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  • Bild  (16)
  • Berlin International  (16)
  • Stasi-Unterlagen-Archiv
  • HFS Ernst Busch
  • Stiftung Fürst-Pückler-Museum
  • 1970-1974  (16)
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  • 1
    Bild
    Bild
    Mantova, Italy : Corraini
    UID:
    kobvindex_INT0002747
    Umfang: 82, [4] pages , richly illustrated (black and white) , 15.5 x 15.5 cm
    Ausgabe: 5th reprint
    ISBN: 9788875700409 , 8875700400
    Originaltitel: Il cerchio
    Inhalt: "In the early 1960s Italian design legend Bruno Munari published his visual case studies on shapes:Circle, Square, and, a decade later, Triangle. Using examples from ancient Greece and Egypt, as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari invests the three shapes with specific qualities: the circle relates to the divine, the square signifies safety and enclosure, and the triangle provides a key connective form for designers."
    Inhalt: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "One of the great designers of the twentieth century, Munari contributed to the fields of painting, sculpture, design, and photography while teaching throughout his seventy-year career. After World War II he began to focus on book design, creating children's books known for their simplicity and playfulness."
    Anmerkung: EDITORIAL NOTE: 1st edition by Maurizio Corraini first published 2006 , EDITORIAL NOTE: English translation first published: New York : Wittenborn, 1970 , LANGUAGE NOTE: translated from Italian; original title: Il cerchio, first published: Milano : Scheiwiller, 1964
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    kobvindex_INT0002327
    Umfang: 223 pages , illustrations (black and white) , 18 x 11.5 cm
    Ausgabe: Reissue
    ISBN: 9780141035819 , 0141035811
    Serie: Penguin modern classics
    Originaltitel: Arte come mestiere
    Inhalt: "One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh and published as part of the 'Penguin on Design' series in Penguin Modern Classics. 'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing.' Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs -- these are just some of the subjects to which he turns his illuminating gaze. How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field."
    Anmerkung: EDITORIAL NOTE: English translation originally published 1971 by Pelican Books , LANGUAGE NOTE: translated from Italian; original title: Arte come mestiere. Editori Laterza, 1966
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    kobvindex_INT0003629
    Umfang: 245 pages, [15] pages of plates , 223 illustrations (black and white), 15 plates (black and white) , 28 x 21 cm
    Ausgabe: Reprint
    ISBN: 9780486222042 , 0486222047
    Inhalt: "In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The Age of Oak.' The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The Age of Walnut.' The third period, where the introduction from France of fresh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The Age of Mahogany' ; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The Composite Age.' It is proposed to deal with the history, development, and evolution of English furniture only, but as the sources of its inspiration can so frequently be traced to foreign origin, it will be necessary to introduce occasionally some of these examples, in order to more clearly explain the different types and their close analogy. The comparison will be useful also for defining where the English craftsman at certain periods departed from his foreign model and struck into an original path. "
    Anmerkung: EDITORIAL NOTE: "This Dover edition, first published in 1972, is an unabridged republication of the work originally published by Lawrence & Bullen, Ltd., London, in 1905." -- Title page verso , INDEX NOTE: includes index. , List of plates: Two chairs -- Upholstered bed -- Upholstered chair -- Chest of drawers inlaid with marqueterie -- Walnut cabinet inlaid with marqueterie -- Settee -- Table inlaid with marqueterie -- Cabinet-press inlaid with marqueterie -- Chest of drawers inlaid with marqueterie -- Lacquer cabinet -- Clock inlaid with light marqueterie -- Clock inlaid with dark marqueterie -- Walnut chair inlaid with marqueterie -- Mirror -- Upholstered bed -- Walnut chair covered with needlework -- Walnut settee inlaid with marqueterie -- Walnut inlaid writing-cabinet
    Sprache: Englisch
    URL: FULL
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Bild
    Bild
    New York, NY, USA : Dover
    UID:
    kobvindex_INT0001206
    Umfang: 5 unnumbered pages, 101 plates, 6 unnumbered pages , chiefly illustrations , 27.5 x 20 cm
    Ausgabe: 3rd edition, reprint
    ISBN: 9780486213811 , 0486213811
    Originaltitel: Masterpieces of furniture design
    Inhalt: "This comprehensive study of furniture styles is one of the most useful books in the field to furniture designers, manufacturers, craftsmen, students, antique dealers and collectors. Photographs and measured drawings of the most striking furniture pieces of the 16th, 17th, 18th, and early years of the 19th centuries comprise the major part of the book; accompanying textual material indicates stylistic features and developments, prototypes, kinds of wood used, the function of the piece, and where the original is now located. The author points out all the distinguishing features of the particular piece and the style of furniture it illustrates: the cabriole leg and the ample proportions of the Queen Anne chair, the gracefulness of line in Hepplewhite furniture, the Dutch influence on the work of the early American colonists, the turned or twisted legs and stretchers of the Cromwellian armchair. Present day designers can see how the great furniture makers of earlier periods combined curved lines with straight ones, gave certain pieces delicacy and grace while others assumed a sturdy, massive strength, used richly ornamented surfaces or left the wood simple and unadorned. Comfort requirements as well as aesthetic considerations changed from period to period. All of these features are discussed in detail in the text and are fully illustrated in the plates. Selected mainly from collections in the Metropolitan Museum of Art, Boston Museum of Fine Arts, and the Museum of the Rhode Island School of Design, the objects depicted include chests, tables, chairs, dressing tables, desks, highboys, commodes, couches, etc. Periods and styles include Colonial American, Duncan Phyfe, Windsor,Sheraton, Hepplewhite, Chippendale, Louis XIV, 18th century Dutch, 16th century Italian, etc. The most outstanding feature of the book is the inclusion of measured drawings for each piece of furniture illustrated. Accurate to the nearest 1/16th of an inch, these drawings can be used to construct precise duplicates of antique furniture. There are several drawings for each piece - front, side, and back elevations and often details of individual sections. Also, greatly helpful to the designer and student is an extensive bibliography compiled by Adolf Placzek, librarian at the Columbia Library of Architecture, which provides a list of sources of measured drawings, offering time-saving leads to hundreds of furniture styles in other books."
    Inhalt: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Verna Cook Salomonsky (1890-1978) was one of the first prominent women architects in the United States. She studied at Columbia University's School of Architecture and at the École Spéciale d'Architecture in Paris. In the 1920s and '30s she designed hundreds of houses in the suburbs of New York City and elsewhere.
    Anmerkung: EDITORIAL NOTE: facsimile republication of the 1974 Dover Publications revised third edition , EDITORIAL NOTE: first published 1931 under title: Masterpieces of furniture design by Verna Cook Salomonsky , EDITORIAL NOTE: text on versos of plates
    Sprache: Englisch
    Schlagwort(e): Handbooks and manuals
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Bild
    Bild
    Cambridge, MA, USA : MIT Press
    UID:
    kobvindex_INT0002499
    Umfang: xi, 194 pages , illustrations , 23 x 15 cm
    Ausgabe: 1st MIT Press paperback edition, August 1974
    ISBN: 9780262040402 , 9780262540292 , 0262040409 , 0262540290
    Inhalt: "This primer is designed to teach students the interconnected arts of visual communication. The subject is presented, not as a foreign language, but as a native one that the student 'knows' but cannot yet 'read.' Responding to the need she so clearly perceives, Ms. Dondis, a designer and teacher of broad experience, has provided a beginning text for art and design students and a basic text for all other students; those who do not intend to become artists or designers but who need to acquire the essential skills of understanding visual communication at a time when so much information is being studied and transmitted in non-verbal modes, especially through photography and film. Understanding through seeing only seems to be an obviously intuitive process. Actually, developing the visual sense is something like learning a language, with its own special alphabet, lexicon, and syntax. People find it necessary to be verbally literate whether they are 'writers' or not; they should find it equally necessary to be visually literate, 'artists' or not. This primer is designed to teach students the interconnected arts of visual communication. The subject is presented, not as a foreign language, but as a native one that the student 'knows' but cannot yet 'read.' The analogy provides a useful teaching method, in part because it is not overworked or too rigorously applied. This method of learning to see and read visual data has already been proved in practice, in settings ranging from Harlem to suburbia. Appropriately, the book makes some of its most telling points through visual means. Numerous illustrated examples are employed to clarify the basic elements of design (teach an alphabet), to show how they are used in simple syntactic combinations ('See Jane run.'), and finally, to present the meaningful synthesis of visual information that is a finished work of art (the apprehension of poetry...)."
