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  • 1
    UID:
    b3kat_BV008234862
    Format: XXVII, 325 S. , Ill.
    ISBN: 0195077008
    Content: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Content: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Content: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Language: English
    Subjects: Art History
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    Keywords: Kunst ; Ästhetik ; Motherwell, Robert 1915-1991 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Motherwell, Robert 1915-1991
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  • 2
    UID:
    gbv_1010889966
    Format: xii, 337 Seiten , Illustrationen
    Edition: First published
    ISBN: 9781785339400 , 9781785339394
    Series Statement: Material mediations Volume 9
    Content: Heritage dynamics : politics of authentication, aesthetics of persuasion and the cultural production of the real / Mattijs van de Port and Birgit Meyer -- Aesthetics as form and force : notes on the shaping of Pataxo Indian bodies / Andre Werneck de Andrade Bakker -- Intangible heritage, tangible controversies : the baiana and the acaraje as boundary-objects in contemporary Brazil / Bruno Reinhardt -- Swinging between the material and the immaterial : Brazilian cultural politics and the authentication of Afro-Brazilian heritage / Maria Paula Fernandes Adinolfi -- News-history and the formation of the Sunday Times Heritage Project / Duane Jethro -- Scaffolding heritage : transient architectures and temporalizing formations in Luanda / Ruy Llera Blanes -- Corpo-reality TV : media, body, and the authentication of 'African heritage' / Marleen de Witte -- Heated discussions are necessary : the creative engagement with Sankofa in modern Ghanaian arts / Rhoda Woets -- Iconic objects : making diasporic heritage, blackness, and whiteness in the Netherlands / Markus Balkenhol -- Ascertaining the future memory of our time : Dutch institutions collecting relics of national tragedy / Irene Stengs -- Heritage under construction : boundary objects, scaffolding, and anticipation / David Chidester -- Can anything become heritage? / David Berliner -- Heritage as process / Ciraj Rassool
    Note: Heritage dynamics : politics of authentication, aesthetics of persuasion and the cultural production of the real / Mattijs van de Port and Birgit Meyer -- Aesthetics as form and force : notes on the shaping of Pataxo Indian bodies / Andre Werneck de Andrade Bakker -- Intangible heritage, tangible controversies : the baiana and the acaraje as boundary-objects in contemporary Brazil / Bruno Reinhardt -- Swinging between the material and the immaterial : Brazilian cultural politics and the authentication of Afro-Brazilian heritage / Maria Paula Fernandes Adinolfi -- News-history and the formation of the Sunday Times Heritage Project / Duane Jethro -- Scaffolding heritage : transient architectures and temporalizing formations in Luanda / Ruy Llera Blanes -- Corpo-reality TV : media, body, and the authentication of 'African heritage' / Marleen de Witte -- Heated discussions are necessary : the creative engagement with Sankofa in modern Ghanaian arts / Rhoda Woets -- Iconic objects : making diasporic heritage, blackness, and whiteness in the Netherlands / Markus Balkenhol -- Ascertaining the future memory of our time : Dutch institutions collecting relics of national tragedy / Irene Stengs -- Heritage under construction : boundary objects, scaffolding, and anticipation / David Chidester -- Can anything become heritage? / David Berliner -- Heritage as process / Ciraj Rassool
    Additional Edition: ISBN 9781785339417
    Additional Edition: Erscheint auch als Online-Ausgabe Sense and essence New York, NY : Berghahn, 2018 ISBN 9781785339417
    Language: English
    Subjects: Ethnology
