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  • AV-Medium  (14)
  • Media Combination
  • Berlin International  (12)
  • EUV Frankfurt  (2)
  • SB Neuruppin
  • Müncheberg Dt. Entomologisches Institut
  • Stiftung Fürst-Pückler-Museum
  • Documentary films  (14)
Type of Medium
  • AV-Medium  (14)
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  • 1
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    UID:
    b3kat_BV035241234
    Format: 1 DVD-Video, PAL, 60 Min., DVD 5, stereo , 12 cm
    Series Statement: Spiegel-TV 17
    Content: "At no other place in the world the sanctuary of three world religions lies together as closely as in Jerusalem. According to excessive quantities here the temple of King Salomo stood; here Jesus Christ was crucified, and here the prophet Mohammed drove into the sky. The cradle of the Judentums and the Christianity is also the Islam holy. But although the Hebrew name Jeruschalajim ?place of the peace? means, there a peaceful seems impossible with one another. The city in the course of its moved history was afflicted again and again by bloody wars. Until today Jerusalem is a focus in the Middle East conflict." -- Container.
    Note: Beilage zu: Spiegel ; 2008,52 , Bildformat 16:9 , Dt.
    Language: German
    Subjects: History , General works
    RVK:
    RVK:
    Keywords: Jerusalem ; Geschichte ; DVD-Video ; Documentary films ; Foreign films - Germany ; DVD-Video ; DVD-Video ; Dokumentarfilm ; Dokumentarfilm
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  • 2
    UID:
    b3kat_BV021239553
    Format: 2 DVDs, Ländercode 2,, ca. 124 Min. , farb., Dolby digital , Beibl. , 12 cm
    Edition: 2 disc ed.
    Uniform Title: The matrix revolutions
    Content: Neo remains unconscious in the real world, caught in a mysterious subway station that lies between the machine world and the matrix. Bane is still a conduit for Agent Smith, who continues to grow more out of control. Meanwhile, the sentinels are coming dangerously close to Zion. Trinity and Morpheus bargain with The Merovingian to free Neo. Neo, after meeting The Oracle, decides he must leave Zion and go for the machine mainframe. One final battle must ensue, and the future of both races is at stake.
    Note: Orig.: USA 2003. - Sprachen: dt., engl. ; Untertitel: dt., engl., schwed., norweg., dän., finn., isländ., Untertitel für Hörgeschädigte: deutsch, englisch
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Film ; DVD-Video ; Documentary films ; Feature films ; Science fiction films ; Video recordings for the hearing impaired
    Author information: Wachowski, Lilly 1967-
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  • 3
    UID:
    kobvindex_INT0002580
    Format: 1 DVD video (89 minutes + 50 minutes extras) : , sound (Dolby Digital 2.0) ; colour ; , 12 cm ; image format : 4.3 (1,33 :1).
    Content: MACHINE-GENERATED SUMMARY NOTE: "Kann ein einziges Gebäude die Karriere eines Architekten beeinflussen, das Image einer globalen Firma und die Skyline einer Weltstadt? Einen Monat nach dem Anschlag aufs New Yorker World Trade Center wird in London der erste Stahlträger eines neuen Wolkenkratzers in Position gehievt. Die Frage ist unvermeidlich: Ist es richtig, einen so aufsehenerregenden Turm mitten im Londoner Finanzviertel zu bauen, an einem Platz, wo schon einmal eine Bombe hochging? Doch auch sonst gibt das vierzigstöckige Hochhaus Anlass zu Kontroversen. Norman Foster, einer der visionärsten zeitgenössischen Architekten, nennt sein Design des Swiss Re London Hauptquartiers 'radikal -- in sozialer, technischer, architektonischer und räumlicher Hinsicht'. Größe und Form des neuen Turmes sind in der Tat so radikal, dass das Gebäude in den Medien von Beginn weg als 'erotische Gurke' bezeichnet wird. Wird 'the Gherkin' am Ende zu dem Wahrzeichen, von dem alle träumen?" -- "Can a single building influence the career of an architect, the image of a global company and the skyline of a cosmopolitan city? One month after the attack on the New York World Trade Center, the first steel beam of a new skyscraper is hoisted into position in London. The question is unavoidable: is it right to build such a towering tower in the middle of London's financial district, in a place where a bomb has once gone up? But even otherwise, the forty-story skyscraper gives rise to controversy. Norman Foster, one of the most visionary contemporary architects, calls his design of Swiss Re London headquarters 'radical - in social, technical, architectural and spatial terms'. The size and shape of the new tower are indeed so radical that the building has been called 'erotic cucumber' from the start. Will 'the Gherkin' eventually become the symbol that everyone dreams of?
