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  • HTW Berlin  (18)
  • FH Potsdam  (9)
  • Stasi-Unterlagen-Archiv
  • Design  (24)
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  • 1
    Book
    Book
    Cambridge, Massachusetts ; London, England : The MIT Press
    UID:
    b3kat_BV041395834
    Format: ix, 224 Seiten , Illustrationen
    ISBN: 9780262019842
    Content: Beyond radical design? -- A map of unreality -- Design as critique -- Consuming monsters: big, perfect, infectious -- A methodological playground: fictional worlds and thought experiments -- Physical fictions: invitations to make believe -- Aesthetics of unreality -- Between reality and the impossible -- Speculative everything. Inhalt: Today designers often focus on making technology easy to use, sexy and consumable. In this book the concept is proposed, that design is used as a tool to create not only things but ideas. Design means speculating about how things could be - to imagine possible futures. This is not the usual sort of predicting or forecasting , spotting trends and extrapolating; these kinds of predictions have been proven wrong again and again. The "what-if" questions that are intended to open debate and discussions about the kind of future people want (and do not want)
    Note: Enthält bibliographische Referenzen und einen Index
    Language: English
    Subjects: General works
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    Keywords: Design ; Ästhetik ; Utopie ; Produktgestaltung ; Theorie ; Design ; Ästhetik ; Sozialinnovation ; Utopie
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  • 2
    Book
    Book
    New York : Basic Books
    UID:
    b3kat_BV041466476
    Format: xviii, 347 Seiten , Illustrationen
    Edition: Revised and expanded edition
    ISBN: 9780465050659 , 9780262525671
    Content: "Even the smartest among us can feel inept as we fail to figure out which light switch or oven burner to turn on, or whether to push, pull, or slide a door. The fault, argues this ingenious-even liberating-book, lies not in ourselves, but in product design that ignores the needs of users and the principles of cognitive psychology. The problems range from ambiguous and hidden controls to arbitrary relationships between controls and functions, coupled with a lack of feedback or other assistance and unreasonable demands on memorization. The Design of Everyday Things shows that good, usable design is possible. The rules are simple: make things visible, exploit natural relationships that couple function and control, and make intelligent use of constraints. The goal: guide the user effortlessly to the right action on the right control at the right time. In this entertaining and insightful analysis, cognitive scientist Don Norman hails excellence of design as the most important key to regaining the competitive edge in influencing consumer behavior. Now fully expanded and updated, with a new introduction by the author, The Design of Everyday Things is a powerful primer on how-and why-some products satisfy customers while others only frustrate them. "..
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-465-00394-5
    Former: Vorangegangen ist Norman, Donald A. The psychology of everyday things
    Language: English
    Subjects: Engineering , Economics
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    Keywords: Produktgestaltung ; Faktor Mensch ; Gebrauchsgegenstand ; Design ; Psychologie ; Gebrauchsgegenstand ; Industriedesign ; Verbraucher ; Psychologie ; Gebrauchsgegenstand ; Design ; Kognitive Psychologie ; Alltag ; Psychologie ; Gebrauchsgegenstand ; Ergonomie
    Author information: Norman, Donald A. 1935-
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  • 3
    Book
    Book
    New York, NY : Princeton Architectural Press
    UID:
    b3kat_BV022466319
    Format: 272 S.
    ISBN: 9781568986999
    Content: From the Publisher: Seventy-nine Short Essays on Design brings together the best of designer Michael Bierut's critical writing serious or humorous, flattering or biting, but always on the mark. Bierut is widely considered the finest observer on design writing today. Covering topics as diverse as Twyla Tharp and ITC Garamond, Bierut's intelligent and accessible texts pull design culture into crisp focus. He touches on classics, like Massimo Vignelli and the cover of The Catcher in the Rye, as well as newcomers, like McSweeney's Quarterly Concern and color-coded terrorism alert levels. Along the way Nabakov's Pale Fire; Eero Saarinen; the paper clip; Celebration, Florida; the planet Saturn; the ClearRx pill bottle; and paper architecture all fall under his pen. His experience as a design practitioner informs his writing and gives it truth. In Seventy-nine Short Essays on Design, designers and nondesigners alike can share and revel in his insights.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Art History
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    Keywords: Design ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
    Author information: Bierut, Michael 1957-
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  • 4
    Online Resource
    Online Resource
    London [England] : Bloomsbury Visual Arts | [London, England] : Bloomsbury Publishing
    UID:
    b3kat_BV049390917
    Format: 1 Online-Ressource (viii, 186 Seiten) , Illustrationen
    Edition: First edition
    ISBN: 9781350035317
    Content: "Craig Martin addresses the transgressive or deviant aspects of design: design that straddles the divide between the licit and illicit, the legal and illegal in a variety of ways. Martin argues that design is not necessarily for the social good; it is immersed in the social realm in all its contradictions and confusions. Through a series of case studies he explores a wide range of social practices that employ illicit forms of design thinking, including early computer hacking and present-day hacker culture in which everyday objects are repurposed and deliberately mis-used; reproduction, counterfeit, and pirated versions of classic and luxury designs, and the use of craft practices by smugglers to conceal drugs within consumer goods and luggage. Deviant Design contends that these amateur and illicit practices challenge the normative idea of the professional designer or maker - rather than being reliant on the services of institutionalised design professionals, the adhocist consumer-or 'prosumer'-displays particular forms of innovative design knowledge in how artefacts have an inherent potential to be misused or repurposed"--
