UID:
almahu_9949546557002882
Format:
1 online resource (272 p.) :
,
8 B/W illustrations 8 tables
ISBN:
9781474497763
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9783110993899
Series Statement:
Edinburgh Critical Studies in Modernist Culture : ECCSMC
Content:
Re-reading intra-war modernist poetics through war poetryUniquely foregrounds the concept of 'combat gnosticism' bringing this influential thesis in war writing to bear on modernist studiesBrings together combatant war poetry and the ignored war poems of 'home front' poets into a single genealogical account that also contains a theory of the modernist long poemConsiders the work of a range of canonical modernists within a much broader artistic milieu than is the normRecovers several neglected poems that serve to recalibrate the existing genealogy of intra-war aestheticsDemonstrates the centrality of the problem of imagining otherness within modernist poeticsThis study examines the work of the principle architects of Anglo-American modernist poetics - T.S. Eliot, H.D., Ezra Pound, Gertrude Stein, Edward Thomas and Wallace Stevens - and their response to the challenge of combatant war poetries. It argues that these civilian poets sought to negotiate directly with the combatant's gnosticism, specifically with the combatant's assertion that only those present at a catastrophe could properly represent its horrors. The modernists rightly identified that gnosticism was a threat to their own representational claims on an increasingly traumatic modernity. How was the imagination to be salvaged in order that it could still feel into the wounded experience of others? In response to this challenge, the modernists drafted their own imagined war poems, developing in the process several different and contradictory poetic systems. Whereas scholarship ordinarily tells the story of intra-war modern poetry as a series of different schools - the trench lyric, the home front elegy and the modernist long poem - each moving in a different direction, this study brings those traditions back together into one history by treating them as idiosyncratic responses to the same aesthetic problem.
Note:
Frontmatter --
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CONTENTS --
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Timelines --
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Acknowledgements --
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Series Editors' Preface --
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Introduction --
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1 Early Modernist Responses to Combatant Poetry: 1914-Spring 1915 --
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2 Reassessing Disaster: 1915 --
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3 The Three Lives of Gnosticism: 1916-Summer 1917 --
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4 An Emergent Critique of War Experience: Autumn 1917-Spring 1919 --
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5 The Form and Practice of Modernist Distaste: Summer-Autumn 1919 --
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Conclusion --
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Bibliography --
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INDEX
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Mode of access: Internet via World Wide Web.
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In English.
In:
EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
In:
EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
In:
EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
In:
EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
In:
Edinburgh University Press Complete eBook-Package 2023, De Gruyter, 9783110797640
Additional Edition:
ISBN 9781474497749
Language:
English
Subjects:
English Studies
DOI:
10.1515/9781474497763
URL:
https://doi.org/10.1515/9781474497763
URL:
https://www.degruyter.com/isbn/9781474497763
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