    Note: BONUS MATERIAL: English trailer, German trailer, Featurette, Behind the scenes, Norman Foster in conversation, Robin Partington's Architecture Masterclass. , LANGUAGE NOTE: English original with subtitles in German, French and Italian.
    Language: English
    Keywords: Documentary films
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  • 4
    UID:
    kobvindex_INT0000309
    Format: 1 DVD video (90 minutes) : , sound (Dolby Digital 5.1) ; colour ; , 12 cm ; image format : 1.85:1.
    Content: MACHINE-GENERATED SUMMARY NOTE: "Eames: The Architect and the Painter is a 2011 documentary film about American designers Charles and Ray Eames and the Eames Office. It was produced and written by Jason Cohn, and coproduced by Bill Jersey. The film moves between a narrative about the husband and wife team to one about the Eames Office and its accomplishments, starting with chair design, but also moving through architecture, photography and film. Most of the period images are still photographs from the 1950s, 1960s and 1970s, but there are several film clips. Audio clips are interspersed with narration by James Franco. The film uses extensive interviews to frame the story. Interviews include Richard Saul Wurman, the founder of TED, Irish architect Kevin Roche, designer Bob Blaich, and screenwriter Paul Schrader; Lucia Eames and Eames Demetrios, Charles Eames' daughter and grandson; former Eames office designers: Jeannine Oppewall, Gordon Ashby, Deborah Sussman, and John and Marilyn Neuhart; historians Pat Kirkham, Jed Perl, and Donald Albrecht; and IBM consultant Zeke Seligson."
    Content: MACHINE-GENERATED SUMMARY NOTE: "EAMES: The Architect and the Painter erzählt die Geschichte des bedeutendsten Designer-Ehepaares des 20. Jahrhunderts - Charles und Ray Eames. Ihre Experimente im Umgang mit geformtem Sperrholz waren Pionierleistungen. Und die daraus hervorgegangenen innovativen Möbelentwürfe aus Formholz und Fiberglas stilbildend für das US-amerikanische Nachkriegsdesign. Mit ihrem ,Eames Lounge Chair' für den Hersteller Herman Miller etwa erreichte das Gestalter-Ehepaar Weltruhm. Das Modell steht wie kein zweites Möbelstück für die organische Formensprache der Moderne. Nicht nur ihre funktionalen Möbel, auch der umfassende Gestaltungsansatz von Ray and Charles Eames inspiriert bis heute Designer in aller Welt. Die Innovationskraft und Neugierde der Eames erstreckte sich in unterschiedlichsten Projekten auf die Bereiche Architektur, Ausstellung, Bildende Kunst, Film, Foto sowie Industrie- und Möbeldesign. Die Filmemacher Jason Cohn und Bill Jersey beschreiben mit EAMES: The Architect and the Painter nicht nur das berufliche Schaffen dieses außergewöhnlichen Paares. Auch das private Leben der beiden Designer wird anhand von Archivmaterialien wie Filmen und Briefen sowie Interviews mit Experten, Mitarbeitern und Familienangehörigen erzählt." -- "EAMES: The Architect and the Painter tells the story of the most important designer couple of the 20th century - Charles and Ray Eames. Her experiments in using molded plywood were pioneering achievements. And the resulting innovative furniture designs made of molded wood and fiberglass form the basis for US post-war design. The designer couple achieved worldwide fame with their 'Eames Lounge Chair' for the manufacturer Herman Miller. Like no other piece of furniture, the model stands for the organic formal language of modernity. Not only their functional furniture, but also the comprehensive design approach of Ray and Charles Eames still inspires designers all over the world. The innovative strength and curiosity of the Eames spanned a wide range of projects in the fields of architecture, exhibition, visual arts, film, photography, as well as industrial and furniture design. The filmmakers Jason Cohn and Bill Jersey describe not only the professional work of this extraordinary couple with EAMES: The Architect and the Painter. The private lives of the two designers are also told through archive material such as films and letters, as well as interviews with experts, employees and family members."
