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  • UdK Berlin  (361)
  • Moses Mendelssohn Zentrum  (27)
  • 2015-2019  (387)
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  • 11
    Image
    Image
    Adrian Piper - a reader (2018)
    New York : Museum of Modern Art | Distributed in the United States and Canada by Artbook/D.A.P.
    Details
    UID:
    b3kat_BV045004608
    Format: 276 Seiten , Illustrationen
    ISBN: 9781633450332
    Content: "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them"
    Note: Impressum: "Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018" , Adrian Piper: reading the work , Adventures in reasonland , Propositions to politics: Adrian Piper's conceptual paradigms , Contrapositional becomings: Adrian Piper performs questions of identity , Plates -- , Xenophobia, stereotypes, and empirical acculturation: Neo-Kantianism in Adrian Piper's performance-based conceptual art , Body and soul , Adrian Piper and the rhetoric of conceptual art
    Language: English
    Subjects: Art History
    RVK:
    LI 99999
    Keywords: Piper, Adrian 1948- ; Ausstellungskatalog ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellungskatalog
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    Author information: Piper, Adrian 1948-
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  • 12
    Book
    Book
    Architectural guide New York : a critic’s guide to 100 iconic buildings in New York from 1999 to 2020 (2019)
    Berlin : DOM publishers
    Details
    UID:
    b3kat_BV045417305
    Format: 255 Seiten , 270 Illustrationen , 24.5 cm x 13.4 cm, 520 g
    ISBN: 9783869224312 , 3869224312
    Content: This architectural guide brings together 100 of the most original structures built in New York City since 1999. Vladimir Belogolovsky pairs them with such nicknames as Guillotine, Peacock, Shark's Fin, Turtle Shell, and Woodpecker. The New York-based author's selection covers buildings realized by the world's most renowned architects during a period when their creations were celebrated as art and personal styles were encouraged by the media, critics and clients. The featured time span begins with the rise of the starchitect in the late 1990s, and ends in the present day. But the mission of the book is not only to document; it is also to celebrate New York's transformative energy. Many of the buildings were designed either by foreign architects or those who settled in the city and now call it home. Through witty, incisive commentary, catchy nicknames, quotes from the author's interviews with the architects, and detailed maps, this singular guide allows readers to see many of New York's contemporary icons in a new way.
    Language: English
    Subjects: Engineering , Art History
    RVK:
    LO 95250
    RVK:
    ZH 9400
    RVK:
    ZH 3250
    RVK:
    ZH 4983
    Keywords: New York, NY ; Architektur ; Kunstführer ; Kunstführer ; Kunstführer
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://d-nb.info/1172531684/04
    Author information: Belogolovsky, Vladimir 1970-
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  • 13
    Online Resource
    Online Resource
    LaborARTorium : Forschung im Denkraum zwischen Wissenschaft und Kunst. Eine Methodenreflexion (2015)
    transcript Verlag
    Details
    UID:
    b3kat_BV045063268
    Format: 1 Online-Ressource
    ISBN: 9783839429693
    Series Statement: Science Studies
    Content: Im Fokus von »LaborARTorium« stehen hochaktuelle theoretische und praktische Zugänge zur künstlerischen Forschung als epistemische und welterschließende Praxis. Beiträge namhafter Akteure (Dombois, Klein, Lang) präsentieren Momentaufnahmen zu Fragen der Institutionalisierung künstlerischer Forschung, blicken zurück und visionär voraus. Aufsätze aus verschiedenen geisteswissenschaftlichen Perspektiven reflektieren zudem Forschung im Spannungsfeld von Wissenschaft und Kunst.Die Herangehens- und Sichtweisen von 17 einzigartigen Forschungsprojekten lassen sich als Grundlage für eine interdisziplinäre Methodenreflexion verstehen und geben konkrete Antworten auf die Frage, wie Kunst und Wissenschaft in der Forschung als gegenseitige Bereicherung gedacht werden können
