Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Staatliche Museen  (53)
  • SLB Potsdam
  • SB Velten
  • Philosophy  (53)
Type of Medium
Language
Region
Library
Access
  • 1
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    UID:
    b3kat_BV047225887
    Format: 1 Online-Ressource (xii Seiten, 8 ungezählte Seiten Tafeln, 315 Seiten) , Illustrationen
    ISBN: 9781478012788
    Series Statement: Dissident acts
    Content: In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1020-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-1125-5
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Kunst ; Ästhetik ; Politische Bewegung ; Soziale Bewegung ; USA ; Mexiko ; Argentinien ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Cambridge, Massachusetts ; London, England :The MIT Press,
    UID:
    almahu_BV047217688
    Format: viii, 308 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-0-262-04556-8 , 978-0-262-54488-7
    Content: "The merging of the autobiographical with the philosophical or theoretical traced through feminist conceptual art, performance art, literature, philosophy, and activism"--
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-262-36296-2
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: Autobiografie ; Philosophie ; Feminismus ; Kunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Princeton ; Oxford :Princeton University Press,
    UID:
    almahu_BV048416837
    Format: xiii, 359 Seiten : , Illustrationen, Karten ; , 23 cm.
    ISBN: 978-0-691-15698-9
    Series Statement: The Lawrence Stone lectures
    Content: "We are, all of us, everywhere, always, enmeshed in a web of rules and constraints. Rules fix the beginning and end of the working day and the school year, direct the ebb and flow of traffic on the roads, dictate who can be married to whom and how, place the fork to the right or the left of the plate, lay down the meter and rhyme scheme of a Petrarchan sonnet, and order the rites of birth and death. Cultures notoriously differ as to the content of their rules, but there is no culture without rules. In this book, historian of science Lorraine Daston adopts a long term perspective for studying rules from diverse sources, including monastic orders, cookbooks, and mathematical algorithms. She argues that in the Western tradition most rules can be characterized as one of the following: tools of measurement and calculation, models or paradigms, or laws. Moreover, they exist on spectra from specific to general, flexible to rigid and the specific-to-general, and universal-to-particular. In investigating how rules work, how they don't work, how they've changed across time, and why exceptions are necessary, Daston paints a vivid picture of Western civilization from the antiquity to the present"--
    Note: Literaturverzeichnis Seite 321-347. - Index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9780691239187
    Language: English
    Subjects: History , Ethnology , Philosophy
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Regel ; Norm ; Konvention ; Gesetz
    Author information: Daston, Lorraine, 1951-,
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Berlin :Sternberg Press,
    UID:
    almahu_BV044701540
    Format: 102 Seiten.
    ISBN: 978-3-95679-351-6
    Series Statement: The contemporary condition 07
    Content: Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that?there is no now,? Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Zeitlichkeit ; Gegenwart ; Materialität
    Author information: Ebeling, Markus Knut, 1970-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Book
    Book
    Charlottesville [u.a.] :Univ. Press of Virginia,
    UID:
    almafu_BV010775945
    Format: XIV, 133 S.
    Edition: 1. publ.
    ISBN: 0-8139-1634-8
    Series Statement: Victorian literature and culture series
    Content: In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition
    Content: Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty
    Content: The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense
    Language: English
    Subjects: Philosophy , English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Ästhetik ; 1671-1713 Shaftesbury, Anthony Ashley Cooper of ; Rezeption ; Englisch ; Literatur ; Englisch ; Literatur ; Ästhetizismus ; Ästhetik ; Kunst ; Literatur ; Kunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    University Park, Pa. :Pennsylvania State Univ. Press,
    UID:
    almafu_BV010187037
    Format: XII, 154 S. : Ill.
