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  • UdK Berlin  (7)
  • Abraham Geiger Kolleg
  • SB Eberswalde
  • BLDAM-Baudenkmalpflege
  • Kunst  (4)
  • Tanz  (4)
  • 1
    Book
    Book
    London ; New York, New York :Thames & Hudson,
    UID:
    almahu_BV048463233
    Format: 352 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen.
    ISBN: 978-0-500-02443-0
    Content: In This is Tomorrow Michael Bird takes a fresh look at the ‘long twentieth century’, from the closing years of Queen Victoria’s reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler’s defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson’s melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Kunst ; Künstler
    Author information: Bird, Michael, 1958-,
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  • 2
    UID:
    b3kat_BV045220657
    Format: 336 Seiten , Illustrationen , 24 cm
    Edition: First edition
    ISBN: 9781138915381 , 1138915386 , 9781138929784 , 1138929786
    Content: Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating
    Note: Inside and outside the archive , Liveness and the entanglement with things , REMAKE. -- , Monument G as a call for reconstruction , Untitled (After violent incident) , Stuart Sherman's Hamlet: a careful misreading , Rosemary Butcher: after Kaprow--a visual journey , Six questions , The ghost time of transformation , RETURN. -- , Jog shuttler , Our 18 beginnings , Performing art history: non-linear, synchronous and syncopated times in Performance Re-enactment Society's Group show (Arnolfini, Bristol 2012) , Re-enacting the archive: untimely meditations on the use and abuse of repetition , Archive, repertoire and embodied histories in Nao Bustamente's performative practice , The patina of performance: documentary practice and the search for origins in The Wooster Group's Fish story , REVIEW. -- , The lesson of anatomy , Authority, authorship and authoring in The Theatre of Mistakes , Do the wild thing! Redux , Understanding negative dialectics , 9 beginnings: sonic theatrical possibilities and potentialities in the performance archive , Resistance to representation and the fabrication of truth: performance as thought-apparatus , ARCHIVE. -- , Talker catalogue , Nothing goes to waste , The Singapore Art Archive Project , Playing with shadows and speaking in echoes , Performing with ghosts: a talk remembered , The future perfect of the archive: re-thinking performance in the age of third nature
    Additional Edition: Erscheint auch als E-Book
    Language: English
    RVK:
    Keywords: Kunst ; Performance ; Tanz ; Archiv ; Archivierung ; Geschichte 2000-2018 ; Aufsatzsammlung
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  • 3
    UID:
    almafu_BV046187660
    Format: VII, 361 Seiten : , Illustrationen.
    ISBN: 978-0-8153-5623-3 , 978-0-367-73385-8
    Series Statement: Routledge advances in theatre and performance studies
    Content: "Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars uniting to develop a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance"...
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-351-12846-9
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Tanz ; Bewegung ; Leiblichkeit ; Migration ; Verflechtung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Egert, Gerko
    Author information: Brandstetter, Gabriele 1954-
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  • 4
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV043877379
    Format: xix, 252 Seiten
    ISBN: 9781474252737 , 9781474252744
    Series Statement: Radical aesthetics - radical art
    Content: Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Veronica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-5275-1
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-5276-8
    Language: English
    Keywords: USA ; Kuba ; Großbritannien ; Australien ; Kunst ; Flüchtling ; Migration ; Gesellschaft ; Politik ; Geschichte 1950-2015
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  • 5
    UID:
    b3kat_BV023958005
    Format: 40 Taf.
    Series Statement: Teaching portfolio 3
    Language: English
    Keywords: Kunst ; Geschichte 1920-1950 ; Ausstellungskatalog
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  • 6
    UID:
    b3kat_BV024102195
    Format: 1 DVD, 71 Min., teilw. s/w , 12 cm
    Content: "[...] a compelling look at the life and work of revolutionary modern dancer and choreographer Jose Limon (1908-1972), once described by the New York Times as the "greatest male dancer of his own or any other time." [Cover]
    Note: Orig.: USA 2001 , Engl.
    Language: English
    Keywords: Limón, José 1908-1972 ; Tanz ; Limón, José 1908-1972 ; Biografie ; DVD-Video
    Author information: Hagen, Uta 1919-2004
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  • 7
    UID:
    b3kat_BV048807516
    Format: xii, 300 Seiten , Porträt , 21 cm
    Edition: Random House Trade Paperback edition
    ISBN: 9781984801203 , 1984801201
    Content: "I was a devil in other countries, and I was a little devil in America, too." Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, Hanif Abdurraqib has written a profound reflection on how Black performance is inextricably woven into the fabric of American culture
    Content: "A Little Devil in America is an urgent project that unravels all modes and methods of Black performance, in this moment when Black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how Black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of Black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how Black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critiques, and praises performance in music, sports, writing, comedy, grief, games, and love"--
    Note: Performing miracles , On times I have forced myself to dance , On marathons and tunnels , On going home as performance , An epilogue for Aretha -- , Suspending disbelief , On times I have forced myself to dance , This one goes out to all the magical Negroes , Sixteen ways of looking at blackface , On certain and uncertain movement of limbs , Nine considerations of Black people in space -- , On matters of country/provenance , On times I have forced myself to dance , The Josephine Baker monument can never be large enough , It is safe to say I have lost many games of spades , My favorite thing about Don Shirley , I would like to give Merry Clayton her roses , Beyoncé performs at the Super Bowl and I think about all the jobs I've hated -- , Anatomy of closeness//Chasing blood , On times I have forced myself to dance , The beef sometimes begins with a dance move , Fear: a crown , On the performance of softness , Board up the doors, tear down the walls -- , Callings to remember , On times I have forced myself not to dance
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781984801210
    Language: English
    Keywords: Person of Color ; USA ; Tanz ; Musik ; Geschichte 1920-2010
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