    Content: With an interdisciplinary approach, »LaborARTory« explores the highly topical practice of artistic research in the field of tension between science and art: Which practical and theoretical approaches are offered, discussed, and made fruitful for the broadening of disciplines by artists and scientists? How can art and research be applied to their mutual benefit or as (different) exploratory and epistemic practices? A special emphasis is put on thoughts about the methods of artistic research and its effect on approaches in the humanities
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-2969-9
    Language: German
    RVK:
    LH 61055
    Keywords: Wissenschaft ; Kunst ; Forschung ; Kunst ; Wissenschaftsforschung ; Wissenschaftssoziologie ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Online Resource
    Online Access
    FU Berlin
    UB Potsdam
    Alice Salomon HS
    UdK Berlin
    Filmuniversität Babelsberg
  • 14
    Book
    Book
    Empty stages, crowded flats : performativity as curatorial strategy (2017)
    Berlin : Alexander Verlag Berlin
    Details
    UID:
    b3kat_BV044434501
    Format: 173 Seiten , Illustrationen , 15.5 x 22.5 cm
    ISBN: 9783895814433
    Series Statement: Performing urgency #4
    Content: During its impressive career over the last decades the term ‘performative’ has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and other cultural utterances, but it also emphasises the often dismissed, colloquial notion of the performative as something being ‘theatre-like’, believing that those two strands are in fact interdependent and intertwined. Empty Stages, Crowded Flats investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
    Language: English
    Subjects: General works
    RVK:
    AP 70050
    Keywords: Museum ; Ausstellung ; Aufführung ; Performance ; Wood, Catherine 1973- ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Warsza, Joanna 1976-
    Author information: Malzacher, Florian 1970-
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  • 15
    Image
    Image
    Queer British art : 1861-1967 (2017)
    London : Tate Publishing
    Details
    UID:
    b3kat_BV044274526
    Format: 192 Seiten , Illustrationen
    ISBN: 1849764522 , 9781849764520
    Content: In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017)
    Note: On the occasion of the exhibition 'Queer British art 1861-1967', Tate Britain, London, 5 April - 1 October 2017
    Language: English
    Subjects: Art History
    RVK:
    LO 50000
    Keywords: Großbritannien ; Kunst ; Homosexualität ; Geschichte 1861-1967 ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://shop.tate.org.uk/view-all-books/queer-british-art/invt/19450
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  • 16
    Image
    Image
    Leap before you look : Black Mountain College : 1933-1957 (2015)
    Boston : Institute of Contemporary Art | New Haven ; London : Yale University Press
    Details
    UID:
    b3kat_BV043171943
    Format: 399 Seiten , 33 cm
    ISBN: 9780300211917
    Content: In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making the arts central to learning. Though it operated for only twenty-four years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, R. Buckminster Fuller, Karen Karnes, Willem de Kooning, and M.C. Richards, and students included Ruth Asawa, John Chamberlain, Ray Johnson, Robert Rauschenberg, and Cy Twombly. Leap Before You Look is a singular exploration of this legendary school and the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the college--spanning everything from the college's farm program to the influence of the Bauhaus--and about the people and ideas that gave it such a lasting impact. Catalogue entries highlight selected works, including writings, musical compositions, visual arts, pottery, and weaving. The book's fresh approach and rich illustrations convey the atmosphere of creativity and experimentation unique to Black Mountain College that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in art, radical pedagogy, and the enduring legacy of the college. -- Front jacket flap
    Note: Kolophon: "Published on the occasion of the exhibition 'Leap before you look : Black Mountain College, 1933-1957' organized by the Institute of Contemporary Art/Boston, October 10, 2015 - January 24, 2016. Hammer Museum, University of California, Los Angeles, February 21 - May 14, 2016. Wexner Center for the Arts, The Ohio State University, Columbus, September 17, 2016 - January 1, 2017."