    Content: MACHINE-GENERATED REVIEWS NOTE: "The New York Times reviewer A. O. Scott called it 'a lively new documentary' and 'appropriately busy and abundant: full of objects, information, stories and people, organized with hectic elegance.' He praised it for showing, 'in marvelous detail, how their work was an extension of themselves and how their distinct personalities melded into a unique and protean force.' Tom Keogh of the Seattle Times wrote that 'Much like the creations of its subjects, 'Eames' is itself a dazzling, sensory adventure' and that 'the film is an extraordinary and enjoyable history of how two people influenced so much of our thinking and surroundings today.' Los Angeles Times critic Kenneth Turan described the film as 'a thorough and vibrant examination of the master Modernists.'"
    Note: BONUS MATERIAL: trailer, deleted scenes. , LANGUAGE NOTE: English original with German subtitles.
    Language: English
    Keywords: Documentary films
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  • 5
    UID:
    kobvindex_INT0000307
    Format: 1 DVD video (2 films : 52 + 53 minutes) : , sound ; colour with black & white sequences ; , 12 cm ; image format : 1.33:1.
    Content: MACHINE-GENERATED SUMMARY NOTE ("Great Expectations"): "Great Expectations (a journey through the history of visionary architecture) is a 2007 documentary about the history of visionary architecture by director Jesper Wachtmeister. The film uses interviews to frame the history of utopian and visionary architecture through the 20th century. Subjects include Le Corbusier, Oscar Niemeyer, Peter Cook, Buckminster Fuller, Moshe Safdie, Antti Lovag, [Superstudio, Archigram], Paolo Soleri, Peter Vetsch and Jacque Fresco."
    Content: MACHINE-GENERATED SUMMARY NOTE ("Great Expectations"): "This film takes the viewer on a journey through possible and impossible architecture projects - from the beginning of the 20th century to today. From concrete illusions of grandeur to round grass covered dwellings under ground. The viewer will meet world famous architects and visionaries like Buckminster Fuller and Le Corbusier and experience their visions and ideas of how to build us a better world. With the help of animations unrealized projects come to life in this documentary that shows astounding visions of a world - as it could have been. Since the end of the 19th century industrialized man has been confronted with new kinds of possibilities and problems, all of which in one way or another are the consequences of a storm of technological progress. Amidst the smoke and wars, architects and artists saw early on that this was a world full of possibilities, with plenty of room for visionary ideas. They were motivated and driven by the problems of the day, be it a shortage of housing, urban decay or pollution. Their visions brought changes in our ways of living and dwelling that challenged our concepts of the good, the true and the beautiful. In this documentary we encounter the Anthroposophist head quarters in Switzerland, the functionalist cities of Le Corbusier and Archigram's projects where pop-art meets architecture. We also meet the self-taught inventor Buckminster Fuller and his light weight constructions, and Antti Lovag - the protector of round houses. Also we visit Habitat 67 - a building conceived from LEGO, Superstudio and their world without objects, Paolo Soleri's crystal like cities in the desert, and ecological housing under ground. Great Expectations is a film about architecture projects and visions which have brought changes in our ways of living and dwelling that challenged our concepts of the good, the true and the beautiful. -- Jesper Wachtmeister." -- Great Expectations is the first documentary to present the grand architectural visions of our time. Visions where imagination has been allowed to run free. Sometimes unrealized and unbound by earthly conditions, sometimes realized and revolutionary to its inhabitants. But the film deals with far more than mere illusions of grandeur. It is the story of great thinkers who in different time-periods of the 20th century have suggested revolutionary changes to our ways of living - and how it is to live in their dreams. The answers vary, but the intentions of the architects were good - mostly. Using archive footage and animations, the film brings architecture of the past and plans never realized to life. Visiting inhabitants of the visions that became realized, their stories comment and contrast the ambitions of the architects. -- Jesper Wachtmeister."
