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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414880402882
    Umfang: 1 online resource (xiv, 208 pages) : , digital, PDF file(s).
    ISBN: 9780511496325 (ebook)
    Inhalt: Although the topic of humour has been dealt with for other eras, early medieval humour remains largely neglected. These essays go some way towards filling the gap, examining how early medieval writers deliberately employed humour to make their cases. The essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England. The subject matter is diverse, but a number of themes link them together, notably the use of irony, ridicule and satire as political tools. Two chapters serve as an extended introduction to the topic, while the following six chapters offer varied treatments of humour and politics, looking at different times and places, but at the Carolingian world in particular. Together, they raise important and original issues about how humour was employed to articulate concepts of political power, perceptions of kingship, social relations and the role of particular texts.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , "Don't worry, I've got the key" / Guy Halsall -- Laughter and humour in the early Medieval Latin West / Danuta Shanzer -- Humour and the everyday in Byzantium / John Haldon -- The lexicon of abuse, drunkenness and political illegitimacy in the late Roman world / Mark Humphries -- Funny foreigners, laughing with the barbarians in Late Antiquity / Guy Halsall -- Liutprand of Cremona's sense of humour / Ross Balzaretti -- "He never even allowed his white teeth to be bared in laughter" : the politics of humour in the Carolingian Renaissance / Matthew Innes -- Alcuin's Disputatio Pippini and the early Medieval riddle tradition / Martha Bayless -- Laughter after Babel's fall : misunderstandling and miscommunication in the ninth-century West / Paul Kershaw.
    Weitere Ausg.: Print version: ISBN 9780521811163
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    Schlagwort(e): Electronic books. ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
    URL: Full text  (Click to View (Currently Only Available on Campus))
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Bild
    Bild
    London :National Gallery Global, | [New Haven] :Yale University Press.
    UID:
    almafu_BV048990114
    Umfang: 80 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-1-85709-694-1
    Inhalt: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Anmerkung: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , The afterlife of "An old woman"
    Sprache: Englisch
    Schlagwort(e): 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; Kunst ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; 1820-1914 Tenniel, John ; 1832-1898 Alice's adventures in Wonderland Carroll, Lewis ; Illustration ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog
    Mehr zum Autor: Clayton, Martin 1967-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New Haven ; London :Yale University Press,
    UID:
    almafu_BV047129829
    Umfang: xii, 228 Seiten : , Illustrationen ; , 26 cm.
    ISBN: 978-0-300-24574-5
    Serie: Richard D. Cohen Lectures on African & African American Art
    Inhalt: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic
    Inhalt: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: Titelblatt Rückseite: Parts of this book were presented as the Richard D. Cohen Lectures on African & African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    RVK:
    Schlagwort(e): Person of Color ; Kunst ; Satire ; Karikatur ; 1912-1995 Harrington, Oliver W. ; 1925-2009 Colescott, Robert ; 1969- Walker, Kara ; 1957- Lee, Spike ; Politische Kunst ; Rassismus
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Montreal ; Kingston ; London ; Chicago :McGill-Queen’s University Press,
    UID:
    almafu_BV049357460
    Umfang: viii, 390 Seiten : , Illustrationen ; , 28 cm.
    ISBN: 978-0-2280-1873-5
    Inhalt: "Hockey has a curious connection to editorial cartooning and sports illustration, as old and storied as the game itself. Many writers and photographers have told the story of game play, but never from such an original, unvarnished perspective as the cartoonist’s. Picturing the Game transports fans into the mischievous world of caricature through the rough drafts of hockey history by Bruce MacKinnon, Aislin, Serge Chapleau, Susan Dewar, Brian Gable and many other talented artists. They make us laugh by telling the truth and-- perhaps--make us a little wiser about what we already suspect of the fools running the show. The earliest drawings collected here come from the anonymous early house artists who drew ancient play and its first audiences. Their work evolved into the cartooning of Arthur Racey and Lou Skuce, whose editorial and sports cartoons ran when newspapers had a virtual monopoly on news dissemination and belief in the printed word was absolute. Not surprisingly, the dailies became the medium that made hockey Canada’s national game. Later, Franklin Arbuckle, Duncan Macpherson, and Len Norris animated the game’s advance through more meaningful allegory, humorous irreverence, and an underlying cultural bearing that gave each of their panels its own power and influence. Don Weekes showcases the gifted, forward-thinking graphic journalists throughout hockey’s history whose bold aesthetic and deft draughtsmanship could always make the butt of their satire look perfectly asinine. Their ingenuity and perceptiveness paved the way for a journalistic showmanship that embodied a truly Canadian acerbic spirit. It was nothing short of groundbreaking, and Canada’s national game is all the better for it."--
    Anmerkung: Includes index
    Sprache: Englisch
    Schlagwort(e): Karikatur ; Hockey ; Caricatures and cartoons ; History
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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