    Anmerkung: EDITORIAL NOTE: hardback edition published 1973, paperback edition published 1974 , Preface -- The character and content of visual literacy -- Composition: the syntactical guidelines for visual literacy -- The basic elements of visual communication -- The anatomy of a visual message -- The dynamics of contrast -- Visual techniques: the communication strategies -- The synthesis of visual style -- The visual arts: function and message -- Visual literacy: how and why -- Bibliography -- Illustration credits -- Index
    Sprache: Englisch
    Schlagwort(e): Textbooks
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Bild
    Bild
    Sulgen, Switzerland : Niggli
    UID:
    kobvindex_INT0002637
    Umfang: 180 pages , illustrations , 15.5 x 15.5 cm
    Ausgabe: 4. Auflage
    ISBN: 9783721202366 , 3721202368
    Inhalt: "Das 'Kompendium für Alphabeten' ist eine 'Systematik der Schrift'. Das heißt: ein geordnetes Inventar ihrer sämtlichen Möglichkeiten; nicht mehr, nicht weniger. Die erste Auflage erschien 1972. Damals stand im Klappentext: 'Das Kompendium liefert für eine gar nicht so ferne Zukunft Parameter für die Programmierung einer elektronisch gesteuerten, der Computer-Typografie.' Nun: die Zukunft ist mit einer Vehemenz Gegenwart geworden, die keiner vorausgesehen hat. Heute ist die über 500 Jahre alte Schwarze Kunst in ihrer Voraussetzung völlig verändert: die Digitalisierung hat sich durchgesetzt, das Blei hat ausgedient; alle denkbaren Freiheiten sind technisch möglich geworden. Das erschließt neue Kategorien der Gestaltung -- und enthält die Gefahr: dass lange geübte typografische Tugenden und Regeln verflachen und verschwinden. Das 'Kompendium' ist aktueller denn je. Möge die vierte Auflage -- nach den Intentionen seines Autors -- dazu beitragen, erstens den weitverbreiteten Schrecken vor der neuen Technik zu mildern; und zweitens, wichtiger noch: ihre unbeschränkten Möglichkeiten sinnvoll nutzbar zu machen." -- "The 'Compendium for literates' is a 'system of writing'. That is, an ordered inventory of all their possibilities; not more, not less. The first edition was published in 1972. At that time, in the blurb, "The compendium provides parameters for the programming of an electronically controlled computer typography for a not so distant future." Well, the future has become present with a vehemence that nobody foresaw. Today, the over 500-year-old Black Art is completely changed in its condition: the digitization has prevailed, the lead has become obsolete; All conceivable liberties have become technically possible. This opens up new categories of design - and contains the danger: that long-practiced typographic virtues and rules flatten and disappear. The 'Compendium' is more up to date than ever. May the fourth edition - according to the author's intentions - contribute, first, to mitigate the widespread horror of the new technology; and secondly, more importantly, to make meaningful use of their unlimited possibilities."
    Anmerkung: 1 SCHRIFT UND SPRACHE: Alphabet -- Leserichtung -- Schreibweise -- 2 HANDWERK: Prozeß -- Wiederholung -- 3 BILD: Buchstaben-Bild -- Wort-Bild: Duktus; Größe; Proportion; Stärke; Gestalt; Farbe; Klang; Helligkeit; Textur -- Satz-Bild: Dimension; Durchschuß; Figur; Grund; Placierung; Einheit -- Morphologische Kästen -- 4 FUNKTION 5 AUSDRUCK: zuordnen; artikulieren; auszeichnen; anordnen; unterstreichen; ableiten; visualisieren; spielen -- Literaturverzeichnis
    Sprache: Deutsch
    Schlagwort(e): Handbooks and manuals
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    kobvindex_INT0002676
    Umfang: 216 pages , richly illustrated (some colour) , 20.5 cm
    Ausgabe: Reprint
    ISBN: 9783770105403 , 3770105400
    Serie: DuMont Dokumente
    Originaltitel: Sources of modern architecture and design (English original title)
    Inhalt: "Dieses Buch ist eine wichtige und grundlegende Untersuchung über den Anfang der modernen Architektur und industriellen Formgebung. Pevsner sieht ihn in der Wende vom 19. zum 20. Jahrhundert, mit dem Beginn des neuen Zeitalters der Industrialisierung, der Massenproduktion, des Massenkonsums. Architektur und Design, die sich notwendig den neuen sozialen und wirtschaftlichen Forderungen stellen mußten, wurden dominierend im Bereich der Kunst. Architekten und Designer waren es, die den Neuen Stil (Art Nouveau, Jugendstil) schufen, dessen Ideen dann in allen Bereichen der Kunst wirksam wurden."