    Language: English
    Subjects: Art History
    RVK:
    LO 94030
    Keywords: Black Mountain College ; Kunst ; Geschichte 1933-1957 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Molesworth, Helen 1966-
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  • 17
    Book
    Book
    The music of Joseph Joachim (2018)
    Woodbridge : The Boydell Press
    Details
    UID:
    b3kat_BV044997612
    Format: xxv, 506 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783272846
    Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)
    Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography
    Language: English
    Subjects: Musicology
    RVK:
    LP 64280
    Keywords: Joachim, Joseph 1831-1907 ; Violinmusik ; Biografie ; Werkverzeichnis
    URL: Inhaltsverzeichnis
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  • 18
    Book
    Book
    Künstlerhäuser im Mittelalter und der Frühen Neuzeit : = Artists' homes in the Middle Ages and the Early Modern era (2018)
    Petersberg : Michael Imhof Verlag
    Details
    UID:
    b3kat_BV045031348
    Format: 319 Seiten , Illustrationen, Karten, Pläne, Faksimiles
    ISBN: 9783731903949 , 3731903946
    Series Statement: artifex
    Note: "Der vorliegende Band geht auf meine internationale Tagung "... wohnen wie Könige und Götter - Künstlerhäuser im Mittelalter und der Frühen Neuzeit/"... live like kings or gods" - Artists' homes in the Middle Ages and the Early Modern era" zurück, welche 2015 vom 11. bis 14. Juni in Nürnberg stattfand" (Geleitwort) , Beiträge teilweise deutsch, teilweise französisch, teilweise englisch
    Language: German
    RVK:
    LH 67750
    RVK:
    LH 60200
    Keywords: Europa ; Künstlerhaus ; Geschichte 1400-1800 ; Aufsatzsammlung ; Konferenzschrift
    Author information: Schauerte, Thomas 1967-
    Author information: Brenner, Danica ca. 20. Jh.
    Author information: Tacke, Andreas 1954-
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  • 19
    Book
    Book
    Musical illusions and phantom words : how music and speech unlock mysteries of the brain (2019)
    New York, NY : Oxford University Press
    Details
    UID:
    b3kat_BV046154140
    Format: xviii, 243 Seiten , Illustrationen, Diagramme, Portraits. - Illustrationen, Notenbeispiele
    ISBN: 9780190206833
    Content: In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech-many of which she herself discovered-have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns-differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.--Book jacket
    Note: Introduction -- Music, speech, and handedness : How being left-handed or right-handed can make a difference -- Some musical illusions are discovered -- The perceptual organization of streams of sound -- Strange loops and circular tones -- The tritone paradox : an influence of speech on how music is perceived -- The mystery of absolute pitch : a rare ability that involves both nature and nurture -- Phantom words : how our knowledge, beliefs and expectations create illusions of speech -- Catchy music and earworms -- Hallucinations of music and speech -- The speech-to-song illusion : crossing the borderline between speech and song -- Speech and music intertwined : clues to their origins -- Conclusion
    Language: English
    Subjects: Musicology
    RVK:
    LR 56650
    Keywords: Musikwahrnehmung ; Sprache ; Illusion ; Musikpsychologie
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 20
    Book
    Book
    Art and form : from Roger Fry to global modernism (2019)
    University Park, Pennsylvania : The Pennsylvania State University Press
    Details
    UID:
    b3kat_BV045881441
    Format: x, 208 Seiten , Illustrationen , 25 cm
    ISBN: 9780271082387
    Series Statement: Refiguring modernism 28
    Content: "Explores the rise of formalism in the visual arts. Employs an expanded sense of form to rethink a range of areas, including the history of writing about art, constructions of high and low culture, and the idea of global modernism"--Provided by publisher
    Note: Form and modernist aesthetics on or about 1910 -- The science of art criticism after the 1910s -- Mass civilization and minority visual culture -- Design theory and Marxist art writing : for and against mass culture -- Modernism and form in Africa, Britain, and South Asia
    Language: English
    RVK:
    LH 61060
    Keywords: Formalismus ; Künstlerische Form ; Ästhetik ; Kunstkritik ; Kunstwissenschaft ; Geschichte 1900-1990 ; Fry, Roger Eliot 1866-1934 ; Ästhetik
    URL: Inhaltsverzeichnis
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