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  • UdK Berlin  (10)
  • BTU Cottbus  (5)
  • HS Musik Hanns Eisler  (3)
  • Collegium Polonicum
  • SB Rathenow
  • Wissenschaftspark Albert Einstein
  • Musikwissenschaft  (12)
  • Informatik  (6)
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  • 1
    Buch
    Buch
    New York, NY ; Oxford :Oxford Univ. Press,
    UID:
    almafu_BV005587258
    Umfang: XVI, 506, [16] S. : , Ill. ; , 25 cm.
    ISBN: 0-19-506508-5
    Inhalt: From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural music figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But a cloud still hangs over his reputation, despite his undeniable brilliance as a musician, because of a fatal and tragic decision. Wilhelm Furtwangler remained in Germany when thousands of intellectuals and artists fled after the Nazis seized power in 1933. His decision to stay behind earned him lasting condemnation as a Nazi collaborator--"The Devil's Music Master." Decades after his death, Furtwangler remains for many not only the greatest but also the most controversial musical personality of our time. In The Devil's Music Master, Sam H. Shirakawa forges the first full-length and comprehensive biography of Furtwangler
    Inhalt: He surveys Furtwangler's formative years as a difficult but brilliant prodigy, his rise to pre-eminence as Germany's leading conductor, and his development as a musician, composer, and thinker. Shirakawa also reviews the rich recorded legacy Furtwangler documented throughout his forty-year career--such as the legendary Tristan with Kirsten Flagstad and the famous performances of Beethoven's Ninth Symphony in 1942 and 1951. Equally important, Shirakawa goes backstage and behind the lines to explore how the Nazis seized control of the arts and how Furtwangler single-handedly tried to prevent such evil characters as Propaganda Minister Joseph Goebbels and Luftwaffe Chief Hermann Goring from annihilating Germany's musical life. He shows how Furtwangler, far from being a toady to the Nazis, stood up openly against Hitler and Himmler--at enormous personal risk--to salvage the musical traditions of Bach, Mozart, and Beethoven
    Inhalt: Shirakawa also presents moving and overwhelming evidence of Furtwangler's astonishing efforts to save the lives of Jews and other persecuted individuals trapped in Nazi Germany--only to be proscribed at the end of the war and nearly framed as a war criminal. But there was more to Furtwangler than his politics, or even his music, and we come to know this extraordinary man as a reluctant composer, a prolific essayist and diary keeper, a loyal friend, a formidable enemy when crossed, and an incorrigible philanderer. Numerous musical luminaries share their memories of Furtwangler to round out this vivid portrait. Based on dozens of interviews and research in numerous documents, letters, and diaries, many of them previously unpublished, The Devil's Music Master is an in-depth look at the life and times of a unique personality whose fatal flaw lay in his uncompromising belief that music and art must be kept apart from politics, a conviction that transformed him into a tragic figure
    Anmerkung: Literaturangaben
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1886-1954 Furtwängler, Wilhelm ; 1886-1954 Furtwängler, Wilhelm ; Biografie ; Biografie ; Biografie ; Biografie ; Biographie ; Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York [u.a.] :Times Books,
    UID:
    almafu_BV022464011
    Umfang: 277 S.
    Ausgabe: 1. ed.
    ISBN: 0-8050-8043-0 , 978-0-8050-8043-8
    Inhalt: Philosopher Weinberger shows how the digital revolution is radically changing the way we make sense of our lives. Human beings constantly collect, label, and organize data--but today, the shift from the physical to the digital is mixing, burning, and ripping our lives apart. In the past, everything had its one place--the physical world demanded it--but now everything has its places: multiple categories, multiple shelves. Everything is suddenly miscellaneous. Weinberger charts the new principles of digital order that are remaking business, education, politics, science, and culture. He examines how Rand McNally decides what information not to include in a physical map (and why Google Earth is winning that battle), how Staples stores emulate online shopping to increase sales, why your children's teachers will stop having them memorize facts, and how the shift to digital music stands as the model for the future.--From publisher description
    Inhalt: From A to Z, Everything Is Miscellaneous will completely reshape the way you think - and what you know - about the world. Includes information on alphabetical order, Amaxon.com, animals, Aristotle, authority, Bettmann Archive, blogs (weblogs), books, broadcasting, British Broadcasting Corporation (BBC), business, card catalog, categories and categorization, clusters, companies, Colon Classification, conversation, Melvil Dewey, Dewey Decimal Classification system, Encyclopaedia Britannica, encyclopedia, essentialism, experts, faceted classification system, first order of order, Flickr.com, Google, Great Books of the Western World, ancient Greeks, health and medical information, identifiers, index, inventory tracking, knowledge, labels, leaf and leaves, libraries, Library of Congress, links, Carolus Linnaeus, lumping and splitting, maps and mapping, marketing, meaning, metadata, multiple listing services (MLS), names of people, neutrality or neutral point of view, New York Public Library, Online Computer Library Center (OCLC), order and organization, people, physical space, everything having place, Plato, race, S.R. Ranganathan, Eleanor Rosch, Joshua Schacter, science, second order of order, simplicity, social constructivism, social knowledge, social networks, sorting, species, standardization, tags, taxonomies, third order of roder, topical categorization, tree, Uniform Product Code (UPC), users, Jimmy Wales, web, Wikipedia, etc
    Sprache: Englisch
    Fachgebiete: Informatik , Allgemeines , Philosophie
    RVK:
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    Schlagwort(e): Informationsmanagement ; Elektronisches Informationsmittel ; Wissensmanagement ; Informationstechnik ; Wissensmanagement ; Informationstechnik ; Gesellschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New York, NY [u.a.] :Palgrave Macmillan on behalf of the British Film Institute,
    UID:
    almafu_BV036704826
    Umfang: 226 S. : , Ill.
