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  • Staatliche Museen  (4)
  • Hist. Museum Berlin  (1)
  • SB Storkow
  • SB Rathenow
  • Grünes Gedächtnis
  • Ausstellung  (5)
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  • 1
    Book
    Book
    The future of museum and gallery design : purpose, process, perception (2018)
    London ; New York : Routledge
    Details
    UID:
    b3kat_BV045100417
    Format: xix, 361 Seiten , Illustrationen, Diagramme, Graphen, Pläne
    ISBN: 9781138307322 , 9781138568204
    Series Statement: Museum meanings
    Note: Literaturangaben , Based on papers from a 2015 symposium , Cover; Title; Copyright; Contents; Illustrations; Acknowledgements; About the contributors; Introduction: the future of museum and gallery design; Part I Purpose: social responsibility, cultural specificity and museum making; 1 An ethical future for museum and gallery design: design as a force for good in a diverse cultural sector; 2 Zen and the art of museum maintenance; 3 On the importance of 'And': museums and complexity; 4 The designer's role in museums that act as agents of change; 5 Cities as exhibition spaces: illuminated infrastructure in the smart city , 6 Representations of Chinese civilisation: exhibiting Chinese art in Republican China7 The museum and multivalences of place; 8 A site for convergence and exchange: designing the twenty-first-century university art museum; Part II Process: collaboration, experimentation and participation; 9 Examining process in museum exhibitions: a case for experimentation and prototyping; 10 Designing and programming in 'baggy' space: a case study of the Oriel Wrecsam People's Market project; 11 Collective creativity in the art museum , 12 Placing citizens at the heart of museum development: Derby Silk Mill -- Museum of Making13 New approaches to universal design at The Gateway Arch National Park; 14 Experimental exhibition models: curating, designing and managing experiments: a case study from the Humboldt Lab Dahlem; 15 From the 'field' to the 'wilderness': translation and creation in curating socially engaged arts; 16 Unboxing history exhibitions: experience design in museum practice; 17 Untangling exhibition narratives: towards a bridging of design research and design practice , 18 Beyond the museum: a comparative study of narrative structures in films and museum designPart III Perception: embodiment, experience and narrative; 19 Yaji garden: art under the sky; 20 Screening times: dioramas at the Shanghai Film Museum; 21 Displaying and interpreting industrial pollution: a study of visitor comments on 'When the South Wind Blows'; 22 Spatial meaning-making: exhibition design and embodied experience; 23 The fear of popcorn: drawing inspiration from Hollywood for curating suspenseful exhibitions , 24 The Yellow Box and its rhetoric of display: exhibiting Chinese art in a museum25 From body to body: architecture, movement and meaning in the museum; Top 20 principles for the future of museum and gallery design; Afterword; Index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-351-37036-3
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-14948-6
    Language: English
    Subjects: General works
    RVK:
    AK 86200
    RVK:
    AK 86100
    Keywords: Großbritannien ; China ; Museumsbau ; Ausstellung ; Besucherverhalten ; Zukunft ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://www.routledge.com/The-Future-of-Museum-and-Gallery-Design-Purpose-Process-Perception/MacLeod-Austin-Hale-Ho-Hing-Kay/p/book/9781138568204
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  • 2
    Book
    Book
    Sensation : the madonna, the mayor, the media and the first amendment (2021)
    London ; New York : Merrell
    Details
    UID:
    b3kat_BV047555955
    Format: 247 Seiten , Illustrationen
    ISBN: 1858946964 , 9781858946962
    Content: Death and bomb threats over an art exhibition! A major battle with the mayor of New York City and the New York Times! Looking back, Arnold Lehman, director of the Brooklyn Museum, and his colleagues were not prepared for what was to happen. No one could have anticipated that SENSATION: Young British Artists from the Saatchi Collection would become the biggest art story in the history of art history. It has taken him two decades to fully absorb and clearly reflect on what happened at the Brooklyn Museum in 1999-2000. The intense controversy swept the exhibition, the museum, and Chris Ofili's The Holy Virgin Mary painting to international attention for six months. While 175,000 people saw the exhibition and millions read and heard about it daily, they never knew of the threats and challenges that kept the museum staff awake at night. Mayor Rudy Giuliani, who never saw the painting, focused his rage at The Holy Virgin Mary; rescinded the museum's municipal funding to force it to close the exhibition; and attempted to evict it from its hundred-year-old landmark. The city's most conservative media and ultra-religious groups inflamed the conflict. SENSATION, selected from controversial collector Charles Saatchi's contemporary British art collection, was first shown at London's Royal Academy in 1997, to an outcry over the portrait of child murderer Myra Hindley. Its opening at the Brooklyn Museum in 1999 drew tabloid headlines such as B'klyn gallery of horror Gruesome museum show, and Butchered animals, a dung-smeared Mary and giant genitalia; The New York Times accused the museum of wrongdoing in high-profile but often false and inaccurate investigative reports, most dismissed earlier by the court. In a story as gripping as a fictional thriller, the mayor and city eventually settled with the museum, awarding it a permanent injunction, the restoration of city money, and substantial funds for its new entrance
    Language: English
    RVK:
    LH 46420
    RVK:
    LH 60230
    RVK:
    LH 61045
    Keywords: New York, NY ; Ausstellung ; Exhibition "Sensation: Young British Artists from the Saatchi Collection" London 1997 ; Rezeption ; Kontroverse ; Ofili, Chris 1968- ; Hirst, Damien 1965- The Physical Impossibility of Death in the Mind of Someone Living ; Harvey, Marcus 1963- ; Emin, Tracey 1963- ; Ausstellung ; Geschichte 1997-1999 ; Kunstkritik ; Saatchi, Charles Nathan 1943- ; Kunst ; Sammlung
    URL: Inhaltsverzeichnis
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  • 3
    Book
    Book
    Museums and anthropology in the age of engagement (2020)
    New York : Routledge, Taylor & Francis Group
    Show associated volumes
    Details
    UID:
    gbv_1669908402
    Format: xiv, 278 Seiten , Illustrationen
    ISBN: 9781611329162 , 9781611329155
    Content: Introduction: museums and anthropology in the age of engagement -- Mapping contemporary anthropology -- Museum and applied anthropology: shared histories and trajectories -- Museums and anthropology in the Netherlands: Colonial and Postcolonial narratives -- "Museum frictions" in Colonial and Postcolonial Indonesia -- International collaboration and the values of culture and heritage -- Doing museum anthropology "at home."
