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  • FH Potsdam  (9)
  • Alice Salomon HS  (3)
  • Stasi-Unterlagen-Archiv
  • Design
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  • 1
    Book
    Book
    Cambridge, Massachusetts ; London, England : The MIT Press
    UID:
    b3kat_BV041395834
    Format: ix, 224 Seiten , Illustrationen
    ISBN: 9780262019842
    Content: Beyond radical design? -- A map of unreality -- Design as critique -- Consuming monsters: big, perfect, infectious -- A methodological playground: fictional worlds and thought experiments -- Physical fictions: invitations to make believe -- Aesthetics of unreality -- Between reality and the impossible -- Speculative everything. Inhalt: Today designers often focus on making technology easy to use, sexy and consumable. In this book the concept is proposed, that design is used as a tool to create not only things but ideas. Design means speculating about how things could be - to imagine possible futures. This is not the usual sort of predicting or forecasting , spotting trends and extrapolating; these kinds of predictions have been proven wrong again and again. The "what-if" questions that are intended to open debate and discussions about the kind of future people want (and do not want)
    Note: Enthält bibliographische Referenzen und einen Index
    Language: English
    Subjects: General works
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    Keywords: Design ; Ästhetik ; Utopie ; Produktgestaltung ; Theorie ; Design ; Ästhetik ; Sozialinnovation ; Utopie
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  • 2
    Book
    Book
    New York, NY : Princeton Architectural Press
    UID:
    b3kat_BV022466319
    Format: 272 S.
    ISBN: 9781568986999
    Content: From the Publisher: Seventy-nine Short Essays on Design brings together the best of designer Michael Bierut's critical writing serious or humorous, flattering or biting, but always on the mark. Bierut is widely considered the finest observer on design writing today. Covering topics as diverse as Twyla Tharp and ITC Garamond, Bierut's intelligent and accessible texts pull design culture into crisp focus. He touches on classics, like Massimo Vignelli and the cover of The Catcher in the Rye, as well as newcomers, like McSweeney's Quarterly Concern and color-coded terrorism alert levels. Along the way Nabakov's Pale Fire; Eero Saarinen; the paper clip; Celebration, Florida; the planet Saturn; the ClearRx pill bottle; and paper architecture all fall under his pen. His experience as a design practitioner informs his writing and gives it truth. In Seventy-nine Short Essays on Design, designers and nondesigners alike can share and revel in his insights.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Design ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
    Author information: Bierut, Michael 1957-
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  • 3
    Online Resource
    Online Resource
    Bielefeld : transcript
    UID:
    b3kat_BV048806710
    Format: 1 Online-Ressource (198 Seiten)
    ISBN: 9783839428658
    Series Statement: Konsumästhetik Band 1
    Content: Cultural studies concerned with consumerism have long been overshadowed by a cultural critique that regarded consumers as seduced and passive rather than as creative and inventive. But in fact, the treatment of purchasable goods encompasses strange practices, such as the curating and combining of products and their redesigning appropriation - be it with subversive, personalizing, or artistic intentions. Furthermore, consumers are increasingly involved in product development as co-creators. The contributions to this volume address these creative aspects of consumption and are supplemented by a conversation with the sculptor Thomas Rentmeister on his artistic treatment of consumer goods
    Content: Kulturwissenschaftliche Konsumforschung befand sich lange Zeit im Schatten einer Kulturkritik, die Konsumenten eher als verführt und passiv denn als kreativ und erfinderisch verstand. Tatsächlich umfasst der Umgang mit käuflichen Dingen jedoch eigensinnige Praktiken, etwa das Kuratieren und Kombinieren von Produkten und deren umgestaltende Aneignung - sei es in subversiver, personalisierender oder künstlerischer Absicht. Darüber hinaus treten Verbraucher zunehmend bereits bei der Produktgestaltung ko-kreativ in Erscheinung.Die Beiträge des Bandes widmen sich diesen kreativen Aspekten des Konsums und werden von einem Gespräch mit dem Bildhauer Thomas Rentmeister über dessen künstlerischen Umgang mit Konsummaterialien ergänzt
    Note: Aus dem Vorwort: "Allen Autoren dieses Bandes sei für ihre Mitarbeit herzlich gedankt. Mein Dank gilt ferner den Herausgebern der neuen Reihe "Konsumästhetik" für ihr Angebot, diesen Band als Auftakttitel erscheinen zu lassen. Realisiert werden konnte er – ebenso wie die gleichnamige Tagung an der Stiftung Universität Hildesheim im September 2013..."
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-2865-4
    Language: German
    Subjects: Economics , Ethnology , Philosophy , Sociology
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    Keywords: Konsumgesellschaft ; Massenkultur ; Kreativität ; Design ; Popkultur ; Verbrauch ; Kreativität ; Warenästhetik ; Kulturwissenschaften ; Kultursoziologie ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Author information: Hohnsträter, Dirk 1968-
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  • 4
    Book
    Book
    Cambridge, Massachusetts ; London : The MIT Press
    UID:
    b3kat_BV044476178
    Format: XIV, 171 Seiten , Illustrationen , 24 cm
    ISBN: 9780262036658 , 0262036657
    Series Statement: Design thinking, design theory
    Content: Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redstrom offers a new approach to theory development in design research--one that is driven by practice, experimentation, and making. Redstrom does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redstrom proposes that we consider theory not as stable and constant but as something unfolding -- something acted as much as articulated, inherently fluid and transitional. Redstrom describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.0Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redstrom departs from the traditional academic imperative to pick a side -- theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research
    Note: Literaturverzeichnis Seite 155-164
    Language: English
    RVK:
    Keywords: Design ; Philosophie
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  • 5
    UID:
    b3kat_BV024088827
    Format: XII, 257 S. , Ill., graph. Darst.