    Ausgabe: 1. publ.
    ISBN: 978-1-8445-7210-6
    Anmerkung: Tales of plagiarism and pastiche -- Nino Rota: life, works and times -- Ironic attachment -- Comedy -- Fellini -- Notes -- Synopses -- Re-uses -- Filmography -- Bibliography -- Index
    Sprache: Englisch
    Fachgebiete: Allgemeines , Musikwissenschaft
    RVK:
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    Schlagwort(e): 1911-1979 Rota, Nino ; Filmmusik
    Mehr zum Autor: Dyer, Richard 1945-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Oxford ; New York, NY [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV041570276
    Umfang: XI, 297, [14] S. : , Ill., Notenbeisp.
    ISBN: 978-0-19-973005-6
    Serie: The master musicians
    Inhalt: Nearly one hundred years after the death of its composer, the music of Claude Debussy has lost none of its breadth of appeal. With the rare ability to entice listeners on many levels, at its heart lies an engaging simplicity-one which defies traditional analysis and lends mystery to what ultimately is an extremely refined and highly personal approach to composition. Equally fascinating is Debussy's often contradictory personality-at times elusive, but always centered on his devotion to music and his ambition to create a name for himself unlike any other. Author Eric Frederick Jensen provides new insight to the man and the music in this authoritative biography. Although born into poverty, and a failure as a piano student at the Paris Conservatoire, Debussy became the most famous French composer of his day, known for his culture and refinement. His revolutionary music baffled critics but was embraced by audiences. Debussy's scandalous personal life stirred up as much controversy as his music, and his notoriety proved more harmful to his career than the unusual nature of his compositions. Jensen also explores Debussy's relationship to the arts and his career as a music critic. Debussy drew on all of the arts in his development as a composer, including poetry and painting, and his fascination with the arts has often led to his being classified as an Impressionist or Symbolist, two claims which Jensen debunks. One of the finest music critics of his time, Debussy's reviews reveal a great deal not only about his musical taste, but also about what he felt the role and function of music should be. Debussy brings together the most recent biographical research, including a revised catalogue of Debussy's compositions and the first complete edition of his correspondence. With separate, chronological sections on his life and music, Debussy is accessible to the general reader who wishes to focus on his life and personality, while p
    Anmerkung: Literaturverz. S. 279 - 289. - Werkverzeichnis Debussy Seite 260-272
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1862-1918 Debussy, Claude ; Biografie ; Werkverzeichnis ; Biografie ; Biografie ; Werkverzeichnis
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  • 5
    UID:
    almahu_9947364520402882
    Umfang: XII, 523 p. 137 illus., 60 illus. in color. , online resource.
    ISBN: 9783642245411
    Serie: Lecture Notes in Computer Science, 6875
    Inhalt: This Festschrift volume, published in honor of Brian Randell on the occasion of his 75th birthday, contains a total of 37 refereed contributions. Two biographical papers are followed by the six invited papers that were presented at the conference 'Dependable and Historic Computing: The Randell Tales', held during April 7-8, 2011 at Newcastle University, UK. The remaining contributions are authored by former scientific colleagues of Brian Randell. The papers focus on the core of Brian Randell’s work: the development of computing science and the study of its history. Moreover, his wider interests are reflected and so the collection comprises papers on software engineering, storage fragmentation, computer architecture, programming languages and dependability. There is even a paper that echoes Randell’s love of maps. After an early career with English Electric and then with IBM in New York and California, Brian Randell joined Newcastle University. His main research has been on dependable computing in all its forms, especially reliability, safety and security aspects, and he has led several major European collaborative projects.