    Content: MACHINE-GENERATED SUMMARY NOTE ("Great Expectations"): "Great Expectations takes you on an astonishing journey through innovative, futuristic, utopian and sometimes bizarre architectural projects -- including concrete illusions of grandeur and Lego-like modular apartments to an Instant City Airship and round, grass-covered subterranean dwellings -- from the beginning of the 20th century to today. Featuring: - Le Corbusier's functionalist cities - Buckminster Fuller's lightweight geodesic domes - Moshe Safdie's Habitat '67 prefab apartments - Rudolf Steiner's Goetheanum and other anthroposophy buildings in Switzerland - Oscar Niemeyer's sleek urban designs for Brasilia - Paolo Soleri's 'archology' of crystal-like desert cities - Antti Lovag's curved surfaces of Palais Bulles in France - Jacque Fresco's utopian Venus Project in Florida - Peter Cook and Colin Fournier's biomorphic Kunsthaus Graz in Austria."
    Content: MACHINE-GENERATED SUMMARY NOTE ("Kochuu"): "KOCHUU is a visually stunning film about modern Japanese architecture, its roots in the Japanese tradition, and its impact on the Nordic building tradition. Winding its way through visions of the future and traditional concepts, nature and concrete, gardens and high-tech spaces, the film explains how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions. KOCHUU, which translates as "in the jar," refers to the Japanese tradition of constructing small, enclosed physical spaces, which create the impression of a separate universe. The film illustrates key components of traditional Japanese architecture, such as reducing the distinction between outdoors and indoors, disrupting the symmetrical, building with wooden posts and beams rather than with walls, modular construction techniques, and its symbiotic relationship with water, light and nature. The film illustrates these concepts through remarkable views of the Imperial Katsura Palace, the Todai-Ji Temple, the Naoshima Contemporary Art Museum, the Sony Tower, numerous teahouses and gardens (see link below for complete list), as well as examples of the cross-fertilization evidenced in buildings throughout Scandinavia, and shows how 'invisible' Japanese traditions are evident even in modern, high-tech buildings. KOCHUU also features interviews with some of Japan's leading architects as well as Scandinavian contemporaries including Pritzker Prize winners Tadao Ando and Sverre Fehn, Toyo Ito, Kazuo Shinohara, Kristian Gullichsen and Juhani Pallasmaa (see link below for complete list and bios). KOCHUU is a compelling illustration of how the aesthetics of Japanese architecture and design are expressed through simple means, and also shows that the best Japanese architecture, wherever it appears, expresses spiritual qualities that enrich human life." -- "A film about modern Japanese architecture, its roots in the Japanese tradition and its impact on the Nordic building-tradition. Winding its way through visions of the future, traditions, nature, concrete, gardens and high-tech the film tell us how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions."
    Content: MACHINE-GENERATED SUMMARY NOTE ("Kochuu"): "Featuring Pritzker Prize winning architects Tadao Ando and Sverre Fehn, plus Toyo Ito, Kisho Kurokawa and Kazuo Shinohara.
    Content: MACHINE-GENERATED REVIEWS NOTE ("Great Expectations"): "Dagens Nyheter reviewer Tomas Lisinski wrote that 'the astounding images of more or less bizarre projects were intertwined with a fantastic interview material. This was also a documentary that treated the viewer seriously. We were assumed capable of following a train of thought, and understanding interviews without meddlesome guidance.' (translated from Swedish)." -- "Leonardo reviewer Michael R. Mosher wrote that 'the architects articulate their visions, and the camera explores at least one of the major built accomplishments of each. Wachtmeister brings to his documentary a fun and light touch, with little bits of Monty Python-style animation, hand-colored photographs, even flying saucer noises. Archigram, and its London Pop Art-influenced publications, made him do it! Sometimes it's as if the filmmaker really doesn't put much stock in the promised completion of the Venus Project, but was happy to enjoy the trek in bejungled Florida alongside its talkative old planner Jacques Fresco.'"
