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  • HS Musik Hanns Eisler  (3)
  • Jüdisches Museum  (1)
  • HWR Berlin
  • SB Rathenow
  • Bibliothek Wandlitz
  • Musicology  (4)
Type of Medium
Language
Region
Virtual Catalogues
Years
  • 1
    Book
    Book
    Rochester, New York : Camden House
    UID:
    b3kat_BV044997533
    Format: XIII, 238 Seiten , Notenbeispiele
    ISBN: 9781640140004
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Note: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Eisler, Hanns 1898-1962 ; Lied ; Hochschulschrift
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  • 2
    Book
    Book
    New York, NY : Scribner
    UID:
    gbv_280238525
    Format: 444 S. , Ill.
    ISBN: 0684824582
    Series Statement: A Lisa Drew book
    Note: Includes bibliographical references (p. 417-421) and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Chopin, Frédéric 1810-1849 ; Chopin, Frédéric 1810-1849 ; Paris ; Biografie
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  • 3
    Book
    Book
    Lanham, Md. [u.a.] : Rowman & Littlefield
    UID:
    gbv_1615603131
    Format: XXXIII, 299 S. , Ill. , 24 cm
    ISBN: 9780810888500 , 9780810888494
    Content: Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study.
    Note: Includes bibliographical references (pages 269-278) and index , Background : who, when, and howDecisions : topics, pieces, and performers -- The postmodernist : highbrow, lowbrow, and middlebrow joined -- The television pioneer : origins, competition, success -- The pacifist : the cold war intrudes -- The liberal : civil rights, feminism, and the counterculture -- The musical reactionary : atonality versus tonality or composer versus audience -- The advocate for American music : search for an American identity.
    Additional Edition: ISBN 9780810888500
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Bernstein, Leonard 1918-1990 ; Jugendkonzert ; New York Philharmonic ; Konzertreihe ; Geschichte 1958-1972
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  • 4
    Book
    Book
    New York, NY : Oxford University Press
    UID:
    b3kat_BV043797158
    Format: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780190244514
    Content: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil ; Bibliografie
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