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  • FU Berlin  (14)
  • Collegium Polonicum
  • SB Calau
  • BLDAM-Archäologie
  • SB Golßen
  • Art History  (14)
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  • 1
    UID:
    b3kat_BV000313535
    Format: 271 S. , Ill.
    ISBN: 0810913143
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Monet, Claude 1840-1926 ; Biografie ; Konferenzschrift
    Author information: Rewald, John 1912-1994
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  • 2
    UID:
    b3kat_BV047619032
    Format: XXI, 312 Seiten, 8 Seiten Tafeln , Illustrationen
    Edition: First edition
    ISBN: 9780374190088
    Content: "A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--
    Language: English
    Subjects: Art History
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    Keywords: Schloss, Edith 1919-2011 ; New York school ; USA ; Malerei ; Geschichte 1942-2011 ; Autobiografie
    Author information: Schloss, Edith 1919-2011
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  • 3
    UID:
    b3kat_BV008234862
    Format: XXVII, 325 S. , Ill.
    ISBN: 0195077008
    Content: In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art. This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work
    Content: The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information. In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared
    Content: Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism
    Language: English
    Subjects: Art History
    RVK:
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    Keywords: Kunst ; Ästhetik ; Motherwell, Robert 1915-1991 ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Motherwell, Robert 1915-1991
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  • 4
    UID:
    b3kat_BV045265554
    Format: xvi, 927 Seiten, 48 ungezählte Seiten Tafeln , Illustrationen, Porträts , 25 cm
    Edition: First edition
    ISBN: 9780316226189
    Content: "Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future."--Inside dust jacket
    Note: Introduction -- Prologue: The Ninth Street show, New York, May 1951 -- Part One, 1928-1949. -- Lee: Lena, Lenore, Lee ; The gathering storm ; The end of the beginning -- Elaine : Marie Catherine Mary Ellen O'Brien Fried's daughter ; The master and Elaine -- Art in war : The flight of the artists ; It is war, everywhere, always ; Chelsea ; Intellectual occupation ; The high beam ; A light that blinds, I ; A light that blinds, II -- The turning point : It's 1919 over again! ; Awakenings ; Separate together ; Peintres maudits ; Lyrical desperation ; Death visits the Kingdom of the Saints ; The new Arcadia -- Part two, 1948-1951. -- Grace : The call of the wild ; The acts of the Apostles, I ; The acts of the Apostles, II ; Fame ; The flowering ; Riot and risk -- Helen : The deep end of wonder ; The thrill of it ; The puppet master -- Joan : Painted poems ; Mexico to Manhattan via Paris and Prague ; Waifs and minstrels -- Part three, 1951-1955. -- Oh, to leave a trace : Coming out ; The perils of discovery ; Said the poet to the painter ; Neither by design nor definition -- Discoveries of heart and hand : Swimming against a riptide ; At the threshold ; Figures and speech ; Refuge ; A change of art ; Life or art ; The Red House -- Five women : The grand girls, I ; The grand girls, II ; The grand girls, III -- Part four, 1956-1959. -- The rise and the unraveling : Embarkation point ; Without him ; The gold rush ; A woman's decision ; Sputnik, beatnik, and pop ; Bridal lace and widow's weeds ; Five paths... ; ...Forward -- Epilogue
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-31626958-2
    Language: English
    Subjects: Art History
    RVK:
    Keywords: New York, NY ; Kunst ; Künstlerin ; Geschichte 1928-1959 ; Krasner, Lee 1908-1984 ; De Kooning, Elaine 1918-1989 ; Hartigan, Grace 1922-2008 ; Mitchell, Joan 1925-1992 ; Frankenthaler, Helen 1928-2011 ; Autobiografie ; Biografie
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  • 5
    UID:
    b3kat_BV025533402
    Format: XIII, 260 S. , überw. Ill.
    ISBN: 9780231138246 , 9780231510905
    Language: English
    Subjects: General works , Art History
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  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore : Cambridge University Press
    UID:
    b3kat_BV046856441
    Format: 1 Online-Ressource (XIII, 386 Seiten) , Illustrationen
    ISBN: 9781108849937
    Content: By the sixteenth century, Florence was famous across Europe for its achievements in the arts, letters, and humanist learning. Its intellectual life flourished anew at midcentury with Duke Cosimo and the Accademia Fiorentina. In this study, Ann Moyer provides an overview of Florentine intellectual life and community in the late Renaissance. She shows how studies of language helped Florentines develop their own story as a people distinct from ancient Greece or Rome, trace the rise of the city's medieval government, and explore how the city evolved into a hospitable environment for letters and the arts. Studies of Florentine art gave rise to art history, while those devoted to Florentine traditions and customs inspired broader questions about how to think about cultural change. Demonstrating how the intellectual activity around language, history, and art related and supported each other, Moyer's book documents the origins of the modern narrative of the Renaissance itself
    Note: Florence and Cosimo -- The city -- Who were the Florentines? Etruscan roots -- Received traditions -- Gelli and Giambullari on Florentine origins -- Supporters and detractors -- Florentine histories -- Past witnesses -- Diaries and private records -- Histories of recent times -- Medieval histories -- History, politics, customs -- Language and its study -- From Dante to Bembo and beyond : the century's first decades -- The Florentine language and its study : the Aramei -- Modern language practice -- Philological approaches -- Girolamo Mei on verse and prose -- Bendetto Varchi on language -- Vincenzio Borghini -- Writing about the arts -- Vasari and the Lives, 1550 -- The Accademia del Disegno -- Vasari's Lives, second or Giuntia edition, 1568 -- Florentine customs and practices -- The wedding of Francesco and Giovanna -- The dispute : the early history of Florence -- The Discorsi : city and diocese -- Urban culture : money and elites -- Conclusions -- Transitions -- Florentine studies
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-108-49547-9
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Florenz ; Humanismus ; Kultur ; Künste ; Geistesleben ; Geschichte 1500-1600
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    b3kat_BV041628849
    Format: XIX, 457 S., [8] Bl. , Ill.