    Language: English
    Keywords: Documentary films
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  • 6
    UID:
    kobvindex_INT0002541
    Format: 1 DVD video (116 minutes) : , sound (Dolby SR) ; colour ; , 1 booklet (16 unnumbered pages). , 12 cm ; image format : 4:3. +
    Content: MACHINE-GENERATED SUMMARY NOTE: "My Architect: A Son's Journey is a 2003 documentary film about the American architect Louis Kahn (1901-1974), by his son Nathaniel Kahn, detailing the architect's extraordinary career and his familial legacy after his death in 1974. [...] The film features interviews with renowned architects, including Philip Johnson, Frank Gehry, Shamsul Wares, I.M. Pei, Moshe Safdie and Anne Tyng. Throughout the film, Kahn visits all of his father's buildings including The Yale Center for British Art, The Salk Institute, Jatiyo Sangshad Bhaban and the Indian Institute of Management Ahmedabad. The film explores Kahn's family life which involved his fathering children by three different partners, each of whom was kept in the dark about the existence of his other families. Reviewing the film in Chicago Reader, David Schwartz wrote: 'This absorbing, beautiful documentary is the first-person odyssey of Nathaniel Kahn, son of legendary architect Louis Kahn by one of his longtime mistresses. Despite his accomplishments, Kahn Sr. died a penniless loner in Penn Station in 1974, leaving behind three families, none of them aware of the others' existence. Seeking to unravel his father's mysterious personal life, Nathaniel combines rare personal footage and compelling interviews with the elder Kahn's colleagues, friends, and families.'"
    Content: MACHINE-GENERATED SUMMARY NOTE: "My Architect is filmmaker Nathaniel Kahn's intimate exploration of his father's life. Louis Kahn, the renowned architect, was found dead in Penn Station in 1974. He died in massive debt. His obituary in The New York Times mentioned Kahn's importance to modern architecture, but did not mention that he had a son. As it turned out, very few people knew that Louis Kahn led a kind of double life. He had a wife and daughter, but he also had two other children by two mistresses. Nathaniel traces his father's past, from his childhood to his prominence in the world of architecture. He interviews Louis' peers, including Frank Gehry, Philip Johnson, and I.M. Pei. He also interviews his own mother and his two half sisters. The filmmaker tries to reconcile his father's prestige with his financial ruin, and his passion for his work with his insensitive treatment of the women in his life and the children he fathered. He also travels the globe examining his father's legacy -- the buildings he designed throughout the world. My Architect was shown at New Directors/New Films in 2003."
    Content: MACHINE-GENERATED SUMMARY NOTE: "Der 1974 verstorbene Louis I. Kahn wird als einer der wichtigsten Architekten der zweiten Hälfte des 20. Jahrhunderts angesehen. Während Kahns künstlerisches Erbe eine kompromisslose Such nach Wahrheit und Klarheit ist, war sein privates Leben voller Geheimnisse und Chaos. Mit seinem mysteriösen Tod auf der Herrentoilette der New Yorker Penn Station hinterließ er drei Familien. In einer Reise um die Welt nimmt uns Nathaniel Kahn, der illegitime Sohn, mit zu den bekannten Architekten unserer Zeit, gewährt tiefe Einblicke in seine Familie und enthüllt die faszinierende Schönheit der Gebäude seines Vaters. Ein Film, der als persönliche Geschichte beginnt und schließlich zu einer universellen Suche nach Identität, Kunstverständnis und dem Leben an sich wird." -- "Louis I Kahn, who died in 1974, is regarded as one of the most important architects of the second half of the 20th century. While Kahn's artistic heritage is an uncompromising quest for truth and clarity, his private life was full of secrets and chaos. With his mysterious death in the men's room of New York's Penn Station, he left three families behind. In a journey around the world, Nathaniel Kahn, the illegitimate son, takes us to the well-known architects of our time, providing deep insights into his family and revealing the fascinating beauty of his father's buildings. A film that begins as a personal story and finally becomes a universal search for identity, understanding of art and life itself."