    Anmerkung: Part A: Biographical -- What I Learned from Brian (Hermann Kopetz) -- Brian Randell: A Biographical Note (John L. Lloyd and Tom Anderson) -- Part B: Conference Papers -- On Building a Referee’s Avatar (Algirdas Avizienis) -- From Theory to Practice: The Invention of Programming, 1947-51 (Martin Campbell-Kelly) -- Transactions: From Local Atomicity to Atomicity in the Cloud (David Lomet) -- From DSS to MILS (John Rushby) -- Pre-electronic Computing (Doron Swade) -- Whetstone Wanderings (Brian Wichmann) -- Part C: Contributed Papers -- Using Real-Time Road Traffic Data to Evaluate Congestion (Jean Bacon, Andrei Iu. Bejan, Alastair R. Beresford, David Evans, Richard J. Gibbens, and Ken Moody) -- Fault Tolerant Autonomic Computing Systems in a Chemical Setting (Jean-Pierre Banatre, Christine Morin, and Thierry Priol) -- Out of a Closet: The Early Years of the Computer Museum (Gordon Bell) -- Timing Faults and Mixed Criticality Systems (Alan Burns and Sanjoy Baruah) -- Professor Brian Randell and the History of Computing (Paul E. Ceruzzi) -- Computer Storage Fragmentation: Pioneering Work of Brian Randell (Ed Coffman) -- IBM-ACS: Reminiscences and Lessons Learned from a 1960’s Supercomputer Project (Lynn Conway) -- The Belgian Electronic Mathematical Machine (1951-1962): An Account (Pierre-Jacques Courtois) -- On the Resilience of the Dependability Framework to the Intrusion of New Security Threats (Marc Dacier) -- Virtual Fault Tolerance (Peter J. Denning) -- Recovery Blocks (Tony Hoare) -- The Development and Writing of “Process Structuring” (J.J. Horning) -- A Tolerant Approach to Faults (Michael Jackson) -- Causality in Structured Occurrence Nets (Jetty Kleijn and Maciej Koutny) -- Diversity (John C. Knight) -- Swords and Ploughshares: Connections between Computer Projects for War and Peace, 1945–55 (Simon Lavington) -- The Evolution of the Arjuna Transaction Processing System (M.C. Little and S.K. Shrivastava) -- Making Experiments Dependable (Roy Maxion) -- Wallpaper Maps (M. Douglas McIlroy) -- Incremental Design: Programming with Holes and Evolvers (Ron Morrison, Dharini Balasubramaniam, and Brian Warboys) -- Carrying Goals to Newcastle: A Tribute to Brian Randell (Peter G. Neumann) -- Distributed Computing in the 21st Century: Some Aspects of Cloud Computing (Fabio Panzieri, Ozalp Babaoglu, Stefano Ferretti, Vittorio Ghini, and Moreno Marzolla) -- Software Engineering: Multi-person Development of Multi-version Programs (David Lorge Parnas) -- Tolerance of Design Faults (David Powell, Jean Arlat, Yves Deswarte, and Karama Kanoun) -- On the Implementation of Concurrent Objects (Michel Raynal) -- Beyond Traces and Independence (Fred B. Schneider) -- Socio-technical Complex Systems of Systems: Can We Justifiably Trust Their Resilience? (Luca Simoncini) -- Safety, Security and Dependability in Crowd Computing (W_ladys_law M. Turski) -- Achieving Dependability in Service-Oriented Systems (Jie Xu).
    In: Springer eBooks
    Weitere Ausg.: Printed edition: ISBN 9783642245404
    Sprache: Englisch
    Fachgebiete: Informatik
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    Schlagwort(e): Festschrift ; Konferenzschrift ; Konferenzschrift
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  • 6
    Buch
    Buch
    New York, NY :Knopf,
    UID:
    almafu_BV004311677
    Umfang: 354 S. : , Ill.
    Ausgabe: 1. ed.