    Edition: Paperb. ed.
    ISBN: 0465051359 , 0465051367 , 9780465051359 , 9780465051366
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Bibliogr. S. 243 - 248
    Language: English
    Keywords: Alltagsgegenstand ; Design ; Bewertung ; Gefühl
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  • 6
    UID:
    b3kat_BV047839754
    Format: 335 Seiten , Illustrationen (teilweise farbig)
    ISBN: 9789493246041
    Content: "The Auto-Ethnographic Turn in Design' is emerging from a growing recognition of design's capacity to make sense of one's world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. Auto-ethnographic design seeks to come to terms with one's context and self' as well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed users' needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing. The book is divided between "Ideas and Dialogues" (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the "self" and explore how experiences can be relevant and meaningful starting points for design and visual art; and "Projects and Practices", which embody auto-ethnographic qualities' whereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more" -- Provided by publisher
    Language: English
    Keywords: Design ; Ästhetik ; Autoethnografie ; Aufsatzsammlung
    Author information: Schouwenberg, Louise 1954-
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  • 7
    UID:
    b3kat_BV042979287
    Format: xv, 258 Seiten , Illustrationen , 23 cm
    Edition: First edition
    ISBN: 9781491921562
    Content: "Talking to people about your designs might seem like a basic skill, but it can be difficult to do efficiently and well. And, in many cases, how you communicate about your work with stakeholders, clients, and other non-designers is more critical than the designs themselves--simple because the most articulate person usually wins. This practical guide focuses on principles, tactics, and actionable methods for presenting your designs. Whether you design UX, websites, or products, you'll learn how to win over anyone who has influence over the project--with the goal of creating the best experience for the end user"--Back cover
    Language: English
    Subjects: Computer Science
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    Keywords: Design ; Webdesign ; Benutzerfreundlichkeit ; Kommunikation
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  • 8
    Book
    Book
    North Point, Hong Kong : viction:workshop
    UID:
    b3kat_BV048568832
    Format: 271 Seiten , Illustrationen
    ISBN: 9789887462958
    Content: When it comes to designing effective signages that are also appealing to the eye, a delicate balance needs to be struck. On one hand, a wayfinding system has to avoid confusion and reduce stress for visitors orienting themselves within complex environments such as a healthcare facility. On the other hand, as a big part of many a visual identity design project, it can help a brand stand out by presenting distinct pops of personality. A follow-up to the first edition that was published in 2013, You Are Here 2 showcases a new curation of the best signages and wayfinding systems that enhance spaces and settings around the world today. Whether they serve to simply guide people from point A to point B or elicit curiosity and delight in exploration, these projects reflect the work of designers who are adept at merging form and functionality to demonstrate creative thinking and empathy.
    Content: Art & Culture - Leisure & Recreation - Education & Workplace - Retail & Services - The Art of Navigating Natural Wonders - Mapping the Language of Walking City - Feature Story
    Language: English
    Subjects: General works
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    Keywords: Öffentliches Gebäude ; Orientierung ; Beschilderung ; Signaletik ; Piktogramm ; Design ; Bildband
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  • 9
    UID:
    b3kat_BV045552677
    Format: 378 Seiten , Illustrationen , 23 cm
    ISBN: 9782917053263 , 2917053267
    Note: Ouvrage réalisé grâce au soutien du Labex Arts-H2H (ANR-10-LABX-80-01) et de l'Equipe d'Accueil Scènes du Monde, création, savoirs critiques (EA 1573) de l'Université Paris 8, de l'Ecole nationale supérieure des arts décoratifs (Paris) et de l'Ecole nationale supérieure d'art de Nancy. - Edition en anglais de l'ouvrage "Strange design : du design des objets au design des comportements", 2014, ISBN 978-2-917053-18-8. - Notes bibliogr , In recent years, strange-ambigous, dysfunctional, enigmatic, and complicated-objects have emerged in the world of design. These objects are based on an approach that has been called anti-design, radical, conceptual, or critical design-a speculative design that instead of offering solutions raises questions. Design that is not subject to the imperatives of the power structures of society, but is instead critical. Via a strategy of modifying objects away from their usual forms and utilitarian functions, this design evokes unusual uses and behaviours, in turn opening the way to a more profound questioning of social and political values. (Quelle: Cover)
    Additional Edition: Übersetzung von Strange design
    Language: English
    Keywords: Design ; Innovation ; Kritik ; Produktgestaltung ; Gesellschaft
    Author information: Marchetti, Luca 1945-
    Author information: Pettena, Gianni 1940-
    Author information: La Pietra, Ugo 1938-
    Author information: Lehanneur, Mathieu 1974-
    Author information: Bakker, Gijs 1942-
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  • 10
    UID:
    b3kat_BV011724995
    Format: 1 CD-ROM , Booklet ([8] S.) , 12 cm
    Note: Systemvoraussetzungen: Apple Macintosh: LC 475 or higher; 8 Mb RAM; 2 Mb free on hard-disk; System 7.1 or later; monitor 14" (640x480 pixel, 256 colours); dual-speed CD-ROM player; IBM compatibles: MPC with INTEL 486DX33 or higher; 8 Mb RAM; 2 Mb free on hard-disk; Windows 3.1 or later (including Windows 95); graphics card SVGA 640x480 pixel, 256 colors; MPC compatible sound card; MPC compatible dual-speed CD-ROM player
    Language: English
    Keywords: Italien ; Design ; CD-ROM
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