    Note: BONUS MATERIAL: trailer, conversation with Nathaniel Kahn, additional scenes and rare historical footage with Louis Kahn. , GENERAL NOTE: booklet includes text by Hansjörg Göritz (Architect, Hannover), Louis I. Kahn's biography, Nathaniel Kahn's biography. , CHAPTERS: 1 Beginnings... -- 2 Looking in Philadelphia -- 3 Heading West -- 4 The immigrant -- 5 Dreams of a better city -- 6 Going to sea -- 7 The truth about the bastard -- 8 The nomad -- 9 Family matters -- 10 The end of the journey -- 11 Credits. , LANGUAGE NOTE: English original with subtitles in German and English.
    Language: English
    Keywords: Documentary films
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  • 7
    UID:
    kobvindex_INT0001793
    Format: 1 DVD video (49 minutes) : , sound (Dolby Digital 2.0), colour, black & white ; , 1 booklet (8 pages). , 12 cm ; picture format : 4:3. +
    ISBN: 9783939873310 , 3939873314
    Content: MACHINE-GENERATED SUMMARY NOTE: "As co-produced by RM Arts and The BBC, this documentary examines the Bauhaus school of architecture as it emerged and evolved in the early 20th century between 1919 and 1933. The program discusses various figures responsible for the school including Walter Gropius, Josef Albers, Mies van der Rohe and Lásló Moholy-Nagy, and also views Bauhaus within the context of the Weimar Republic, the government that immediately preceded Hitler's Third Reich."
    Content: MACHINE-GENERATED SUMMARY NOTE: "Bauhaus (1919-1933). 'Let us create the new building of the future together; it will combine architecture, sculpture, and painting in a single form'. With this vision, Walter Gropius, in 1918, opened the Staatliche Bauhaus Weimar, which was to become one of the most influential schools of art, design and architecture from Dessau to Chicago. Artists such as Kandinsky, Itten, Feininger, Klee, Moholy-Nagy and Schlemmer taught there and, together with directors Gropius und van der Rohe, led the Bauhaus to embody reform, experimentation and the avant-garde. Through art works, archival records and interviews, this film delves into the exciting story of the school and its protagonists."
    Note: BONUS MATERIAL: trailer, picture gallery. , EDITORIAL NOTE: booklet includes text on the Bauhaus by Steffi Schültzke, translated into English by Kennedy & Unglaub. , LANGUAGE NOTE: audio languages: German, English, French.
    Language: English
    Keywords: Documentary films
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  • 8
    UID:
    kobvindex_INT0002569
    Format: 1 DVD video (104 + 26 minutes bonus) : , sound (Dolby 1.0) ; colour, black & white ; , 12 cm ; picture format : 4:3.
    ISBN: 9783898484510 (DVD) , 3898484513 (DVD)
    Series Statement: Arte-Edition / Dokumente (Vol. 451)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Bis heute gilt es als Urzelle der modernen Architektur und Designs - das Bauhaus. Doch 'Bauhaus' meint nicht nur das kubische weiße Haus mit flachem Dach, den Stahlrohrstuhl oder die Bauhaus-Lampe. Das Bauhaus war auch eine Ausbildungsstätte, die bis heute als Modell fungiert. Gelehrt haben dort weltbekannte Künstler wie Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius bis Mies van der Rohe. Der Film zeichnet ein Bild von dieser einmaligen Institution der künstlerischen Moderne - vom revolutionären Ausbruch nach dem Ende des Ersten Weltkriegs bis zur Auflösung und der Emigration, der beruflichen Weiterreise oder auch der Verstrickung einiger Bauhäusler im Nationalsozialistischen Deutschland. Erinnert werden diese Etappen vor allem von einigen ehemaligen Bauhaus-Studenten, die Meister kommen über Archivmaterial zu Wort." -- "To this day, it is regarded as the primordial cell of modern architecture and design - the Bauhaus. But 'Bauhaus' does not just mean the cubic white house with a flat roof, the tubular steel chair or the Bauhaus lamp. The Bauhaus was also a training center that still functions as a model today. It has been known by world-renowned artists such as Johannes Itten, Wassily Kandinsky, Lyonel Feininger, Paul Klee, Oskar Schlemmer, Walter Gropius and Mies van der Rohe. The film paints a picture of this unique institution of artistic modernity - from the revolutionary outbreak after the end of the First World War to the dissolution and emigration, the professional onward journey or the involvement of some Bauhaus members in National Socialist Germany. These stages are mainly reminiscent of some former Bauhaus students, the masters come across archive material to word."
