Kooperativer Bibliotheksverbund

UID:

Format: 319 Seiten : , Illustrationen.

ISBN: 978-0-8478-6055-5 , 0-8478-6055-8

Content: An icon of performance art and the indie-music world, this is the first book on the artist's full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an "experimental marvel" by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier. A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist's own words.--Amazon

Note: Out on the ice -- This mist be the place - Talking statues - Made of light - This is your captain - Speak my language - From the air - Time to go

Language: English

Subjects: Art History

Keywords: 1947- Anderson, Laurie ; Performance ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030248957&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Author information: Anderson, Laurie, 1947-,

UID:

Format: XIV, 277 S. : , graph. Darst.

ISBN: 0-8204-4135-X

Series Statement: Politics, media & popular culture 2

Content: "It's Show Time! Media, Politics, and Popular Culture is a collection of original essays introducing undergraduate students and interested readers to the important role that the media and popular culture have in shaping their lives and views on politics. Written by both political scientists and journalists, this book looks at the diverse ways television, movies, the internet, and even soap operas mold public opinion and define how we view political reality

Content: However, as these essays will reveal, this socialization is not all benign. Instead, this book reveals a corporate media increasingly trapped by the demands to inform, entertain, and make a profit - often at times distorting reality by transforming criminals into heroes, assassination theories into fact, and participatory government into a spectator sport

Content: Overall, It's Show Time! explores the limits and possibilities of the media and emerging information technologies as they shape political perceptions and politics into the twenty-first century."--BOOK JACKET

Language: English

Subjects: Political Science , General works

Keywords: Massenkultur ; Massenmedien ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008931435&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

Author information: Schultz, David A. 1958-

UID:

Format: 1 Online-Ressource (xviii, 299 Seiten, 31 ungezählte Seiten Bildtafeln) : , Illustrationen.

ISBN: 978-1-3502-6510-3

Content: "The world is in crisis, bringing activists and protestors onto the streets and into the public eye. More than ever, activism relies on spectacle and visibility in order to be noticed in the era of globalized capitalism and networked media. At the same time, a growing number of artists employ creative strategies to critique the establishment, act in resistance, and demand change. Visual activism of this kind is not new, but it is rapidly evolving. This anthology presents 22 case-studies of visual activism from across the globe, providing an up-to-date picture of the impact of contemporary visual and art activism, and combining a scholarly interrogation of visual activism with an examination of how it works in practice. The case studies address a wide range of issues including human rights abuses; state violence; gender and sexuality; racism; migration; and climate breakdown. They examine a range of approaches from playful carnivalesque parades to extreme practices such as 'gluing-on' and 'lip-sewing', and are drawn from a wide range of international contexts -- from Europe and the US to Israel, Palestine, Iran, India, Pakistan, Tunisia, and China. This diverse scope enables readers to consider examples comparatively -- noticing emerging trends and key differences to reveal how geopolitical and cultural factors play an important role in shaping activist practices. This rich and timely collection provides a fresh perspective on the possibilities, limitations and politics of visual activism, as activists, artists, and curators respond to the changing world around them in this most uncertain of times."

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-26507-3

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3502-6508-0

Language: English

Keywords: Politische Kunst ; Kunstsoziologie ; Aufsatzsammlung ; History ; Aufsatzsammlung

DOI: 10.5040/9781350265103

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Format: 1 online resource (xviii, 288 pages).

Edition: First edition.