    ISBN: 9780743295611 , 9781471135286
    Language: English
    Subjects: Art History
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  • 8
    Book
    Book
    New York, NY : Abrams [u.a.]
    UID:
    b3kat_BV026493284
    Format: 160 S. , zahlr. Ill.
    ISBN: 0810917866
    Series Statement: The library of American art
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Whistler, James McNeill 1834-1903
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  • 9
    Book
    Book
    Cairo ; New York, NY : The American University in Cairo Press
    UID:
    b3kat_BV043495377
    Format: XV, 305 S. , zahlr. Ill., Kt. , 25 cm
    Edition: 1. publ.
    ISBN: 9789774166914
    Content: "Ahmad ibn Tulun (835-84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt's short-lived third capital of the Islamic era, al-Qata'i' and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata'i', a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building's architecture and decoration. This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture."--Publisher's website
    Note: Includes bibliographical references (pages 267-300) and index , Ahmad Ibn Tulun and his city. The sources -- Ahmad Ibn Tulun and his successors -- The lost city of al-Qata'i' -- The mosque of Ibn Tulun : history and architecture. The present-day mosque -- The Tulunid period -- The Ikhshidid and Fatimid periods -- The Ayyubid period -- The Mamluk period -- The Ottoman period -- The Muhammad 'Ali period -- The presidential era -- The legacy of Ibn Tulun
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Aḥmad Ibn-Ṭūlūn 835-884 ; Moschee Ahmed Ibn Tuluns
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  • 10
    UID:
    b3kat_BV019417799
    Format: 323 S. , überw. Ill.
    ISBN: 1580931189
    Content: "At the intersection of science and art, documentary and fantasy, the beautiful and the grotesque lies the work of Alexis Rockman, whose meticulously rendered paintings fascinate, amuse, and alarm us - often simultaneously - as they explore the relationship between man and nature." "A native New Yorker who frequented the American Museum of Natural History as a boy, Rockman is inspired by botanical and zoological illustrations, as well as early-twentieth-century murals and dioramas. Yet his work goes beyond those genres to portray, with dark humor, a variety of mutated and mutant animals (such as square cows and featherless chickens), interspecies couplings, and macabre visions of a future world defined by man's interventions that are the result of genetic engineering, pollution, and a loss of biodiversity
    Content: Sometimes nature strikes back: in The Ecotourist, for instance, the artist wryly depicts his own decaying corpse lying in the rain forest as an array of exotic creatures come to feed on him." "This illustrated volume is the first to offer a comprehensive overview of Rockman's oeuvre, from his early works, such as the fascinating yet disquieting Aviary, in which birds perch against a blood red sky, to his more recent Expedition series, inspired by the artist's field studies in the rain forests of Brazil and Guyana. Rockman's intense palette is captured in full-color images - over 225 in all. Important large-scale works, such as A Recent History of the World (58 x 255 3/4 inches) and Evolution (96 x 288 inches), are reproduced here with foldout pages that convey the scope and detail of his paintings
    Content: Ancillary illustrations - everything from Albrecht Durer's Young Hare to production drawings from Willis O'Brien's King Kong (1933) - point up the eclectic influences that invigorate Rockman's art and thinking: science-fiction iconography, Dutch still lifes, special effects in film, and ideas about the sublime." "Complementing the visual documentation of Rockman's work is commentary by the artist himself, culled from interviews conducted especially for this volume. Three incisive essays further elucidate the scientific and artistic influences on Rockman's art; at the same time, the authors describe how Rockman has broken with those traditions to create a unique, powerful, and at times haunting vision of the collision between man and the natural world."--BOOK JACKET
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Rockman, Alexis 1962- ; Rockman, Alexis 1962- ; Malerei ; Naturdarstellung ; Bildband ; Katalog
    Author information: Quammen, David 1948-
    Author information: Gould, Stephen Jay 1941-2002
    Author information: Crary, Jonathan 1951-
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