    Anmerkung: EDITORIAL NOTE: this translation first published: Köln : M. DuMont Schauberg, 1971 , Einführung -- I Der neue Stil -- II Jugendstil -- III England als Ausgangspunkt -- IV Kunst und Industrie -- V Der Stil wird international -- Anmerkungen -- Standort-Verzeichnis -- Biographische Angaben -- Fotonachweis -- Ausgewählte Literatur -- Index , LANGUAGE NOTE: translation of: Sources of modern architecture and design. London, UK : Thames and Hudson, 1968
    Sprache: Deutsch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    UID:
    kobvindex_INT0003136
    Umfang: 62 unnumbered pages , chiefly illustrations (chiefly black and white) , +1 booklet (10 unnumbered pages ; 20 x 21.5) , 20.5 x 22 cm
    ISBN: No
    Inhalt: "Das Bauhaus-Archiv in Berlin lieferte 1973 mit der von Hans Maria Wingler organisierten Ausstellung 'Hannes Neuner und seine Grundlehre: eine Weiterentwicklung des Bauhaus-Vorkurses' einen Überblick über das pädagogische Schaffen insbesondere der Jahre 1953 bis 1967. Die Ausstellung, die von Max Bense eröffnet wurde, zeigte 120 Originale und Fotografien von Hannes Neuner und seinen Schülern, zahlreiche plastische Arbeiten und als Leihgabe die Plexiglas-Kugel 'Kosmos I - Hommage an Hans Kayser'." -- "In 1973, the Bauhaus Archive in Berlin, with the exhibition 'Hannes Neuner and his basic teaching: a further development of the Bauhaus preparatory course' organized by Hans Maria Wingler, provided an overview of the pedagogical work, in particular from 1953 to 1967. The exhibition, by Max Bense opened, showed 120 originals and photographs by Hannes Neuner and his students, numerous sculptural works and on loan the plexiglass ball 'Kosmos I - Hommage an Hans Kayser'."
    Anmerkung: SUPPLEMENT NOTE: accompanied by a supplement entitled: "Fragen -- Antworten" ([10] pages)
    Sprache: Deutsch
    Schlagwort(e): Exhibition catalogues
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    UID:
    kobvindex_INT0003605
    Umfang: 212 pages , richly illustrated (black and white), plans , 26.5 x 25.5 cm
    ISBN: No
    Inhalt: "The editors have compiled this book of interviews, lectures, and other manuscripts by Jean Prouvé."
    Inhalt: "This volume is intended to present the output and ideas of a constructor from 1923 to 1968. What were his guidelines? To take advantage of the most advanced methods of processing and make use of fresh materials in order to devise a new and immediate architecture adapted to the needs of the modern economy. Lastly, to contribute to -- and share in -- the creation of man's environment in the machine age, while preparing for its rapid adaptation to the changing needs of the future. In short: A dynamic urbanism. An architecture in accordance with the times."
    Anmerkung: LANGUAGE NOTE: text in French, German and English
    Sprache: Französisch
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  • 10
    Bild
    Bild
    İstanbul, Turkey : Yıldız Porselen
    UID:
    kobvindex_INT0004624
    Umfang: 96 unnumbered pages , richly illustrated (colour) , 20 x 14 cm
    ISBN: No
    Anmerkung: LANGUAGE NOTE: text partly in English and partly in Turkish.
    Sprache: Englisch
    Schlagwort(e): Trade catalogues
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