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    Keywords: Kulturerbe ; Herstellung ; Glaubwürdigkeit ; Ästhetik ; Einmaligkeit ; Echtheit ; Ethnische Identität ; Gruppenidentität ; Sachkultur ; Aufsatzsammlung
    Author information: Meyer, Birgit 1960-
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  • 3
    UID:
    gbv_324566557
    Format: IX, 437 S. , Ill. , 23 cm
    ISBN: 0415928168 , 041592815X , 9780415928151
    Content: Inhalt: Splendor in the grass: the powers of nature and the art in the age or Dürer / Larry Silver and Pamela H. Smith -- Objects of art, objects of nature: visual representation and the investigation of nature / Pamela O. Long -- Mirroring the world: sea charts, navigation, and territorial claims in sixteenth-century Spain / Alison Sandman -- From blowfish to flower still life paintings: classification and its images, circa 1600 / Claudia Swan -- "Strange" ideas and "English" knowledge: natural science exchange in Elizabethan London / Deborah E. Harkness -- Local herbs, global medicines: commerce, knowledge, and commodities in Spanish America / Antonio Barrera -- Merchants and marvels: Hans Jacob Fugger and the origins of the Winderkammer / Mark A. Meadow -- Patriarchal alchemy and commercial exchange in the Holy Roman Empire / Tara E. Nummedal -- Time's bodies: crafting the preparation and the preservation of naturalia / Harold J. Cook -- Cartography, entrepreneurialism, and power in the reign of Louis XIV: the case of Canal du Midi / Chandra Mukerji -- "Cornelius Meijer inventor et fecit": on the representation of science in late seventeenth-century Rome / Klass van Berkel -- Inventing nature: commerce, art and science in the early modern cabinet of curiosities / Paula Findlen -- Nature as art: the case of the tulip / Anne Godgar -- Inventing exoticism: the project of Dutch geography and the marketing of the world, circa 1700 / Benjamin Schmidt -- Shopping for instruments in Paris and London / James A. Bennett -- A world of wonders, a world of one / Lisa Roberts -- Questions of representation / Thomas Dakota Huffman
    Content: Die Aufsätze sind in 3 Kapitel und 1 Epilog eingeteilt: Part 1. Struggling with reality: visualizing nature and producing knowledge -- Part 2. Networks of knowledge: commerce and the representation of nature -- Part 3. Consumption, art, and science -- [Part]. Epilogues
    Note: Splendor in the grass: the powers of nature and the art in the age or Dürer / Larry Silver and Pamela H. Smith -- Objects of art, objects of nature: visual representation and the investigation of nature / Pamela O. Long -- Mirroring the world: sea charts, navigation, and territorial claims in sixteenth-century Spain / Alison Sandman -- From blowfish to flower still life paintings: classification and its images, circa 1600 / Claudia Swan -- "Strange" ideas and "English" knowledge: natural science exchange in Elizabethan London / Deborah E. Harkness -- Local herbs, global medicines: commerce, knowledge, and commodities in Spanish America / Antonio Barrera -- Merchants and marvels: Hans Jacob Fugger and the origins of the Winderkammer / Mark A. Meadow -- Patriarchal alchemy and commercial exchange in the Holy Roman Empire / Tara E. Nummedal -- Time's bodies: crafting the preparation and the preservation of naturalia / Harold J. Cook -- Cartography, entrepreneurialism, and power in the reign of Louis XIV: the case of Canal du Midi / Chandra Mukerji -- "Cornelius Meijer inventor et fecit": on the representation of science in late seventeenth-century Rome / Klass van Berkel -- Inventing nature: commerce, art and science in the early modern cabinet of curiosities / Paula Findlen -- Nature as art: the case of the tulip / Anne Godgar -- Inventing exoticism: the project of Dutch geography and the marketing of the world, circa 1700 / Benjamin Schmidt -- Shopping for instruments in Paris and London / James A. Bennett -- A world of wonders, a world of one / Lisa Roberts -- Questions of representation / Thomas Dakota Huffman.
