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  • Staatliche Museen  (19)
  • SB Storkow
  • SB Rathenow
  • Grünes Gedächtnis
  • USA  (14)
  • Großbritannien  (6)
Type of Medium
Language
Region
Library
Years
Person/Organisation
Subjects(RVK)
Keywords
  • 1
    Book
    Book
    The loft generation : from the de Koonings to Twombly : portraits and sketches, 1942-2011 (2021)
    New York : Farrar, Straus and Giroux
    Details
    UID:
    b3kat_BV047619032
    Format: XXI, 312 Seiten, 8 Seiten Tafeln , Illustrationen
    Edition: First edition
    ISBN: 9780374190088
    Content: "A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--
    Language: English
    Subjects: Art History
    RVK:
    LI 90900
    RVK:
    LO 96690
    Keywords: Schloss, Edith 1919-2011 ; New York school ; USA ; Malerei ; Geschichte 1942-2011 ; Autobiografie
    URL: Inhaltsverzeichnis
    Author information: Schloss, Edith 1919-2011
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  • 2
    Book
    Book
    This is tomorrow : twentieth-century Britain and its artists (2022)
    London ; New York, New York : Thames & Hudson
    Details
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    LO 50095
    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    URL: Inhaltsverzeichnis
    Author information: Bird, Michael 1958-
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  • 3
    Book
    Book
    The future of museum and gallery design : purpose, process, perception (2018)
    London ; New York : Routledge
    Details
    UID:
    b3kat_BV045100417
    Format: xix, 361 Seiten , Illustrationen, Diagramme, Graphen, Pläne
    ISBN: 9781138307322 , 9781138568204
    Series Statement: Museum meanings
    Note: Literaturangaben , Based on papers from a 2015 symposium , Cover; Title; Copyright; Contents; Illustrations; Acknowledgements; About the contributors; Introduction: the future of museum and gallery design; Part I Purpose: social responsibility, cultural specificity and museum making; 1 An ethical future for museum and gallery design: design as a force for good in a diverse cultural sector; 2 Zen and the art of museum maintenance; 3 On the importance of 'And': museums and complexity; 4 The designer's role in museums that act as agents of change; 5 Cities as exhibition spaces: illuminated infrastructure in the smart city , 6 Representations of Chinese civilisation: exhibiting Chinese art in Republican China7 The museum and multivalences of place; 8 A site for convergence and exchange: designing the twenty-first-century university art museum; Part II Process: collaboration, experimentation and participation; 9 Examining process in museum exhibitions: a case for experimentation and prototyping; 10 Designing and programming in 'baggy' space: a case study of the Oriel Wrecsam People's Market project; 11 Collective creativity in the art museum , 12 Placing citizens at the heart of museum development: Derby Silk Mill -- Museum of Making13 New approaches to universal design at The Gateway Arch National Park; 14 Experimental exhibition models: curating, designing and managing experiments: a case study from the Humboldt Lab Dahlem; 15 From the 'field' to the 'wilderness': translation and creation in curating socially engaged arts; 16 Unboxing history exhibitions: experience design in museum practice; 17 Untangling exhibition narratives: towards a bridging of design research and design practice , 18 Beyond the museum: a comparative study of narrative structures in films and museum designPart III Perception: embodiment, experience and narrative; 19 Yaji garden: art under the sky; 20 Screening times: dioramas at the Shanghai Film Museum; 21 Displaying and interpreting industrial pollution: a study of visitor comments on 'When the South Wind Blows'; 22 Spatial meaning-making: exhibition design and embodied experience; 23 The fear of popcorn: drawing inspiration from Hollywood for curating suspenseful exhibitions , 24 The Yellow Box and its rhetoric of display: exhibiting Chinese art in a museum25 From body to body: architecture, movement and meaning in the museum; Top 20 principles for the future of museum and gallery design; Afterword; Index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-351-37036-3
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-14948-6
    Language: English
    Subjects: General works
    RVK:
    AK 86200
    RVK:
    AK 86100
    Keywords: Großbritannien ; China ; Museumsbau ; Ausstellung ; Besucherverhalten ; Zukunft ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://www.routledge.com/The-Future-of-Museum-and-Gallery-Design-Purpose-Process-Perception/MacLeod-Austin-Hale-Ho-Hing-Kay/p/book/9781138568204
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  • 4
    Book
    Book
    The dream colony : a life in art (2017)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    Details
    UID:
    b3kat_BV044347509
    Format: 312 Seiten, 16 ungezählte Seiten Farbtafeln , Illustrationen
    ISBN: 9781632865298
    Content: "An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol's Campbell's Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art...before it was even known as Pop Art. In 1967, when Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as "the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation)." He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book, a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century"...
