paulo, New York and Berlin. The editorial project was conceived from the conversations between father and daughter about how they could work together. With a chapter devoted to each of these cities, "This book seeks to situate the graffiti not in Heaven nor in hell, but seeks to exalt its qualities, especially the ideal of freedom, experimentation and risk involved [...]. It's not just a book of photography - although the images extrapolate, similar to a documentary record- this is not a travelogue, or an artistic catalog and is not a newspaper article- even if these categories are mixed here and along with the graffiti mingle many times in posters, walls and roofs," writes Gabriella in the introduction
    Note: Includes bibliographical references , In Portuguese and English
    Language: English , Portuguese
    Keywords: Bildband
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  • 3
    Online Resource
    Online Resource
    On the street (Olho da Rua) (2006)
    New York, NY : Filmakers Library
    Details
    UID:
    (DE-627)1818195720
    Format: 1 Online-Ressource (58 min.)
    Content: Street life in Rio de Janeiro is astoundingly varied. There are more ways to earn a living than any North American can imagine. In this colorful film, Sergio Bloch, who has a special affinity for recording the pulse of urban life in his native Brazil, presents a variety of performers, vendors and special artisans. The film begins with a knife grinder, who not only sharpens tools, but plays Happy Birthday on his grinding wheel to attract customers. There is an animal trainer whose dogs perform tricks, a street photographer who really wanted to be a student, a herbalist who forages within city limits for plants that bring the Amazon to a city square. Some of the physical stunts are amazing: a one-legged soccer acrobat, jugglers who have 50 seconds at traffic lights for their acts. These and many others tell how they came to earn their livelihood in these unique ways--some are the third generation in their trade, others fell on hard times and needed work. These are not street people as we know them here--they are people who use public spaces as their studios, workshops, stages, offices and food centers. For anthropology and Latin American studies here is glimpse into the unique life of a sprawling metropolis with roots in the past
    Note: Originally released as DVD , Title from resource description page (viewed May 24, 2011) , Zielgruppe: For College; Adult audiences , This edition in Portuguese with English subtitles
    Language: Portuguese
    URL: lizenzpflichtig
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  • 4
    Online Resource
    Online Resource
    On the street (Olho da Rua) (2006)
    New York, NY : Filmakers Library
    Details
    UID:
    (DE-602)gbv_1818195720
    Format: 1 Online-Ressource (58 min.)
    Content: Street life in Rio de Janeiro is astoundingly varied. There are more ways to earn a living than any North American can imagine. In this colorful film, Sergio Bloch, who has a special affinity for recording the pulse of urban life in his native Brazil, presents a variety of performers, vendors and special artisans. The film begins with a knife grinder, who not only sharpens tools, but plays Happy Birthday on his grinding wheel to attract customers. There is an animal trainer whose dogs perform tricks, a street photographer who really wanted to be a student, a herbalist who forages within city limits for plants that bring the Amazon to a city square. Some of the physical stunts are amazing: a one-legged soccer acrobat, jugglers who have 50 seconds at traffic lights for their acts. These and many others tell how they came to earn their livelihood in these unique ways--some are the third generation in their trade, others fell on hard times and needed work. These are not street people as we know them here--they are people who use public spaces as their studios, workshops, stages, offices and food centers. For anthropology and Latin American studies here is glimpse into the unique life of a sprawling metropolis with roots in the past
    Note: Originally released as DVD , Title from resource description page (viewed May 24, 2011) , Zielgruppe: For College; Adult audiences , This edition in Portuguese with English subtitles
    Language: Portuguese
    URL: lizenzpflichtig
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  • 5
    AV-Medium
    AV-Medium
    The charcoal people : [DVD Video] (2002)
    Los Angeles, Calif. : Vanguard Cinema
    Show associated volumes
    Details
    UID:
    (DE-602)kobvindex_ZLB13313938
    Format: 1 DVD Video (ca. 70 Min)
    Content: Nigel Noble's bluntly downbeat documentary "The Charcoal People" presents a hard-headed picture of how the laws of supply and demand in Brazil are contributing to the destruction of the Amazon rain forest. "Charcoal people" is the nickname for thousands of migrant workers across the country who earn a meager living making the charcoal that is an ingredient of the pig iron used in Brazil's steel industry... The film documents the process by which whole forests are reduced to blocks of charred timber. The timber is shipped by truck to work camps, where it is fed into rows of giant kilns (it takes a day to build one) that resemble brick-and-mortar igloos. High among the hazards the workers must contend with are the infernal heat and choking smoke generated by the kilns. As the workers tell their stories, the struggles they describe aren't all that different from those of exploited laborers all over the world, be they coal miners or sweat-shop employees. Those who ask for raises are often considered troublemakers and fired. One worker recalls a boss who kept the workers in debt by forcing them to buy their supplies from the company store. Not all the testimony is meant to appall. More than one person interviewed actually finds some satisfaction in the work. The cost to the environment, of course, is steep. Just how steep is suggested late in the film by aerial shots of a hideously scarred, smoky section of rain forest. But the movie leaves little doubt that as long as there is an industry hungry for their labor, the charcoal people and the destruction they wreak will continue. (New York Times)
    Note: Portug. mit engl. Untertiteln
    Language: Portuguese
    Keywords: Amazonas-Gebiet ; Köhlerei ; Alltag ; DVD-Video ; Amazonas-Gebiet ; Rodung ; Umweltschaden ; DVD-Video ; DVD-Video
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  • 6
    Online Resource
    Online Resource
    Violações de direitos humanos, lei e memória coletiva (2007)
    Show associated volumes
    Details
    UID:
    (DE-627)1866921541
    ISSN: 1809-4554
    Content: Institutional responses to gross violations of human rights and humanitarian law may affect future human rights records, partly by contributing to the collective memory of the dark chapters in a nation's history. This article begins with an exploration of various theoretical ideas concerning the impact of legal responses on collective memory and cultural trauma. It examines ways of empirically measuring the effects of law trials on collective memory, systematically analyzing the procedures adopted in recent studies into the collective memory of atrocities. Here it takes as examples the Vietnam and Balkan wars as reported in the New York Times and described in textbooks on the History of the United States. Some of the findings from these studies are explored, indicating the conditional and selective effects of criminal trials on collective memory. Finally, the article draws some conclusions for future research in Latin America and elsewhere.Respostas institucionais a violações maciças dos direitos humanos e do direito humanitário podem afetar os registros de direitos humanos futuros, pois, entre outras implicações, contribuem para aviventar a memória coletiva referente aos capítulos sombrios da história de uma nação. Este artigo explora, primeiramente, as idéias teóricas concernentes ao impacto que respostas legais podem ter sobre a memória coletiva e o trauma cultural. Em seguida, procede a um exame das formas de mensuração empírica dos efeitos de processos jurídicos sobre a memória coletiva, discriminando sistematicamente os passos seguidos em estudos recentes acerca da memória coletiva de atrocidades, tomando como exemplos as guerras do Vietnã e dos Bálcãs enquanto reportadas pelo New York Times e em livros de história dos Estados Unidos. Alguns dos resultados desses estudos são relatados, indicando os efeitos condicionais e seletivos de processos criminais incidentes sobre a memória coletiva. Por fim, são elaboradas conclusões visando a pesquisas futuras na América Latina e alhures
    In: Tempo social, São Paulo : USP, 1989, (2007), 1809-4554
    In: year:2007
    Language: Portuguese
    DOI: 10.1590/s0103-20702007000200001
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    BSZ
  • 7
    Book
    Book
    Universos paralelos (1986)
    Lisboa : Ed. "Livros do Brasil"
    Details
    UID:
    (DE-627)040380297
    Format: 215 Seiten
    Series Statement: Colecção Argonauta 343
    Uniform Title: Two hawks from earth 〈portug.〉
    Content: Inhaltsbeschreibung der englischen Originalausgabe: From the New York Times-bestselling author of the Riverworld series: An alternate history classic in which the American continents never existed. Two Hawks from Earth, an expanded and revised version of Philip José Farmer's The Gate of Time, is the story of an Iroquois pilot in World War II. First Lt. Roger Two Hawks is on a bombing run over Romania when his aircraft is shot down and collides with a German plane midair. Two Hawks bails out and survives, but when he reaches the ground, gone are the suburbs he saw from the sky. Instead, there are dirt roads, trees, farms, and an unsettling quiet. Then Two Hawks sees the soldiers: fur-clad men with shiny steel helmets shaped like wolf heads and armed with swords and arrows. Soon he comes to understand that, though a world war still rages, the Americans are absent - because they don't exist, and neither does the land they'd come from. With his modern-day military and technical knowledge, Two Hawks becomes a prize that both armies covet. But he'll have to learn to play by the rules of a new realm in order to survive - and live to see another world...