    ISBN: 0-271-01305-2
    Content: A comprehensive revision of our understanding of the phenomenon of primitivism and its impact on modern art, centering on the invention of the idea of "primitive" art
    Content: Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native American imagery. The drawbacks of such an approach have become increasingly apparent, the most problematic being its perpetuation of the notion that certain traditions are indeed "primitive." Frances Connelly argues that "primitive" art was not a style at all, but a cultural construction by modern Europeans, a cluster of concepts principally forged during the Enlightenment concerning the nature of the origins of artistic expression. She contends that, instead of the paintings of Gauguin, the publication of Vico's New Science in 1725 lies much closer to the origins of primitivism because it first articulated the essential framework of ideas through which Europeans would understand "primitive" expression
    Content: Based upon a close reading of eighteenth- and nineteenth-century sources, including voyage accounts, ethnographies, aesthetic theories, and popular journals, The Sleep of Reason establishes that the term "primitive" art did not refer so much to actual stylistic traditions but to a collection of visual attributes that Europeans construed to be universal characteristics of "primitive" expression, specifically the hieroglyph, the grotesque, and the ornamental. Further, these attributes show that "primitive" expression was constructed as the inverse of the classical ideal. Connelly provides case studies of artists and aestheticians who advocated, attempted, or realized the assimilation of these "primitive" characteristics, including some artists never before associated with primitivism as well as significant reevaluations of Gauguin and Picasso
    Language: English
    Subjects: Philosophy
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Primitivismus ; Kunst ; Primitivismus ; Ästhetik ; Kunst ; Primitivismus ; Ästhetik ; Primitivismus ; Volk ; 1777-1810 Vier Zeiten Runge, Philipp Otto ; 1881-1973 Les demoiselles d'Avignon Picasso, Pablo ; 1848-1903 Gauguin, Paul ; 1821-1868 Meryon, Charles
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    Ann Arbor, Mich. :Univ. of Michigan Press,
    UID:
    almafu_BV036973588
    Format: XI, 430 S. : , Ill.
    ISBN: 978-0-472-11927-1
    Series Statement: The Bard Graduate Center cultural histories of the material world
    Content: Making" and "knowing" have generally been viewed as belonging to different types and orders of knowledge. "Craft" and "making" have been associated with how-to information, oriented to a particular situation or product, often informal and tacit, while "knowing" has been related to theoretical, propositional, and abstract knowledge including natural science. Although craftspeople and artists have worked with natural materials and sometimes have been viewed as experts in the behavior of matter, the notion that making art can constitute a means of knowing nature is a novel one. This book explores the circumstances under which making constituted knowing, and, more specifically, it examines the relationship between making objects and knowing nature in Europe from about 1450 to 1850
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Wissenschaftstheorie ; Naturwissenschaften ; Sachkultur ; Erkenntnistheorie ; Handwerksprodukt ; Handwerker ; Wissen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Smith, Pamela H. 1957-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV016876945
    Format: XIV, 222 S. : Ill.
    Edition: 1. publ.
    ISBN: 0-521-82209-2
    Content: "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. If philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest in and distrust of art. Kelly calls such disinterest and distrust "iconoclasm," and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future."--Jacket.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Philosophy
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: 1889-1976 Heidegger, Martin ; Ästhetik ; 1903-1969 Adorno, Theodor W. ; Ästhetik ; 1930-2004 Derrida, Jacques ; Ästhetik ; 1924-2013 Danto, Arthur Coleman ; Ästhetik ; Bilderstreit ; Kunst ; Philosophie ; Ästhetik ; Bibliografie
    Author information: Kelly, Michael, 1953-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Book
    Book
    Cambridge, Massachusetts :Harvard University Press,
    UID:
    almafu_BV046170496
    Format: xxxvii, 497 Seiten.
    ISBN: 978-0-674-98750-0
    Series Statement: The I Tatti Renaissance library 87
    Uniform Title: De sermone
    Content: Although Pontano did not polish De sermone completely or provide books 2-6 with prefaces, as Summonte indicates in his own preface ("Appendix One"), he had substantially completed it about a year before his death. Although most appreciated as a collection of witticisms, De sermone is first and foremost a treatise of Aristotelian moral philosophy about the virtues and vices of speech. In 1.4.3 Pontano presents the treatise as a continuation of his other studies of the moral virtues and insists upon the concept that guides him, the Aristotelian doctrine that every moral virtue is a mean between two extremes, an excess and a deficiency, both of which are vices. De sermone provides an inventory of the kinds of speech in social situations, and Aristotle is Pontano's guide throughout. At one point he explains his method as exploring at greater length and a bit more searchingly subjects treated by Aristotle. Chapter 2.6 and sections 2.7.1-4 are a detailed summary of Aristotle's discussion of the mean of veracity and its extremes of ostentation and self-deprecation. Although Pontano does not say so, chapter 1.26 borrows heavily from Aristotle's discussion of the unnamed mean most resembling friendship and its extremes of contentiousness and obsequiousness....