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-63286-531-1
    Language: English
    RVK:
    LH 63699
    Keywords: Hopps, Walter 1932-2005 ; USA ; Museumsdirektor ; Kunsthistoriker ; Geschichte 1932-2005 ; Biografie ; Autobiografie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Hopps, Walter 1932-2005
    Author information: Ruscha, Ed 1937-
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  • 5
    Book
    Book
    Dream catchers : how mainstream America discovered native spirituality (2004)
    New York [u.a.] : Oxford Univ. Press
    Details
    UID:
    b3kat_BV019581018
    Format: XII, 306 S.
    ISBN: 0195161157
    Content: "In Dream Catchers, Jenkins offers an account of the changing mainstream attitudes towards Native American spirituality, once seen as degraded spectacle, now hailed as New Age salvation." "Jenkins charts this change, highlighting the complex history of white American attitudes towards Native religions from colonial times to the present."--BOOK JACKET.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
    RVK:
    LC 29610
    Keywords: USA ; Religion ; Indianer ; Spiritualität
    URL: Table of contents
    URL: http://www.loc.gov/catdir/toc/ecip0413/2003026909.html
    URL: http://www.loc.gov/catdir/enhancements/fy0614/2003026909-d.html
    URL: http://www.loc.gov/catdir/enhancements/fy0723/2003026909-b.html
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  • 6
    Book
    Book
    African modernism in America (2022)
    New York : American Federation of Arts | New Haven : Yale University Press
    Details
    UID:
    gbv_1828243914
    Format: 223 Seiten , 28 cm
    ISBN: 9781885444110 , 1885444117
    Content: Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists? paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a ?primitive? past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries
    Note: Seite [224]: This catalogue is published on the occasion of the exhibition "African Modernism in America"... Exhibition itinerary: Fisk University Galleries, Fisk University, Nashville, TN, October 7, 2022-February 11, 2023; Mildred Lane Kemper Art Museum ... St. Louis, MO, March 10-August 6, 2023; The Phillips Collection, Washington, DC, October 7, 2023-January 7, 2024; Taft Museum of Art, Cincinnati, OH, February 10-May 19, 2024 , Includes bibliographical references (pages 207-209) and index , Art from Africa of our time: African modernism in America, 1947-1967 / Perrin M. Lathrop -- Sam Joseph Nitro, Skunder Boghossian, and modern African art in turbulent times / Kate Cowcher -- Negro, mind: Jacob Lawrence processes the diaspora / Paul C. Taylor -- Ladi Kwali: Ceramics, art, and modernism between African and American, 1961-1972 / Ozioma Onuzulike -- African art at Fisk University: Charles S. Johnson, Aaron Douglas, and David C. Driskell / Nikoo Paydar -- Interview with David C. Driskell / Jamaal B. Sheats -- The politics of selection: Maria Magdalena Compos-Pons, Ndidi Dike, and Perrin M. Lathrop -- Artists -- Afterword: Modern art in the age of Pan-Africanism / Chika Okeke-Agula.
    Language: English
    Subjects: Art History
    RVK:
    LO 94030
    RVK:
    LO 91990
    Keywords: USA ; Künstler ; Afrikaner ; Geschichte 1947-1967 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
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  • 7
    Online Resource
    Online Resource
    Pride : fifty years of parades and protests from the photo archives of the New York Times (2019)
    New York : Abrams Image
    Details
    UID:
    gbv_1800101457
    Format: 1 Online-Ressource (223 Seiten)
    ISBN: 9781683355878
    Additional Edition: ISBN 9781419737923
    Additional Edition: Erscheint auch als Druck-Ausgabe Pride New York : Abrams Image, 2019 ISBN 9781419737923
    Additional Edition: ISBN 1419737929
    Language: English
    Subjects: General works
    RVK:
    AP 92183
    RVK:
    AP 94900
    RVK:
    AP 99083
    Keywords: USA ; Dokumentarfotografie ; The New York Times ; Bildpublizistik ; LGBT ; Geschichte 1970-2018 ; Bildband
    URL: lizenzpflichtig
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    Staatliche Museen
  • 8
    Book
    Book
    The life and times of Sir Thomas Gresham, Ktn., founder of the Royal exchange : including notices of many of his contemporaries; in two volumes (1939)
    London : Jennings
    Show associated volumes
    Details
    UID:
    gbv_137182112
    Note: Nachdr. mit dem Gesamtt.: Burt Franklin research and source work series ; 123 , Faks.-Neudr. im Verl. Franklin, New York, erschienen
    Language: English
    Keywords: Großbritannien ; Geschichte ; Biografie
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  • 9
    Book
    Book
    Desegregating the past : the public life of memory in the United States and South Africa (2017)
    New York : Columbia University Press
    Details
    UID:
    gbv_863218350
    Format: XVI, 250 Seiten , Illustrationen
    ISBN: 9780231177580
    Content: "A sociological comparison of how South Africa and the United States engage and struggle with the institutionalized racism of their respective pasts through the lens of the development of history museums in both countries"--Provided by publisher
    Content: Table of Contents -- Acknowledgments -- List of Museums Visited -- List of Abbreviations -- Introduction: Desegregating the Past -- 1. Memory Entrepreneurs: History in the Making -- 2. The Curated Past: Remembering the Collective -- 3. Managing Collective Representations -- 4. Memory Deviants: Breaking the Collective -- Conclusion: Museumification of Memory -- Notes -- Selected Bibliography -- Index
    Note: At the Apartheid Museum in Johannesburg, South Africa, visitors confront the past upon arrival. They must decide whether to enter the museum through a door marked whites" or another marked non-whites." Inside, along with text, they encounter hanging nooses and other reminders of apartheid-era atrocities. In the United States, museum exhibitions about racial violence and segregation are mostly confined to black history museums, with national history museums sidelining such difficult material. Even the Smithsonian's National Museum of African American History and Culture is dedicated not to violent histories of racial domination but to a more generalized narrative about black identity and culture. The scale at which violent racial pasts have been incorporated into South African national historical narratives is lacking in the U.S. Desegregating the Past considers why this is the case, tracking the production and display of historical representations of racial pasts at museums in both countries and what it reveals about underlying social anxieties, unsettled emotions, and aspirations surrounding contemporary social fault lines around race. Robyn Autry consults museum archives, conducts interviews with staff, and recounts the public and private battles fought over the creation and content of history museums. Despite vast differences in the development of South African and U.S. society, Autry finds a common set of ideological, political, economic, and institutional dilemmas arising out of the selective reconstruction of the past. Museums have played a major role in shaping public memory, at times recognizing and at other times blurring the ongoing influence of historical crimes. The narratives museums produce to engage with difficult, violent histories expose present anxieties concerning identity, (mis)recognition, and ongoing conflict
    Additional Edition: ISBN 9780231542517
    Language: English
    Subjects: Ethnology , General works
    RVK:
    AK 85700
    RVK:
    AK 87879
    RVK:
    AK 87883
    RVK:
    LB 63000
    Keywords: Museum ; USA ; Südafrika ; Historisches Museum ; Gedächtnis
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  • 10
    Book
    Book
    Counter-memorial aesthetics : refugee histories and the politics of contemporary art (2016)
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    UID:
    b3kat_BV043877379
    Format: xix, 252 Seiten
    ISBN: 9781474252737 , 9781474252744
    Series Statement: Radical aesthetics - radical art
    Content: Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Veronica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-5275-1
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-5276-8
    Language: English
    Keywords: USA ; Kuba ; Großbritannien ; Australien ; Kunst ; Flüchtling ; Migration ; Gesellschaft ; Politik ; Geschichte 1950-2015
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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