Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • Slowenisch  (2)
  • EUV Frankfurt  (1)
  • Berlinische Galerie  (1)
  • Stasi-Unterlagen-Archiv
  • SB Rathenow
  • Müncheberg Dt. Entomologisches Institut
  • Ev. Landeskirche EKBO / Berl. Missionswerk
  • TH Brandenburg
Medientyp
Region
Bibliothek
Erscheinungszeitraum
Schlagwörter
  • 1
    Online-Ressource
    Online-Ressource
    Ljubljana : ZRC SAZU, Založba ZRC
    UID:
    almahu_9949282337902882
    Umfang: 1 electronic resource (56 p.)
    Inhalt: Cultural practices of exploring, revitalizing, interpreting and developing cultural heritage have become an important driving force in alleviating the social, cultural, environmental and economic challenges of today's world and in initiating sustainable progress in local communities. The interpretation of cultural uniqueness is not only in the hands of professionals from heritage institutions or research centres, but also in the hands of local residents, who are recognized as heritage bearers, cultural activists, practitioners and transmitters of heritage to the younger generations. The main objective of the model is to describe steps to achieve community involvement in cultural heritage projects and guidelines for carrying out the valorisation process with the active participation of the local population. The model outlines interesting and instructive case studies of how different interactive and “soft” methods can be used to build communities by following both top-down and bottom-up approaches. In addition, presented practices also show how to convince the younger generation that local heritage offers many opportunities to put bold ideas into practice.
    Inhalt: Kulturne prakse povezane z raziskovanjem, ohranjanjem, oživitvijo in razvojem kulturne dediščine so postale pomembna gonilna sila pri lajšanju sodobnih družbenih, kulturnih, okoljskih in gospodarskih izzivov ter vzpostavljanju trajnostnega napredka v lokalnih skupnostih. Interpretacije lokalnih kulturnih prvin niso več le v rokah strokovnjakov iz dediščinskih institucij ali raziskovalnih centrov, temveč tudi v rokah lokalnih prebivalcev, ki so prepoznani kot nosilci dediščine, kulturni aktivisti, izvajalci in prenašalci dediščine mlajšim generacijam. Glavni cilj modela je predstaviti korake, kako doseči sodelovanje skupnosti v projektih, povezanih s kulturno dediščino in kako implementirati procese ovrednotenja preteklih stvaritev z aktivnim vključevanjem lokalnih prebivalcev. V priročniku so predstavljene zanimive in poučne prakse, ki izpostavljajo uporabo različnih interaktivnih in „mehkih“ metod za krepitev skupnosti po pristopih „od zgoraj navzdol“ in „od spodaj navzgor“. Predstavljeni primeri še pokažejo, kako prepričati mlade generacije, da ustvarjanje lokalne dediščine lahko omogoči številne priložnosti za uresničevanje drznih idej v praksi.
    Anmerkung: Slovenian
    Weitere Ausg.: ISBN 961-05-0445-0
    Sprache: Slowenisch
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    kobvindex_BGAa0036935
    Umfang: 64 Seiten : Illustrationen
    ISBN: 978-961-206-154-8
    Anmerkung: Published in conjunction with the exhibiton at the Moderna galerija, Ljubljana, February 28-June 4, 2023 Maja Bajević, Guido Chire Balderrama, Ana Bešlić, Jean-Marc Bustamante, Dante Buu, Jasmina Cibic, Documentary Embroidery Office, Dušan Džamonja, Róza El-Hassan, Cho Geumsoo, Cristina Iglesias, Hristina Ivanoska, Mamdouh Kachlan, Anish Kapoor, Liliane Karnouk, Ivan Kožarić, Petar Lubarda, Jelena Micić, Rafikun Nabi, S. Nandagopal, Rabab Nemr, Agnes Clara Ovando-Sanz de Franck, Saleh Reda, Naima El Shishiny, Erzen Shkololli, Shukriya, Gazbia Sirry, Maja Smrekar, Ilija Šoškić, Marino Tartaglia, Ivor Thom, Hambis Tsangaris, unknown artist from Indonesia, unknown artist from Palestine, unknown artist from Zambia, Lazar Vujaklija. - Text slowenisch und englisch , "Our current, expanded exhibition of works from collections consists of three parts or three exercises in collections, with special emphasis on Moderna galerija{u2019}s international collection. The first part focuses on Yugoslavia{u2019}s cultural diplomacy, on the exchange and transfer of artworks between the Yugoslav republics, and on gifts or donations of artworks. After World War II, Moderna galerija acquired a small collection of works by Yugoslav artists in this manner. A special place in this section of the exhibition is dedicated to the cultural diplomacy of Yugoslavia and the non-aligned countries. It was particularly intense between the early 1960s and the late 1980s and resulted, among other things, in the founding of the Gallery of Art of the Non-Aligned Countries Josip Broz Tito in Titograd in 1984, which now works as part of the Center for Contemporary Art of Montenegro, i.e. as the Non-Aligned Art Collection Laboratory. Jasmina Cibic{u2019}s work The Gift (2021) gives the historical achievements of the former cultural diplomacy a contemporary accent. The second part of the exhibition presents Moderna galerija{u2019}s Arteast 2000+ collection, and specifically sculptural works from the 1990s by the most prominent international artists of the time, constituting the beginning of the collection and relating to the idea of an East European collection in dialogue with Western works. The artworks were mostly purchased at solo exhibitions the artists had at Mala galerija, at the time Moderna galerija{u2019}s project space. The third part of the exhibition comprises artworks acquired for the Arteast 2000+ collection in recent years, and works that in some way indicate the direction in which the collection might evolve in the future. In their works, these young and middle-generation artists from the region of the former Yugoslavia mostly address the topic of the work of female artists, with special emphasis on (traditional) handicrafts, the meaning of such a return to handwork today (in terms of the status of women in society, patriarchy, unpaid work, tradition {u2212} modernity), and the other histories and stories that these handicrafts relate." -- Mutual Art website, viewed July 6, 2023
    Sprache: Slowenisch
    Schlagwort(e): Ausstellungskatalog
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie auf den KOBV Seiten zum Datenschutz