    ISBN: 0-394-58339-6
    Serie: A Borzoi book
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1898-1937 Porgy and Bess Gershwin, George ; Aufführung ; Geschichte ; 1898-1937 Porgy and Bess Gershwin, George
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    New York, NY :Oxford University Press,
    UID:
    almahu_BV046100695
    Umfang: xviii, 829 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    ISBN: 978-0-19-045474-6 , 0190454741
    Anmerkung: Pitch, tone, and note / Brian Parkhurst, Stephan Hammel -- Interval / Henry Klumpenhouwer -- Mode / Susan McClary -- Scale / Matthew Gelbart -- Tonic / Steven Rings -- Timbre / David Blake -- Texture / Jonathan De Souza -- Repetition / Elizabeth Hellmuth Margulis -- Meter / Richard Cohn -- Temporalities / Martin Scherzinger -- Groove / Guilherme Schmidt Camara, Anne Danielsen -- Phrase / Janet Schmalfeldt -- Form / Daniel Grimley -- Expressive timing / Mitch Ohriner -- Melody / David Trippett -- Consonance and dissonance / Alexander Rehding -- Tonal harmony / Ian Quinn -- Key and modulation / Suzannah Clark -- Cadence / Daniel Harrison -- Sequence / Naomi Waltham-Smith -- Polyphony / Michael Tenzer -- Musical grammar / Robert O. Gjerdingen -- Analytical relationships / Marion Guck -- Images, visualization, and representation / Dora Hanninen -- What is music, anyway? / Andrew Bowie
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-19-045476-0
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung
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  • 8
    Buch
    Buch
    New York : Oxford University Press
    UID:
    b3kat_BV043707233
    Umfang: X, 540 Seiten , Illustrationen, Diagramme
    ISBN: 9780199841547
    Serie: Oxford handbooks
    Inhalt: The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts.
    Inhalt: The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. - Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Westliche Welt ; Musik ; Audiovisuelle Medien ; Mixed media ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Buch
    Buch
    Rochester, New York :Camden House,
    UID:
    almahu_BV044997533
    Umfang: XIII, 238 Seiten : , Notenbeispiele.
    ISBN: 978-1-64014-000-4
    Serie: Studies in German literature, linguistics, and culture
    Inhalt: Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.
    Anmerkung: Includes bibliographical references and index , Introduction. - Early Songs. - To Those Who Come After. - Hölderlin in Hollywood. - A Home for Goethe? - Serious Songs. - Conclusion. - Notes. - Bibliography. - Index
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): 1898-1962 Eisler, Hanns ; Lied ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    UID:
    almahu_BV041200038
    Umfang: XIV, 375 S. : , Ill.
    Ausgabe: 1. publ.
    ISBN: 978-1-4411-5937-3 , 1-4411-5937-1 , 978-1-4411-1054-1 , 1-4411-1054-2
    Anmerkung: Includes bibliographical references and index. - "Kick out the jams" : creative anarchy and noise in 1960s rock / Sheila Whiteley -- Recasting noise : the lives and times of metal machine music / Nicola Spelman -- Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 / Benjamin Halligan -- To be played at maximum volume : rock music as a disabling (deafening) culture / George Mckay -- Sounds incorporated : dissonant sorties into popular culture / Stephen Mallinder -- Stairwells of abjection and screaming bodies : Einstürzende Neubauten's Artaudian noise music / Jennifer Shryane -- Make a joyous noise : the Pentecostal nature of American noise music / Seb Roberts -- Roars of discontent : noise and disaffection in two cases of Russian punk / Yngvar B. Steinholt -- Noise from nowhere : exploring "Noisyland's" dark, noisy and experimental music / Michael Goddard -- Archive : indestructible energy : seeing noise / Julie R. Kane -- Xenakian sound synthesis : its aesthetics and influence on "Extreme" computer music / Christopher Haworth -- Sound barriers : the framing functions of noise and silence / Alexis Paterson -- Listening aside : an aesthetics of distraction in contemporary music / David Cecchetto and eldritch Priest -- Using noise techniques to destabilize composition and improvisation / Eric Lyon -- Noise as mediation : Adorno and the turntablism of Philip Jeck / Erich Hertz -- Noise as music : is there a historical continuum? From historical roots to industrial music / Joseph Tham -- Noise as material impact : new uses of sound in noise-related movements / Rafael Sarpa -- Into the full : Strawson, Wyschnegradsky and acoustic space in noise musics / J.-P. Caron -- Gossips, sirens, Hi-Fi wives : feminizing the threat of noise / Marie Thompson -- Beyond auditive unpleasantness : an exploration of noise in the work of Filthy Turd / James Mooney and Daniel Wilson
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft , Allgemeines
    RVK:
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    Schlagwort(e): Geräuschmusik ; Aufsatzsammlung ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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