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  • AV-Medium  (60)
  • Image
  • Yiddish  (60)
  • Jüdisches Museum  (60)
  • Zentrum Info.arbeit Bundeswehr
  • SB Neuruppin
  • Kath. HS Sozialwesen
  • Stiftung Fürst-Pückler-Museum
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  • 1
    UID:
    kobvindex_JMB00091054
    Content: Der Titel von Diane Nerwens Kurzfilm "Die große jiddische Liebe" (USA 2002) bezieht sich auf das Ufa-Melodram von 1942, "Die große Liebe". Dieser Film war einer der größten Kassenerfolge und der wohl berühmteste Film von Zarah Leander. Nerwens "Neufassung" entwickelt eine Liebesgeschichte zwischen Zarah Leander und Marlene Dietrich, wobei die Szenen der beiden Diven aus alten Ufa- und Hollywood- Produktionen stammen und die Dialoge jiddischen Filmen der 30er und 40er Jahre entnommen sind. (Website DerStandard.at, 16.6.03 zum Start des Jewish Film Festival in Berlin)
    Note: Dt. Untertitel
    Language: Yiddish
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  • 2
    AV-Medium
    AV-Medium
    Wuppertal : Edition Künstlertreff
    UID:
    kobvindex_JMB00086759
    Format: 30 cm
    Content: Seite 1 Talmudische Kasche Der Rebbe Elimelech Der Rebbe in der Jeschiwe Baj majn Rebbn Hasstu Zign, hasstu Hihner? Tzen Brider Im Ghetto Donna (Katsenelson) 's brennt, Brider, 's brennt (Mordechaj Gebirtig) Seite 2 Sog Nit Kejnmol (Text: Hirsh Glik) Shtil, die Nacht is ojsgesternt (Text: Hirsh Glik) Sarah Hirschberg Samuel Wunder Blau Und Grün In Wäldl bajm Tajchl Prominente Juden Tumbalalaika Kurfürstendamm 1938 For ich mir arojss Beerdigung Lenins Der Antisemit Chelmer Narunim Shiribim, Shiribom
    Language: Yiddish
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  • 3
    AV-Medium
    AV-Medium
    [Berlin] : Danzone - Division of Oriente Musik
    UID:
    kobvindex_JMB00091225
    Format: 1 CD , Beih.
    Content: Die Berliner Band FAYVISH bringt zusammen, was bisher sorgfältig getrennt wurde - Singer/Songwriter, Poprock und Jiddisch. Seit Juni 2007 zitieren und montieren Fabian Schnedler und seine Mitstreiter traditionelle Musik und jiddische Lyrik des 20. Jahrhunderts von Dichtergrößen wie Peretz Markish, Beyle Schaechter-Gottesman, Morris Rosenfeld oder Peretz Miranski und stellen sie in neue Zusammenhänge. Auf ihrer Debut-CD mit dem programmatischen Titel "YIDDPOP" (Yiddish Pop Music) sind 13 zeitgenössische jiddische Songs zu hören, die von Abschieden, Revolutionswut oder der "dreckigen" Stadt New York erzählen. Den sehr eigenen minimalistischen Sound der Band ergänzen als Special Guests Alan Bern (Keyboards, Melodika, Akkordeon), Paul Brody (Trompete) und Zoe Cartier (Cello).
    Language: Yiddish
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  • 4
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    UID:
    kobvindex_JMB00069126
    Format: 10 Minuten , NTSC , s/w
    Content: This short gem features Louis "Leibele" Waldman playing three different parts - first an old-world Eastern European, then a German, each auditioning to be the synagogue cantor. Displeased with what they've heard and unable to agree, the synagogue committee is visited by Leibele's agent who offers them a third alternative: a modern an American Chazan, with "pep and jazz," who can do Kol Nidre with a "two-step" and Netaneh Tokef with a "black bottom."