ISBN: 9781032700120 , 1032700122 , 9781040029091 , 1040029094 , 9781040029114 , 1040029116

Series Statement: Routledge Research in Arts Education

Content: This comprehensive volume highlights and centers untold histories of education at the Museum of Modern Art (MoMA) from 1937 to 2020, using the critical voices of artists, scholars, designers, and educators. Exploring these histories as transformative and paradigm-shifting in museum education, it elevates MoMA educators as vocal advocates for harnessing the educational power that museums inherently possess. Divided into three interlinked parts, the first sheds light on the early educational endeavors of the museum while analyzing the context of art education in the United States. The second part focuses on the tenures of Victor D'Amico and Betty Blayton, utilizing the MoMA archives as a primary resource. It includes essays by Ellen Winner, Luis Camnitzer, Susan E. Cahan, Michelle Millar Fisher, HECTOR (Jae Shin & Damon Rich), Gregory Sholette, Carol Duncan, Moreen Maser, Nana Adusei-Poku, Carmen Mörsch, Rika Burnham, Donna M. Jones, and José Ortiz. The third part presents the perspectives of William Burback, Philip Yenawine, Patterson Sims, Deborah F. Schwartz, and Wendy Woon as former MoMA Directors of Education in their own words and considers the forces that shaped their work. This timely and unique exploration ultimately aims to trace and understand the fundamental and evolving concerns of a seemingly underexamined profession constantly striving to maintain relevance in an environment marked by institutional, social, and political uncertainty. Exploring the radical acts undertaken to keep the museum true to its original promise, it delineates the paradox whereby education is both central and invisible to the identity of MoMA and museums more broadly and re-centers the conception of the museum as an educational institution. It is designed for scholars, researchers, and post-graduate students interested in arts education, visual literacy, museum studies, and communication studies.

Note: ForewordWendy WoonIntroductionSara Torres-VegaPART 1ROOT: A BEGINNING, A PEDAGOGY, A TERRAIN, A SPIRALSara Torres-VegaChapter 1 MASS FRUSTRATION: On the historical hunger for cultural openings and inclusionSara Torres-Vega1.1 What Victor D'Amico Got Right About Art EducationEllen Winner1.2 Inclusive Exclusions: Victor D'Amico and the Management of Diversity at MoMA Education (1935-1970 and beyond) Sara Torres-VegaChapter 2 DISSIDENT ELITES: on the need for powerful alliesSara Torres-Vega2.1 The Museum, Is Not A School?Luis Camnitzer2.2Art for Democracy: The Young People's GallerySusan E. Cahan2.3 "The Principles Of Modern Architecture Are ____": Arthur Drexler and the Museum as ClassroomMichelle Millar Fisher2.4 SpaceboxingHector (Jae Shin and Damon Rich)PART 2 ARCA: A SHELL, A BOX, AN ARK, A BARGESara Torres-VegaChapter 3 A WORLD IN CRISIS: on art education in times of warSara Torres-Vega3.1 The Archive We Don't See: Mining a Speculative Counter-Narrative within MoMA's Victor D'Amico PapersGregory Sholette3.2Art-Class DemocracyCarol DuncanChapter 4A PERMISSIVE INTERNATIONAL CONTEXT: on the globality of artSara Torres-Vega4.1ArchivingIl ParadisoSara Torres-Vega4.2 Confidential Report: MoMA in Barcelona (Spain) FeriaMoreen Maser4.3Index of an Image from the MoMA Education ArchiveNana Adusei-Pokuand Carmen Mörsch4.4Three Breakfasts With Indira Gandhi: Prabha Sahasrabudhe's Reminiscences of the Children's Art Carnival in IndiaSara Torres-VegaChapter 5 DISCONTINUANCERika BurnhamChapter 6 AFTERLIFE: on leading a new beginningBetty Blayton6.1Finding the Children's Art Carnival: An International TreasureDonna M. Jones6.2Intro To A Life In The ArtsJosé OrtizPART III. REMANENCE: a practice, a voice, a story, a forceSara Torres-VegaCharter 7. DEMOCRATIZING THE ARTSWilliamBurbackChapter 8. VISUAL THINKING AND POLITICAL ACTIONPhilip YenawineChapter 9.BROADENING THE AUDIENCE: more technology and internationalizationPatterson SimsChapter 10. AN EXPANDING MUSEUM COMMUNITYDeborah F. SchwartzChapter 11. THE MUSEUM AS A LABORATORYWendy Woon

Additional Edition: ISBN 1032611545

Additional Edition: ISBN 9781032611549

Language: English

Keywords: Aufsatzsammlung

DOI: 10.4324/9781032700120

URL: https://www.taylorfrancis.com/books/9781032700120

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

UID:

Format: xviii, 829 Seiten : , Illustrationen, Diagramme, Notenbeispiele.

