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  • Staatliche Museen  (6)
  • SB Storkow
  • SB Rathenow
  • Grünes Gedächtnis
  • Großbritannien  (6)
  • 1
    Book
    Book
    London ; New York, New York : Thames & Hudson
    UID:
    b3kat_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    ISBN: 9780500024430
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Großbritannien ; Kunst ; Künstler ; Geschichte 1900-2000
    Author information: Bird, Michael 1958-
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  • 2
    UID:
    b3kat_BV045100417
    Format: xix, 361 Seiten , Illustrationen, Diagramme, Graphen, Pläne
    ISBN: 9781138307322 , 9781138568204
    Series Statement: Museum meanings
    Note: Literaturangaben , Based on papers from a 2015 symposium , Cover; Title; Copyright; Contents; Illustrations; Acknowledgements; About the contributors; Introduction: the future of museum and gallery design; Part I Purpose: social responsibility, cultural specificity and museum making; 1 An ethical future for museum and gallery design: design as a force for good in a diverse cultural sector; 2 Zen and the art of museum maintenance; 3 On the importance of 'And': museums and complexity; 4 The designer's role in museums that act as agents of change; 5 Cities as exhibition spaces: illuminated infrastructure in the smart city , 6 Representations of Chinese civilisation: exhibiting Chinese art in Republican China7 The museum and multivalences of place; 8 A site for convergence and exchange: designing the twenty-first-century university art museum; Part II Process: collaboration, experimentation and participation; 9 Examining process in museum exhibitions: a case for experimentation and prototyping; 10 Designing and programming in 'baggy' space: a case study of the Oriel Wrecsam People's Market project; 11 Collective creativity in the art museum , 12 Placing citizens at the heart of museum development: Derby Silk Mill -- Museum of Making13 New approaches to universal design at The Gateway Arch National Park; 14 Experimental exhibition models: curating, designing and managing experiments: a case study from the Humboldt Lab Dahlem; 15 From the 'field' to the 'wilderness': translation and creation in curating socially engaged arts; 16 Unboxing history exhibitions: experience design in museum practice; 17 Untangling exhibition narratives: towards a bridging of design research and design practice , 18 Beyond the museum: a comparative study of narrative structures in films and museum designPart III Perception: embodiment, experience and narrative; 19 Yaji garden: art under the sky; 20 Screening times: dioramas at the Shanghai Film Museum; 21 Displaying and interpreting industrial pollution: a study of visitor comments on 'When the South Wind Blows'; 22 Spatial meaning-making: exhibition design and embodied experience; 23 The fear of popcorn: drawing inspiration from Hollywood for curating suspenseful exhibitions , 24 The Yellow Box and its rhetoric of display: exhibiting Chinese art in a museum25 From body to body: architecture, movement and meaning in the museum; Top 20 principles for the future of museum and gallery design; Afterword; Index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-351-37036-3
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-14948-6
    Language: English
    Subjects: General works
    RVK:
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    Keywords: Großbritannien ; China ; Museumsbau ; Ausstellung ; Besucherverhalten ; Zukunft ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung
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  • 3
    UID:
    gbv_137182112
    Note: Nachdr. mit dem Gesamtt.: Burt Franklin research and source work series ; 123 , Faks.-Neudr. im Verl. Franklin, New York, erschienen
    Language: English
    Keywords: Großbritannien ; Geschichte ; Biografie
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  • 4
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV043877379
    Format: xix, 252 Seiten
    ISBN: 9781474252737 , 9781474252744
    Series Statement: Radical aesthetics - radical art
    Content: Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Veronica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-5275-1
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-5276-8
    Language: English
    Keywords: USA ; Kuba ; Großbritannien ; Australien ; Kunst ; Flüchtling ; Migration ; Gesellschaft ; Politik ; Geschichte 1950-2015
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  • 5
    UID:
    gbv_1758660538
    Format: viii, 315 Seiten , Illustrationen , 24 cm
    ISBN: 9780367440961 , 9781032071824
    Series Statement: Routledge studies in cultural history
    Content: List of figures -- Acknowledgements -- Introduction / Matthew Cheeseman -- Grimm ripples : the role of the Grimms' Deutsche Sagen in the collection and creation of national folk narratives in Northern Europe / Terry Gunnell -- Forest murmurs : wood and wild in the making of England / Jeremy Harte -- 'The last Earl of Hallamshire': legend, landscape and identity in South Yorkshire / David Clarke -- Anarchy in the UK : Haddon and the anarchist agenda in the Anglo-Irish folklore movement / Ciarán Walsh -- 'Powerful and sovereign medicines ... virulent poisons also' : Arthur Machen, occultism, and the Celtic revival / Felix Taylor -- Visions of English identity : the country dance and Shakespeare-land / Derek Schofield -- Embodied Englishness in the inter-war Morris revival / Matt Simons -- A Scottish Volk? folklore, anthropology, race and nationalism in inter-war Scotland / Katie Meheux -- Photographic surveys of calendar customs : preserving identity in times of change / Andrew Robinson -- Folklore as McGuffin : British folklore and Margaret Murray in a 1930 crime novel and beyond / Paul Cowdell -- Et in arcadia ego : British folk horror film and television / Diane A Rodgers -- Bloody Europe : Brexit and the making of a myth / Tabitha Peterken -- Folkloric landscapes and the heroic outlaw in Britain and Ireland / Carina Hart -- 'Our community could start our own traditions' : the commingling of religion, politics, and the folkloresque in a far right groupuscule / Andrew Fergus Wilson -- Blood, blots and belonging : English heathens their (ab)uses of folklore / Kate Smith -- The tale of Hanan the Tailor : storytelling in times of change / Shonaleigh Cumbers and Simon Heywood -- Contributors.
    Content: "This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands' constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. The book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies"--
    Note: Literaturangaben , 1. Introduction 2. Grimm ripples: the role of the Grimms Deutsche Sagen in the collection and creation of national folk narratives in Northern Europe 3. Forest murmurs: wood and wild in the making of England 4. The Last Earl of Hallamshire : legend, landscape and identity in South Yorkshire 5. Anarchy in the UK: Haddon and the anarchist agenda in the Anglo-Irish folklore movement 6. Powerful and sovereign medicines â virulent poisons also : Arthur Machen, occultism, and the Celtic Revival 7. Visions of English identity: the country dance and Shakespeare-land 8. Embodied Englishness in the inter-war morris revival 9. A Scottish Volk? Folklore, anthropology, race and nationalism in inter-war Scotland 10. Photographic surveys of calendar customs: preserving identity in times of change 11. Folklore as McGuffin: British folklore and Margaret Murray in a 1930 crime novel and beyond 12. Et in arcadia ego: British folk horror film and television 13. Bloody Europe: Brexit and the making of a myth 14. Folkloric landscapes and the heroic outlaw in Britain and Ireland 15. Our community could start our own traditions : the commingling of religion, politics, and the folkloresque in a far right groupuscule 16. Blood, blots and belonging: English Heathens their (ab)uses of folklore 17. The Tale of Hanan the Tailor: storytelling in times of change
    Additional Edition: ISBN 9781003007531
    Additional Edition: Erscheint auch als Online-Ausgabe Folklore and nation in Britain and Ireland New York, N.Y : Routledge, 2022
    Additional Edition: Erscheint auch als Online-Ausgabe Folklore and nation in Britain and Ireland New York : Routledge, Taylor & Francis Group, 2022 ISBN 9781003007531
    Additional Edition: ISBN 1003007538
    Additional Edition: ISBN 9781000440430
    Additional Edition: ISBN 1000440435
    Additional Edition: ISBN 9781000440423
    Additional Edition: ISBN 1000440427
    Language: English
    Subjects: Political Science , English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Großbritannien ; Irland ; Folklorismus ; Nationalismus ; Kulturelle Identität
    URL: Cover  (lizenzpflichtig)
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  • 6
    UID:
    gbv_1765424941
    Format: 200 Seiten , Illustrationen
    ISBN: 1588397394 , 9781588397393
    Content: Throughout the decades of the early twentieth century, the graphic arts flourished in Great Britain as artists sought to portray everyday life during the machine age. This illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi
    Note: Seite 200: This catalogue is published in conjunction with "Modern Times: British Prints , 1913-1939", on view at the Metropolitan Museum of Art, New York, from November 1, 2021, to January 9, 2022
    Language: English
    Keywords: Großbritannien ; Druckgrafik ; Geschichte 1913-1939 ; Garfield, Leslie J. 1932- ; Garfield, Johanna 1931-2021 ; Sammlung ; Metropolitan Museum of Art ; Flight, Claude 1881-1955 ; Ausstellungskatalog ; Aufsatzsammlung
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