    Note: Original: USA, 1931; englische Untertitel
    Language: Yiddish
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  • 5
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    UID:
    kobvindex_JMB00069228
    Format: 66 Min. , NTSC , s/w
    Content: The Wandering Jew tells the story of Arthur Levi (Jacob Ben-Ami), a German-Jewish artist who experiences the new German anti-Semitism when his masterpiece, a portrait of his Polish-born father entitled The Eternal Wanderer is rejected by the Berlin Academy of Art, which also asks his resignation as professor. Later in the film the figure in the painting comes to life and tells Levi the story of the persecution of the Jewish people. The film ends with footage of an anti-Hitler rally at New York City's Madison Square Garden and Levi's resolve to bear onward in the face of adversity. The Wandering Jew is a unique find: the first American feature film to depict the situation of Jews in Nazi Germany, and the only Yiddish-language film of its era to address this subject. The film, which dramatizes the situation of German Jews, was an American-Jewish response to the Nazi regime. It was produced by Jewish American Film Arts at the Atlas Studio on Long Island, NY during the summer of 1933, just months after the Nazi rise to power in Germany. In the wake of the violence of Kristallnacht the film was given a December 1938 re-release under the title Jews in Exile, screening in RKO theaters all over the New York area. The NCJF restoration features new subtitles and represents the most complete version of the film in existence. Darsteller: Jakob Ben-Ami: Prof. Arthur Levi Natalie Browning: Gertrude M.B. Samuylow: Spirit of Arthur's father Ben Adler: Paul von Eisenon Jakob Mestel: Levi family valet Abraham Teitelbaum: Arts reporter William Epstein: Messenger
    Note: Orig.: USA, 1933. - Engl. Untertitel
    Language: Yiddish
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  • 6
    UID:
    kobvindex_JMB00071044
    Format: 103 Minuten
    Content: One of the last Yiddish films made in Poland before the Nazi invasion, this film tells the story of a mother's persistent struggles to support her three children in pre-war World War II Polish Ukraine. After her family is pulled apart by severe poverty and the turmoil of war, she and her children make their way to New York and turn to the Hebrew Immigrant Aid Society for help. Quelle: National Center for Jewish Film
    Note: 1938; deutsche Untertitel
    Language: Yiddish
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  • 7
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    UID:
    kobvindex_JMB00071482
    Format: 72 Min. , s/w
    Content: This rare, newly restored feature was originally advertised as "the first Yiddish talkie from Soviet Russia." The plot centers on Nathan Becker, a Jewish bricklayer who returns to Russia after twenty-eight years in America. After reuniting with his father (played with comic eccentricity by Solomon Mikhoels) Nathan leaves the shtetl to work in the new industrial center of Magnitogorsk. There, he soon finds that the work habits he acquired in America conflict with the Soviet system. While the film's resolution emphasizes the triumph of socialist productivity, the screenplay by Yiddish author Peretz Markish reflects the warmth and humor of the Jewish spirit.
    Note: Orig.: USSR 1932. - Engl. Untertitel
    Language: Yiddish
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  • 8
    AV-Medium
    AV-Medium
    Waltham, Mass. : National Center for Jewish Film
    UID:
    kobvindex_JMB00071483
    Format: 60 Min. , s/w
    Edition: Reissue of "Tkies Kaf/The Vow / directed by Zygmund Turkow", 1924
    Content: Few reminders are left of the vibrant Yiddish theatrical world that flourished in Warsaw in the 1920s. This film is one of them. Jewish producers were preeminent in the interwar Polish film industry but, due to the pervasive antisemitism of the early '20s, they shied away from films dealing with Jewish themes. It was not until 1924 that amateurs, Henryk Bojm and Leo Forbert, adapted a Peretz Hirshbein play for the screen. Ambitiously mounted, professionally cast, it was one of the most successful Jewish cinematic efforts undertaken up to that time. In 1933, a group of New York Yiddish actors decided to give the original 1924 gem a new lease on life. They added a narration and several new scenes (those in the tavern) which gave dramatic justification to the narrative form. A precursor to the 1937 classic, The Dybbuk, A Vilna Legend features the same classic tale of frustrated love and destiny and the breaking/fulfillment of vows. A yeshiva student and an orphan girl who are deeply in love face eternal separation even though their parents promised them to each other before birth. Only the prophet Elijah's miraculous intervention allows their parents to fulfill their vow and the couple their love.
    Note: Orig.: USA 1933. - Engl. Untertitel
    Language: Yiddish
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  • 9
    AV-Medium
    AV-Medium
    Berlin, DDR : VEB Deutsche Schallplatten
    UID:
    kobvindex_JMB00086758
    Format: Stereo , Beih. [2] Bl. , 30 cm
    Content: Seite 1 As der rebe Elimelech (Als der Rabbi Elimelech) Komposition und Text: Folklore Dem milners trern (Die Tränen des Müllers) Komposition und Text: Mark Warschawski Nisim fun rabejim (Rabbinische Wunder) Komposition und Text: Folklore Hungerik dajn ketsele (Hungrig ist dein Kätzchen) Komposition und Text: Mordechaj Gebirtig Rabojsaj (Wie lebt der Kaiser?) Komposition und Text: Folklore Schwartse karschelech (Schwarze Kirschen) Komposition und Text: Folklore In kamf (Zum Kampf) Komposition und Text: David Edelstadt Seite 2 Schustersche wajbelech (Schustersfrau) Komposition und Text: Folklore Jome, Jome Komposition und Text: Folklore Ojfn bojdem (Auf dem Boden) Komposition: Perez Hirschbein Text: Schafir Tsip tsapekl (Zip zapekl) Komposition und Text: Folklore A semerl (Ein Liedchen) Komposition und Text: Folklore Dort bajm breg fun weldl (Dort am Waldrand) Komposition: Leon Weiner Text: unbekannt 's brent (Es brennt) Komposition und Text: Mordechaj Gebirtig
    Language: Yiddish
    Author information: Jaldati, Lin
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  • 10
    AV-Medium
    AV-Medium
    [Berlin] : Hebräische Buchhandlung Hirsch Lewin
    Show associated volumes
    UID:
    kobvindex_JMB00085789
    Format: Schellackplatte, 29,5 cm
    Language: Yiddish
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