ISBN: 978-0-19-045474-6 , 0190454741

Note: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0

Language: English

Subjects: Musicology

Keywords: Aufsatzsammlung ; Aufsatzsammlung

UID:

Format: 340 S. , Ill.

ISBN: 0812910885

Language: English

Subjects: Art History

Keywords: USA ; Architektur ; Geschichte 1974-1983 ; Architektur ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1914-1983 ; Architektur ; USA ; Geschichte 1974-1983 ; USA ; Architektur ; Geschichte 1900-2000 ; USA ; Design ; Geschichte 1900-2000 ; Aufsatzsammlung

UID:

Format: X, 540 Seiten , Illustrationen, Diagramme

ISBN: 9780199841547

Series Statement: Oxford handbooks

Content: The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts.

Content: The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. - Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.

Note: Includes bibliographical references and index

Language: English

Subjects: Musicology

Keywords: Westliche Welt ; Musik ; Audiovisuelle Medien ; Mixed media ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: 336 Seiten , Illustrationen , 24 cm

Edition: First edition

ISBN: 9781138915381 , 1138915386 , 9781138929784 , 1138929786

Content: Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating

Note: Inside and outside the archive , Liveness and the entanglement with things , REMAKE. -- , Monument G as a call for reconstruction , Untitled (After violent incident) , Stuart Sherman's Hamlet: a careful misreading , Rosemary Butcher: after Kaprow--a visual journey , Six questions , The ghost time of transformation , RETURN. -- , Jog shuttler , Our 18 beginnings , Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) , Re-enacting the archive: untimely meditations on the use and abuse of repetition , Archive, repertoire and embodied histories in Nao Bustamente's performative practice , The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story , REVIEW. -- , The lesson of anatomy , Authority, authorship and authoring in The Theatre of Mistakes , Do the wild thing! Redux , Understanding negative dialectics , 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive , Resistance to representation and the fabrication of truth: performance as thought-apparatus , ARCHIVE. -- , Talker catalogue , Nothing goes to waste , The Singapore Art Archive Project , Playing with shadows and speaking in echoes , Performing with ghosts: a talk remembered , The future perfect of the archive: re-thinking performance in the age of third nature

Additional Edition: Erscheint auch als E-Book

Language: English

Keywords: Kunst ; Performance ; Tanz ; Archiv ; Archivierung ; Geschichte 2000-2018 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: xiv, 225 Seiten : , Illustrationen, Diagramme.

ISBN: 978-1-03-217373-3 , 978-0-367-85936-7

Content: Some people have a gender which is neither male nor female and may identify as both male and female at one time, as different genders at different times, as no gender at all, or dispute the very idea of only two genders. The most often heard umbrella terms for such genders are 'non-binary' or 'genderqueer' genders. This book looks to bring together those currently exploring and researching this non-binary phenomenon. Gender identities outside of the binary of female and male are increasingly being recognized in social, legal, medical and psychological discourses together with the emerging presence and advocacy of people, who identify as non-binary or genderqueer. Population-based studies show a small percentage - but a sizable proportion in terms of numbers - of people who identify as non-binary. While such genders have always been in existence worldwide, they remain marginalized, and as such at risk of victimization and of minority stress as a result of social non-acceptance and discrimination. Non-binary and Genderqueer Genders explores these gender identities in relation to health, well-being, and/or other experiences in an effort to contribute to improving clinical standards and continued cultural change towards acceptance for this group of people.

Note: This book was originally published as a special issue of the 'International journal of transgenderism' (renamed International Journal of Transgender Health in 2020), volume 20, issue 2/3

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-00-005332-6

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-00-301588-8

Language: English

Subjects: Psychology , Sociology

Keywords: Transgender ; Geschlechtsidentität ; Nonkonformismus ; Aufsatzsammlung ; Aufsatzsammlung

Author information: Nieder, Timo O.

UID:

Format: XIV, 375 S. : , Ill.

Edition: 1. publ.

ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2

Note: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson

Language: English

Subjects: Musicology , General works

Keywords: Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026174934&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis