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  • Buch  (33)
  • Kinemathek  (25)
  • Landeshauptarchiv Brandenburg  (8)
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  • 2000-2004  (33)
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  • 1
    Buch
    Buch
    The subject of documentary / (2004)
    Minneapolis, Minn. :Univ. of Minnesota Press,
    Details
    UID:
    almafu_BV019607732
    Umfang: XXIV, 286 S. : , Ill.
    ISBN: 978-0-8166-3440-8 , 978-0-8166-3441-5 , 0-8166-3440-8 , 0-8166-3441-6
    Serie: Visible evidence 16
    Anmerkung: Essays either previously published or previously presented at various conferences , Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas as Essayist -- The Subject in Theory -- Charged Vision: The Place of Desire in Documentary Film Theory -- The Subject in History: The New Autobiography in Film and Video -- Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video -- Documentary Disavowals and the Digital -- Technology and Ethnographic Dialogue -- The Address to the Other: Ethical Discourse in Everything's for You -- Modes of Subjectivity -- New Subjectivities: Documentary and Self-Representation in the Post-Verite Age -- The Electronic Essay -- Video Confessions -- Domestic Ethnography and the Construction of the "Other" Self -- The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet)
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    AP 49400
    Schlagwort(e): Dokumentarfilm
    URL: Table of contents
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012937507&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: Table of contents
    URL: Inhaltsverzeichnis
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  • 2
    Buch
    Buch
    The CNN effect : the myth of news, foreign policy and intervention (2002)
    London [u.a.] :Routledge,
    Details
    UID:
    almafu_BV014521485
    Umfang: XI, 177 S.
    Ausgabe: 1. publ.
    ISBN: 0-415-25905-3 , 0-415-25904-5
    Inhalt: "The last decade has seen an increased willingness by Western governments to use force to intervene in distant humanitarian crises, and this has been coupled with significant levels of media attention to the human casualties of war and conflict. Central to this new policy of intervention is the so-called 'CNN effect': the saturation of Western viewers with non-stop, real-time news footage of wars and military actions on television and the Internet. In turn, these images constitute a powerful plea for action. But can news media drive foreign policy, or are governments oblivious to partial news coverage? Are there any connections between media coverage of humanitarian crises and Western intervention, and what is the truth behind the 'CNN effect'?" "The CNN Effect examines the relationship between the state and its media, and considers the role played by news reporting in a series of 'humanitarian' interventions in Iraq, Somalia, Bosnia, Kosovo and Rwanda. Piers Robinson challenges traditional views of media subservience and argues that sympathetic news coverage at key moments in foreign crises can influence the response of Western governments."--BOOK JACKET.
    Sprache: Englisch
    Fachgebiete: Politologie
    RVK:
    MG 70150
    Schlagwort(e): Politik
    URL: Inhaltsverzeichnis
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  • 3
    Buch
    Buch
    A feminist reader in early cinema / (2002)
    Durham ; London :Duke University Press,
    Details
    UID:
    almafu_BV014503092
    Umfang: 584 Seiten : , Illustrationen.
    ISBN: 978-0-8223-2999-2 , 0-8223-3025-3 , 0-8223-2999-9 , 1-283-06322-0
    Serie: A camera obscura book
    Anmerkung: 1. Reflecting film authorship: Circuits of memory and history: The memoirs of Alice Guy-Blaché / Amelie Hastie -- Nazimova's veils: Salome at the intersection of film histories / Patricia White -- Of cabbages and authors / Jane M. Gaines -- Reevaluating footnotes: women directors of the silent era / Radha Vatsal -- 2. Ways of looking: The gender of empire: American modernity, masculinity, and Edison's war actualities / Kristen Whissel -- Making ends meet: "welfare films" and the politics of consumption during the progressive era / Constance Balides -- Irma vep, vamp in the city: mapping the criminal feminine in early French serials / Kristine J. Butler -- The flapper film: comedy, dance, and jazz age kinaesthetics / Lori Landay -- 3. Cultural inversions: The queer career of Jim Crow: racial and sexual transformation in a Florida enchantment / Siobhan B. Somerville -- Taking precautions, or regulating early birth-control films / Shelley Stamp -- The new woman and consumer culture: Cecil B. Demille's sex comedies / Sumiko Higashi -- "So real as to seem like life itself": the photoplay fiction of Adela Rogers St. Johns / Anne Morey -- 4. Performing bodies: Oh, "doll divine": Mary Pickford, masquerade, and the pedophilic gaze / Gaylyn Studlar -- Immigrant stardom in imperial America: pola negri and the problem of typology / Diane Negra -- Technologies of early stardom and the extraordinary body / Jennifer M. Bean -- Femininity in flight: androgyny and gynandry in early silent Italian cinema / Angela Dalle Vacche -- Greta Garbo and silent cinema: the actress as art deco icon / Lucy Fischer -- 5. The problem of periodization: An amorous history of the silver screen: the actress as vernacular embodiment in early Chinese film culture / Zhang Zhen -- Technology's body: cinematic vision in modernity / Mary Ann Doane -- Parallax historiography: the Flâneuse as cyberfeminist / Catherine Russell
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    AP 44600
    Schlagwort(e): Stummfilm ; Weibliche Filmschaffende ; Stummfilm ; Weiblichkeit ; Stummfilm ; Feministische Filmtheorie ; Aufsatzsammlung ; Hochschulschrift ; Aufsatzsammlung ; Hochschulschrift ; Aufsatzsammlung ; Hochschulschrift
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009883796&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=009883796&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 4
    Buch
    Buch
    The new German cinema : music, history, and the matter of style (2004)
    Berkeley, Calif. ; Los Angeles, Calif. ; London :Univ. of California Press,
    Details
    UID:
    almahu_BV016991846
    Umfang: VIII, 323 S. : , Ill. ; , 23 cm.
    ISBN: 0-520-22895-2 , 0-520-23823-0
    Inhalt: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.
    Anmerkung: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Sprache: Englisch
    Fachgebiete: Allgemeines , Musikwissenschaft
    RVK:
    AP 44910
    RVK:
    AP 59711
    RVK:
    LR 53509
    RVK:
    LQ 80107
    Schlagwort(e): Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Neuer deutscher Film ; Filmmusik ; Filmästhetik
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010257847&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Klappentext
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=010257847&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 5
    Buch
    Buch
    Nazi propaganda films : a history and filmography (2003)
    Jefferson, N.C. [u.a.] : McFarland
    Details
    UID:
    gbv_361160305
    Umfang: VII, 287 S , Ill , 26 cm
    ISBN: 9780786438709 , 0786415568
    Anmerkung: "Martyrs" of the Nazi movement -- Triumph of the will: the odd case of Leni Riefenstahl -- The eternal forest: blood, soil, and euthanasia -- Hitler youth: soldiers for the Führer -- The German Film Academy -- Baptism of fire: Nazi Germany at war -- Surrounded by enemies -- The eternal Jew: anti-Semitic films -- The great king -- Black-out: the home front, or, "That's not the end of the world" -- Götterdämmerung: Kolberg and the fall of the Third Reich.
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Giesen, Rolf, 1953 - Nazi propaganda films Jefferson, North Carolina : McFarland & Company, Inc., Publishers, 2008 ISBN 9780786438709
    Sprache: Englisch
    Fachgebiete: Geschichte , Allgemeines
    RVK:
    AP 49700
    RVK:
    NQ 2270
    RVK:
    AP 59710
    RVK:
    NQ 2280
    RVK:
    AP 44910
    Schlagwort(e): Drittes Reich ; Propagandafilm ; Deutschland ; Propagandafilm ; Geschichte 1933-1945 ; Nationalsozialismus ; Propagandafilm ; Geschichte 1933-1945 ; Verzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    Mehr zum Autor: Giesen, Rolf 1953-
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  • 6
    Buch
    Buch
    Global cities : cinema, architecture, and urbanism in a digital age (2003)
    New Brunswick, NJ [u.a.] : Rutgers Univ. Press
    Details
    UID:
    b3kat_BV014842682
    Umfang: VIII, 213 S. , Ill. , 24 cm
    ISBN: 0813532752 , 9780813532752 , 0813532760 , 9780813532769
    Serie: New directions in international studies
    Inhalt: In Global Cities, scholars from an impressive array of disciplines--sociology, political science, comparative literature, cinema studies, and architectural theory--critique the growing body of literature on the current process broadly known as "globalization." This inter disciplinary focus enables the authors to explore the complex geographies of modern cities, and to offer possible strategies for reclaiming a sense of place and community in these globalized urban settings. While examining major cities including New York, Tokyo, Berlin, Paris, and Hong Kong, contributores insist that the study of urban experiences must remain as attentive to the material effects as to the psychic and social consequences of globalization. Accordingly, individual essays explore the implications of global culture for architecture, cinema, and communication-but do so in a way that highlights the importance of the spaces between such metropolitan centers, These locations, the authors argue, serve as increasingly important "frontier zones, " where an incredibly diverse set of actors converge and struggle for power and presence. Such a perspective, they contend, ultimately adds nuance and meaning to our understanding of the heterogeneous urban landscapes of these global cities.
    Anmerkung: Reading the city in a global digital age: between topographic representation and spatialized power projects / Saskia Sassen -- Collective memory and locality in global cities / Jennifer Jordan -- Gobbled up and gone: cultural preservation and the global city marketplace / Tasha G. Oren -- Los toquis, or urban babel / Nataša Ďurovičová -- Too close to home: Naruse Mikio and Japanese cinema of the 1950s / Catherine Russell -- Authenticity and globalization / John B. Hertz -- Global cannibal city machines: recent visions of urban/social space / Peter Sands -- Cinema, the city, and the cinematic / Ackbar Abbas -- Codes, collectives, and commodities: rethinking global cities as metalogistical spaces / Timothy W. Luke -- Some thoughts on cities: visions and plans / Jorge Annibal-Iribarne -- Architecture and memory / Jo Noero.
    Sprache: Englisch
    Schlagwort(e): Stadt ; Film ; Stadt ; Gesellschaft ; Neue Medien ; Konferenzschrift
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  • 7
    Buch
    Buch
    Cinema and the second sex : women's filmmaking in France in the 1980s and 1990s (2001)
    New York [u.a.] : Continuum
    Details
    UID:
    b3kat_BV014122796
    Umfang: XIII, 312 S. , Ill.
    ISBN: 0826447414 , 0826447422
    Serie: Women make cinema
    Inhalt: This volume is a study of women in French cinema from 1981 which includes material on stars, directors and producers. Each chapter includes an analysis of five or six films, and a concluding chapter examines the value and place of women in the French film industry.
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    AP 44935
    Schlagwort(e): Frankreich ; Film ; Frau ; Geschichte 1980-1999 ; Biografie
    URL: Inhaltsverzeichnis
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  • 8
    Buch
    Buch
    Pastiche : cultural memory in art, film, literature (2001)
    Bloomington : Indiana University Press
    Details
    UID:
    gbv_1616237708
    Umfang: xiii, 138 Seiten , Illustrationen , 24 cm
    ISBN: 0253338808 , 0253214459
    Inhalt: Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the Shock of the Newʺ orin the case of architectsthe functionalism of the International style.
    Anmerkung: Literaturverzeichnis: Seiten 127-132
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Philosophie
    RVK:
    CC 6900
    RVK:
    EC 5900
    Schlagwort(e): Postmoderne ; Pastiche ; Postmoderne ; Pasticcio ; Pastiche ; Literatur ; Postmoderne ; Pasticcio ; Kunst ; Film ; Postmoderne ; Pastiche ; Pasticcio ; Geschichte
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  • 9
    Buch
    Buch
    Cinema and the city : film and urban societies in a global context (2001)
    Oxford [u.a.] : Blackwell
    Details
    UID:
    gbv_318372169
    Umfang: XXI, 297 S. , Ill. , 24 cm
    Ausgabe: 1. publ.
    ISBN: 0631222448 , 063122243X
    Serie: Studies in urban and social change
    Inhalt: Cinema and the city in history and theory / Mark Shiel -- Film and urban societies in a global context / Tony Fitzmaurice -- Bunker Hill : Hollywood's dark shadow / Mike Davis -- Film mystery as urban history : the case of Chinatown / John Walton -- Return to Oz : The Hollywood redevelopment project, or film history as urban renewal / Josh Stenger -- Shamrock : Houston's green promise / James Hay -- From workshop to backlot : the greater Philadelphia film office / Paul Swann -- Cities : real and imagined / Geoffrey Nowell-Smith -- Emigrating to New York in 3-D : stereoscopic vision in IMAX's cinematic city / Mark Neumann -- Finding a place at the downtown picture palace : the Tampa Theater, Florida / Janna Jones -- Global cities and the international film festival economy / Julian Stringer -- Streetwalking in the cinema of the city : capital flows through Saigon / J. Paul Narkunas -- Cityscape : the capital infrastructuring and technologization of Manila / Rolando B. Tolentino -- The politics of dislocation : airport tales, the Castle / Justine Lloyd -- Representing the apartheid city : South African cinema in the 1950s and Jamie Uys's The urgent queue / Gary Baines --The visual rhetoric of the ambivalent city in Nigerian video films / Obododimma Oha -- Montr(c)♭al between strangeness, home, and flow / Bill Marshall -- (Mis-)representing the Irish urban landscape / Kevin Rockett -- Postwar urban redevelopment, the British film industry, and The way we live / Leo Enticknap -- Naked : social realism and the urban wasteland / Mike Mason -- Jacques Tati's Play time as new Babylon / Laurent Marie -- Poaching on public space : urban autonomous zones in French Banlieue films / Adrian Fielder
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Cinema and the city in history and theory , Film and urban societies in a global context , Bunker Hill : Hollywood's dark shadow , Film mystery as urban history : the case of Chinatown , Return to Oz : The Hollywood redevelopment project, or film history as urban renewal , Shamrock : Houston's green promise , From workshop to backlot : the greater Philadelphia film office , Cities : real and imagined , Emigrating to New York in 3-D : stereoscopic vision in IMAX's cinematic city , Finding a place at the downtown picture palace : the Tampa Theater, Florida , Global cities and the international film festival economy , Streetwalking in the cinema of the city : capital flows through Saigon , Cityscape : the capital infrastructuring and technologization of Manila , The politics of dislocation : airport tales, the Castle , Representing the apartheid city : South African cinema in the 1950s and Jamie Uys's The urgent queue , Montréal between strangeness, home, and flow , (Mis-)representing the Irish urban landscape , Postwar urban redevelopment, the British film industry, and The way we live , Naked : social realism and the urban wasteland , Jacques Tati's Play time as new Babylon , Poaching on public space : urban autonomous zones in French Banlieue films
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Cinema and the city Oxford : Blackwell, 2001 ISBN 9780470712948
    Weitere Ausg.: ISBN 0470712945
    Weitere Ausg.: ISBN 9780470712696
    Weitere Ausg.: ISBN 0470712694
    Weitere Ausg.: ISBN 9780631222446
    Weitere Ausg.: ISBN 0631222448
    Sprache: Englisch
    Fachgebiete: Geographie , Allgemeines , Soziologie
    RVK:
    AP 45700
    RVK:
    MS 1750
    RVK:
    RB 10636
    RVK:
    AP 46700
    RVK:
    RB 10627
    Schlagwort(e): Kino ; Film ; Stadt ; Stadtleben ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
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  • 10
    Buch
    Buch
    Archivi audiovisivi europei : un secolo di storia operaia ; Convegno internazionale e rassegna di film inediti ... Roma, 20-21 novembre 1998 (2000)
    Roma : Ministero per i beni e le attivit'a culturali, Ufficio centrale per i beni archivistici
    Details
    UID:
    gbv_337316686
    Umfang: 292 S.
    ISBN: 887125175X
    Serie: Pubblicazioni degli archivi di stato 56
    Anmerkung: Texts in English, French, German or Italian
    Sprache: Italienisch
    Schlagwort(e): Europa ; Film ; Archiv ; Dokumentation ; Filmarchiv ; Konferenzschrift ; Konferenzschrift
    URL: Inhaltsverzeichnis
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