    Note: Includes bibliographical references
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3500-3530-0
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-3500-3532-4
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-3534-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-3500-3533-1
    Language: English
    Keywords: Design ; Mensch ; Sozialverhalten ; Transgression ; Electronic books
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  • 5
    Book
    Book
    Cambridge, Massachusetts ; London : The MIT Press
    UID:
    b3kat_BV044476178
    Format: XIV, 171 Seiten , Illustrationen , 24 cm
    ISBN: 9780262036658 , 0262036657
    Series Statement: Design thinking, design theory
    Content: Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, experimentation, and making. Redstrom does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redstrom proposes that we consider theory not as stable and constant but as something unfolding -- something acted as much as articulated, inherently fluid and transitional. Redstrom describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.0Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redstrom departs from the traditional academic imperative to pick a side -- theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research
    Note: Literaturverzeichnis Seite 155-164
    Language: English
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    Keywords: Design ; Philosophie
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  • 6
    Online Resource
    Online Resource
    London : Bloomsbury Publishing
    UID:
    b3kat_BV047269566
    Format: 1 Online-Ressource (xiii, 400 Seiten)
    ISBN: 9781350098831 , 9781350098824
    Content: "Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as the passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance"--
    Note: Includes bibliographical references and index , Online Ausgabe erschienen bei Bloomsbury Fashion Central: 2023
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-3500-9880-0
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-9879-4
    Language: English
    Keywords: Theaterkostüm ; Aufführung ; Design ; Geschichte ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: McNeil, Peter 1966-
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  • 7
    UID:
    b3kat_BV024088827
    Format: XII, 257 S. , Ill., graph. Darst.
    Edition: Paperb. ed.
    ISBN: 0465051359 , 0465051367 , 9780465051359 , 9780465051366
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Bibliogr. S. 243 - 248
    Language: English
    Keywords: Alltagsgegenstand ; Design ; Bewertung ; Gefühl
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  • 8
    UID:
    b3kat_BV047839754
    Format: 335 Seiten , Illustrationen (teilweise farbig)
    ISBN: 9789493246041
    Content: "The Auto-Ethnographic Turn in Design' is emerging from a growing recognition of design's capacity to make sense of one's world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. Auto-ethnographic design seeks to come to terms with one's context and self' as well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed users' needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing. The book is divided between "Ideas and Dialogues" (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the "self" and explore how experiences can be relevant and meaningful starting points for design and visual art; and "Projects and Practices", which embody auto-ethnographic qualities' whereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more" -- Provided by publisher
    Language: English
    Keywords: Design ; Ästhetik ; Autoethnografie ; Aufsatzsammlung
    Author information: Schouwenberg, Louise 1954-
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  • 9
    UID:
    b3kat_BV041890855
    Format: 287 S. , überw. Ill. , 27 cm
    Edition: 1. publ.
    ISBN: 9780714866963
    Content: Through some 300 objects this book explores contemporary Japanese design: from everyday objects and packaging to interior design and lighting elements. Ultimately the book aims to explore the way in which Japanese design manages to harness its materials--whether natural or synthetic--and at the same time combine respect for tradition with forward thinking and experimentation. The objects featured were chosen because of their strong Japanese character and the influence this 'Japaneseness' has had on Western culture. Rather than following a chronological order or concentrating on the designers, this book focuses on the objects and is categorized by material, highlighting the strong link between design and material in Japan
    Note: Includes bibliographical reference (page 283) and index
    Language: English
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    Keywords: Japan ; Design ; Geschichte ; Japan ; Produktgestaltung ; Industriedesign ; Mode ; Material ; Ästhetik ; Bildband ; Katalog
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  • 10
    UID:
    b3kat_BV042979287
    Format: xv, 258 Seiten , Illustrationen , 23 cm
    Edition: First edition
    ISBN: 9781491921562
    Content: "Talking to people about your designs might seem like a basic skill, but it can be difficult to do efficiently and well. And, in many cases, how you communicate about your work with stakeholders, clients, and other non-designers is more critical than the designs themselves--simple because the most articulate person usually wins. This practical guide focuses on principles, tactics, and actionable methods for presenting your designs. Whether you design UX, websites, or products, you'll learn how to win over anyone who has influence over the project--with the goal of creating the best experience for the end user"--Back cover
    Language: English
    Subjects: Computer Science
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    Keywords: Design ; Webdesign ; Benutzerfreundlichkeit ; Kommunikation
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