    Note: BONUS MATERIAL: Fagus: Walter Gropius und die Fabrik der Moderne. , EDITORIAL NOTE: revised version of "Bauhaus : Mythos der Moderne", 1998. -- https://www.worldcat.org/title/bauhaus-modell-und-mythos/oclc/840847115. , MACHINE-GENERATED CONTENTS NOTE: 1 Was war das Bauhaus? -- 2 Bauhaus: Staatliche Schule für Gestaltung in Weimar -- 3 Die Bauhausstadt Tel Aviv (1) -- 4 Umzug nach Dessau -- 5 Bauhaus-Stil und neues Bauen -- 6 Die Bauhausstadt Tel Aviv (2) -- 7 Das Bauhaus unter Hannes Meyer -- 8 Das Bauhaus unter Mies van der Rohe -- 9 Migration und Anpassung nach 1933 -- 10 Bauhaus in den USA -- 11 Mythos Bauhaus -- Bonus: Fagus - Walter Gropius und die Fabrik der Moderne. , LANGUAGE NOTE: in German and English.
    Language: German
    Keywords: Documentary films
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  • 9
    UID:
    kobvindex_INT0004224
    Format: 1 DVD-Video (104 min) : , colour and black & white ; , aspect ratio : 16:9 - 1.77:1.
    Content: MACHINE-GENERATED SUMMARY NOTE: "Covering all the major movements and trends in the history of photography, this authoritative series goes behind some of the most famous images of the last 150 years, analysing and using quirky visual techniques to illustrate the works and show how they were achieved."
    Note: LANGUAGE NOTE: spoken languages: French, German, English; subtitles: French.
    Language: French
    Keywords: Documentary films
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  • 10
    UID:
    kobvindex_INT0004227
    Format: 3 DVD videos (429 minutes) : , teilw. s/w, teilw. farb. (NTSC) ; stereo ; Ländercode 0 ; , 12 cm ; Bildformat: 4:3.
    Content: MACHINE-GENERATED SUMMARY NOTE: "Une collection de films pour découvrir la démarche artistique des plus grands photographes contemporains sous un angle original : au fil d'un parcours en images (planches-contact, épreuves de travail, tirages ou diapositives) commenté par son auteur, le spectateur pénètre dans l'univers secret du travail de création, au cœur du processus d'élaboration d'une œuvre photographique." -- "A collection of films to discover the artistic approach of the greatest contemporary photographers from an original angle: over a journey in images (contact sheets, working proofs, prints or slides) commented by its author, the viewer enters the secret universe of creative work, at the heart of the process of developing a photographic work."
    Note: MACHINE-GENERATED CONTENTS NOTE: Vol. 1. La grande tradition du photo-reportage = The great tradition of photo journalism : Henri Cartier-Bresson ; William Klein ; Raymond Depardon ; Mario Giacomelli ; Josef Koudelka ; Robert Doisneau ; Edouard Boubat ; Elliott Erwitt ; Marc Riboud ; Leonard Freed ; Helmut Newton ; Don McCullin -- Vol. 2. Le renouveau de la photographie contemporaine = The upsurge of contemporary photography : Sophie Calle ; Nan Goldin ; Duane Michals ; Sarah Moon ; Nobuyoshi Araki ; Hiroshi Sugimoto ; Andreas Gursky ; Thomas Ruff ; Jeff Wall ; Lewis Baltz ; Jean-Marc Bustamante -- Vol. 3. La photographie conceptuelle = The conceptual photograpy : John Baldessari ; Bernd & Hilla Becher ; Christian Boltanski ; Alain Fleischer ; John Hilliard ; Roni Horn ; Martin Parr ; Georges Rousse ; Thomas Struth ; Wolfgang Tillmans. , Franz. und engl.
    Language: French
    Keywords: Documentary films
    Author information: Klein, William 1928-
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