    Content: "Museums and Anthropology in the Age of Engagement considers changes that have been taking place in museum anthropology as it has been responding to pressures to be more socially relevant, useful, and accountable to diverse communities. Based on the author's own research and applied work over the past 30 years, the book gives examples of the wide-ranging work being carried out today in museum anthropology as both an academic, scholarly field and variety of applied, public anthropology. While it examines major trends that characterize our current "age of engagement," the book also critically examines the public role of museums and anthropology in colonial and postcolonial contexts, namely in the US, the Netherlands, and Indonesia. Throughout the book, Kreps questions what purposes and interests museums and anthropology serve in these different times and places. Museums and Anthropology in the Age of Engagement is a valuable resource for readers interested in an historical and comparative study of museums and anthropology, and the forms engagement has taken. It should be especially useful to students and instructors looking for a text that provides in one volume a history of museum anthropology and methods for doing critical, reflexive museum ethnography and collaborative work"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781351332798
    Additional Edition: Erscheint auch als Online-Ausgabe Kreps, Christina F. Museums and anthropology in the age of engagement New York : Routledge, Taylor & Francis Group, 2020 ISBN 9781351332798
    Language: English
    Keywords: Ethnologie ; Feldforschung ; Museum ; Ausstellung ; Vermittlung ; Anthropologie
    URL: Inhaltsverzeichnis
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  • 4
    Online Resource
    Online Resource
    Photofascism : photography, film, and exhibition culture in 1930s Germany and Italy (2020)
    London ; New York ; Oxford ; New Delhi ; Sidney : Bloomsbury Visual Arts
    Details
    UID:
    b3kat_BV047068725
    Format: 1 Online-Ressource (xxviii, 181 Seiten) , Illustrationen
    ISBN: 9781501347092 , 9781501347085
    Series Statement: Visual cultures and German contexts
    Content: "Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results."
    Note: Includes bibliographical references and index , Last stop before photofascism : activist photo spaces and the exhibition of the Building Workers Unions, Berlin, 1931 -- "Acting on the visitor's mind" : the Exhibition of the Fascist Revolution, Rome, 1932 -- Nazis in ascendance : Die Kamera, Berlin, 1933 -- "A fundamental irony" : international art in the age of nationalism at the Venice International Film Festivals 1932-36 -- Both/And : German and Italian photography exhibitions in 1936-37 -- Epilogue : Hegemony to terror, 1938-1942 & visual culture in the 21st century
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-5013-4706-1
    Language: English
    Subjects: General works
    RVK:
    AP 95240
    RVK:
    AP 99010
    RVK:
    AP 99039
    RVK:
    AP 94800
    Keywords: Deutschland ; Italien ; Fotografie ; Film ; Nationalsozialismus ; Faschismus ; Propaganda ; Geschichte 1931-1942 ; Deutschland ; Italien ; Museumskunde ; Ausstellung ; Nationalsozialismus ; Faschismus ; Propaganda ; Geschichte 1931-1942 ; Electronic books
    DOI: 10.5040/9781501347092
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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  • 5
    Book
    Book
    Photofascism : photography, film, and exhibition culture in 1930s Germany and Italy (2022)
    London ; New York : Bloomsbury Visual Arts
    Details
    UID:
    b3kat_BV049423598
    Format: xxviii, 181 pages , illustrations , 24 cm
    ISBN: 9781350284241 , 1350284246
    Series Statement: Visual cultures and German contexts
    Content: Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unfortunately, as we know in hindsight, they succeeded. Other dictatorial regimes in the 1930s harnessed this powerful combination of photography and exhibitions for their own odious purposes. But this book, for the first time, focuses on the particularly consequential dialectic between Germany and Italy in the early-to-mid 1930s, and within each of those countries vis-à-vis display culture. The 1930s provides a potent case study for every generation, and it is as urgent as ever in our global political environment to deeply understand the central role of visual imagery in what transpired. Photofascism demonstrates precisely how dictatorial regimes use photographic mass media, methodically and in combination with display, to persuade the public with often times highly destructive-even catastrophic-results. --
    Language: English
    Keywords: Deutschland ; Italien ; Fotografie ; Film ; Nationalsozialismus ; Faschismus ; Propaganda ; Geschichte 1931 - 1942 ; Deutschland ; Italien ; Museum ; Ausstellung ; Nationalsozialismus ; Faschismus ; Propaganda ; Geschichte 1931 - 1942
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