    Language: English
    Subjects: History
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    Keywords: Europa ; Ästhetik ; Handel ; Naturwissenschaften ; Geschichte 1500-1700 ; Natur ; Kunst ; Wirtschaft ; Geschichte 1500-1800 ; Wissenschaft ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
    Author information: Smith, Pamela H. 1957-
    Author information: Findlen, Paula 1964-
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  • 4
    Book
    Book
    London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc
    UID:
    gbv_898418828
    Format: x, 224 Seiten , Illustrationen , 25 cm
    ISBN: 1350004170 , 9781350004177
    Content: The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as `expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, `expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting
    Note: Includes bibliographical references (pages 173-212) and index
    Additional Edition: Erscheint auch als Online-Ausgabe Titmarsh, Mark Expanded painting [New York] : Bloomsbury Academic, 2017 ISBN 9781350004191
    Additional Edition: ISBN 9781350004160
    Additional Edition: ISBN 9781350004184
    Language: English
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    Keywords: Malerei ; Ästhetik
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  • 5
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    UID:
    gbv_1681740958
    Format: xv, 200 Seiten , Illustrationen
    ISBN: 9780815370659 , 9780815370635
    Content: "David Wang's Architecture and Sacrament considers contemporary architecture theory from a Christian theological perspective. Wang explains the social and cultural reasons why the theological literature tends to be separate from current literature in architecture theory. This book bridges the divide by showing, for example, how the loss of sacramental outlooks, which guided centuries of art and architecture in the West, can shed light on the plight of "big box stores," the environmental crisis and the loss of a sense of community. The book critiques the materialist basis of current architectural theory, subsumed largely under the banner of critical theory, and calls for a return to a metaphysics building, thinking and dwelling that largely animated the production of Western culture from Greco-Roman times to the Modernist era. This book on how European ideas inform architectural theory compliments Wang's previous book, A Philosophy of Chinese Architecture: Past, Present, Future and will appeal to Architecture students and academics"
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781351248792
    Additional Edition: Erscheint auch als Online-Ausgabe Wang, David, 1954- Architecture and sacrament New York : Routledge, 2020
    Language: English
    Keywords: Architektur ; Architekturtheorie ; Theologie ; Ästhetik ; Geschichte ; Sakralbau ; Architektur ; Spiritualität ; Frömmigkeit ; Geschichte
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  • 6
    Image
    Image
    New York : The Metropolitan Museum of Art
    UID:
    gbv_846358174
    Format: 144 Seiten , 27 cm
    ISBN: 9781588395719
    Series Statement: How to read series
    Content: "Among the most revered and beloved artworks in China are ceramics-sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum's collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era."--Museum's website
    Content: "Among the most revered and beloved artworks in China are ceramics-sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum's collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era."--Museum's website
    Note: Includes bibliographical references (page 143)
    Language: English
    Subjects: Art History
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    Keywords: China ; Keramik ; Keramische Malerei ; Ästhetik ; Bildband
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  • 7
    Book
    Book
    Brooklyn, NY : Primary Information
    UID:
    gbv_101941877X
    Format: 167 Seiten , Illustrationen , 22 cm
    ISBN: 0991558553 , 9780991558551
    Note: "Edited by art historian Branden W. Joseph, the texts span diverse formats: included are journal entries, criticism, poems, essays and performance notes culled primarily from short-run magazines such as Caterpillar, Film Culture, The Fox, Manipulations and Matter, as well as academic journals such as Performing Arts Journal and Art Journal and mainstream media outlets including the New York Times and the Village Voice. The book serves as a companion to Schneemann's two earliest books - 'Parts of a Body House Book' and 'Cézanne, She Was a Great Painter' - offering new perspectives on the artist's life, work and ideas through many writings that have never been reproduced in their original form. It features Schneemann's reflections on her own works, including 'Meat Joy,' 'Divisions and Rubble,' and 'Kitch's Last Meal.'--Artbook& website (viewed on February 12, 2018) , Includes bibliographical references
    Language: English
    Subjects: Art History
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    Keywords: Schneemann, Carolee 1939-2019 ; Ästhetik ; Schneemann, Carolee 1939-2019 ; Aufsatzsammlung ; Quelle ; Anthologie
    Author information: Joseph, Branden Wayne
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