    Language: Portuguese
    Keywords: Fiktionale Darstellung
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    Book
    GBV
  • 8
    Online Resource
    Online Resource
    Basic Portuguese : a grammar and workbook (2015)
    London : Routledge,
    Details
    UID:
    (DE-602)gbv_1779367732
    Format: 1 online resource (xi, 178 pages)
    ISBN: 9781315745756 , 9781317596264 , 9781317596271 , 9781317596288
    Series Statement: Grammar workbooks
    Content: 1. Nouns -- 2. Articles -- 3. Numbers, times and dates -- 4. Subject pronouns and present tense of regular verbs -- 5. Present tense of irregular verbs -- 6. Interrogatives -- 7. Negatives -- 8. Ser and estar -- 9. Demonstratives -- 10. Adjectives and adverbs -- 11. Comparatives and superlatives -- 12. Direct object and direct object pronouns -- 13. Indirect object pronouns and their contraction with direct object pronouns -- 14. Reflexive pronouns and verbs -- 15. Possessive pronouns and adjectives -- 16. The present perfect tense -- 17. The preterite tense -- 18. The imperfect tense -- 19. The preterite tense vs. the imperfect tense -- 20. The past perfect and the pluperfect tenses.
    Note: Includes bibliographical references (pages 175) and index
    Additional Edition: ISBN 9780415633192
    Additional Edition: ISBN 9780415633208
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415633192
    Language: English , Portuguese
    DOI: 10.4324/9781315745756
    URL: lizenzpflichtig
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    Stabi Berlin
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  • 9
    Online Resource
    Online Resource
    Basic Portuguese : a grammar and workbook (2015)
    London : Routledge,
    Details
    UID:
    (DE-627)1779367732
    Format: 1 online resource (xi, 178 pages)
    ISBN: 9781315745756 , 9781317596264 , 9781317596271 , 9781317596288
    Series Statement: Grammar workbooks
    Content: 1. Nouns -- 2. Articles -- 3. Numbers, times and dates -- 4. Subject pronouns and present tense of regular verbs -- 5. Present tense of irregular verbs -- 6. Interrogatives -- 7. Negatives -- 8. Ser and estar -- 9. Demonstratives -- 10. Adjectives and adverbs -- 11. Comparatives and superlatives -- 12. Direct object and direct object pronouns -- 13. Indirect object pronouns and their contraction with direct object pronouns -- 14. Reflexive pronouns and verbs -- 15. Possessive pronouns and adjectives -- 16. The present perfect tense -- 17. The preterite tense -- 18. The imperfect tense -- 19. The preterite tense vs. the imperfect tense -- 20. The past perfect and the pluperfect tenses.
    Note: Includes bibliographical references (pages 175) and index
    Additional Edition: 9780415633192
    Additional Edition: 9780415633208
    Additional Edition: Erscheint auch als Druck-Ausgabe 9780415633192
    Language: English , Portuguese
    DOI: 10.4324/9781315745756
    URL: lizenzpflichtig
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  • 10
    Online Resource
    Online Resource
    Détournements naturalistes et horrifiques dans Dingo d’Octave Mirbeau et Cujo de Stephen King (2016)
    s.l. : Universidade do Estado do Rio de Janeiro
    Details
    UID:
    (DE-602)gbv_1869249593
    Content: Nombreux sont les films ayant pour héros un chien fou. Ils s’apparentent à des sous-genres horrifiques spécifiques comme ceux de l’animal tueur ou encore de l’éco horreur. Le film d’éco horreur est particulièrement populaire en Australie, pays très concerné par les questions écologiques et dont est originaire le dingo. Ce chien sauvage en voie d’extinction a d’ailleurs fait l’objet d’un film de Fred Schepisi, Evil Angels (1998) dont l’histoire est tirée d’un événement réel qui avait alors suscité une réaction viscérale au sein de la population australienne. Après la disparition mystérieuse d’un bėbé que ses parents avaient amené avec eux en camping, la mère fut accusée d’infanticide pour la seule raison qu’elle soutenait avoir vu un dingo enlever son enfant. L’opinion publique refusant de croire que cet animal emblématique de l’espace australien et de sa conquête masculine puisse s’attaquer à un humain, on a préféré diaboliser la femme plutôt que la bête. Le dingo est toutefois devenu une figure de la monstruosité lorsque, preuve à l’appui, on a constaté que cet animal avait bel et bien tué le bébé. Cela a eu pour effet d’entraîner une confusion dans la perception du dingo et de son statut légal. Comme le soulignent James Gorman et Christine Kennealy, “in some parts of Australia dingoes are pests, but in other parts they are protected. Their status can change with shifts in public opinion”.[1] De tels faits nous permettent de constater que le dingo n’est pas seulement un être de chair et de sang, mais aussi une construction culturelle, sociale et imaginaire, dotée d’une part de symbolisme voire d’affabulation, ne serait-ce que parce que l’animal se donne à percevoir dans la relation qu’il a avec l’homme et la civilisation. [1] James Gorman et Christine Kennealy, Australia’s Changing View of the Dingo, New York Times, 6 mars 2012, p. D1.
    In: https://www.e-publicacoes.uerj.br/ojs/index.php/soletras/article/view/19105/15913
    Language: Portuguese
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Ibero-Amerik. Institut
    KOBV
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