    Note: Includes bibliographical references and index , Text in Latin with English translation on facing pages ; introduction and notes in English
    Language: English
    Subjects: Philosophy , Ancient Studies
    RVK:
    RVK:
    Keywords: Aristotelismus ; Ethik ; Tugend ; Laster ; Quelle ; Kommentar
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    UID:
    almahu_9949463809602882
    Format: 1 online resource (319 p.)
    ISBN: 9783110925494 , 9783110636178
    Series Statement: Colloquia Raurica , 10
    Content: Die Frage nach dem Ursprung hat die Menschen in allen Kulturen und Epochen beschäftigt. In besonderer Weise bestimmt sie das Denken der Philosophie, das nach klassischem Verständnis der Erforschung der ersten Ursachen und Prinzipien gilt. Es schließt darin an die Fragerichtung des Mythos an, der seinerseits von ersten Anfängen und Gründen berichtet. Auch außerhalb der Philosophie, in Wissenschaften, Weltbildern und Religionen, in Theorien der Natur und der Geschichte, bilden Vorstellungen vom Ursprung in vielfachen Abwandlungen Leitideen des Fragens und der Orientierung. Die Frage nach dem Ursprung ist nicht auf eine Frage zu reduzieren und nicht durch eine Auskunft zu beantworten. Sie gehört in den Kreis jener offenen Fragen, die das Denken nach Kant nicht beantworten, aber ebenso wenig abweisen kann. Die vorliegenden Aufsätze bieten Diskussionsmaterial zur Heterogenität der Fragestellungen und reflektieren das Spannungsverhältnis, das dem Ursprungsbezug insgesamt innewohnt.
    Content: The question of origins has occupied people of all cultures and epochs. In a particular way it determines the thinking of philosophy, which in its classical understanding is concerned with seeking out first causes and principles. In this, it follows on from the line of enquiry followed by myth, which in its turn gives an account of first beginnings and causes. Outside philosophy, too, a variety of notions of origins give direction and orientation to enquiry in the sciences, in world views and religions, in theories of nature and of history. The question of origins cannot be reduced to one single question or answered with one single answer. It belongs to that circle of open questions which, according to Kant, philosophy can neither answer nor ignore. The papers presented here provide material for discussing the heterogeneity of the questions posed and reflect the tension inherent in the reference to origins as a whole.
    Note: i-iv -- , Vorwort -- , Teilnehmer und Teilnehmerinnen -- , Inhalt -- , Einleitung -- , Vom altorientalischen Blick zurück auf die Anfänge -- , Der Himmel als Präsenz des Ursprungs. Intentionen antiker Physiko-Theologie -- , Urknall und Ordnung des Chaos. Philosophische Anmerkungen zum Anfang der Welt in der gegenwärtigen Kosmologie -- , Parmenides und der Ursprung der Philosophie -- , Die Suche nach den Prinzipien - von Platon zu Aristoteles -- , Der absolute Ursprung bei Plotin -- , Rousseau über Ursprung und Kontingenz der Kultur -- , Die anamnetische Historie des Anfangs. Ein Versuch zu Schelling und Kierkegaard -- , Der erste und der andere Anfang des Denkens gemäß Heideggers Beiträgen zur Philosophie -- , Von Anfang an. Über die Möglichkeit voraussetzungslosen und dennoch geschichtlichen Denkens -- , Philosophie zwischen Ursprungsdenken und Ursprungskritik -- , Kein Anfang. Kein Ende. Der Mythos der Stunde Null -- , Ursprungskonzepte in der Psychoanalyse und ihre klinische Bedeutung -- , Epilog: Der Anfang als Prinzip und Ursprung - in Anschluss an Kant -- , Tafeln -- , Abbildungsnachweis , Issued also in print. , Mode of access: Internet via World Wide Web. , In German.
    In: DGBA Classics and Near East Studies 2000 - 2014, De Gruyter, 9783110636178
    In: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2007, De Gruyter, 9783110277135
    In: E-BOOK PAKET ALTERTUM 2007, De Gruyter, 9783110277005
    Additional Edition: ISBN 9783110194807
    Language: German
    Subjects: Philosophy
    RVK:
    Keywords: Konferenzschrift ; Konferenzschrift
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages