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  • EUV Frankfurt  (6)
  • Stasi-Unterlagen-Archiv
  • Müncheberg Dt. Entomologisches Institut
  • Berlinische Galerie
  • Ev. Landeskirche EKBO / Berl. Missionswerk
  • TH Brandenburg
  • English Studies  (6)
  • Rezeption  (6)
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  • 1
    UID:
    b3kat_BV035413353
    Format: 1 Online-Ressource , 23 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2004 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    ISBN: 1417523999
    Note: Includes bibliographical references (p. 185-198) and index , Enthält bibliografische Hinweise (S. 185-198) und Index , Introduction: historical fiction old and new --Of narrators; or How the teller tells the tale --Historical novelists at work: George Garrett and Anthony Burgess --Barry Unsworth's Morality play and the origins of English secular drama --Fictional Queen Elizabeths and women-centered historical fiction --Rewriting Shakespeare: the Henriad with and without Falstaff --Teaching Shakespeare's England through historical fiction.
    Additional Edition: Reproduktion von Rozett, Martha Tuck, 1946- Constructing a world 2003
    Language: English
    Subjects: English Studies
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    Keywords: Shakespeare, William 1564-1616 ; Rezeption ; Historische Prosa ; Geschichte 1550-2000 ; Englisch ; Historischer Roman ; Geschichte 1960-2002 ; England ; Historische Persönlichkeit ; Geschichte 1550-1616
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  • 2
    Online Resource
    Online Resource
    Cambridge : D. S. Brewer | Woodbridge : Boydell & Brewer Ltd
    UID:
    b3kat_BV043694913
    Format: 1 Online-Ressource (xiv, 211 Seiten) , Illustrationen
    ISBN: 9781782043973
    Series Statement: Medievalism volume 6
    Content: The field known as 'medievalism studies' concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews teaches medieval studies at the University of Manchester
    Note: Erscheint als Open Access bei De Gruyter , Taxonomies. How many Middle Ages? -- Time, space, self, society. "Welcome to the current Middle Ages": asynchronous medievalism ; This way to the Middle Ages: the spaces of medievalism ; On being medieval: medievalist selves and societies -- History and discipline. Wemmick's castle: the limits of medievalism ; Realism in the crypt: the reach of medievalism -- Against a synthesis: medievalism, cultural studies, and antidisciplinarity
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-84384-392-4
    Language: English
    Subjects: History , General works , English Studies
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    Keywords: Mittelalter ; Rezeption
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Book
    Book
    Baltimore [u.a.] :Johns Hopkins Univ. Press,
    UID:
    almafu_BV011852798
    Format: XX, 242 S. : Ill.
    ISBN: 0-8018-5695-7
    Content: "Seldom has a single book, much less a translation, so deeply affected English literature as did the translation of Cervantes' Don Quixote in 1612. The comic novel inspired drawings, plays, sermons, and other translations, making the name of the Knight of la Mancha as familiar as any folk character in English lore." "In this comprehensive study of the reception and conversion of Don Quixote in England, Ronald Paulson highlights the qualities of the novel that most attracted English imitators. The English Don Quixote was not the same knight who meandered through Spain or found a place in other translations throughout Europe. The English Don Quixote found employment in all sorts of specifically English ways, not excluding the political uses to which a Spanish fool could be turned."--BOOK JACKET.
    Language: English
    Subjects: Romance Studies , English Studies
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    Keywords: 1547-1616 Don Quijote Cervantes Saavedra, Miguel de ; Rezeption ; Englisch ; Literatur
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  • 4
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV012611458
    Format: VIII, 248 S.
    Edition: 1. publ.
    ISBN: 0-521-62358-8
    Content: "The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--BOOK JACKET.
    Language: English
    Subjects: Slavic Studies , English Studies
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    Keywords: 1821-1881 Dostoevskij, Fëdor Michajlovič ; Schriftsteller ; Moderne ; 1821-1881 Dostoevskij, Fëdor Michajlovič ; Englisch ; Roman ; 1821-1881 Dostoevskij, Fëdor Michajlovič ; Rezeption ; Englisch ; Literatur
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  • 5
    UID:
    almahu_BV047584992
    Format: ix, 189 Seiten.
    ISBN: 978-0-367-76352-7 , 978-0-367-76351-0
    Series Statement: New interdisciplinary approaches to early modern culture: confluences and contexts
    Content: This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways."Talking back to Shakespeare", a term common in intertextual discourse, is not a new phenomenon, particularly in literature. For centuries, women writers-novelists, playwrights, and poets-have responded to Shakespeare with inventive and often transgressive retellings of his work. Thus far, feminist scholarship has examined creative responses to Shakespeare by women writers through the late twentieth century. This book brings together the "then" of Shakespeare with the "now" of contemporary literature by examining how many of his plays have cultural currency in the present day. Adoption and surrogate childrearing; gender fluidity; global pandemics; imprisonment and criminal justice; the intersection of misogyny and racism-these are all pressing social and political concerns, but they are also issues that are central to Shakespeare's plays and the early modern period. By approaching material with a fresh interdisciplinary perspective, Women Talk Back to Shakespeare is an excellent tool for both scholars and students concerned with adaptation, women and gender, and intertextuality of Shakespeare's plays
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003-16658-0
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Shakespeare, William ; Drama ; Rezeption ; Adaption ; Englisch ; Frauenliteratur
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  • 6
    UID:
    almahu_BV035119488
    Format: V, 128 S.
    Note: Includes bibliographical references (p. 111-119) and index. - Nahum Tate: the tastes of the time -- John Dennis: this want of dramatical justice -- Thomas Sheridan: little or no plot -- John Philip Kemble: precious materials -- René-Louis Piachaud: an unforeseen opportunity -- Bertolt Brecht: Shakespeare as raw material -- Conclusion
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Coriolanus Shakespeare, William ; Drama ; Rezeption
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